Ticket #10172: 1071_20110922195900.608-cc1.und.srt

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00:01:01,561 --> 00:01:01,561


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00:01:03,179 --> 00:01:04,481
(Charlie) ONCE UPON A TIME,
THERE WERE THREE YOUNG WOMEN

3
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WHO GOT INTO VERY BIG TROUBLE.

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(Rihanna) o/~ NA NA NA, COME ON o/~

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THE FIRST WAS A PARK AVENUE
PRINCESS TURNED THIEF.

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o/~ NA NA NA, COME ON o/~

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(Rihanna's "S&M" playing)

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o/~ NA NA NA, COME ON o/~

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THE SECOND WAS A MARINE
DECORATED FOR VALOR,

10
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COURT-MARTIALED
FOR A DEADLY MISTAKE.

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o/~ 'CAUSE I MAY BE BAD
BUT I'M PERFECTLY GOOD AT IT o/~

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o/~ STICK AND STONES
MAY BREAK MY BONES o/~

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AND THE THIRD WAS
A DEDICATED POLICE DETECTIVE

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TURNED DIRTY COP.

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o/~ NA NA NA, COME ON,
COME ON, COME ON o/~

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o/~ I LIKE IT, LIKE IT o/~

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THEY EACH MADE MISTAKES,

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BUT I GAVE THEM
A SECOND CHANCE.

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AND NOW THEY WORK FOR ME.

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MY NAME IS CHARLIE.

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o/~

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Captioned by
Closed Captioning Services, Inc.

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ANGELS, YOU'RE LOOKING
FOR A 16-YEAR-OLD RUNAWAY.

24
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HER NAME IS SARAH DANIELS.

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SHE'S BEING HELD CAPTIVE
IN A ROOM

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SOMEWHERE IN THE FALCON HOTEL.

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A NOTORIOUS CHILD TRAFFICKER
KNOWN AS "PAJARO"

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IS ATTEMPTING TO SELL HER.

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YOU HAVE TO FIND SARAH
BEFORE IT'S TOO LATE.

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(Melanie Fiona's "Bang Bang"
playing)

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o/~ FINGER ON THE TRIGGER,
LET IT BANG BANG o/~

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OH! (gasps) SORRY!

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I MANAGED TO KILL YOUR MARTINI
AND MORTALLY WOUND YOUR SHIRT.

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GOD.

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IT'S NOT, UH, IT'S NOT FATAL.

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CAN I BUY YOU A DRINK?

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o/~

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YEAH, I AM--I AM SUCH A KLUTZ,
I'D PROBABLY SPILL IT.

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ONE FASHION EMERGENCY
IS ENOUGH FOR TONIGHT.

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o/~ SO LET'S GET DOWN, BABY o/~

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o/~ OOH, I'LL BE LOCKING
AND LOADING o/~

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TAKE GOOD CARE OF HER.
I WON'T BE LONG.

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o/~ GOT MY EYE ON THE TARGET
AND I'LL MAYBE LET YOU o/~

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THANKS.

45
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o/~ SEE ME MOVING IN SILENCE o/~

46
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OKAY, LADIES. TIME TO FLY.

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YOU BUG MACKAL'S PHONE?

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(chuckles) WITH ONE HAND
BEHIND MY BACK.

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YOU IN POSITION?

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ALMOST.

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HEADED TOWARDS
THE SERVICE AREA NOW.

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GLORIA, HAS THE BUYER'S REP
TOUCHED DOWN?

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WALKING OFF HIS G6
AS WE SPEAK.

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o/~ OF THAT COLD, COLD METAL
IN MY HAND o/~

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WELCOME TO MIAMI, MR. FISK.
THANK YOU.

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(jets roaring)

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o/~ KNOW I SOUND PSYCHO o/~

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(Gloria) I got Fisk. I'm leaving
the airport now, Kate.

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(Kate)
Abby, get Bosley in position.

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I'M ON IT.

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o/~ SHE SHINING o/~

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(indistinct conversations)

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AHEM. BOSLEY?

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o/~

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(laughing
and speaking indistinctly)

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BOSLEY!

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ADULT SWIM IS OVER.

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EXCUSE ME, LADIES. DUTY CALLS.

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(speaks Norwegian)

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(speaks Norwegian)

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o/~ GOT MY EYE ON THE TARGET,
AND I'LL MAYBE LET YOU o/~

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o/~ BANG BANG o/~

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o/~ I'LL MAYBE LET YOU
BANG BANG o/~

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I'M MEETING PAJARO'S BROKER
IN 20 MINUTES

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TO PICK UP THE PACKAGE.

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I'LL E-MAIL YOU A PICTURE NOW.

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I THINK YOU'LL APPROVE.

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o/~ HOPE MY HEAD COMES DOWN
FROM THE HIGH o/~

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o/~ HIGH o/~

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(beep)
(Gloria) Bosley, you all ready?

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OKAY, GLORIA. I'M WIRED IN.
(beeps)

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BUG IS ACTIVE.
I'M READY TO TRACK THE CALLS.

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(Gloria)
OKAY, I'M GOING OFF-ROAD.

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(tires screech)

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WHAT ARE YOU DOING?! WHERE DO
YOU THINK YOU'RE TAKING ME?!

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AAH! WHAT?!

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UHH!
(cocks gun)

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AAH!
WHERE'S PAJARO'S BROKER
KEEPING THE GIRL?

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I DON'T KNOW, I SWEAR.

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OKAY! OKAY!
THE FALCON HOTEL!

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I'M MEETING HIM AT THE BAR--
A GUY NAMED MACKAL.

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ONCE IT'S CONFIRMED
BY BOSS' WIRE TRANSFER,

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HE'LL GIVE ME INSTRUCTIONS

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HOW TO GET THE PACKAGE
OUT OF THE HOTEL.

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(gunshots)
UHH!

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SHE'S NOT A PACKAGE.

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HER NAME IS SARAH.
SHE'S 16 YEARS OLD.

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I-I'M JUST THE MIDDLE MAN.
I'LL DO ANYTHING.

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YOU'RE GONNA MAKE A PHONE CALL,
AND YOU BETTER BE OSCAR-WORTHY.

100
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(cell phone rings)

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IT'S FISK. THE--THE LIMO NEVER
SHOWED. I'M JUMPING IN A CAB.

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I'LL LET MY GUYS KNOW.

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o/~

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HE'S CALLING THE HOTEL ROOM.
LOCKING DOWN THE SIGNAL.
(beeps)

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o/~

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(telephone rings)

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YEAH.

108
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SIT TIGHT.
BUYER'S REP IS RUNNING LATE.

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o/~

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(beeping)
o/~ BANG, BANG, BANG o/~

111
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I GOT IT.

112
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HE CALLED ROOM 2819.

113
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GET VISUAL CONFIRMATION
SARAH'S IN THE ROOM.
(button clicks)

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SATELLITE CAMERA
COMING ONLINE.

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OKAY, YOU GOT THREE GUYS
IN THE ROOM.

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THEY LOOK HEAVILY ARMED.

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SARAH'S ON THE BED.

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She's bound and gagged.
(zip)

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OKAY, ABBY, READY TO DO
SOME HOUSEKEEPING?

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Dropping in now.

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(doorbell rings)

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WHO IS IT?
ROOM SERVICE.

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UHH!

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(cocks gun)

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(grunts)

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(gun cocks)
UHH!

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(grunts)

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(all grunting)

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(electricity crackling)
UHH!

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LET'S GO.

131
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(grunts and cries)

132
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SHH. IT'S OKAY.

133
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YOU'RE SAFE.

134
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OKAY. THERE WE GO.

135
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WHO ARE YOU?

136
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YOU DON'T LOOK LIKE COPS.

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WE'RE NOT.

138
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WE'RE ANGELS.

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(Charlie) I spoke
to Sarah's parents, Angels.

140
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They are incredibly relieved
to have her back safe and sound.

141
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WELL, NOW THAT MACKAL'S

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BEEN HIDING BEHIND
AN ARMY OF LAWYERS,

143
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WHAT ARE THE CHANCES
HE'LL FLIP ON HIS BOSS PAJARO?

144
00:07:18,521 --> 00:07:20,206
It's doubtful
Mackal's even met him.

145
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YOU DO REALIZE THE IRONY OF THAT
COMING FROM YOU, RIGHT, CHARLIE?

146
00:07:24,127 --> 00:07:25,595
(chuckles)
(laughs)

147
00:07:25,628 --> 00:07:28,197
OH, MIAMI P.D.'s BEEN TRYING
TO NAIL PAJARO FOR YEARS.

148
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HE DOESN'T LEAVE ANY FOOTPRINTS,
ELECTRONIC OR OTHERWISE.

149
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HE'S A GHOST.

150
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GHOSTS AREN'T REAL.
THIS GUY IS AND HE NEEDS TO PAY.

151
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Don't lose sight of what
you accomplished tonight.

152
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Sarah's safe
because of you three.

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(Bosley) AHEM.

154
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And, of course, you, Bosley.

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(women chuckle)

156
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Good night, Angels.

157
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(women) GOOD NIGHT, CHARLIE.

158
00:07:51,888 --> 00:07:54,991
OKAY, TIME TO GET THE PARTY ON.
I'M SERIOUS.

159
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I'M GONNA HAVE TO PASS.

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HMM?

161
00:07:57,577 --> 00:08:01,414
I, UH, GOT
A PREVIOUS ENGAGEMENT.

162
00:08:02,432 --> 00:08:04,300
POOL BABES?

163
00:08:04,334 --> 00:08:06,703
UM...

164
00:08:06,736 --> 00:08:08,004
GOOD NIGHT.
(laughs)

165
00:08:08,037 --> 00:08:09,472
OOH!

166
00:08:09,505 --> 00:08:12,041
OKAY, WELL,
WHERE ARE WE CELEBRATING?

167
00:08:12,075 --> 00:08:13,977
UH, TIDEPOOL, RIPCORD?

168
00:08:14,060 --> 00:08:17,163
OR IF WE GO TO THE DECK,
I CAN SCORE US A V.I.P. TABLE.

169
00:08:17,163 --> 00:08:19,983
SOUNDS GOOD.
OH. IS YOUR FAVORITE BARTENDER
WORKING TONIGHT?

170
00:08:20,066 --> 00:08:21,351
SO FUNNY YOU SHOULD ASK.

171
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ACTUALLY, HIS SHIFT DOES NOT END
UNTIL 5:00 A.M.

172
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HMM.

173
00:08:26,673 --> 00:08:28,091
WHAT?

174
00:08:28,174 --> 00:08:29,859
HE'S SINGLE, HE'S STRAIGHT,
AND HE HAS A LIFE PLAN.

175
00:08:29,892 --> 00:08:31,377
MIXING MOJITOS.

176
00:08:31,377 --> 00:08:33,079
NO. HE IS SAVING HIS MONEY
TO BUY A BOAT

177
00:08:33,079 --> 00:08:35,665
AND SAIL AROUND THE WORLD.
THAT IS A PLAN.

178
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YOU DO REALIZE
THAT IS NOT A LIFE PLAN.

179
00:08:38,801 --> 00:08:41,421
OKAY, FINE. HE'S A DREAMER,
AND THAT'S SEXY.

180
00:08:41,454 --> 00:08:42,805
PLEASE, PLEASE, COME WITH ME.

181
00:08:42,839 --> 00:08:44,223
(chuckles)
ACTUALLY, GUYS,

182
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I THINK I'M GOING TO SKIP
THE VELVET ROPE TONIGHT.

183
00:08:46,809 --> 00:08:48,211
NO, YOU'RE NOT. COME ON.
YOU'RE COMING WITH US. LET'S GO.

184
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NO. NO, NO, NO, NO. REALLY,
REALLY. I-I'M COMPLETELY BEAT.

185
00:08:51,297 --> 00:08:54,550
YOU GUYS GO. GO AND HAVE
A MARGARITA FOR ME.

186
00:08:54,584 --> 00:08:57,754
WEWILL HAVE
TWO MARGARITAS FOR YOU.

187
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YOU'RE MISSING OUT.

188
00:08:59,238 --> 00:09:02,625
o/~

189
00:09:02,658 --> 00:09:05,661
I FOUND THESE IN YOUR TRASH.

190
00:09:05,695 --> 00:09:07,563
WHEN YOU SAID YOUR DAD WAS
REACHING OUT, YOU DIDN'T SAY

191
00:09:07,597 --> 00:09:09,782
IT WAS A FULL-BLOWN
LETTER WRITING CAMPAIGN.

192
00:09:09,782 --> 00:09:12,085
THE GREAT WHITE SHARK OF
WALL STREET CAN BE RELENTLESS,

193
00:09:12,085 --> 00:09:13,603
EVEN IN CAPTIVITY.

194
00:09:13,686 --> 00:09:16,272
AND I THREW THEM IN THERE
FOR A REASON,DETECTIVE.

195
00:09:16,305 --> 00:09:18,291
GOOD NIGHT. I'LL CATCH
YOU LADIES TOMORROW.

196
00:09:18,291 --> 00:09:20,810
ITISTOMORROW.

197
00:09:20,893 --> 00:09:21,911
(blows kiss)

198
00:09:21,994 --> 00:09:24,997
COME ON. IT'S YOUR DAD.

199
00:09:24,997 --> 00:09:27,066
I USED TO STEAL WARHOLS
TO GET THAT MAN'S--

200
00:09:27,100 --> 00:09:29,402
(loud explosion)
(gasps)

201
00:09:32,805 --> 00:09:34,123
GLORIA!

202
00:09:38,778 --> 00:09:41,798
(sirens wailing,
police radio chatter)

203
00:09:50,990 --> 00:09:54,477
(cries) PLEASE TELL ME
SHE'S NOT REALLY GONE...

204
00:09:54,560 --> 00:09:55,661
(sniffles)

205
00:09:55,695 --> 00:09:57,263
(cries)

206
00:09:57,263 --> 00:10:00,049
AND THAT I'M JUST GONNA WAKE UP
AND SEE HER AGAIN.

207
00:10:05,321 --> 00:10:08,708
YOU KNOW, I-I NEVER THOUGHT
MY HEART COULD...

208
00:10:08,708 --> 00:10:10,409
(cries) HURT THIS MUCH.

209
00:10:12,512 --> 00:10:15,214
SHE DOESN'T EVEN HAVE
ANY FAMILY THAT WE CAN CALL.

210
00:10:15,248 --> 00:10:17,767
(crying)

211
00:10:17,800 --> 00:10:19,102
(cries)

212
00:10:19,185 --> 00:10:21,154
(siren continues wailing)

213
00:10:21,187 --> 00:10:24,607
WE WERE HER FAMILY.

214
00:10:24,640 --> 00:10:26,626
SHE WAS OUR SISTER.

215
00:10:34,750 --> 00:10:37,003
HOW'S CHARLIE?

216
00:10:39,472 --> 00:10:40,990
DEVASTATED.

217
00:10:43,176 --> 00:10:45,695
LOSING AN ANGEL
IS HIS WORST NIGHTMARE.

218
00:10:47,997 --> 00:10:49,332
IT'S MINE, TOO.

219
00:10:52,902 --> 00:10:56,589
WE'RE GONNA FIND OUT
WHO DID THIS.

220
00:10:56,589 --> 00:10:57,874
IF IT'S THE LAST THING
WE DO.

221
00:10:57,907 --> 00:10:59,992
(sighs)

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00:11:00,009 --> 00:11:16,159


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 [

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 [ Fem

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 [ Femal

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 [ Female 

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 [ Female An

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 [ Female Anno

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 [ Female Announ

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 [ Female Announc

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 [ Female Announcer

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 [ Female Announcer ]

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 [ Female Announcer ]  

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 [ Female Announcer ]  


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 [ Female Announcer ]  
IN

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 [ Female Announcer ]  
INTR

238
00:11:23,316 --> 00:11:23,349
 [ Female Announcer ]  
INTROD

239
00:11:23,349 --> 00:11:23,382
 [ Female Announcer ]  
INTRODU

240
00:11:23,382 --> 00:11:23,416
 [ Female Announcer ]  
INTRODUCI

241
00:11:23,416 --> 00:11:23,449
 [ Female Announcer ]  
INTRODUCING

242
00:11:23,449 --> 00:11:23,482
 [ Female Announcer ]  
INTRODUCING O

243
00:11:23,482 --> 00:11:23,516
 [ Female Announcer ]  
INTRODUCING ONS

244
00:11:23,516 --> 00:11:23,549
 [ Female Announcer ]  
INTRODUCING ONSTA

245
00:11:23,549 --> 00:11:23,583
 [ Female Announcer ]  
INTRODUCING ONSTAR 

246
00:11:23,583 --> 00:11:23,616
 [ Female Announcer ]  
INTRODUCING ONSTAR FM

247
00:11:23,616 --> 00:11:23,649
 [ Female Announcer ]  
INTRODUCING ONSTAR FMV

248
00:11:23,649 --> 00:11:25,268
 [ Female Announcer ]  
INTRODUCING ONSTAR FMV.

249
00:11:25,334 --> 00:11:27,303
THE NEW WAY TO ADD THE SAFETY
   OF ONSTAR TO YOUR CAR.    

250
00:11:27,420 --> 00:11:29,605
[ Computer ] ONSTAR.
WE'RE LOOKING
FOR CITY HALL.

251
00:11:29,722 --> 00:11:31,090
I'M SENDING DIRECTIONS
     TO YOUR CAR.     

252
00:11:31,157 --> 00:11:34,544
TURN RIGHT ON HILL STREET.
  GO NORTH FOR 2 MILES.   

253
00:11:34,610 --> 00:11:37,163
o/~ o/~

254
00:11:37,230 --> 00:11:39,415
THIS IS ONSTAR. I GOT A SIGNAL
    THERE'S BEEN A CRASH.     

255
00:11:39,532 --> 00:11:40,550
DO YOU NEED HELP?

256
00:11:40,616 --> 00:11:42,235
YES, PLEASE.

257
00:11:42,251 --> 00:11:43,920
I'VE GOT YOUR GPS LOCATION.
     I'M SENDING HELP.     

258
00:11:43,986 --> 00:11:45,521
o/~ o/~

259
00:11:45,588 --> 00:11:47,256
[ Female Announcer ]
FOR A LIMITED TIME, 

260
00:11:47,323 --> 00:11:50,960
  GET AN ONSTAR FMV MIRROR   
FOR ONLY $199 AFTER $100 OFF.

261
00:11:51,027 --> 00:11:52,144
o/~ ALL RIGHT o/~

262
00:11:52,662 --> 00:11:52,695


263
00:11:52,695 --> 00:11:52,728
[ 

264
00:11:52,728 --> 00:11:52,762
[ Dr

265
00:11:52,762 --> 00:11:52,795
[ Drew

266
00:11:52,795 --> 00:11:52,828
[ Drew ]

267
00:11:52,828 --> 00:11:52,862
[ Drew ] W

268
00:11:52,862 --> 00:11:52,895
[ Drew ] WHA

269
00:11:52,895 --> 00:11:52,945
[ Drew ] WHAT'

270
00:11:52,945 --> 00:11:52,962
[ Drew ] WHAT'S TH

271
00:11:52,962 --> 00:11:53,045
[ Drew ] WHAT'S THE 

272
00:11:53,045 --> 00:11:53,062
[ Drew ] WHAT'S THE LATE

273
00:11:53,062 --> 00:11:53,195
[ Drew ] WHAT'S THE LATEST

274
00:11:53,195 --> 00:11:53,229
[ Drew ] WHAT'S THE LATEST


275
00:11:53,229 --> 00:11:53,262
[ Drew ] WHAT'S THE LATEST
IN

276
00:11:53,262 --> 00:11:53,296
[ Drew ] WHAT'S THE LATEST
IN E

277
00:11:53,296 --> 00:11:53,329
[ Drew ] WHAT'S THE LATEST
IN EYE

278
00:11:53,329 --> 00:11:53,362
[ Drew ] WHAT'S THE LATEST
IN EYE C

279
00:11:53,362 --> 00:11:53,396
[ Drew ] WHAT'S THE LATEST
IN EYE COU

280
00:11:53,396 --> 00:11:53,429
[ Drew ] WHAT'S THE LATEST
IN EYE COUTU

281
00:11:53,429 --> 00:11:53,462
[ Drew ] WHAT'S THE LATEST
IN EYE COUTURE

282
00:11:53,462 --> 00:11:55,631
[ Drew ] WHAT'S THE LATEST
IN EYE COUTURE?

283
00:11:55,631 --> 00:11:57,333
NEW Intense ShadowBlast
FROM CoverGirl.

284
00:11:57,333 --> 00:12:00,670
THE NEWS? IT'S EYE SHADOW
WITH PRIMER BUILT-IN

285
00:12:00,670 --> 00:12:01,854
SO IT LASTS!

286
00:12:01,854 --> 00:12:04,774
RICH COLOR THAT'S FADEPROOF,
WATERPROOF,

287
00:12:04,774 --> 00:12:05,858
TOTALLY IGNORE-PROOF!

288
00:12:05,858 --> 00:12:07,143
OH YES!

289
00:12:07,143 --> 00:12:08,978
WITH NEW Intense ShadowBlast

290
00:12:08,978 --> 00:12:11,814
EYE COUTURE IS READY TO WEAR
FOR HOURS!

291
00:12:11,814 --> 00:12:12,848
AND HERE'S A TIP:

292
00:12:12,848 --> 00:12:14,800
TO MAKE AN EVEN BIGGER STATEMENT

293
00:12:14,800 --> 00:12:17,086
WEAR WITH LashBlast Fusion
MASCARA

294
00:12:17,086 --> 00:12:19,755
LashBlast
AND NEW Intense ShadowBlast

295
00:12:19,755 --> 00:12:22,541
FROM EASY, BREEZY,
BEAUTIFUL CoverGirl.

296
00:12:22,642 --> 00:12:22,658
VO

297
00:12:22,658 --> 00:12:22,742
VO: 

298
00:12:22,742 --> 00:12:22,758
VO: It's

299
00:12:22,758 --> 00:12:22,842
VO: It's O

300
00:12:22,842 --> 00:12:22,858
VO: It's Old N

301
00:12:22,858 --> 00:12:22,942
VO: It's Old Nav

302
00:12:22,942 --> 00:12:22,959
VO: It's Old Navy's 

303
00:12:22,959 --> 00:12:23,042
VO: It's Old Navy's St

304
00:12:23,042 --> 00:12:23,059
VO: It's Old Navy's Storew

305
00:12:23,059 --> 00:12:23,125
VO: It's Old Navy's Storewid

306
00:12:23,125 --> 00:12:23,192
VO: It's Old Navy's Storewide

307
00:12:23,192 --> 00:12:23,226
VO: It's Old Navy's Storewide
Bu

308
00:12:23,226 --> 00:12:23,259
VO: It's Old Navy's Storewide
Buy 

309
00:12:23,259 --> 00:12:23,292
VO: It's Old Navy's Storewide
Buy On

310
00:12:23,292 --> 00:12:23,326
VO: It's Old Navy's Storewide
Buy One 

311
00:12:23,326 --> 00:12:23,359
VO: It's Old Navy's Storewide
Buy One Ge

312
00:12:23,359 --> 00:12:23,392
VO: It's Old Navy's Storewide
Buy One Get 

313
00:12:23,392 --> 00:12:23,442
VO: It's Old Navy's Storewide
Buy One Get On

314
00:12:23,442 --> 00:12:23,459
VO: It's Old Navy's Storewide
Buy One Get One 75

315
00:12:23,459 --> 00:12:23,542
VO: It's Old Navy's Storewide
Buy One Get One 75% 

316
00:12:23,542 --> 00:12:25,528
VO: It's Old Navy's Storewide
Buy One Get One 75% Off!

317
00:12:25,628 --> 00:12:26,529
Buy something!

318
00:12:26,629 --> 00:12:29,065
And get another
something 75% Off!

319
00:12:29,131 --> 00:12:32,201
Sale ends Sunday. So BO GO
before this deal is BO GONE!

320
00:12:32,301 --> 00:12:34,303
It's Buy One Get One 75% Off!

321
00:12:37,707 --> 00:12:37,790


322
00:12:37,790 --> 00:12:37,807
OUR

323
00:12:37,807 --> 00:12:37,890
OUR T

324
00:12:37,890 --> 00:12:37,974
OUR TWO

325
00:12:37,974 --> 00:12:38,007
OUR TWO


326
00:12:38,007 --> 00:12:38,090
OUR TWO
F

327
00:12:38,090 --> 00:12:38,107
OUR TWO
FAVOR

328
00:12:38,107 --> 00:12:38,190
OUR TWO
FAVORIT

329
00:12:38,190 --> 00:12:38,207
OUR TWO
FAVORITE TH

330
00:12:38,207 --> 00:12:38,291
OUR TWO
FAVORITE THIN

331
00:12:38,291 --> 00:12:38,307
OUR TWO
FAVORITE THINGS..

332
00:12:38,307 --> 00:12:39,609
OUR TWO
FAVORITE THINGS...

333
00:12:39,609 --> 00:12:41,294
...FANTASY FOOTBALL AND
PIZZA HUT'S TEN DOLLAR ANY DEAL.

334
00:12:41,294 --> 00:12:42,411
ANY PIZZA, ANY SIZE,

335
00:12:42,411 --> 00:12:44,280
ANY CRUST, ANY TOPPINGS.
JUST TEN BUCKS.

336
00:12:44,280 --> 00:12:47,400
IT'S A SWEET DEAL!
SPEAKING OF SWEET DEALS,
I'LL GIVE YOU REGGIE BUSH,

337
00:12:47,400 --> 00:12:49,502
FOR THAT PIZZA.
DONE.

338
00:12:49,502 --> 00:12:51,704
HOLD UP! YOU JUST TRADED ME
FOR A PIZZA?!

339
00:12:51,704 --> 00:12:54,507
A PIZZA HUT
SUPREME PIZZA.

340
00:12:54,507 --> 00:12:56,425
MMMMMMM.
THATWASA GREAT TRADE.

341
00:12:56,425 --> 00:12:57,526
THANKS, GUYS.

342
00:12:57,526 --> 00:12:59,528
WHAT JUST HAPPENED?

343
00:12:59,528 --> 00:13:01,097
[ Male Announcer ] RIGHT NOW,
10 DOLLARS GETS YOU ANY PIZZA,

344
00:13:01,097 --> 00:13:02,398
ANY SIZE, ANY CRUST

345
00:13:02,398 --> 00:13:03,299
AND ANY TOPPINGS.

346
00:13:03,299 --> 00:13:04,934
DELIVERY, CARRYOUT OR DINE-IN.

347
00:13:04,934 --> 00:13:06,018
ONLY 10 BUCKS

348
00:13:06,018 --> 00:13:06,919
AND ONLY AT YOUR PIZZA HUT.

349
00:13:53,215 --> 00:13:53,299
I'

350
00:13:53,299 --> 00:13:53,316
I'M SO

351
00:13:53,316 --> 00:13:53,399
I'M SOFI

352
00:13:53,399 --> 00:13:53,416
I'M SOFIA VE

353
00:13:53,416 --> 00:13:53,499
I'M SOFIA VERG

354
00:13:53,499 --> 00:13:53,516
I'M SOFIA VERGARA,

355
00:13:53,516 --> 00:13:53,599
I'M SOFIA VERGARA, A

356
00:13:53,599 --> 00:13:53,616
I'M SOFIA VERGARA, AND I

357
00:13:53,616 --> 00:13:53,716
I'M SOFIA VERGARA, AND I'M

358
00:13:53,716 --> 00:13:53,799
I'M SOFIA VERGARA, AND I'M
NO

359
00:13:53,799 --> 00:13:53,816
I'M SOFIA VERGARA, AND I'M
NOT AF

360
00:13:53,816 --> 00:13:53,899
I'M SOFIA VERGARA, AND I'M
NOT AFRA

361
00:13:53,899 --> 00:13:53,916
I'M SOFIA VERGARA, AND I'M
NOT AFRAID T

362
00:13:53,916 --> 00:13:54,000
I'M SOFIA VERGARA, AND I'M
NOT AFRAID TO 

363
00:13:54,000 --> 00:13:54,016
I'M SOFIA VERGARA, AND I'M
NOT AFRAID TO WORK

364
00:13:54,016 --> 00:13:54,100
I'M SOFIA VERGARA, AND I'M
NOT AFRAID TO WORK W

365
00:13:54,100 --> 00:13:55,418
I'M SOFIA VERGARA, AND I'M
NOT AFRAID TO WORK WITH

366
00:13:55,484 --> 00:13:58,104
WHAT I'VE GOT.

367
00:13:58,120 --> 00:14:02,825
YOU'RE A WOMAN, SO
DRESS LIKE A WOMAN.

368
00:14:02,892 --> 00:14:05,528
MY COLLECTION IS AT KMART.

369
00:14:05,644 --> 00:14:07,396
SO GO!

370
00:14:07,930 --> 00:14:07,997


371
00:14:07,997 --> 00:14:08,030
[ 

372
00:14:08,030 --> 00:14:08,064
[ Fe

373
00:14:08,064 --> 00:14:08,097
[ Fema

374
00:14:08,097 --> 00:14:08,130
[ Female

375
00:14:08,130 --> 00:14:08,214
[ Female A

376
00:14:08,214 --> 00:14:08,230
[ Female Annou

377
00:14:08,230 --> 00:14:08,314
[ Female Announc

378
00:14:08,314 --> 00:14:08,414
[ Female Announcer ]

379
00:14:08,414 --> 00:14:08,431
[ Female Announcer ]


380
00:14:08,431 --> 00:14:08,514
[ Female Announcer ]
HA

381
00:14:08,514 --> 00:14:08,531
[ Female Announcer ]
HAVE Y

382
00:14:08,531 --> 00:14:08,614
[ Female Announcer ]
HAVE YOU

383
00:14:08,614 --> 00:14:08,631
[ Female Announcer ]
HAVE YOU MET

384
00:14:08,631 --> 00:14:08,714
[ Female Announcer ]
HAVE YOU MET Y

385
00:14:08,714 --> 00:14:08,731
[ Female Announcer ]
HAVE YOU MET YOUR 

386
00:14:08,731 --> 00:14:08,798
[ Female Announcer ]
HAVE YOU MET YOUR SK

387
00:14:08,798 --> 00:14:08,831
[ Female Announcer ]
HAVE YOU MET YOUR SKIN

388
00:14:08,831 --> 00:14:08,864
[ Female Announcer ]
HAVE YOU MET YOUR SKIN T

389
00:14:08,864 --> 00:14:08,898
[ Female Announcer ]
HAVE YOU MET YOUR SKIN TWI

390
00:14:08,898 --> 00:14:09,899
[ Female Announcer ]
HAVE YOU MET YOUR SKIN TWIN?

391
00:14:09,982 --> 00:14:10,783
COVERGIRL TRUBLEND

392
00:14:10,800 --> 00:14:12,134
HAS SKIN TWIN TECHNOLOGY.

393
00:14:12,168 --> 00:14:14,353
OTHER MAKEUP CAN SIT
ON THE SURFACE OF YOUR SKIN,

394
00:14:14,353 --> 00:14:16,205
SO IT LOOKS LIKE...MAKEUP.

395
00:14:16,238 --> 00:14:18,674
BUT TRUBLEND
HAS SKIN TWIN TECHNOLOGY

396
00:14:18,708 --> 00:14:20,910
TO ACTUALLY MERGE
WITH YOUR SKIN.

397
00:14:20,976 --> 00:14:23,079
YOU GET SKIN TWIN COVERAGE
THAT'S PERFECTLY TRUE.

398
00:14:23,112 --> 00:14:25,197
AND YOU'RE MORE PERFECTLY YOU.

399
00:14:25,197 --> 00:14:27,066
[ Female Announcer ]
PLUS, WITH TRUBLEND,

400
00:14:27,066 --> 00:14:29,268
YOU ALWAYS GET A PERFECT MATCH.

401
00:14:29,268 --> 00:14:30,953
IF YOU'RE A SHADE 1 HERE,

402
00:14:31,053 --> 00:14:33,372
YOU'RE A 1 HERE...
AND HERE.

403
00:14:33,372 --> 00:14:35,391
HOW EASY BREEZY BEAUTIFUL
S THAT?

404
00:14:35,458 --> 00:14:51,574
TRUBLEND...FROM COVERGIRL.

405
00:14:53,309 --> 00:14:53,392


406
00:14:56,695 --> 00:14:59,381
(indistinct conversations)

407
00:15:01,967 --> 00:15:03,686
(man) NOTHING HERE.

408
00:15:03,719 --> 00:15:04,920
WE'RE GOOD.

409
00:15:04,970 --> 00:15:06,205
(rapid beeps)

410
00:15:06,205 --> 00:15:09,825
THEY JUST WALKED IN.
HOLD ON A SECOND.

411
00:15:09,909 --> 00:15:11,260
(man)
WE'RE CLEAN ON THIS SIDE.
CAN WE HAVE THE ROOM?

412
00:15:11,293 --> 00:15:12,395
(man) PHIL,
LET'S GET OUT OF HERE.

413
00:15:12,478 --> 00:15:14,397
CLEAR THE ROOM.

414
00:15:16,298 --> 00:15:18,067
(man speaks indistinctly)

415
00:15:18,100 --> 00:15:19,668
(Bosley) OKAY, CHARLIE.
(door closes)

416
00:15:19,702 --> 00:15:22,671
Bosley updated me.
Thank God you're okay.

417
00:15:22,705 --> 00:15:23,906
WHO WERE THOSE PEOPLE?

418
00:15:23,989 --> 00:15:25,274
It's just a precaution.

419
00:15:25,307 --> 00:15:26,909
They're sweeping the agency.

420
00:15:26,992 --> 00:15:29,695
I sent teams to your homes
as well.

421
00:15:29,695 --> 00:15:31,514
YOU THINK WE'RE BEING TARGETED?

422
00:15:31,597 --> 00:15:33,115
I can't confirm that you're not.

423
00:15:33,199 --> 00:15:34,817
Gloria was family,

424
00:15:34,900 --> 00:15:38,204
and her murder
is our most personal case.

425
00:15:38,204 --> 00:15:39,622
I need to know
you're up for the fight.

426
00:15:39,705 --> 00:15:42,024
BRING IT ON.

427
00:15:42,108 --> 00:15:43,526
Just remember,

428
00:15:43,609 --> 00:15:45,327
you're Angels of justice,

429
00:15:45,411 --> 00:15:48,013
not Angels of vengeance.

430
00:15:48,013 --> 00:15:49,732
CHECK THIS OUT.

431
00:15:52,435 --> 00:15:55,004
I GAVE THE COPS ACCESS
TO ALL OF OUR SECURITY CAMERAS,

432
00:15:55,037 --> 00:15:56,338
EXCEPT THESE.

433
00:15:56,422 --> 00:15:58,207
SENDING IT TO YOU NOW.

434
00:15:58,240 --> 00:16:01,977
THIS IS HALF AN HOUR BEFORE
YOU GUYS LEFT THE BUILDING.

435
00:16:02,011 --> 00:16:03,329
CHECK OUT
THE WOMAN ON THE MOTORCYCLE

436
00:16:03,329 --> 00:16:04,930
SCOPING GLORIA'S CAR.

437
00:16:04,930 --> 00:16:06,415
SHE SPLIT
RIGHT AFTER THE EXPLOSION,

438
00:16:06,449 --> 00:16:09,318
DIDN'T CALL 9-1-1 OR STICK
AROUND AND WAIT FOR THE POLICE

439
00:16:09,351 --> 00:16:11,320
AND TALK TO THEM.
SHE JUST... TOOK OFF.

440
00:16:11,353 --> 00:16:13,539
WHAT'S THAT'S SHADOW
ON THE BACK OF HER NECK?

441
00:16:13,539 --> 00:16:16,859
(beeping)

442
00:16:16,942 --> 00:16:18,461
LOOK AT THE INK.

443
00:16:18,544 --> 00:16:19,829
SAME AS GLORIA'S.

444
00:16:19,862 --> 00:16:22,665
MEANS THEY WERE MEMBERS
OF THE SAME CAR BOOSTING CREW.

445
00:16:22,748 --> 00:16:24,850
I DON'T GET IT. GLORIA WAVED
GOOD-BYE TO THAT LIFE

446
00:16:24,850 --> 00:16:27,670
WHEN SHE ENLISTED
WITH UNCLE SAM.

447
00:16:27,753 --> 00:16:29,371
BOS, RUN HER FACE

448
00:16:29,455 --> 00:16:32,241
AGAINST THE MIAMI-DADE
AUTO THEFT DATABASE.

449
00:16:32,274 --> 00:16:34,977
LOG IN
UNDER DETECTIVE RAY GOODSON,

450
00:16:35,060 --> 00:16:36,378
BADGE 4-1-9-7-6.

451
00:16:36,462 --> 00:16:37,646
YOU'RE EX-FIANCE?

452
00:16:37,680 --> 00:16:39,682
YES.

453
00:16:39,765 --> 00:16:41,250
GUESS I CAN TAKE
IMPERSONATING A POLICE OFFICER

454
00:16:41,283 --> 00:16:43,185
OFF MY BUCKET LIST. PASSWORD?

455
00:16:43,269 --> 00:16:44,653
ALWAYS USES HIS BIRTHDAY.

456
00:16:44,687 --> 00:16:48,057
12-4-80.

457
00:16:48,090 --> 00:16:49,158
(beeps)

458
00:16:49,191 --> 00:16:50,359
ACCESS GRANTED.

459
00:16:51,894 --> 00:16:53,078
(beeps)

460
00:16:53,078 --> 00:16:55,197
EVE FRENCH--
PLEADED NO CONTEST

461
00:16:55,281 --> 00:16:58,334
TO GRAND THEFT AUTO
AND MANSLAUGHTER IN '05.

462
00:16:58,367 --> 00:17:00,736
STOLE A LAMBORGHINI,
GOT INTO A HIGH-SPEED CHASE,

463
00:17:00,769 --> 00:17:05,407
ENDED UP... HITTING A CAB
AND KILLING THE DRIVER.

464
00:17:05,491 --> 00:17:08,210
DID FOUR YEARS AT TALLAHASSEE
WOMEN'S CORRECTIONAL.

465
00:17:08,294 --> 00:17:09,879
HOW LONG SHE BEEN BACK
IN MIAMI?

466
00:17:09,912 --> 00:17:11,597
PAROLED SIX MONTHS AGO.

467
00:17:11,597 --> 00:17:14,717
LIVES ON A HOUSEBOAT,
BISCAYNE MARINA.

468
00:17:14,800 --> 00:17:17,219
WHY WOULD SHE WANT
GLORIA DEAD?

469
00:17:17,303 --> 00:17:18,888
LET'S GO ASK HER.

470
00:17:20,489 --> 00:17:22,758
(clicking)

471
00:17:22,791 --> 00:17:25,895
WHOA, WHOA.
REMEMBER WHAT CHARLIE SAID.

472
00:17:25,978 --> 00:17:28,631
WHAT? THESE ARE
JUST CONVERSATION STARTERS.

473
00:17:28,664 --> 00:17:29,965
GUYS.

474
00:17:29,999 --> 00:17:31,267
JUST...

475
00:17:31,300 --> 00:17:33,068
BE CAREFUL.

476
00:17:35,487 --> 00:17:37,072
FOR ME.

477
00:18:04,183 --> 00:18:05,184
(door bangs)

478
00:18:05,217 --> 00:18:08,053
(both grunting)

479
00:18:14,660 --> 00:18:15,744
(cocks gun)

480
00:18:15,828 --> 00:18:18,213
OKAY, CALM DOWN.
WE JUST WANNA TALK.

481
00:18:18,247 --> 00:18:20,132
TRY KNOCKING NEXT TIME.

482
00:18:20,132 --> 00:18:21,917
WHY DID YOU KILL GLORIA?

483
00:18:21,951 --> 00:18:23,402
I DIDN'T.

484
00:18:23,402 --> 00:18:24,520
THEN WHY WERE YOU
IN STALKER MODE

485
00:18:24,553 --> 00:18:25,938
OUTSIDE THE AGENCY LAST NIGHT?

486
00:18:25,938 --> 00:18:27,256
WE CAUGHT YOU ON TAPE
FLEEING THE SCENE.

487
00:18:27,339 --> 00:18:28,624
THAT DOESN'T MAKE ME GUILTY.

488
00:18:28,657 --> 00:18:30,559
INNOCENT PEOPLE
DON'T USUALLY RUN AWAY.

489
00:18:30,643 --> 00:18:33,395
I'M NOT PLAYING THIS GAME.
GLORIA WAS LIKE A SISTER TO ME.

490
00:18:33,429 --> 00:18:35,714
(helicopter whirring)

491
00:18:35,714 --> 00:18:37,750
WE NEED TO MOVE.

492
00:18:40,703 --> 00:18:42,121
NOW!

493
00:18:42,154 --> 00:18:45,140
(machine gunfire)

494
00:18:51,347 --> 00:18:53,782
(gunfire continues)

495
00:19:01,423 --> 00:19:03,192
(gunfire stops)

496
00:19:03,225 --> 00:19:05,778
ALL RIGHT, WE GOT 'EM!
WE GOT 'EM.

497
00:19:12,601 --> 00:19:14,236
(gasps) OH!

498
00:19:14,320 --> 00:19:16,205
AH! (coughs)

499
00:19:16,238 --> 00:19:17,339
(gasps)

500
00:19:21,026 --> 00:19:22,945
WHO WERE THOSE SHOOTERS?

501
00:19:23,028 --> 00:19:24,680
IN CASE YOU MISSED IT,
THEY TRIED TO KILL ME, TOO.

502
00:19:24,713 --> 00:19:26,482
LOOK--
EASY, ABBS.

503
00:19:26,515 --> 00:19:27,983
LET'S DO THIS
BACK AT THE OFFICE.

504
00:19:28,017 --> 00:19:30,903
NO, SHE STARTS FILLING IN
THE BLANKS RIGHT NOW.

505
00:19:30,903 --> 00:19:33,622
I GOT A TEXT FROM GLORIA.

506
00:19:33,706 --> 00:19:35,124
SHE WANTED ME TO MEET HER
AFTER WORK.

507
00:19:35,207 --> 00:19:37,710
THEN WHY NOT COME IN INSTEAD
OF LURKING AROUND ON THE STREET?

508
00:19:37,710 --> 00:19:39,194
I'M SHY.

509
00:19:39,228 --> 00:19:41,030
(scoffs)

510
00:19:41,063 --> 00:19:42,481
HEY, DID SHE SAY
WHAT SHE WANTED?

511
00:19:42,481 --> 00:19:44,099
PERSONAL CASE
SHE WAS WORKING ON.

512
00:19:44,183 --> 00:19:46,402
SHE WANTED
TO SHOW ME SOMETHING.

513
00:19:46,485 --> 00:19:49,738
(sirens wailing in distance)

514
00:19:49,772 --> 00:19:52,758
DEAL WITH THEM OR COME WITH US.

515
00:19:52,758 --> 00:19:54,960
IT'S YOUR CALL.

516
00:19:54,977 --> 00:20:01,483


517
00:20:01,583 --> 00:20:01,667


518
00:20:01,667 --> 00:20:01,683
[ 

519
00:20:01,683 --> 00:20:01,767
[ Ma

520
00:20:01,767 --> 00:20:01,784
[ Male A

521
00:20:01,784 --> 00:20:01,817
[ Male Ann

522
00:20:01,817 --> 00:20:01,850
[ Male Annou

523
00:20:01,850 --> 00:20:01,884
[ Male Announc

524
00:20:01,884 --> 00:20:01,917
[ Male Announcer

525
00:20:01,917 --> 00:20:01,984
[ Male Announcer ]

526
00:20:01,984 --> 00:20:02,051
[ Male Announcer ]


527
00:20:02,051 --> 00:20:02,084
[ Male Announcer ]
UN

528
00:20:02,084 --> 00:20:02,117
[ Male Announcer ]
UNDE

529
00:20:02,117 --> 00:20:02,151
[ Male Announcer ]
UNDENI

530
00:20:02,151 --> 00:20:02,184
[ Male Announcer ]
UNDENIAB

531
00:20:02,184 --> 00:20:02,217
[ Male Announcer ]
UNDENIABLY

532
00:20:02,217 --> 00:20:02,251
[ Male Announcer ]
UNDENIABLY C

533
00:20:02,251 --> 00:20:02,284
[ Male Announcer ]
UNDENIABLY COL

534
00:20:02,284 --> 00:20:02,317
[ Male Announcer ]
UNDENIABLY COLOR

535
00:20:02,317 --> 00:20:02,351
[ Male Announcer ]
UNDENIABLY COLORFU

536
00:20:02,351 --> 00:20:03,769
[ Male Announcer ]
UNDENIABLY COLORFUL,

537
00:20:03,802 --> 00:20:06,271
SERIOUSLY SMOOTH
AND IN EXCELLENT CONDITION...

538
00:20:06,271 --> 00:20:07,456
THOSE ARE YOUR LIPS

539
00:20:07,489 --> 00:20:09,808
WITH COVERGIRL
LIP PERFECTION.

540
00:20:09,842 --> 00:20:11,777
IT DOESN'T JUST GIVE YOU
BEAUTIFUL COLOR NOW,

541
00:20:11,810 --> 00:20:14,963
IT GIVES YOU MORE BEAUTIFUL LIPS
IN 7 DAYS.

542
00:20:14,997 --> 00:20:18,434
IN A SINGLE STROKE,
RICHCOLOR ROCKS YOUR LIPS.

543
00:20:18,467 --> 00:20:21,203
IN A SINGLE WEEK,
"THE SILK MOISTURIZING COMPLEX

544
00:20:21,236 --> 00:20:23,105
HELPS SMOOTH AND SOFTEN THEM.

545
00:20:23,188 --> 00:20:24,406
HOW PERFECT!

546
00:20:24,440 --> 00:20:26,175
[ Male Announcer ]
LIP PERFECTION.

547
00:20:26,258 --> 00:20:27,810
IN 44 LIP PERFECTING SHADES

548
00:20:27,843 --> 00:20:30,729
FROM EASY, BREEZE, BEAUTIFUL...
COVEGIRL.

549
00:21:31,406 --> 00:21:32,875
GGGGGGGGGG

550
00:21:32,908 --> 00:21:34,176
PASTA BOWL IS ALMOST OVER.

551
00:21:34,209 --> 00:21:36,094
FOR JUST $8.95 TRY NEW SAUCES

552
00:21:36,094 --> 00:21:37,980
LIKE ROASTED MUSHROOM PARMESAN

553
00:21:38,013 --> 00:21:39,414
AND HEARTY PIZZAIOLA MEAT.

554
00:21:39,498 --> 00:21:41,283
CHOOSE ALL THE SAUCE AND
PASTA COMBINATIONS YOU WANT

555
00:21:41,316 --> 00:21:42,918
JUST
$8.95,

556
00:21:43,001 --> 00:21:44,403
WITH UNLIMITED
SALAD AND BREADSTICKS.

557
00:21:44,403 --> 00:21:46,772
SO HURRY IN TO OLIVE GARDEN.

558
00:21:47,105 --> 00:21:47,206


559
00:21:47,206 --> 00:21:47,239
[ 

560
00:21:47,239 --> 00:21:47,272
[ Ma

561
00:21:47,272 --> 00:21:47,306
[ Male

562
00:21:47,306 --> 00:21:47,339
[ Male A

563
00:21:47,339 --> 00:21:47,372
[ Male Ann

564
00:21:47,372 --> 00:21:47,406
[ Male Annou

565
00:21:47,406 --> 00:21:47,439
[ Male Announc

566
00:21:47,439 --> 00:21:47,473
[ Male Announcer

567
00:21:47,473 --> 00:21:47,606
[ Male Announcer ]

568
00:21:47,606 --> 00:21:47,706
[ Male Announcer ]


569
00:21:47,706 --> 00:21:47,739
[ Male Announcer ]
TH

570
00:21:47,739 --> 00:21:47,773
[ Male Announcer ]
THIS

571
00:21:47,773 --> 00:21:47,806
[ Male Announcer ]
THIS I

572
00:21:47,806 --> 00:21:47,840
[ Male Announcer ]
THIS IS 

573
00:21:47,840 --> 00:21:47,873
[ Male Announcer ]
THIS IS TH

574
00:21:47,873 --> 00:21:47,923
[ Male Announcer ]
THIS IS THE 

575
00:21:47,923 --> 00:21:47,956
[ Male Announcer ]
THIS IS THE NE

576
00:21:47,956 --> 00:21:47,990
[ Male Announcer ]
THIS IS THE NETW

577
00:21:47,990 --> 00:21:48,023
[ Male Announcer ]
THIS IS THE NETWOR

578
00:21:48,023 --> 00:21:48,974
[ Male Announcer ]
THIS IS THE NETWORK.

579
00:21:48,974 --> 00:21:50,125
A NETWORK OF POSSIBILITIES...

580
00:21:50,125 --> 00:21:54,530
o/~ o/~

581
00:21:54,530 --> 00:21:57,382
IN HERE, PETS NEVER GET LOST.

582
00:21:57,382 --> 00:21:58,884
o/~ o/~

583
00:21:58,884 --> 00:22:02,905
IN HERE, EVERY CONTINENT
FITS IN ONE ROOM.

584
00:22:02,905 --> 00:22:05,407
IT WAS FUN,
WE PLAYED FOOTBALL OUTSIDE.

585
00:22:05,407 --> 00:22:06,792
WHY ARE YOU SITTING
IN THE DARK?

586
00:22:06,792 --> 00:22:08,794
o/~ o/~

587
00:22:08,794 --> 00:22:11,547
[ Male Announcer ] IN HERE,
YOU'RE NEVER AWAY FROM HOME.

588
00:22:11,547 --> 00:22:13,182
IT'S THE AT&T NETWORK.

589
00:22:13,182 --> 00:22:29,348
AND WHAT'S POSSIBLE IN HERE
IS ALMOST IMPOSSIBLE TO SAY.

590
00:23:53,081 --> 00:23:55,250
YOU GIRLS DECENT?

591
00:23:55,334 --> 00:23:57,002
(Abby) YEAH,
I JUST UPDATED CHARLIE.

592
00:23:57,035 --> 00:24:00,806
I'VE GOT GLORIA'S PHONE RECORDS.
SHE TEXTED EVE AT 12:35 A.M.

593
00:24:00,806 --> 00:24:03,392
WOW. SHE WASN'T LYING
ABOUT YOUR MAD HACKING SKILLS.

594
00:24:03,425 --> 00:24:05,611
OKAY, UH, I'M NOT A BIG FAN
OF THE "H" WORD.

595
00:24:05,611 --> 00:24:06,895
IT'S LIKE TELLING PICASSO

596
00:24:06,929 --> 00:24:08,597
HE'S GOOD AT THROWING PAINT
ONTO A CANVAS.

597
00:24:08,630 --> 00:24:10,933
WAIT. GLORIA TALKED TO YOU
ABOUT US?

598
00:24:11,016 --> 00:24:13,418
SAID YOU WERE THE BEST CREW
SHE EVER HAD.

599
00:24:13,418 --> 00:24:15,437
SHE NEVER MENTIONED YOU ONCE.

600
00:24:15,520 --> 00:24:17,522
THAT DOESN'T MEAN
WE WEREN'T CLOSE.

601
00:24:17,522 --> 00:24:19,241
I MET GLORIA WHEN I WAS 5.

602
00:24:19,324 --> 00:24:21,643
ST. THERESA'S ORPHANAGE 
IN EL SALVADOR.

603
00:24:21,727 --> 00:24:23,712
HOW DID YOU END UP
IN CENTRAL AMERICA?

604
00:24:23,745 --> 00:24:25,714
MY PARENTS WERE AID WORKERS.

605
00:24:25,747 --> 00:24:28,016
THEY WERE KILLED
IN THE CIVIL WAR DOWN THERE.

606
00:24:28,050 --> 00:24:29,434
WHEN I GOT TO ST. T.'s,

607
00:24:29,434 --> 00:24:31,637
GLORIA TOOK ME UNDER HER WING
AND PROTECTED ME.

608
00:24:31,637 --> 00:24:34,940
WOW. FROM ORPHAN TO CAR THIEF
TO JAILBIRD.

609
00:24:34,940 --> 00:24:36,758
YOU SHOULD HAVE
YOUR OWN REALITY SHOW.

610
00:24:38,543 --> 00:24:40,646
I'M NOT BITTER ABOUT
THE CARDS I'VE BEEN DEALT.

611
00:24:40,646 --> 00:24:44,566
IF YOU WANNA SURVIVE,
YOU HAVE TO ADAPT.

612
00:24:44,650 --> 00:24:47,569
IS THAT WHAT YOU'RE DOING
RIGHT NOW?

613
00:24:47,653 --> 00:24:48,954
I KNOW YOU'RE UPSET

614
00:24:48,954 --> 00:24:50,839
BECAUSE GLORIA CAME TO ME
INSTEAD OF YOU.

615
00:24:50,872 --> 00:24:53,859
BUT THE FACT THAT YOUR FEELINGS
ARE HURT ISN'T MY PROBLEM.

616
00:24:53,859 --> 00:24:55,677
DING DING!

617
00:24:55,761 --> 00:24:57,062
LOVE A CATFIGHT, BUT, LADIES,

618
00:24:57,062 --> 00:24:58,964
PLEASE, BACK TO YOUR CORNERS.
MM.

619
00:25:01,183 --> 00:25:02,951
EVE, ACCORDING TO
HER PHONE RECORDS,

620
00:25:02,985 --> 00:25:04,670
YOU TWO HAVE BEEN
TALKING A LOT RECENTLY.

621
00:25:04,670 --> 00:25:06,488
YEAH. WHEN I GOT PAROLED,

622
00:25:06,571 --> 00:25:09,074
GLORIA WAS HELPING ME
GET BACK ON MY FEET.

623
00:25:09,074 --> 00:25:10,575
I SWEPT HER HARD DRIVE,

624
00:25:10,575 --> 00:25:12,577
IF SHE WAS WORKING A CASE ON
HER DOWNTIME, SHE LEFT NO TRACE.

625
00:25:12,577 --> 00:25:13,695
(sighs)

626
00:25:13,779 --> 00:25:16,081
DO YOU HAVE ANY IDEA
WHAT SHE WANTED TO SHOW YOU?

627
00:25:16,081 --> 00:25:19,484
NO, BUT I THINK WE SHOULD
GO CHECK OUT HER APARTMENT.

628
00:25:20,702 --> 00:25:22,604
LET'S DO IT.

629
00:25:28,143 --> 00:25:30,095
(gears shift)

630
00:25:30,095 --> 00:25:31,680
SINCE WHEN CAN THE COPS
SPARE EXTRA UNIFORMS

631
00:25:31,713 --> 00:25:33,682
TO BABYSIT
A VICTIM'S APARTMENT?

632
00:25:33,715 --> 00:25:36,101
LET'S FIND A WAY IN.
YEAH.

633
00:25:40,822 --> 00:25:43,125
(Abby) THAT'S GLORIA'S BALCONY,
THIRD FLOOR.

634
00:25:43,208 --> 00:25:45,727
LADIES, I GOT THIS.

635
00:25:45,811 --> 00:25:47,212
HAND ME THE PRADA.

636
00:25:53,201 --> 00:25:57,089
ABBY PUT THE "CAT"
IN "CAT BURGLAR."

637
00:26:20,095 --> 00:26:21,563
(Abby scoffs)

638
00:26:21,646 --> 00:26:24,232
NOW THE DOUGHNUT PATROL
MAKES SENSE.

639
00:26:24,266 --> 00:26:26,935
SOMEBODY MADE IT
A CRIME SCENE.

640
00:26:26,968 --> 00:26:29,454
BUT WHY TRASH HER PLACE?

641
00:26:42,617 --> 00:26:45,387
THEY EVEN GUTTED HER GATOR.

642
00:26:45,420 --> 00:26:47,489
I GAVE THIS TO HER
LAST CHRISTMAS.

643
00:26:49,908 --> 00:26:52,094
THIS IS POINTLESS.

644
00:26:52,127 --> 00:26:54,429
I WOULDN'T SAY THAT.
YOU GROW UP IN AN ORPHANAGE,

645
00:26:54,513 --> 00:26:56,431
YOU LEARN HOW TO HIDE THINGS
THAT ARE VALUABLE.

646
00:27:03,188 --> 00:27:04,372
HEY, GUYS.

647
00:27:04,406 --> 00:27:06,992
SINCE WHEN DID
GLORIA HAVE A CAT?

648
00:27:06,992 --> 00:27:08,110
SHE DIDN'T.

649
00:27:08,193 --> 00:27:09,878
YEAH, SHE'S ALLERGIC.

650
00:27:09,911 --> 00:27:11,913
THEN WHAT'S SHE DOING
WITH A KITTY LITTER BOX?

651
00:27:16,835 --> 00:27:18,553
(grunts)

652
00:27:24,376 --> 00:27:25,727
THAT'S MY GIRL.

653
00:27:27,162 --> 00:27:29,965
NUNS FORCE YOU TO BE CRAFTY.

654
00:27:30,048 --> 00:27:33,552
IT'S A CLASS "A" FLOOR SAFE.

655
00:27:33,552 --> 00:27:35,837
BLAST-RESISTANT,
BIOMETRIC LOCK.

656
00:27:35,871 --> 00:27:36,938
LAST TIME
I CRACKED ONE OF THESE,

657
00:27:36,972 --> 00:27:38,440
IT WAS UNDER TWO MINUTES--

658
00:27:38,507 --> 00:27:42,127
BUT THAT WAS AFTER TWO COSMOS,
AND I WAS HANGING UPSIDE-DOWN.

659
00:27:42,127 --> 00:27:43,228
(laughs)

660
00:27:44,830 --> 00:27:47,249
(beeps)

661
00:27:51,937 --> 00:27:55,957
(beeping)

662
00:27:56,041 --> 00:27:57,826
(lock chirps)

663
00:27:57,859 --> 00:28:00,462
(beeps)

664
00:28:00,545 --> 00:28:02,130
(whoosh)

665
00:28:06,952 --> 00:28:08,770
(metal clinks)

666
00:28:10,038 --> 00:28:13,425
I KNOW THIS BOX.
THIS WAS HER MOM'S.

667
00:28:13,425 --> 00:28:15,744
AT ST. T.'s ORPHANAGE,
SHE NEVER LET IT GO.

668
00:28:17,329 --> 00:28:19,514
IT'S A D.N.A. ANALYSIS REPORT.

669
00:28:19,548 --> 00:28:22,434
CAME BACK YESTERDAY.
GLORIA HAD TWO SAMPLES TESTED.

670
00:28:22,434 --> 00:28:24,352
A FLAKE OF BLOOD FROM THE BOX
AND...

671
00:28:24,436 --> 00:28:25,921
(plastic bag crinkles)

672
00:28:25,954 --> 00:28:27,739
SALIVA FROM THIS SHOT GLASS.

673
00:28:27,739 --> 00:28:30,025
LET'S SEE.

674
00:28:31,326 --> 00:28:33,061
CLUB CYPHER.

675
00:28:33,144 --> 00:28:35,997
THAT'S ON 10th AND COLLINS.

676
00:28:36,031 --> 00:28:38,934
THE TWO SAMPLES MATCH.
I WONDER WHO THE BIG WINNER IS.

677
00:28:50,061 --> 00:28:52,180
THIS IS NESTOR RODRIGO.

678
00:28:53,365 --> 00:28:56,067
WHY WOULD GLORIA
BE TRACKING HIM?

679
00:28:56,067 --> 00:28:59,187
OH, MY GOD. SHE FOUND HIM.

680
00:28:59,271 --> 00:29:00,855
FOUND WHO?

681
00:29:00,889 --> 00:29:03,174
PAJARO.

682
00:29:06,094 --> 00:29:07,562
HOW DO YOU KNOW ABOUT HIM?

683
00:29:07,596 --> 00:29:11,483
IT'S A LONG STORY. BUT I HAD
NO IDEA SHE TRACKED HIM DOWN.

684
00:29:11,483 --> 00:29:15,170
TIME-OUT.
RODRIGO'S A MULTIMILLIONAIRE.

685
00:29:15,203 --> 00:29:17,973
HE THROWS MORE WHITE PARTIES
THAN DIDDY.

686
00:29:18,006 --> 00:29:20,008
YOU SURE HE'S PAJARO?

687
00:29:20,091 --> 00:29:22,394
I SWEAR ON MY LIFE.

688
00:29:24,296 --> 00:29:25,880
WE NEED TO CALL BOS.

689
00:29:25,914 --> 00:29:29,117
YEAH, WE NEED TO LOOP IN
CHARLIE.

690
00:29:29,150 --> 00:29:31,019
HEY! COME ON!
DROP THE GUN!

691
00:29:31,052 --> 00:29:32,621
GIVE ME YOUR KEYS.
EVE.

692
00:29:34,039 --> 00:29:36,491
EVE, WHAT ARE YOU DOING?

693
00:29:36,524 --> 00:29:38,310
KEEPING A PROMISE I MADE
TO GLORIA A LONG TIME AGO.

694
00:29:38,310 --> 00:29:40,428
I'M SERIOUS.

695
00:29:40,512 --> 00:29:42,998
WHAT PROMISE DID YOU MAKE?

696
00:29:43,031 --> 00:29:44,916
TO KILL PAJARO.

697
00:29:46,635 --> 00:29:51,022
EVE, PUT THE GUN DOWN.
LET'S JUST TALK THIS THROUGH.

698
00:29:51,022 --> 00:29:53,024
THERE'S NOTHING TO TALK ABOUT.

699
00:29:53,024 --> 00:29:55,043
THAT'S WHY GLORIA CALLED ME
THE OTHER NIGHT.

700
00:29:55,126 --> 00:29:56,244
SO WHAT'S YOUR BIG PLAN?

701
00:29:56,328 --> 00:29:58,546
ROLL UP TO CLUB CYPHER
AND BLOW RODRIGO AWAY?

702
00:29:58,630 --> 00:29:59,948
HE HAS TO PAY.

703
00:30:00,031 --> 00:30:01,349
WE LOVED GLORIA, TOO.

704
00:30:01,433 --> 00:30:03,418
WE WANNA GET JUSTICE,
BUT THIS ISN'T THE WAY TO DO IT.

705
00:30:03,451 --> 00:30:06,354
YOU HAVE NO IDEA WHAT HE'S DONE.

706
00:30:06,438 --> 00:30:08,757
HOW ABOUT TRAFFICKING
UNDERAGE GIRLS?

707
00:30:10,058 --> 00:30:12,243
HE WAS BEHIND A CASE
WE JUST BROKE.

708
00:30:12,260 --> 00:30:13,845
16-YEAR-OLD RUNAWAY.

709
00:30:13,845 --> 00:30:15,847
WE MANAGED TO HELP HER,

710
00:30:15,847 --> 00:30:18,733
BUT THERE WERE OTHERS
WE COULDN'T SAVE.

711
00:30:20,552 --> 00:30:22,671
WE CAN RESCUE THEM,

712
00:30:22,754 --> 00:30:25,357
THEN TAKE DOWN
PAJARO'S ENTIRE OPERATION,

713
00:30:25,357 --> 00:30:27,275
BUT NOT IF YOU KILL HIM.

714
00:30:28,660 --> 00:30:30,078
HE CAN'T HURT ANOTHER GIRL.

715
00:30:31,763 --> 00:30:34,482
HE WON'T.
YOU HAVE OUR WORD.

716
00:30:47,679 --> 00:30:47,779


717
00:30:47,779 --> 00:30:47,796
[ M

718
00:30:47,796 --> 00:30:47,879
[ Mal

719
00:30:47,879 --> 00:30:47,896
[ Male An

720
00:30:47,896 --> 00:30:47,979
[ Male Anno

721
00:30:47,979 --> 00:30:47,996
[ Male Announce

722
00:30:47,996 --> 00:30:48,079
[ Male Announcer 

723
00:30:48,079 --> 00:30:48,163
[ Male Announcer ]

724
00:30:48,163 --> 00:30:48,279
[ Male Announcer ]


725
00:30:48,279 --> 00:30:48,296
[ Male Announcer ]
S

726
00:30:48,296 --> 00:30:48,380
[ Male Announcer ]
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727
00:30:48,380 --> 00:30:48,396
[ Male Announcer ]
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728
00:30:48,396 --> 00:30:48,480
[ Male Announcer ]
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729
00:30:48,480 --> 00:30:48,496
[ Male Announcer ]
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730
00:30:48,496 --> 00:30:48,580
[ Male Announcer ]
SPRINT INTRODUC

731
00:30:48,580 --> 00:30:49,364
[ Male Announcer ]
SPRINT INTRODUCES

732
00:30:49,364 --> 00:30:50,999
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733
00:30:50,999 --> 00:30:54,002
NOW ANYONE CAN WATCH
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734
00:30:54,002 --> 00:30:56,571
CUT, GUYS. UH, WE'RE NOT
MAKING EFFECTIVE USE

735
00:30:56,571 --> 00:30:58,106
OF THE 3D TECHNOLOGY.

736
00:30:58,106 --> 00:30:59,574
I THINK I CAN HELP.

737
00:30:59,574 --> 00:31:01,142
YOU STAND OVER THERE
AND FILM DADDY.

738
00:31:01,142 --> 00:31:02,077
VOLLEY FOR SERVE.

739
00:31:03,712 --> 00:31:04,979
WHAT WAS THAT?!

740
00:31:04,979 --> 00:31:08,083
THAT WAS 3D GOLD.
THAT'S WHAT THAT WAS.

741
00:31:08,083 --> 00:31:10,001
o/~ o/~

742
00:31:10,001 --> 00:31:12,604
[ Male Announcer ]
LET'S MAKE HOMEMADE 3D
THE NEXT BIG THING.

743
00:31:12,604 --> 00:31:15,306
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744
00:31:15,306 --> 00:31:16,825
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VISIT SPRINTRELAY.COM

745
00:31:17,992 --> 00:31:18,026
[ 

746
00:31:18,026 --> 00:31:18,109
[ Dr

747
00:31:18,109 --> 00:31:18,209
[ Drew ]

748
00:31:18,209 --> 00:31:18,226
[ Drew ]
GI

749
00:31:18,226 --> 00:31:18,309
[ Drew ]
GIVE

750
00:31:18,309 --> 00:31:18,326
[ Drew ]
GIVE ME 

751
00:31:18,326 --> 00:31:18,410
[ Drew ]
GIVE ME VO

752
00:31:18,410 --> 00:31:18,426
[ Drew ]
GIVE ME VOLUME

753
00:31:18,426 --> 00:31:19,627
[ Drew ]
GIVE ME VOLUME.

754
00:31:20,311 --> 00:31:21,596
NOT CLUMPS OR GAPS.

755
00:31:21,629 --> 00:31:23,198
THE ANSWER...

756
00:31:23,231 --> 00:31:24,699
IT'S ALL IN THE WRAP.

757
00:31:25,300 --> 00:31:29,037
COVERGIRL INTRODUCES
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758
00:31:29,120 --> 00:31:30,422
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759
00:31:30,422 --> 00:31:33,725
THE LASHWRAP BRUSH
PERFECTLY WRAPS EACH LASH

760
00:31:33,725 --> 00:31:35,643
FOR UP TO 3X MORE VOLUME.

761
00:31:35,727 --> 00:31:38,947
INDIVIDUAL VOLUME
FOR "EVERY LITTLE LASH."

762
00:31:39,030 --> 00:31:40,115
WRAP IT UP.

763
00:31:40,148 --> 00:31:41,316
I'LL TAKE IT.

764
00:31:41,349 --> 00:31:43,835
NEW LASHPERFECTION

765
00:31:43,835 --> 00:31:45,954
FROM EASY, BREEZY, BEAUTIFUL

766
00:31:46,037 --> 00:31:47,722
COVERGIRL.

767
00:31:48,640 --> 00:31:49,858
GET YOUR CASH BACK!

768
00:31:49,941 --> 00:31:50,825
OH, HI.

769
00:31:50,859 --> 00:31:52,160
WHICH CASH BACK BOOTH
LOOKS BETTER TO YOU,

770
00:31:52,243 --> 00:31:54,362
CHASE FREEDOM OR THE
LARGEST CASHBACK CARD?

771
00:31:54,446 --> 00:31:55,964
OH, I'LL TRY THE LARGEST.

772
00:31:56,047 --> 00:31:57,048
OH, THAT IS TOO BAD.

773
00:31:57,048 --> 00:31:58,249
APPARENTLY YOU DON'T KNOW

774
00:31:58,249 --> 00:32:00,869
CHASE FREEDOM GUARANTEES
YOU 1% CASH BACK.

775
00:32:00,952 --> 00:32:03,471
4 TIMES MORE THAN THE
LARGEST CASH BACK CARD,

776
00:32:03,555 --> 00:32:04,873
WHICH ONLY GIVES YOU
A QUARTER PERCENT

777
00:32:04,956 --> 00:32:07,375
UNTIL YOU SPEND
$3,000 EVERY YEAR.

778
00:32:08,460 --> 00:32:10,378
BUT HAVE FUN.

779
00:32:10,462 --> 00:32:13,047
BOB AND WEAVE ONCE
YOU'RE IN THERE.

780
00:32:13,081 --> 00:32:15,450
DON'T GET SHORT CHANGED.
GET YOUR CASH BACK.

781
00:32:15,483 --> 00:32:17,035
CHASE FREEDOM.

782
00:34:52,991 --> 00:34:54,876
(indistinct conversations)

783
00:34:54,909 --> 00:34:56,160
AHEM.

784
00:34:56,194 --> 00:34:59,180
ALL RIGHT.
I GOT CONFIRMATION.

785
00:34:59,213 --> 00:35:02,900
THE PRINTS ON THAT SHOT GLASS
ARENESTOR RODRIGO'S.

786
00:35:04,302 --> 00:35:06,487
JUST SO WE'RE CLEAR, EVE,
YOU'RE ACCUSING

787
00:35:06,521 --> 00:35:08,790
ONE OF THE BIGGEST DEVELOPERS
IN SOUTH FLORIDA

788
00:35:08,823 --> 00:35:10,408
OF TRAFFICKING KIDS.

789
00:35:10,408 --> 00:35:13,061
YOU'RE SURE
THIS IS THE SAME GUY?

790
00:35:14,712 --> 00:35:17,031
BEFORE RODRIGO
WAS ON MAGAZINE COVERS,

791
00:35:17,115 --> 00:35:20,118
HE LED A DEATH SQUAD
IN EL SALVADOR.

792
00:35:20,118 --> 00:35:22,837
I KNOW BECAUSE I SAW HIM
WITH MY OWN EYES.

793
00:35:22,920 --> 00:35:26,641
GLORIA DARED ME TO SNEAK INTO
THE CHAPEL AT THE ORPHANAGE.

794
00:35:26,724 --> 00:35:28,810
THERE WAS
A WOODEN ANGEL ON THE ALTAR,

795
00:35:28,843 --> 00:35:32,380
AND WE WERE GONNA CARVE
OUR INITIALS IN THE BACK OF IT.

796
00:35:32,413 --> 00:35:36,484
THAT'S WHEN THE TRUCKS CAME.

797
00:35:36,517 --> 00:35:38,836
PAJARO WAS THERE
TO STEAL THE GIRLS...
(men shouting in Spanish)

798
00:35:38,836 --> 00:35:40,772
AND HE MURDERED THE NUNS
AND THE BOYS.

799
00:35:40,805 --> 00:35:42,090
(woman screams)

800
00:35:42,123 --> 00:35:43,174
THEY WORE MASKS

801
00:35:43,174 --> 00:35:45,259
AND ATTACKED WITHOUT WARNING.

802
00:35:45,293 --> 00:35:47,078
WAIT.

803
00:35:47,078 --> 00:35:50,698
IF RODRIGO WORE A MASK,
HOW CAN YOU BE SURE IT'S HIM?

804
00:35:50,782 --> 00:35:54,969
I HAVE AN ANGEL
TO THANK FOR THAT.

805
00:35:55,003 --> 00:35:56,771
WE HID UNDER THE ALTAR.

806
00:35:56,804 --> 00:35:59,407
GLORIA WAS CLUTCHING
HER BUTTERFLY BOX SO TIGHT,

807
00:35:59,440 --> 00:36:02,310
I THOUGHT SHE'D BREAK IT.

808
00:36:02,343 --> 00:36:05,346
PAJARO CAME IN
TO SEARCH THE CHAPEL,

809
00:36:05,380 --> 00:36:09,984
AND THAT'S WHEN I SAW HIS FACE,
AND SO DID GLORIA.

810
00:36:10,018 --> 00:36:13,021
(men shouting in Spanish,
girls screaming)

811
00:36:16,224 --> 00:36:18,159
I KNEW WHAT HE WAS GONNA
DO WITH US,

812
00:36:18,176 --> 00:36:19,560
SO I HIT HIM WITH THE ANGEL.

813
00:36:19,644 --> 00:36:21,145
UHH!

814
00:36:21,145 --> 00:36:22,997
AND THEN WE RAN FOR OUR LIVES.

815
00:36:23,031 --> 00:36:25,800
(girls screaming, gunshots)

816
00:36:25,883 --> 00:36:29,804
THE FACES OF THE GIRLS
WE LEFT BEHIND STILL HAUNT ME.

817
00:36:37,662 --> 00:36:42,784
IS THAT WHY YOU AND GLORIA
MADE YOUR PACT TO KILL PAJARO?

818
00:36:42,817 --> 00:36:46,087
I GET IT.
YOU WANTED HIM TO PAY.

819
00:36:49,207 --> 00:36:51,025
HOW ARE WE GONNA NAIL THIS GUY?

820
00:36:51,109 --> 00:36:53,528
WEAREN'T.

821
00:36:53,611 --> 00:36:55,997
ABBY, BOS, AND I
WILL TAKE IT FROM HERE.

822
00:36:56,030 --> 00:36:58,332
WHAT?

823
00:36:58,416 --> 00:37:00,318
THIS ISN'T ABOUT REVENGE,
EVE.

824
00:37:00,318 --> 00:37:01,719
IF WE'RE GONNA SHUT DOWN
RODRIGO'S OPERATION,

825
00:37:01,719 --> 00:37:03,237
WE NEED HIM ALIVE.

826
00:37:03,321 --> 00:37:05,773
ABOUT TONIGHT, I'M SORRY.

827
00:37:05,807 --> 00:37:07,709
TOO LATE. YOU'RE BENCHED.

828
00:37:07,792 --> 00:37:11,112
RODRIGO'S BEEN GIVING THE COPS
THE MIDDLE FINGER FOR YEARS.

829
00:37:11,195 --> 00:37:13,381
WE DON'T EXACTLY
PLAY BY THE RULES EITHER.

830
00:37:13,414 --> 00:37:16,684
YEAH, WE'RE ANGELS,
NOT SAINTS.

831
00:37:23,207 --> 00:37:26,127
(Charlie) I ran Nestor Rodrigo
past my intelligence sources.

832
00:37:26,160 --> 00:37:28,446
LET ME GUESS.
HE'S SQUEAKY-CLEAN.

833
00:37:28,446 --> 00:37:29,731
Spotless.

834
00:37:29,764 --> 00:37:32,049
Sarah Daniels is
the only one of Pajaro's victims

835
00:37:32,049 --> 00:37:33,951
that has ever been saved.

836
00:37:33,951 --> 00:37:36,571
Abby, was she able
to give you any insight?

837
00:37:36,654 --> 00:37:39,056
SHE SAID SHE WAS CHAINED
TO SOME OTHER GIRLS.

838
00:37:39,056 --> 00:37:41,676
MOST OF THEM
WERE SPEAKING SPANISH.

839
00:37:41,759 --> 00:37:43,361
HERE'S AN INTERESTING FACT.

840
00:37:43,361 --> 00:37:46,481
HIS FOUNDATION BUILDS ORPHANAGES
IN CENTRAL AMERICA.

841
00:37:46,564 --> 00:37:47,682
RODRIGO MUST BE USING IT

842
00:37:47,765 --> 00:37:49,867
TO FUNNEL GIRLS INTO THE COUNTRY
FOR TRAFFICKING.

843
00:37:49,867 --> 00:37:51,469
I SQUEEGEED HIS DATABASE.

844
00:37:51,469 --> 00:37:54,071
SOMEHOW HE'S KEEPING ALL OF HIS
ILLEGAL ACTIVITY OFF THE GRID.

845
00:37:54,071 --> 00:37:57,475
THE MAN RUNS A CRIMINAL
ENTERPRISE IN THE 21st CENTURY.

846
00:37:57,475 --> 00:37:59,477
THE INFORMATION HAS
TO BE THERE SOMEWHERE.

847
00:37:59,477 --> 00:38:01,479
Actually, it's insomeone.

848
00:38:01,479 --> 00:38:06,584
Her name is Nadia Kozlova.
She has a photographic memory.

849
00:38:06,584 --> 00:38:08,302
ONE OF MY BUDDIES AT M.I.T.
TOLD ME ABOUT HER.

850
00:38:08,386 --> 00:38:09,887
THOUGHT SHE WAS
AN URBAN LEGEND.

851
00:38:09,887 --> 00:38:13,207
She absconded with $14 million
from the Russian mob.

852
00:38:13,291 --> 00:38:16,110
Rodrigo's bodyguards aren't only
for his protection.

853
00:38:16,194 --> 00:38:17,495
They're for hers.

854
00:38:17,495 --> 00:38:19,180
(elevator bell dings)
They go with her everywhere,

855
00:38:19,213 --> 00:38:21,599
except inside
his Star Island compound.

856
00:38:25,703 --> 00:38:29,390
DID WE SAY THAT
YOU WERE BENCHED OR NO?

857
00:38:29,423 --> 00:38:31,425
Actually, I thought Miss French
could assist you.

858
00:38:31,509 --> 00:38:34,896
GLORIA WAS THE ONLY FAMILY
I HAD. I WANNA HELP.

859
00:38:34,929 --> 00:38:39,300
It's fortunate for you that
I believe in second chances.

860
00:38:39,333 --> 00:38:41,319
Don't let me down.
I WON'T.

861
00:38:41,319 --> 00:38:43,938
IS THIS OKAY WITH YOU GUYS?

862
00:38:46,324 --> 00:38:48,442
IT'S CHARLIE'S CALL.

863
00:38:50,628 --> 00:38:52,747
ACCORDING
TO HIS TWITTER FEED,

864
00:38:52,830 --> 00:38:55,149
RODRIGO IS HOSTING
A CHARITY FUND-RAISER

865
00:38:55,233 --> 00:38:57,618
AT HIS MANSION
TOMORROW NIGHT.

866
00:38:57,652 --> 00:38:59,871
THEME IS HEAVEN AND HELL.

867
00:38:59,871 --> 00:39:02,573
SOUNDS LIKE
WE'LL BLEND RIGHT IN.

868
00:39:02,573 --> 00:39:05,459
BIG PARTY,
LOTS OF SECURITY DISTRACTIONS.

869
00:39:05,493 --> 00:39:08,963
WE GO UNDERCOVER
AND GRAB NADIA.

870
00:39:08,996 --> 00:39:10,464
HATE TO BUZZKILL THE PLAN,

871
00:39:10,498 --> 00:39:12,900
BUT DON'T YOU THINK POLICE
MIGHT CONSIDER THAT KIDNAPPING?

872
00:39:12,984 --> 00:39:14,669
The police need evidence.

873
00:39:14,702 --> 00:39:16,404
I only need certainty.

874
00:39:16,487 --> 00:39:17,772
Nadia is the best way

875
00:39:17,805 --> 00:39:20,191
to link Rodrigo to his crimes
and take him down.

876
00:39:20,191 --> 00:39:21,893
Watch your backs, Angels.

877
00:39:21,893 --> 00:39:24,395
(singsongy) GOOD-BYE, CHARLIE.
THANKS, CHARLIE.

878
00:39:24,395 --> 00:39:25,496
GOOD-BYE, CHARLIE.

879
00:39:25,496 --> 00:39:27,949
BYE. (chuckles)

880
00:39:27,982 --> 00:39:29,984
o/~ LET ME INTRODUCE YOU o/~

881
00:39:30,051 --> 00:39:32,153
o/~ TO MY PARTY PEOPLE o/~

882
00:39:32,220 --> 00:39:34,555
o/~ IN THE CLUB o/~

883
00:39:34,589 --> 00:39:35,957
o/~ LA-LA-LA LA LA LA o/~

884
00:39:35,990 --> 00:39:38,709
o/~ LA LA LA LA LA LA LA LA LA o/~

885
00:39:38,743 --> 00:39:41,546
o/~ TONIGHT WE GON' BE IT
ON THE FLOOR o/~

886
00:39:41,546 --> 00:39:43,347
o/~ LA-LA-LA LA LA LA o/~

887
00:39:43,347 --> 00:39:45,433
o/~ LA LA LA LA LA LA LA LA LA o/~

888
00:39:45,466 --> 00:39:47,969
o/~ TONIGHT WE GON' BE IT
ON THE FLOOR o/~

889
00:39:48,052 --> 00:39:49,754
(indistinct conversations)

890
00:39:49,754 --> 00:39:52,373
(Eve) THERE'S RODRIGO.

891
00:39:52,456 --> 00:39:54,175
o/~

892
00:39:54,258 --> 00:39:55,760
BOS, ARE YOU SET?

893
00:39:55,760 --> 00:39:58,379
TRUCK'S IN POSITION
IN THE BACK BY THE BATHROOMS.

894
00:39:58,462 --> 00:39:59,881
ONCE THE SPRAY
HITS NADIA'S STOMACH,

895
00:39:59,964 --> 00:40:02,066
SHE'LL START CRAMPING
WITHIN 30 SECONDS.

896
00:40:02,066 --> 00:40:03,351
(filtered voice)
When she heads to the bathroom,

897
00:40:03,384 --> 00:40:04,685
that's when we'll grab her

898
00:40:04,769 --> 00:40:06,070
and get her
to the catering truck.

899
00:40:06,070 --> 00:40:08,489
EVE, STAY ON RODRIGO.
LET US KNOW IF HE MOVES.

900
00:40:08,573 --> 00:40:09,857
GOT IT.

901
00:40:09,891 --> 00:40:11,058
o/~ GET ON THE FLOOR o/~

902
00:40:11,142 --> 00:40:12,526
o/~ STRAIGHT TO L.A., NEW YORK o/~

903
00:40:12,560 --> 00:40:14,929
o/~ VEGAS TO AFRICA o/~

904
00:40:14,962 --> 00:40:16,147
ABBS?
HMM?

905
00:40:16,147 --> 00:40:18,466
YOU WANNA TAKE THE FIRST SHOT
AT NADIA?

906
00:40:18,549 --> 00:40:20,351
SHE'S RIGHT BY
THE ICE SCULPTURE.

907
00:40:20,351 --> 00:40:22,053
HMM.

908
00:40:22,053 --> 00:40:23,638
CAN HARDLY TELL THE TWO APART.

909
00:40:23,671 --> 00:40:25,323
(spritzes)

910
00:40:29,093 --> 00:40:31,062
LOOKS JUST LIKE HER.

911
00:40:32,113 --> 00:40:33,414
ABBY SAMPSON?

912
00:40:33,497 --> 00:40:36,217
BRIDGET AND PRISCELLA.
UH, DALTON PREP?

913
00:40:36,300 --> 00:40:38,519
UH, YEAH. THE WENTWORTH SISTERS.

914
00:40:38,603 --> 00:40:40,521
SURE. HI.

915
00:40:40,605 --> 00:40:41,689
IT'S BEEN, UH,
IT'S BEEN FOREVER.

916
00:40:41,722 --> 00:40:43,190
(Priscella) YEAH, CUTE OUTFIT.

917
00:40:43,224 --> 00:40:45,092
UH...
ARE YOU ONE OF THE SERVERS?

918
00:40:45,126 --> 00:40:46,427
(laughs)
YEAH.

919
00:40:46,510 --> 00:40:48,129
YEAH. RECESSION'S A BITCH,
YOU KNOW.

920
00:40:48,212 --> 00:40:51,499
OH. CONSIDERING WHAT YOUR FATHER
DID, I'D CALL IT PAYBACK.

921
00:40:51,532 --> 00:40:54,619
DO YOU KNOW HOW MUCH MONEY
HE SCREWED OUR UNCLE OUT OF?

922
00:40:54,619 --> 00:40:56,337
UH, NO IDEA.

923
00:40:56,420 --> 00:40:58,506
I, UH, I HAVEN'T SPOKEN
TO MY DAD IN...
(camera shutter clicks)

924
00:40:58,589 --> 00:41:00,791
OH. THAT'S FOR MY FACEBOOK PAGE.

925
00:41:00,791 --> 00:41:02,593
I'M SURE
ALL YOUR OLD DALTON FRIENDS

926
00:41:02,593 --> 00:41:04,795
WOULD LOVE TO SEE
WHAT YOU'VE BEEN UP TO.

927
00:41:04,795 --> 00:41:06,914
YEAH.

928
00:41:06,998 --> 00:41:07,915
BLINI?

929
00:41:07,999 --> 00:41:10,785
OOH! YEAH.
OH, SURE.

930
00:41:10,818 --> 00:41:11,919
THANKS.

931
00:41:11,953 --> 00:41:13,137
BYE.

932
00:41:13,137 --> 00:41:14,322
YOU ARESOWELCOME.

933
00:41:17,925 --> 00:41:19,593
NICE FRIENDS.
YEAH.

934
00:41:19,627 --> 00:41:20,594
YOU ALL RIGHT?

935
00:41:20,628 --> 00:41:23,314
I WILL BE
IN ABOUT 30 SECONDS.

936
00:41:23,314 --> 00:41:24,915
OH, MY GOD.

937
00:41:24,915 --> 00:41:26,767
(Abby) INSTANT EX-LAX.

938
00:41:26,851 --> 00:41:29,270
WELL, AT LEAST WE KNOW
THE GUT JUICE WORKS.

939
00:41:29,353 --> 00:41:32,707
NO WONDER GLORIA LIKED YOU.

940
00:41:35,376 --> 00:41:36,777
(Abby) You're up next, Kate.

941
00:41:36,811 --> 00:41:38,362
(spritzing)

942
00:41:40,781 --> 00:41:42,550
HORS D'OEUVRE?

943
00:41:42,583 --> 00:41:45,152
NO, THANK YOU.

944
00:41:45,186 --> 00:41:47,288
WE MISSED OUR WINDOW.

945
00:41:47,371 --> 00:41:48,556
TIME FOR PLAN "B."

946
00:41:48,589 --> 00:41:50,775
AS IN, UH, PLAN BOSLEY?

947
00:41:50,775 --> 00:41:52,276
(clears throat)

948
00:41:52,276 --> 00:41:54,478
WHOA. WHOA, WHOA, WHOA. WE NEVER
FULLY DISCUSSED PLAN BOSLEY.

949
00:41:54,478 --> 00:41:57,398
WELL, WE KNOW HER DEAL WITH
RODRIGO IS STRICTLY BUSINESS.

950
00:41:57,431 --> 00:41:59,817
BUT CHARLIE'S INTEL
SUGGESTS SHE HAS

951
00:41:59,817 --> 00:42:02,303
ahealthyappetite
for the opposite sex.

952
00:42:02,336 --> 00:42:05,206
I'D SAY BOSLEY TRUMPS BELUGA
ANY DAY OF THE WEEK.

953
00:42:05,239 --> 00:42:07,975
I'll meet you
at the catering truck.

954
00:42:08,009 --> 00:42:09,360
ALL RIGHT.

955
00:42:09,393 --> 00:42:12,663
o/~

956
00:42:17,852 --> 00:42:20,321
287.

957
00:42:20,404 --> 00:42:22,523
THAT'S THE TOTAL NUMBER
OF GUESTS.

958
00:42:22,606 --> 00:42:28,195
58 SERVERS, 29 BUSBOYS,
16 VALETS, 2 ICE SCULPTURES,

959
00:42:28,229 --> 00:42:30,498
AND ONE VERY BEAUTIFUL WOMAN.

960
00:42:30,531 --> 00:42:31,899
(Russian accent)
WHAT ARE YOU?

961
00:42:31,932 --> 00:42:36,303
DOCTOR, LAWYER,
INTERNET BILLIONAIRE?

962
00:42:36,337 --> 00:42:38,239
STARVING GRAD STUDENT.

963
00:42:38,322 --> 00:42:39,623
MY BUDDY'S
ONE OF THE CATERERS,

964
00:42:39,623 --> 00:42:41,742
SO I TAGGED ALONG
FOR THE FREE FOOD

965
00:42:41,826 --> 00:42:45,112
AND TO WATCH THE RICH AND FAMOUS
IN THEIR NATURAL HABITAT.

966
00:42:45,146 --> 00:42:49,650
AND WHAT DO YOU THINK
OF THE WILDLIFE SO FAR?

967
00:42:49,734 --> 00:42:53,254
JUST GOT MORE EXOTIC.

968
00:42:53,287 --> 00:42:56,924
o/~

969
00:42:58,142 --> 00:43:00,461
GUYS, RODRIGO'S ON THE MOVE.

970
00:43:00,544 --> 00:43:02,763
HE COULD BE LOOKING
FOR NADIA.

971
00:43:02,847 --> 00:43:06,200
BOS, TIME TO PUT THE PARTY
ON WHEELS.

972
00:43:06,233 --> 00:43:08,102
Get Nadia to the catering truck.

973
00:43:08,135 --> 00:43:10,087
WHY DON'T WE FIND A PLACE
WITH A LITTLE MORE PRIVACY?

974
00:43:10,087 --> 00:43:14,508
YEAH. THE GUEST HOUSE IS ON
THE OTHER END OF THE COMPOUND.

975
00:43:14,542 --> 00:43:16,594
MY BUDDY'S CATERING TRUCK'S
RIGHT THERE.

976
00:43:16,594 --> 00:43:18,579
(panting)

977
00:43:19,613 --> 00:43:21,382
DOWN AND DIRTY'S
NOT MY STYLE.

978
00:43:21,415 --> 00:43:22,883
(click)

979
00:43:22,967 --> 00:43:24,869
OKAY. OKAY. NOT DOWN AND DIRTY.
WE'LL KEEP IT NICE AND CLEAN.

980
00:43:24,869 --> 00:43:27,388
YOU HAVE FIVE SECONDS
TO TELL ME WHO YOU REALLY ARE.

981
00:43:27,471 --> 00:43:30,090
FINE.

982
00:43:30,174 --> 00:43:31,325
I'M A HEARTBREAKER.

983
00:43:31,358 --> 00:43:33,094
UHH!
AHH.

984
00:43:33,127 --> 00:43:34,562
(panting)
(groans)

985
00:43:34,595 --> 00:43:35,930
NICE JOB, CASANOVA.

986
00:43:35,963 --> 00:43:37,231
TOOK YOU LONG ENOUGH.

987
00:43:37,264 --> 00:43:39,800
GUYS, I LOST RODRIGO.

988
00:43:39,834 --> 00:43:41,552
(Abby) Never mind.
We got Nadia.

989
00:43:41,552 --> 00:43:43,571
JUST GET CHANGED
AND GET THE HELL OUT OF THERE.

990
00:43:45,439 --> 00:43:46,640
OH! (chuckles) SEE?

991
00:43:46,674 --> 00:43:50,010
I KNEW THE DEVIL WOULD
GET ME EVENTUALLY.

992
00:43:55,599 --> 00:43:57,001
EVE, WHERE ARE YOU?

993
00:43:57,001 --> 00:43:58,486
COMING.

994
00:44:03,023 --> 00:44:05,609
Eve, we have to move now.

995
00:44:05,609 --> 00:44:07,928
I'M DELAYED. DON'T WAIT.

996
00:44:08,012 --> 00:44:11,031
(sighs) LET'S GO.

997
00:44:20,291 --> 00:44:23,194
I KEPT THAT AS A REMINDER

998
00:44:23,194 --> 00:44:25,996
OF WHEN I LET TWO LITTLE GIRLS
GET AWAY.

999
00:44:29,700 --> 00:44:31,385
YOU KILLED MY BEST FRIEND.

1000
00:44:31,418 --> 00:44:33,521
IT WAS HER OWN FAULT.

1001
00:44:37,007 --> 00:44:38,926
SHE SHOULD'VE
LEFT THE PAST ALONE.

1002
00:44:39,009 --> 00:44:40,895
(radio chatter)
NADIA'S MISSING.

1003
00:44:44,515 --> 00:44:47,518
YOUR PAST IS ABOUT TO
CATCH UP WITH YOU...

1004
00:44:47,518 --> 00:44:49,320
PAJARO.

1005
00:44:49,320 --> 00:44:50,304
HMM.

1006
00:44:53,974 --> 00:44:55,175
OHH!

1007
00:44:55,209 --> 00:44:56,794
(Kate) Eve, can you hear me?

1008
00:44:56,827 --> 00:44:59,113
WHAT HAVE WE HERE?

1009
00:44:59,163 --> 00:45:01,315
YOU'RE FULL OF SURPRISES.

1010
00:45:01,348 --> 00:45:02,533
Eve, are you there?

1011
00:45:02,566 --> 00:45:03,551
(snaps)

1012
00:45:03,584 --> 00:45:06,687
(feedback whining)
AH!

1013
00:45:06,787 --> 00:45:15,846


1014
00:45:18,282 --> 00:45:19,550
SO THE SHOW WENT LATE IN TULSA

1015
00:45:19,583 --> 00:45:20,918
AND I WOKE UP IN
THE VAN IN OMAHA.

1016
00:45:20,968 --> 00:45:22,286
THAT'S LIFE IN A BAND.

1017
00:45:22,319 --> 00:45:23,170
GOT ONLINE AND GOT US

1018
00:45:23,203 --> 00:45:23,904
TO THE NEXT GIG.

1019
00:45:23,938 --> 00:45:24,555
SOUND CHECK,

1020
00:45:24,555 --> 00:45:25,539
EQUIPMENT CHECK,

1021
00:45:25,573 --> 00:45:27,007
TWEAKED THE T-SHIRT
DESIGNS. NICE.

1022
00:45:27,041 --> 00:45:29,877
SHOWTIME. SMALL PLACE,
MASSIVE CROWD.

1023
00:45:29,910 --> 00:45:32,029
THEY SEEMED INTO IT EXCEPT
FOR THE GUY THROWING STUFF.

1024
00:45:32,062 --> 00:45:33,264
MORON.

1025
00:45:33,297 --> 00:45:35,165
LAPTOP FELL BUT DIDN'T
CRASH. GOOD THING.

1026
00:45:35,199 --> 00:45:36,050
WE KILLED IT.

1027
00:45:36,083 --> 00:45:37,384
PICKED UP A FEW NEW FANS.

1028
00:45:37,468 --> 00:45:38,619
SHOW ENDED BUT
THE NIGHT DIDN'T.

1029
00:45:38,652 --> 00:45:40,571
WE DROVE A FEW HOURS
BEFORE CAMPING OUT

1030
00:45:40,571 --> 00:45:42,473
THEN WATCHED THE FIRST
CUT OF OUR FIRST VIDEO.

1031
00:45:42,473 --> 00:45:43,390
NOT A BAD DAY.

1032
00:45:43,424 --> 00:45:45,876
LENOVO. FOR THOSE WHO DO.

1033
00:45:45,976 --> 00:45:45,993
VO

1034
00:45:45,993 --> 00:45:46,076
VO: 

1035
00:45:46,076 --> 00:45:46,093
VO: It's

1036
00:45:46,093 --> 00:45:46,176
VO: It's O

1037
00:45:46,176 --> 00:45:46,193
VO: It's Old N

1038
00:45:46,193 --> 00:45:46,277
VO: It's Old Nav

1039
00:45:46,277 --> 00:45:46,293
VO: It's Old Navy's 

1040
00:45:46,293 --> 00:45:46,360
VO: It's Old Navy's St

1041
00:45:46,360 --> 00:45:46,393
VO: It's Old Navy's Stor

1042
00:45:46,393 --> 00:45:46,427
VO: It's Old Navy's Storew

1043
00:45:46,427 --> 00:45:46,460
VO: It's Old Navy's Storewid

1044
00:45:46,460 --> 00:45:46,527
VO: It's Old Navy's Storewide

1045
00:45:46,527 --> 00:45:46,560
VO: It's Old Navy's Storewide
Bu

1046
00:45:46,560 --> 00:45:46,594
VO: It's Old Navy's Storewide
Buy 

1047
00:45:46,594 --> 00:45:46,627
VO: It's Old Navy's Storewide
Buy On

1048
00:45:46,627 --> 00:45:46,660
VO: It's Old Navy's Storewide
Buy One 

1049
00:45:46,660 --> 00:45:46,694
VO: It's Old Navy's Storewide
Buy One Ge

1050
00:45:46,694 --> 00:45:46,727
VO: It's Old Navy's Storewide
Buy One Get 

1051
00:45:46,727 --> 00:45:46,760
VO: It's Old Navy's Storewide
Buy One Get On

1052
00:45:46,760 --> 00:45:46,794
VO: It's Old Navy's Storewide
Buy One Get One 

1053
00:45:46,794 --> 00:45:46,827
VO: It's Old Navy's Storewide
Buy One Get One 75

1054
00:45:46,827 --> 00:45:46,877
VO: It's Old Navy's Storewide
Buy One Get One 75% 

1055
00:45:46,877 --> 00:45:48,862
VO: It's Old Navy's Storewide
Buy One Get One 75% Off!

1056
00:45:48,963 --> 00:45:49,863
Buy something!

1057
00:45:49,964 --> 00:45:52,366
And get another
something 75% Off!

1058
00:45:52,466 --> 00:45:55,536
Sale ends Sunday. So BO GO
before this deal is BO GONE!

1059
00:45:55,636 --> 00:45:57,688
It's Buy One Get One 75% Off!

1060
00:46:46,070 --> 00:46:46,086
Cap

1061
00:46:46,086 --> 00:46:46,170
Capit

1062
00:46:46,170 --> 00:46:46,186
Capital O

1063
00:46:46,186 --> 00:46:46,270
Capital One

1064
00:46:46,270 --> 00:46:46,287
Capital One's N

1065
00:46:46,287 --> 00:46:46,387
Capital One's NEW

1066
00:46:46,387 --> 00:46:46,470
Capital One's NEW
Ca

1067
00:46:46,470 --> 00:46:46,487
Capital One's NEW
Cash R

1068
00:46:46,487 --> 00:46:46,570
Capital One's NEW
Cash Rew

1069
00:46:46,570 --> 00:46:46,587
Capital One's NEW
Cash Rewards

1070
00:46:46,587 --> 00:46:46,670
Capital One's NEW
Cash Rewards C

1071
00:46:46,670 --> 00:46:47,755
Capital One's NEW
Cash Rewards Card

1072
00:46:47,755 --> 00:46:49,490
GIVES YOU A 50 PERCENT
ANNUAL BONUS.

1073
00:46:49,490 --> 00:46:51,959
SO YOU EARN 50 PERCENT
MORE CASH.

1074
00:46:51,959 --> 00:46:55,112
IF YOU'RE NOT SATISFIED WITH 50%
MORE CASH, SEND IT BACK!

1075
00:46:55,112 --> 00:46:57,231
I'LL BE RIGHT HERE,
WAITING FOR IT.

1076
00:46:57,231 --> 00:46:59,733
WHO WOULDN'T WANT MORE CASH?

1077
00:46:59,733 --> 00:47:00,734
[ insects chirping ]

1078
00:47:00,734 --> 00:47:01,969
I'LL TAKE IT.

1079
00:47:01,969 --> 00:47:04,355
I'LL MAKE IT RAIN UP IN HERE.

1080
00:47:04,355 --> 00:47:06,507
[ Male Announcer ] THE NEW
Capital One Cash Rewards Card.

1081
00:47:06,507 --> 00:47:10,044
THE CARD FOR PEOPLE
WHO WANT 50% MORE CASH.

1082
00:47:10,044 --> 00:47:11,829
WHAT'S IN YOUR WALLET?

1083
00:47:11,829 --> 00:47:13,931
SORRY I'LL CLEAN THIS UP.

1084
00:47:13,931 --> 00:47:15,632
SHOULDN'T HAVE MADE IT RAIN.

1085
00:47:16,016 --> 00:47:16,133


1086
00:47:16,133 --> 00:47:16,233
o/~ 

1087
00:47:16,233 --> 00:47:18,936
o/~ o/~

1088
00:47:18,936 --> 00:47:22,906
o/~ HANDS, SHOULDERS, KNEES
AND TOES o/~

1089
00:47:22,906 --> 00:47:27,227
o/~ THIGHS AND HEELS, HIPS, ANKLES
AND ELBOWS o/~

1090
00:47:27,227 --> 00:47:29,063
o/~ HANDS, SHOULDERS, KNEES
AND TOES o/~

1091
00:47:29,063 --> 00:47:30,447
[ Female Announcer ] YOUR SKIN

1092
00:47:30,447 --> 00:47:32,066
WILL LOVE THE FRESH FEEL
OF THE 100% NATURAL,

1093
00:47:32,066 --> 00:47:34,668
NON-GREASY
MOISTURIZERS

1094
00:47:34,668 --> 00:47:36,036
IN ST. IVES LOTIONS.

1095
00:47:36,036 --> 00:47:37,054
THEY INSTANTLY HELP HEAL,

1096
00:47:37,054 --> 00:47:38,305
SEAL AND SOOTHE

1097
00:47:38,305 --> 00:47:40,174
EVEN THE DRIEST SKIN,

1098
00:47:40,174 --> 00:47:41,358
FROM HEAD TO TOE.

1099
00:47:41,358 --> 00:47:42,643
ST. IVES. FRESH.

1100
00:47:42,643 --> 00:47:43,660
BETTER.

1101
00:47:43,660 --> 00:47:45,179
NATURALLY.

1102
00:47:46,196 --> 00:47:46,296


1103
00:47:46,363 --> 00:47:46,397
BR

1104
00:47:46,397 --> 00:47:46,430
BRAD

1105
00:47:46,430 --> 00:47:46,463
BRAD, 

1106
00:47:46,463 --> 00:47:46,497
BRAD, WH

1107
00:47:46,497 --> 00:47:46,530
BRAD, WHER

1108
00:47:46,530 --> 00:47:46,563
BRAD, WHERE 

1109
00:47:46,563 --> 00:47:46,597
BRAD, WHERE WE

1110
00:47:46,597 --> 00:47:46,630
BRAD, WHERE WE G

1111
00:47:46,630 --> 00:47:46,647
BRAD, WHERE WE GOI

1112
00:47:46,647 --> 00:47:46,680
BRAD, WHERE WE GOING

1113
00:47:46,680 --> 00:47:47,848
BRAD, WHERE WE GOING?

1114
00:47:47,931 --> 00:47:50,217
JUST A SECOND.
JUST, JUST ONE SECOND.

1115
00:47:50,250 --> 00:47:51,719
o/~ o/~

1116
00:47:51,752 --> 00:47:53,020
WHAT ARE YOU LOOKING AT?
DON'T LOOK UP THERE.

1117
00:47:53,053 --> 00:47:54,621
WHY ARE YOU LOOKING UP?

1118
00:47:54,705 --> 00:47:56,990
o/~ o/~

1119
00:47:57,024 --> 00:47:59,393
GET OUTTA THE CAR.

1120
00:47:59,426 --> 00:48:00,828
GET OUTTA THE CAR.

1121
00:48:00,911 --> 00:48:05,449
o/~ o/~

1122
00:48:05,449 --> 00:48:06,667
ARE YOU OK?

1123
00:48:06,750 --> 00:48:08,452
THE...

1124
00:48:08,452 --> 00:48:10,537
GET IN THE CAR.
GET IN THE CAR!

1125
00:48:10,571 --> 00:48:12,840
[ Male Announcer ] THE EPA
ESTIMATED 42 MPG HIGHWAY

1126
00:48:12,873 --> 00:48:14,475
CHEVY CRUZE ECO.

1127
00:48:14,558 --> 00:48:31,892
FOR WHEREVER LIFE TAKES YOU.

1128
00:49:36,156 --> 00:49:36,240


1129
00:49:38,458 --> 00:49:40,027
ONCE I BRING THE ICE PRINCESS
OUT OF SLEEP MODE,

1130
00:49:40,060 --> 00:49:41,695
SHE'S ALL YOURS, DETECTIVE.

1131
00:49:41,778 --> 00:49:42,830
(inhales deeply)

1132
00:49:42,913 --> 00:49:43,897
(gasps)

1133
00:49:43,981 --> 00:49:44,965
HI.

1134
00:49:44,998 --> 00:49:45,966
EASY.

1135
00:49:45,999 --> 00:49:47,468
(panting)

1136
00:49:47,501 --> 00:49:49,586
THE CAPTAIN HASN'T TURNED OFF
THE "FASTEN SEAT BELT" SIGN.

1137
00:49:49,586 --> 00:49:51,405
WHERE ARE YOU TAKING ME?

1138
00:49:51,488 --> 00:49:53,907
YOU'RE 25,000 FEET
ABOVE THE ATLANTIC

1139
00:49:53,991 --> 00:49:56,310
EN ROUTE TO ST. PETERSBURG.

1140
00:49:56,393 --> 00:49:57,978
RIPPING OFF A RUSSIAN CRIME BOSS

1141
00:49:58,011 --> 00:50:00,397
WASN'T EXACTLY
THE SMARTEST IDEA.

1142
00:50:00,397 --> 00:50:02,416
PETROVSKI SENT YOU?

1143
00:50:07,104 --> 00:50:11,708
THESE DAYS, HE HIRES
PRETTY GIRLS TO DO A MAN'S JOB.

1144
00:50:11,708 --> 00:50:14,294
YOU HEAR THAT, ABBS?

1145
00:50:14,411 --> 00:50:16,196
SHE CALLED US PRETTY.

1146
00:50:16,230 --> 00:50:18,131
SUCH A SWEETHEART.

1147
00:50:18,215 --> 00:50:20,817
WHATEVER HE'S PAYING YOU,

1148
00:50:20,817 --> 00:50:22,502
I'LL DOUBLE IT.

1149
00:50:24,621 --> 00:50:25,873
SO TURN THE PLANE AROUND.

1150
00:50:27,941 --> 00:50:32,479
RODRIGO GRABBED ONE OF OUR TEAM.
WHERE WOULD HE TAKE HER?

1151
00:50:34,398 --> 00:50:37,417
AS SOON AS WE LAND IN MIAMI,

1152
00:50:37,501 --> 00:50:39,002
I'LL TELL YOU.

1153
00:50:39,002 --> 00:50:41,121
YOU'RE LYING.

1154
00:50:41,205 --> 00:50:42,873
SHE'LL BE DEAD BY THEN.

1155
00:50:42,906 --> 00:50:46,093
IT'S MY BEST OFFER.

1156
00:50:49,746 --> 00:50:52,232
HERE'S SOME
IN-FLIGHT ENTERTAINMENT.

1157
00:50:52,266 --> 00:50:55,352
IT'S A HOME MOVIE OF THE LAST
GUY WHO CROSSED PETROVSKI.

1158
00:50:55,352 --> 00:50:56,753
HOPE YOU'RE NOT SQUEAMISH.

1159
00:50:56,753 --> 00:50:58,855
(man screaming, gunshots)

1160
00:50:58,855 --> 00:51:00,240
(scoffs) NOW THAT GUY
IS AN ARTIST

1161
00:51:00,274 --> 00:51:01,542
WITH A NAIL GUN.

1162
00:51:01,575 --> 00:51:04,278
(screaming continues)

1163
00:51:04,361 --> 00:51:07,481
YOU THINK THAT SCARES ME?
HMM?

1164
00:51:07,514 --> 00:51:11,418
WELL, YOU SHOULD HEAR
WHAT HE HAS IN STORE FOR YOU.

1165
00:51:11,501 --> 00:51:13,904
(sighs) IF IT MAKES YOU
FEEL ANY BETTER,

1166
00:51:13,904 --> 00:51:17,507
HE'S ALL BENT UP ABOUT HAVING
TO KILL HIS LITTLE BABUSHKA.

1167
00:51:17,507 --> 00:51:19,092
ISN'T THAT WHAT HE USED
TO CALL YOU?

1168
00:51:19,126 --> 00:51:21,094
HOW DID YOU KNOW THAT?

1169
00:51:23,847 --> 00:51:27,451
(speaks Russian)

1170
00:51:30,971 --> 00:51:33,257
ENJOY YOUR FLIGHT.

1171
00:51:33,290 --> 00:51:35,842
OH, WAIT.

1172
00:51:37,628 --> 00:51:41,014
FLAMINGO BOAT YARD.

1173
00:51:41,048 --> 00:51:43,634
HE WOULD HAVE TAKEN
YOUR FRIENDS THERE.

1174
00:51:43,634 --> 00:51:46,236
OKAY, BOS, IT'S TIME TO BAIL.

1175
00:51:49,306 --> 00:51:51,975
DON'T OPEN THAT DOOR!
ARE YOU INSANE?

1176
00:51:57,798 --> 00:51:59,800
(gasps)

1177
00:51:59,883 --> 00:52:02,436
HEY, RELAX.

1178
00:52:02,469 --> 00:52:04,037
AT LEAST
YOU'RE NOT IN COACH.

1179
00:52:09,126 --> 00:52:11,278
(mouths words)

1180
00:52:21,688 --> 00:52:23,423
WHO TOOK NADIA?

1181
00:52:23,457 --> 00:52:25,375
TELL ME WHERE
THEY TOOK NADIA.

1182
00:52:25,375 --> 00:52:28,395
WHO TOOK NADIA?!
(electricity crackles)

1183
00:52:28,428 --> 00:52:30,564
(screaming)

1184
00:52:30,597 --> 00:52:32,783
YOU HAD ENOUGH? HMM?

1185
00:52:32,783 --> 00:52:34,501
(panting)

1186
00:52:34,584 --> 00:52:38,672
JUST... GETTING...
WARMED... UP.

1187
00:52:38,705 --> 00:52:42,376
(laughs)
JUST GETTING WARMED UP.

1188
00:52:51,702 --> 00:52:54,488
OH, MY GOD. LOOK.

1189
00:52:54,521 --> 00:52:57,157
THIS IS WHERE RODRIGO MUST BE
STORING THE GIRLS HE TRAFFICS.

1190
00:52:57,190 --> 00:52:59,092
(Eve screaming,
Rodrigo shouting indistinctly)

1191
00:52:59,176 --> 00:53:02,162
EVE'S RUNNING OUT OF TIME.
WE GOTTA MOVE NOW.

1192
00:53:02,195 --> 00:53:05,515
NEW PLAN. YOU GET THE GIRLS.
I'LL GET EVE. GO.

1193
00:53:05,515 --> 00:53:08,018
UHH!
AAH!

1194
00:53:08,018 --> 00:53:09,836
WHO TOOK NADIA?!

1195
00:53:19,262 --> 00:53:20,997
TELL ME WHO TOOK NADIA!

1196
00:53:21,031 --> 00:53:23,383
(grunting and gasping)

1197
00:53:23,467 --> 00:53:25,852
WHO TOOK NADIA?

1198
00:53:25,886 --> 00:53:28,872
(grunts)

1199
00:53:28,872 --> 00:53:32,292
NADIA'S NOT AS TOUGH
AS THIS ONE.

1200
00:53:32,376 --> 00:53:33,493
SHE'LL BREAK.

1201
00:53:33,577 --> 00:53:34,795
TIME TO SLASH AND BURN.

1202
00:53:34,828 --> 00:53:36,830
AND KILL HER.

1203
00:53:43,403 --> 00:53:46,823
UHH!
(grunts)

1204
00:53:46,857 --> 00:53:51,061
(grunting)

1205
00:53:53,547 --> 00:53:55,265
(bones crack)

1206
00:53:55,298 --> 00:53:57,784
(grunting continues)

1207
00:54:06,977 --> 00:54:08,161
(gun cocks)
BOS!

1208
00:54:08,195 --> 00:54:09,229
UHH!

1209
00:54:09,262 --> 00:54:12,749
(all grunting)

1210
00:54:17,637 --> 00:54:18,638
(bones crack)

1211
00:54:18,672 --> 00:54:21,425
(screams)

1212
00:54:21,458 --> 00:54:24,344
(grunting continues)

1213
00:54:27,330 --> 00:54:29,850
(metal clanks)

1214
00:54:44,965 --> 00:54:48,068
(women scream)

1215
00:54:48,151 --> 00:54:51,838
(women gasping)

1216
00:54:51,872 --> 00:54:55,358
(whimpering)

1217
00:54:55,358 --> 00:54:58,879
(speaks Spanish)

1218
00:55:04,084 --> 00:55:06,553
COME ON!

1219
00:55:09,506 --> 00:55:10,791
(crackles)

1220
00:55:10,824 --> 00:55:11,992
(engine starts)

1221
00:55:12,025 --> 00:55:14,978
(screeching)

1222
00:55:18,598 --> 00:55:20,400
(gunshots)

1223
00:55:28,775 --> 00:55:31,044
(grunting)

1224
00:55:36,850 --> 00:55:40,370
(moaning)

1225
00:55:42,172 --> 00:55:44,157
YOU'LL SPEND THE REST
OF YOUR LIFE IN A CAGE.

1226
00:55:44,191 --> 00:55:46,593
THAT'S WHAT YOU DESERVE,
PAJARO.

1227
00:56:05,779 --> 00:56:09,049
AHA.

1228
00:56:09,082 --> 00:56:10,483
THOUGHT I MIGHT
FIND YOU HERE.

1229
00:56:10,567 --> 00:56:13,653
GLORIA'S UNCLE USED
TO OWN THIS GARAGE, RIGHT?

1230
00:56:13,687 --> 00:56:17,507
YEAH. I REBUILT MY FIRST ENGINE
HERE WHEN I WAS 13.

1231
00:56:17,541 --> 00:56:20,927
BUT YOU'RE NOT HERE
TO TALK ABOUT CARS.

1232
00:56:22,846 --> 00:56:24,431
CHARLIE TOLD ME
HE CALLED YOU.

1233
00:56:24,464 --> 00:56:26,600
CAME BY TO SEE IF YOU'VE
CONSIDERED HIS OFFER.

1234
00:56:26,683 --> 00:56:28,685
YEAH. UM...

1235
00:56:28,685 --> 00:56:30,387
I'M JUST NOT SURE
WHY HE'D WANT ME.

1236
00:56:30,387 --> 00:56:34,074
WELL, HE KEEPS HIS CRITERIA
CLOSE TO THE VEST.

1237
00:56:34,107 --> 00:56:36,076
MY BET--HE'S IMPRESSED
WITH YOUR ABILITIES

1238
00:56:36,109 --> 00:56:37,377
TO ADAPT TO SITUATIONS,

1239
00:56:37,410 --> 00:56:39,930
YOUR ABOVE AVERAGE
DRIVING SKILLS,

1240
00:56:39,963 --> 00:56:41,915
AND THE FACT THAT
YOUR EMPLOYMENT OPTIONS

1241
00:56:41,948 --> 00:56:43,383
ARE EXTREMELY LIMITED.

1242
00:56:43,416 --> 00:56:46,486
MM, YES,
IS THAT HOW HE GOT YOU?

1243
00:56:46,570 --> 00:56:48,572
o/~

1244
00:56:48,572 --> 00:56:50,373
I WAS STARING
AT A 20-YEAR SENTENCE

1245
00:56:50,373 --> 00:56:52,359
FOR TAX FRAUD.

1246
00:56:52,392 --> 00:56:54,361
PLANTED A VIRUS
IN THE I.R.S. MAINFRAME,

1247
00:56:54,394 --> 00:56:57,497
SKIMMED A PENNY
OFF EVERYBODY'S TAX RETURN.

1248
00:56:57,581 --> 00:56:59,282
MY OWN PERSONAL
STIMULUS PACKAGE.

1249
00:56:59,282 --> 00:57:01,801
I'VE ALREADY DONE MY TIME,

1250
00:57:01,885 --> 00:57:03,470
AND WORKING
FOR A VOICE IN A BOX

1251
00:57:03,503 --> 00:57:05,105
ISN'T REALLY MY STYLE.

1252
00:57:05,188 --> 00:57:07,774
FIRST RULE
OF THE TOWNSEND AGENCY--

1253
00:57:07,807 --> 00:57:10,110
ZERO FACE TIME
WITH THE BOSS.

1254
00:57:10,193 --> 00:57:12,746
TELL HIM
I APPRECIATE THE OFFER,

1255
00:57:12,829 --> 00:57:15,315
BUT IT'S NOT FOR ME.

1256
00:57:15,348 --> 00:57:16,583
YOU KNOW WHY CHARLIE
CALLS THE WOMEN

1257
00:57:16,616 --> 00:57:19,119
WHO WORK FOR HIM "ANGELS"?

1258
00:57:19,152 --> 00:57:20,587
WHY?

1259
00:57:20,620 --> 00:57:22,255
BECAUSE THEY SHOW UP
WHEN YOU LEAST EXPECT IT

1260
00:57:22,289 --> 00:57:24,274
WHEN YOU NEED THEM THE MOST.

1261
00:57:24,274 --> 00:57:26,092
TRUST ME.

1262
00:57:26,176 --> 00:57:28,261
I'M NO ANGEL.

1263
00:57:28,295 --> 00:57:29,863
WHY?

1264
00:57:29,896 --> 00:57:31,181
(sighs)

1265
00:57:31,181 --> 00:57:33,967
BECAUSE YOU HAVE A PAST
YOU'RE NOT PROUD OF?

1266
00:57:34,000 --> 00:57:36,686
LOOK AT THIS
AS YOUR SECOND CHANCE,

1267
00:57:36,686 --> 00:57:38,071
LIKE THE ONE
YOU GAVE GLORIA.

1268
00:57:40,857 --> 00:57:42,392
o/~

1269
00:57:42,392 --> 00:57:44,010
SHE WAS WITH YOU THE NIGHT
YOU WERE ARRESTED,

1270
00:57:44,094 --> 00:57:46,513
BUT YOU LET HER WALK AWAY
FROM THE ACCIDENT

1271
00:57:46,596 --> 00:57:48,415
BEFORE THE COPS SHOWED UP.

1272
00:57:48,498 --> 00:57:52,018
o/~

1273
00:57:52,102 --> 00:57:55,989
SHE HAD ALWAYS PROTECTED ME.
I WANTED TO PROTECT HER.

1274
00:57:56,022 --> 00:57:57,924
BESIDES,
SHE'S THE ONLY FAMILY I HAD.

1275
00:57:58,008 --> 00:58:01,311
WE'RE A FAMILY, TOO.

1276
00:58:01,311 --> 00:58:02,929
I THINK YOU COULD USE
ONE OF THOSE RIGHT NOW.

1277
00:58:03,013 --> 00:58:05,598
(cell phone rings)

1278
00:58:05,632 --> 00:58:06,650
IT'S CHARLIE.

1279
00:58:06,683 --> 00:58:08,601
(ring)

1280
00:58:08,685 --> 00:58:09,969
TAKE MY ADVICE.

1281
00:58:10,003 --> 00:58:10,970
(ring)

1282
00:58:11,004 --> 00:58:12,789
ANSWER THE CALL.

1283
00:58:12,789 --> 00:58:16,292
(ring)

1284
00:58:16,292 --> 00:58:19,646
(Anjulie) o/~ DON'T NEED
YOUR SAD FACE, SORRY, BABY o/~

1285
00:58:19,679 --> 00:58:20,914
o/~ BUT I MADE UP MY MIND o/~

1286
00:58:20,947 --> 00:58:22,866
THE HOURS CAN BE LONG.

1287
00:58:22,932 --> 00:58:24,751
AND KATE CAN BE
REALLY BOSSY.

1288
00:58:24,784 --> 00:58:26,686
OH! AND ABBY WILL OVERSHARE

1289
00:58:26,720 --> 00:58:28,054
AND WANT TO BORROW
ALL YOUR CLOTHES.

1290
00:58:28,138 --> 00:58:30,123
SHE'S RIGHT, AND I TOTALLY
HAVE DIBS ON THOSE SHOES.

1291
00:58:30,156 --> 00:58:33,543
JUST REMEMBER.
WE EARN OUR WINGS TOGETHER.

1292
00:58:33,543 --> 00:58:35,662
o/~ TURNIN' UP THE,
TURNIN' UP THE BEAT o/~

1293
00:58:35,745 --> 00:58:37,630
I'M READY.

1294
00:58:37,664 --> 00:58:38,932
WELCOME TO THE ANGELS.

1295
00:58:38,965 --> 00:58:40,967
o/~ I'M LIKE A BRAND NEW CHICK o/~

1296
00:58:41,051 --> 00:58:43,053
SOMEBODY WOULD LIKE
TO SAY HELLO.

1297
00:58:43,053 --> 00:58:44,904
(beep)
o/~ YOU WOULDN'T RECOGNIZE ME o/~

1298
00:58:44,938 --> 00:58:47,307
(Charlie) I trust
you're all enjoying my yacht.

1299
00:58:47,340 --> 00:58:48,842
IT'S AMAZING.

1300
00:58:48,925 --> 00:58:51,227
THE ONLY THING
WE'RE MISSING IS THE OWNER.

1301
00:58:51,227 --> 00:58:55,115
WE WERE HOPING YOU WOULD DROP IN
ON THE CELEBRATION, CHARLIE.

1302
00:58:55,148 --> 00:58:59,052
Not today, Angels, but know
I'm always a phone call away.

1303
00:58:59,135 --> 00:59:01,121
CHEERS.
(clink)

1304
00:59:01,154 --> 00:59:04,991
o/~ MY FACE TO THE SKY,
SUNGLASSES ON o/~

1305
00:59:05,025 --> 00:59:06,393
o/~ TURNIN' UP THE BEAT o/~

1306
00:59:06,426 --> 00:59:07,961
o/~ SO SICK o/~

1307
00:59:07,994 --> 00:59:08,995
o/~ YEAH, YEAH o/~

1308
00:59:09,029 --> 00:59:10,864
o/~ I'M LIKE A BRAND NEW o/~

1309
00:59:10,897 --> 00:59:12,665
o/~ TURNIN' UP THE,
TURNIN' UP THE o/~

1310
00:59:12,749 --> 00:59:16,736
o/~ TURNIN' UP THE BEAT
SO SICK o/~

1311
00:59:16,786 --> 00:59:19,072
o/~ I'M LIKE A BRAND NEW CHICK o/~

1312
00:59:19,189 --> 00:59:21,574


1313
00:59:21,674 --> 00:59:21,708


1314
00:59:21,708 --> 00:59:21,791
VO

1315
00:59:21,791 --> 00:59:21,808
VO: TH

1316
00:59:21,808 --> 00:59:21,841
VO: THIS

1317
00:59:21,841 --> 00:59:21,875
VO: THIS I

1318
00:59:21,875 --> 00:59:21,908
VO: THIS IS 

1319
00:59:21,908 --> 00:59:21,941
VO: THIS IS CH

1320
00:59:21,941 --> 00:59:21,975
VO: THIS IS CHER

1321
00:59:21,975 --> 00:59:22,008
VO: THIS IS CHERYL

1322
00:59:22,008 --> 00:59:23,493
VO: THIS IS CHERYL.

1323
00:59:23,593 --> 00:59:26,046
THIS IS HER FOUR-YEAR-OLD
COMPUTER SHE DOESN'T THINK SHE
NEEDS TO UPDATE.

1324
00:59:26,146 --> 00:59:27,514
SO TO SHOW HER
WHAT SHE'S MISSING,

1325
00:59:27,614 --> 00:59:30,400
WE BUILT A PC STORE
IN HER HOUSE.

1326
00:59:30,500 --> 00:59:31,684
CHERYL: OH MY GOSH!

1327
00:59:31,785 --> 00:59:32,685
EMPLOYEE: WHAT DO YOU SAY
WE GO SHOPPING?

1328
00:59:32,786 --> 00:59:34,020
CHERYL: THIS ONE'S VERY COOL.

1329
00:59:34,120 --> 00:59:35,605
CHERYL: WHERE'S THE
TOWER FOR THIS?

1330
00:59:35,622 --> 00:59:36,606
EMPLOYEE: EVERYTHING IS
RIGHT HERE.

1331
00:59:36,706 --> 00:59:37,490
CHERYL: OH STOP!

1332
00:59:37,490 --> 00:59:38,024
CHERYL: OH STOP!
EMPLOYEE: FLIP THAT
SCREEN AROUND.

1333
00:59:38,124 --> 00:59:39,225
CHERYL: OKAY...
ALRIGHT...

1334
00:59:39,292 --> 00:59:40,076
VERY LIGHT-WEIGHT!

1335
00:59:40,176 --> 00:59:41,461
EMPLOYEE: 500GB HARD DRIVE.

1336
00:59:41,561 --> 00:59:43,279
CHERYL: I LIKE THE
DVR THING...

1337
00:59:44,898 --> 00:59:46,082
I LIKE THIS ONE.

1338
00:59:46,182 --> 00:59:48,468
VO: NEW PC IN THE HOUSE.

1339
00:59:48,568 --> 00:59:51,304
CHERYL: I'M A PC,
AND I'M FINALLY UP TO DATE.

1340
00:59:51,921 --> 00:59:53,423
GGGGGGGGGG

1341
00:59:53,440 --> 00:59:54,724
PASTA BOWL IS ALMOST OVER.

1342
00:59:54,724 --> 00:59:56,543
FOR JUST $8.95 TRY NEW SAUCES

1343
00:59:56,626 --> 00:59:58,528
LIKE ROASTED MUSHROOM PARMESAN

1344
00:59:58,528 --> 00:59:59,913
AND HEARTY PIZZAIOLA MEAT.

1345
00:59:59,946 --> 01:00:01,831
CHOOSE ALL THE SAUCE AND
PASTA COMBINATIONS YOU WANT

1346
01:00:01,831 --> 01:00:03,416
JUST
$8.95,

1347
01:00:03,450 --> 01:00:04,851
WITH UNLIMITED
SALAD AND BREADSTICKS.

1348
01:00:04,934 --> 01:00:21,034
SO HURRY IN TO OLIVE GARDEN.

1349
01:01:02,876 --> 01:01:06,062
o/~

1350
01:01:11,584 --> 01:01:13,870
(man) o/~ I LOVE YOU o/~

1351
01:01:13,870 --> 01:01:15,772
o/~ FROM THE BOTTOM OF MY HEART o/~

1352
01:01:15,772 --> 01:01:17,257
THERE'S NO MILK.

1353
01:01:17,290 --> 01:01:18,691
OH.

1354
01:01:18,775 --> 01:01:20,159
DAMN, I FORGOT.

1355
01:01:20,193 --> 01:01:22,162
ALL I ASK IS FOR YOU
TO GET THE GROCERIES.

1356
01:01:22,195 --> 01:01:24,480
AND I FORGOT.
I'M SORRY.

1357
01:01:24,480 --> 01:01:26,983
YOU KNOW, I-I-IT'S NOT LIKE
I'M SITTING AROUND.

1358
01:01:26,983 --> 01:01:28,468
I'M--I'M LOOKING
FOR A JOB.

1359
01:01:28,501 --> 01:01:29,969
WELL, NOW WE'RE GONNA
HAVE TO STOP FOR COFFEE

1360
01:01:30,003 --> 01:01:31,871
BEFORE YOU DROP ME OFF
AT WORK.

1361
01:01:31,905 --> 01:01:34,007
(Meredith)
EVEN GOOD MARRIAGES FAIL.

1362
01:01:34,090 --> 01:01:36,309
ONE MINUTE YOU'RE STANDING
ON SOLID GROUND.

1363
01:01:36,392 --> 01:01:39,512
THE NEXT MINUTE...
YOU'RE NOT.

1364
01:01:39,596 --> 01:01:43,016
(crying)

1365
01:01:43,049 --> 01:01:44,384
BABY'S UP.

1366
01:01:44,417 --> 01:01:46,452
YOU CHANGE THE DIAPER.
I'LL GET THE BOTTLE.

1367
01:01:46,486 --> 01:01:47,637
(crying continues)

1368
01:01:47,637 --> 01:01:49,522
AND THERE'S ALWAYS
TWO VERSIONS...

1369
01:01:49,556 --> 01:01:50,523
(moans)

1370
01:01:50,557 --> 01:01:51,591
(Zola babbling)

1371
01:01:51,674 --> 01:01:53,076
YOURS...

1372
01:01:53,076 --> 01:01:55,595
o/~ CRASH AND BURN o/~

1373
01:01:55,628 --> 01:01:55,627
o/~ YOU NEVER GIVE... o/~