| 1 | 1
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| 2 | 00:01:03,847 --> 00:01:04,514
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| 3 | (Charlie) ONCE UPON A TIME,
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| 4 | THERE WERE THREE YOUNG WOMEN
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| 5 |
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| 6 | 2
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| 7 | 00:01:05,649 --> 00:01:06,716
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| 8 | WHO GOT INTO VERY BIG TROUBLE.
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| 9 |
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| 10 | 3
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| 11 | 00:01:06,716 --> 00:01:07,851
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| 12 | (Rihanna) ⪠NA NA NA, COME ON âª
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| 13 |
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| 14 | 4
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| 15 | 00:01:09,786 --> 00:01:11,755
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| 16 | THE FIRST WAS A PARK AVENUE
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| 17 | PRINCESS TURNED THIEF.
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| 18 |
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| 19 | 5
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| 20 | 00:01:11,755 --> 00:01:12,355
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| 21 | ⪠NA NA NA, COME ON âª
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| 22 |
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| 23 | 6
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| 24 | 00:01:13,073 --> 00:01:16,159
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| 25 | (Rihanna's "S&M" playing)
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| 26 |
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| 27 | 7
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| 28 | 00:01:16,159 --> 00:01:17,694
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| 29 | ⪠NA NA NA, COME ON âª
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| 30 |
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| 31 | 8
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| 32 | 00:01:19,863 --> 00:01:21,798
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| 33 | THE SECOND WAS A MARINE
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| 34 | DECORATED FOR VALOR,
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| 35 |
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| 36 | 9
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| 37 | 00:01:21,798 --> 00:01:22,933
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| 38 | COURT-MARTIALED
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| 39 | FOR A DEADLY MISTAKE.
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| 40 |
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| 41 | 10
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| 42 | 00:01:25,068 --> 00:01:27,737
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| 43 | ⪠'CAUSE I MAY BE BAD
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| 44 | BUT I'M PERFECTLY GOOD AT IT âª
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| 45 |
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| 46 | 11
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| 47 | 00:01:27,737 --> 00:01:28,838
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| 48 | ⪠STICK AND STONES
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| 49 | MAY BREAK MY BONES âª
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| 50 |
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| 51 | 12
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| 52 | 00:01:31,141 --> 00:01:32,242
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| 53 | AND THE THIRD WAS
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| 54 | A DEDICATED POLICE DETECTIVE
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| 55 |
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| 56 | 13
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| 57 | 00:01:32,242 --> 00:01:33,243
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| 58 | TURNED DIRTY COP.
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| 59 |
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| 60 | 14
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| 61 | 00:01:35,178 --> 00:01:38,348
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| 62 | ⪠NA NA NA, COME ON,
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| 63 | COME ON, COME ON âª
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| 64 |
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| 65 | 15
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| 66 | 00:01:38,348 --> 00:01:38,949
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| 67 | ⪠I LIKE IT, LIKE IT âª
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| 68 |
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| 69 | 16
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| 70 | 00:01:40,350 --> 00:01:43,720
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| 71 | THEY EACH MADE MISTAKES,
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| 72 |
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| 73 | 17
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| 74 | 00:01:43,720 --> 00:01:44,354
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| 75 | BUT I GAVE THEM
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| 76 | A SECOND CHANCE.
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| 77 |
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| 78 | 18
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| 79 | 00:01:45,805 --> 00:01:49,793
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| 80 | AND NOW THEY WORK FOR ME.
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| 81 |
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| 82 | 19
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| 83 | 00:01:49,793 --> 00:01:50,026
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| 84 | MY NAME IS CHARLIE.
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| 85 |
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| 86 | 20
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| 87 | 00:01:52,062 --> 00:01:56,032
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| 88 | âª
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| 89 |
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| 90 | 21
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| 91 | 00:01:56,032 --> 00:02:00,570
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| 92 | Captioned by
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| 93 | Closed Captioning Services, Inc.
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| 94 |
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| 95 | 22
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| 96 | 00:02:02,739 --> 00:02:04,140
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| 97 | ANGELS, YOU'RE LOOKING
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| 98 | FOR A 16-YEAR-OLD RUNAWAY.
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| 99 |
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| 100 | 23
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| 101 | 00:02:04,140 --> 00:02:05,041
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| 102 | HER NAME IS SARAH DANIELS.
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| 103 |
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| 104 | 24
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| 105 | 00:02:05,842 --> 00:02:07,811
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| 106 | SHE'S BEING HELD CAPTIVE
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| 107 | IN A ROOM
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| 108 |
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| 109 | 25
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| 110 | 00:02:07,811 --> 00:02:08,912
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| 111 | SOMEWHERE IN THE FALCON HOTEL.
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| 112 |
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| 113 | 26
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| 114 | 00:02:10,847 --> 00:02:11,815
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| 115 | A NOTORIOUS CHILD TRAFFICKER
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| 116 | KNOWN AS "PAJARO"
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| 117 |
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| 118 | 27
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| 119 | 00:02:11,815 --> 00:02:12,816
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| 120 | IS ATTEMPTING TO SELL HER.
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| 121 |
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| 122 | 28
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| 123 | 00:02:14,284 --> 00:02:17,320
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| 124 | YOU HAVE TO FIND SARAH
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| 125 | BEFORE IT'S TOO LATE.
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| 126 |
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| 127 | 29
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| 128 | 00:02:17,320 --> 00:02:18,421
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| 129 | (Melanie Fiona's "Bang Bang"
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| 130 | playing)
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| 131 |
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| 132 | 30
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| 133 | 00:02:20,991 --> 00:02:22,058
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| 134 | ⪠FINGER ON THE TRIGGER,
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| 135 | LET IT BANG BANG âª
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| 136 |
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| 137 | 31
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| 138 | 00:02:22,058 --> 00:02:23,259
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| 139 | OH! (gasps) SORRY!
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| 140 |
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| 141 | 32
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| 142 | 00:02:27,897 --> 00:02:28,598
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| 143 | I MANAGED TO KILL YOUR MARTINI
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| 144 | AND MORTALLY WOUND YOUR SHIRT.
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| 145 |
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| 146 | 33
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| 147 | 00:02:28,598 --> 00:02:29,265
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| 148 | GOD.
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| 149 |
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| 150 | 34
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| 151 | 00:02:31,034 --> 00:02:33,436
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| 152 | IT'S NOT, UH, IT'S NOT FATAL.
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| 153 |
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| 154 | 35
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| 155 | 00:02:33,436 --> 00:02:33,737
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| 156 | CAN I BUY YOU A DRINK?
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| 157 |
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| 158 | 36
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| 159 | 00:02:34,337 --> 00:02:38,508
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| 160 | âª
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| 161 |
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| 162 | 37
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| 163 | 00:02:38,508 --> 00:02:39,442
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| 164 | YEAH, I AM--I AM SUCH A KLUTZ,
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| 165 | I'D PROBABLY SPILL IT.
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| 166 |
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| 167 | 38
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| 168 | 00:02:41,878 --> 00:02:45,982
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| 169 | ONE FASHION EMERGENCY
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| 170 | IS ENOUGH FOR TONIGHT.
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| 171 |
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| 172 | 39
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| 173 | 00:02:45,982 --> 00:02:46,850
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| 174 | ⪠SO LET'S GET DOWN, BABY âª
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| 175 |
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| 176 | 40
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| 177 | 00:02:47,784 --> 00:02:50,370
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| 178 | ⪠OOH, I'LL BE LOCKING
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| 179 | AND LOADING âª
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| 180 |
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| 181 | 41
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| 182 | 00:02:50,370 --> 00:02:51,621
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| 183 | TAKE GOOD CARE OF HER.
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| 184 | I WON'T BE LONG.
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| 185 |
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| 186 | 42
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| 187 | 00:02:53,523 --> 00:02:54,290
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| 188 | ⪠GOT MY EYE ON THE TARGET
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| 189 | AND I'LL MAYBE LET YOU âª
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| 190 |
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| 191 | 43
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| 192 | 00:02:54,290 --> 00:02:54,958
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| 193 | THANKS.
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| 194 |
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| 195 | 44
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| 196 | 00:02:55,525 --> 00:02:57,694
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| 197 | ⪠SEE ME MOVING IN SILENCE âª
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| 198 |
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| 199 | 45
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| 200 | 00:02:57,694 --> 00:02:58,228
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| 201 | OKAY, LADIES. TIME TO FLY.
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| 202 |
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| 203 | 46
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| 204 | 00:02:59,896 --> 00:03:02,666
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| 205 | YOU BUG MACKAL'S PHONE?
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| 206 |
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| 207 | 47
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| 208 | 00:03:02,666 --> 00:03:03,099
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| 209 | (chuckles) WITH ONE HAND
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| 210 | BEHIND MY BACK.
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| 211 |
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| 212 | 48
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| 213 | 00:03:04,434 --> 00:03:05,535
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| 214 | YOU IN POSITION?
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| 215 |
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| 216 | 49
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| 217 | 00:03:05,535 --> 00:03:06,403
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| 218 | ALMOST.
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| 219 |
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| 220 | 50
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| 221 | 00:03:08,838 --> 00:03:12,976
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| 222 | HEADED TOWARDS
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| 223 | THE SERVICE AREA NOW.
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| 224 |
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| 225 | 51
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| 226 | 00:03:12,976 --> 00:03:13,710
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| 227 | GLORIA, HAS THE BUYER'S REP
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| 228 | TOUCHED DOWN?
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| 229 |
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| 230 | 52
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| 231 | 00:03:15,845 --> 00:03:17,514
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| 232 | WALKING OFF HIS G6
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| 233 | AS WE SPEAK.
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| 234 |
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| 235 | 53
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| 236 | 00:03:17,514 --> 00:03:18,381
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| 237 | ⪠OF THAT COLD, COLD METAL
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| 238 | IN MY HAND âª
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| 239 |
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| 240 | 54
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| 241 | 00:03:20,550 --> 00:03:22,118
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| 242 | WELCOME TO MIAMI, MR. FISK.
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| 243 | THANK YOU.
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| 244 |
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| 245 | 55
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| 246 | 00:03:22,118 --> 00:03:22,686
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| 247 | (jets roaring)
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| 248 |
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| 249 | 56
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| 250 | 00:03:23,286 --> 00:03:28,224
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| 251 | ⪠KNOW I SOUND PSYCHO âª
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| 252 |
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| 253 | 57
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| 254 | 00:03:28,224 --> 00:03:29,059
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| 255 | (Gloria) I got Fisk. I'm leaving
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| 256 | the airport now, Kate.
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| 257 |
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| 258 | 58
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| 259 | 00:03:31,494 --> 00:03:33,296
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| 260 | (Kate)
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| 261 | Abby, get Bosley in position.
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| 262 |
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| 263 | 59
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| 264 | 00:03:33,296 --> 00:03:33,730
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| 265 | I'M ON IT.
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| 266 |
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| 267 | 60
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| 268 | 00:03:35,131 --> 00:03:37,100
|
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| 269 | ⪠SHE SHINING âª
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| 270 |
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| 271 | 61
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| 272 | 00:03:37,100 --> 00:03:37,500
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| 273 | (indistinct conversations)
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| 274 |
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| 275 | 62
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| 276 | 00:03:39,369 --> 00:03:41,271
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| 277 | AHEM. BOSLEY?
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| 278 |
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| 279 | 63
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| 280 | 00:03:41,271 --> 00:03:42,138
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| 281 | âª
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| 282 |
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| 283 | 64
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| 284 | 00:03:43,373 --> 00:03:44,274
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| 285 | (laughing
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| 286 | and speaking indistinctly)
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| 287 |
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| 288 | 65
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| 289 | 00:03:44,274 --> 00:03:44,774
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| 290 | BOSLEY!
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| 291 |
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| 292 | 66
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| 293 | 00:03:46,543 --> 00:03:49,446
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| 294 | ADULT SWIM IS OVER.
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| 295 |
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| 296 | 67
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| 297 | 00:03:49,446 --> 00:03:51,147
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| 298 | EXCUSE ME, LADIES. DUTY CALLS.
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| 299 |
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| 300 | 68
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| 301 | 00:03:52,182 --> 00:03:53,650
|
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| 302 | (speaks Norwegian)
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| 303 |
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| 304 | 69
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| 305 | 00:03:53,650 --> 00:03:54,884
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| 306 | (speaks Norwegian)
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| 307 |
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| 308 | 70
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| 309 | 00:03:55,535 --> 00:03:59,589
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| 310 | ⪠GOT MY EYE ON THE TARGET,
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| 311 | AND I'LL MAYBE LET YOU âª
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| 312 |
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| 313 | 71
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| 314 | 00:03:59,589 --> 00:04:00,490
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| 315 | ⪠BANG BANG âª
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| 316 |
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| 317 | 72
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| 318 | 00:04:01,491 --> 00:04:03,593
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| 319 | ⪠I'LL MAYBE LET YOU
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| 320 | BANG BANG âª
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| 321 |
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| 322 | 73
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|---|
| 323 | 00:04:03,593 --> 00:04:04,127
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| 324 | I'M MEETING PAJARO'S BROKER
|
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| 325 | IN 20 MINUTES
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| 326 |
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| 327 | 74
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| 328 | 00:04:05,662 --> 00:04:07,731
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| 329 | TO PICK UP THE PACKAGE.
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| 330 |
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| 331 | 75
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| 332 | 00:04:07,731 --> 00:04:08,264
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| 333 | I'LL E-MAIL YOU A PICTURE NOW.
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| 334 |
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| 335 | 76
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| 336 | 00:04:11,568 --> 00:04:20,143
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| 337 | I THINK YOU'LL APPROVE.
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| 338 |
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| 339 | 77
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| 340 | 00:04:20,143 --> 00:04:20,477
|
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| 341 | ⪠HOPE MY HEAD COMES DOWN
|
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| 342 | FROM THE HIGH âª
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| 343 |
|
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| 344 | 78
|
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| 345 | 00:04:23,880 --> 00:04:26,316
|
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| 346 | ⪠HIGH âª
|
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| 347 |
|
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| 348 | 79
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| 349 | 00:04:26,316 --> 00:04:27,150
|
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| 350 | (beep)
|
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| 351 | (Gloria) Bosley, you all ready?
|
|---|
| 352 |
|
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| 353 | 80
|
|---|
| 354 | 00:04:28,001 --> 00:04:32,122
|
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| 355 | OKAY, GLORIA. I'M WIRED IN.
|
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| 356 | (beeps)
|
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| 357 |
|
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| 358 | 81
|
|---|
| 359 | 00:04:32,122 --> 00:04:32,956
|
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| 360 | BUG IS ACTIVE.
|
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| 361 | I'M READY TO TRACK THE CALLS.
|
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| 362 |
|
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| 363 | 82
|
|---|
| 364 | 00:04:34,724 --> 00:04:35,358
|
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| 365 | (Gloria)
|
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| 366 | OKAY, I'M GOING OFF-ROAD.
|
|---|
| 367 |
|
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| 368 | 83
|
|---|
| 369 | 00:04:35,358 --> 00:04:36,593
|
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| 370 | (tires screech)
|
|---|
| 371 |
|
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| 372 | 84
|
|---|
| 373 | 00:04:38,661 --> 00:04:44,234
|
|---|
| 374 | WHAT ARE YOU DOING?! WHERE DO
|
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| 375 | YOU THINK YOU'RE TAKING ME?!
|
|---|
| 376 |
|
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| 377 | 85
|
|---|
| 378 | 00:04:44,234 --> 00:04:44,734
|
|---|
| 379 | AAH! WHAT?!
|
|---|
| 380 |
|
|---|
| 381 | 86
|
|---|
| 382 | 00:04:45,635 --> 00:04:48,338
|
|---|
| 383 | UHH!
|
|---|
| 384 | (cocks gun)
|
|---|
| 385 |
|
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| 386 | 87
|
|---|
| 387 | 00:04:48,338 --> 00:04:48,872
|
|---|
| 388 | AAH!
|
|---|
| 389 | WHERE'S PAJARO'S BROKER
|
|---|
| 390 | KEEPING THE GIRL?
|
|---|
| 391 |
|
|---|
| 392 | 88
|
|---|
| 393 | 00:04:50,573 --> 00:04:52,675
|
|---|
| 394 | I DON'T KNOW, I SWEAR.
|
|---|
| 395 |
|
|---|
| 396 | 89
|
|---|
| 397 | 00:04:52,675 --> 00:04:53,710
|
|---|
| 398 | OKAY! OKAY!
|
|---|
| 399 | THE FALCON HOTEL!
|
|---|
| 400 |
|
|---|
| 401 | 90
|
|---|
| 402 | 00:04:54,744 --> 00:04:57,514
|
|---|
| 403 | I'M MEETING HIM AT THE BAR--
|
|---|
| 404 | A GUY NAMED MACKAL.
|
|---|
| 405 |
|
|---|
| 406 | 91
|
|---|
| 407 | 00:04:57,514 --> 00:04:58,114
|
|---|
| 408 | ONCE IT'S CONFIRMED
|
|---|
| 409 | BY BOSS' WIRE TRANSFER,
|
|---|
| 410 |
|
|---|
| 411 | 92
|
|---|
| 412 | 00:04:58,348 --> 00:05:00,600
|
|---|
| 413 | HE'LL GIVE ME INSTRUCTIONS
|
|---|
| 414 |
|
|---|
| 415 | 93
|
|---|
| 416 | 00:05:00,600 --> 00:05:01,184
|
|---|
| 417 | HOW TO GET THE PACKAGE
|
|---|
| 418 | OUT OF THE HOTEL.
|
|---|
| 419 |
|
|---|
| 420 | 94
|
|---|
| 421 | 00:05:02,185 --> 00:05:03,486
|
|---|
| 422 | (gunshots)
|
|---|
| 423 | UHH!
|
|---|
| 424 |
|
|---|
| 425 | 95
|
|---|
| 426 | 00:05:03,486 --> 00:05:04,320
|
|---|
| 427 | SHE'S NOT A PACKAGE.
|
|---|
| 428 |
|
|---|
| 429 | 96
|
|---|
| 430 | 00:05:05,822 --> 00:05:08,258
|
|---|
| 431 | HER NAME IS SARAH.
|
|---|
| 432 | SHE'S 16 YEARS OLD.
|
|---|
| 433 |
|
|---|
| 434 | 97
|
|---|
| 435 | 00:05:08,258 --> 00:05:09,526
|
|---|
| 436 | I-I'M JUST THE MIDDLE MAN.
|
|---|
| 437 | I'LL DO ANYTHING.
|
|---|
| 438 |
|
|---|
| 439 | 98
|
|---|
| 440 | 00:05:12,428 --> 00:05:14,464
|
|---|
| 441 | YOU'RE GONNA MAKE A PHONE CALL,
|
|---|
| 442 | AND YOU BETTER BE OSCAR-WORTHY.
|
|---|
| 443 |
|
|---|
| 444 | 99
|
|---|
| 445 | 00:05:14,464 --> 00:05:15,732
|
|---|
| 446 | (cell phone rings)
|
|---|
| 447 |
|
|---|
| 448 | 100
|
|---|
| 449 | 00:05:17,901 --> 00:05:19,602
|
|---|
| 450 | IT'S FISK. THE--THE LIMO NEVER
|
|---|
| 451 | SHOWED. I'M JUMPING IN A CAB.
|
|---|
| 452 |
|
|---|
| 453 | 101
|
|---|
| 454 | 00:05:19,602 --> 00:05:19,836
|
|---|
| 455 | I'LL LET MY GUYS KNOW.
|
|---|
| 456 |
|
|---|
| 457 | 102
|
|---|
| 458 | 00:05:20,970 --> 00:05:25,141
|
|---|
| 459 | âª
|
|---|
| 460 |
|
|---|
| 461 | 103
|
|---|
| 462 | 00:05:25,141 --> 00:05:25,375
|
|---|
| 463 | HE'S CALLING THE HOTEL ROOM.
|
|---|
| 464 | LOCKING DOWN THE SIGNAL.
|
|---|
| 465 | (beeps)
|
|---|
| 466 |
|
|---|
| 467 | 104
|
|---|
| 468 | 00:05:26,609 --> 00:05:28,244
|
|---|
| 469 | âª
|
|---|
| 470 |
|
|---|
| 471 | 105
|
|---|
| 472 | 00:05:28,244 --> 00:05:28,511
|
|---|
| 473 | (telephone rings)
|
|---|
| 474 |
|
|---|
| 475 | 106
|
|---|
| 476 | 00:05:29,112 --> 00:05:32,515
|
|---|
| 477 | YEAH.
|
|---|
| 478 |
|
|---|
| 479 | 107
|
|---|
| 480 | 00:05:32,515 --> 00:05:32,749
|
|---|
| 481 | SIT TIGHT.
|
|---|
| 482 | BUYER'S REP IS RUNNING LATE.
|
|---|
| 483 |
|
|---|
| 484 | 108
|
|---|
| 485 | 00:05:33,266 --> 00:05:35,618
|
|---|
| 486 | âª
|
|---|
| 487 |
|
|---|
| 488 | 109
|
|---|
| 489 | 00:05:35,618 --> 00:05:35,952
|
|---|
| 490 | (beeping)
|
|---|
| 491 | ⪠BANG, BANG, BANG âª
|
|---|
| 492 |
|
|---|
| 493 | 110
|
|---|
| 494 | 00:05:36,920 --> 00:05:38,288
|
|---|
| 495 | I GOT IT.
|
|---|
| 496 |
|
|---|
| 497 | 111
|
|---|
| 498 | 00:05:38,288 --> 00:05:39,589
|
|---|
| 499 | HE CALLED ROOM 2819.
|
|---|
| 500 |
|
|---|
| 501 | 112
|
|---|
| 502 | 00:05:41,291 --> 00:05:43,593
|
|---|
| 503 | GET VISUAL CONFIRMATION
|
|---|
| 504 | SARAH'S IN THE ROOM.
|
|---|
| 505 | (button clicks)
|
|---|
| 506 |
|
|---|
| 507 | 113
|
|---|
| 508 | 00:05:43,593 --> 00:05:44,460
|
|---|
| 509 | SATELLITE CAMERA
|
|---|
| 510 | COMING ONLINE.
|
|---|
| 511 |
|
|---|
| 512 | 114
|
|---|
| 513 | 00:05:46,029 --> 00:05:47,564
|
|---|
| 514 | OKAY, YOU GOT THREE GUYS
|
|---|
| 515 | IN THE ROOM.
|
|---|
| 516 |
|
|---|
| 517 | 115
|
|---|
| 518 | 00:05:47,564 --> 00:05:48,031
|
|---|
| 519 | THEY LOOK HEAVILY ARMED.
|
|---|
| 520 |
|
|---|
| 521 | 116
|
|---|
| 522 | 00:05:49,199 --> 00:05:51,968
|
|---|
| 523 | SARAH'S ON THE BED.
|
|---|
| 524 |
|
|---|
| 525 | 117
|
|---|
| 526 | 00:05:51,968 --> 00:06:10,253
|
|---|
| 527 | She's bound and gagged.
|
|---|
| 528 | (zip)
|
|---|
| 529 |
|
|---|
| 530 | 118
|
|---|
| 531 | 00:06:12,722 --> 00:06:16,125
|
|---|
| 532 | OKAY, ABBY, READY TO DO
|
|---|
| 533 | SOME HOUSEKEEPING?
|
|---|
| 534 |
|
|---|
| 535 | 119
|
|---|
| 536 | 00:06:16,125 --> 00:06:16,559
|
|---|
| 537 | Dropping in now.
|
|---|
| 538 |
|
|---|
| 539 | 120
|
|---|
| 540 | 00:06:18,695 --> 00:06:23,933
|
|---|
| 541 | (doorbell rings)
|
|---|
| 542 |
|
|---|
| 543 | 121
|
|---|
| 544 | 00:06:23,933 --> 00:06:24,133
|
|---|
| 545 | WHO IS IT?
|
|---|
| 546 | ROOM SERVICE.
|
|---|
| 547 |
|
|---|
| 548 | 122
|
|---|
| 549 | 00:06:25,702 --> 00:06:27,170
|
|---|
| 550 | UHH!
|
|---|
| 551 |
|
|---|
| 552 | 123
|
|---|
| 553 | 00:06:27,170 --> 00:06:27,437
|
|---|
| 554 | (cocks gun)
|
|---|
| 555 |
|
|---|
| 556 | 124
|
|---|
| 557 | 00:06:28,104 --> 00:06:30,340
|
|---|
| 558 | (grunts)
|
|---|
| 559 |
|
|---|
| 560 | 125
|
|---|
| 561 | 00:06:30,340 --> 00:06:30,607
|
|---|
| 562 | (gun cocks)
|
|---|
| 563 | UHH!
|
|---|
| 564 |
|
|---|
| 565 | 126
|
|---|
| 566 | 00:06:32,075 --> 00:06:35,111
|
|---|
| 567 | (grunts)
|
|---|
| 568 |
|
|---|
| 569 | 127
|
|---|
| 570 | 00:06:35,111 --> 00:06:41,951
|
|---|
| 571 | (all grunting)
|
|---|
| 572 |
|
|---|
| 573 | 128
|
|---|
| 574 | 00:06:44,420 --> 00:06:46,656
|
|---|
| 575 | (electricity crackling)
|
|---|
| 576 | UHH!
|
|---|
| 577 |
|
|---|
| 578 | 129
|
|---|
| 579 | 00:06:46,656 --> 00:06:47,123
|
|---|
| 580 | LET'S GO.
|
|---|
| 581 |
|
|---|
| 582 | 130
|
|---|
| 583 | 00:06:48,558 --> 00:06:49,859
|
|---|
| 584 | (grunts and cries)
|
|---|
| 585 |
|
|---|
| 586 | 131
|
|---|
| 587 | 00:06:49,859 --> 00:06:50,193
|
|---|
| 588 | SHH. IT'S OKAY.
|
|---|
| 589 |
|
|---|
| 590 | 132
|
|---|
| 591 | 00:06:51,227 --> 00:06:53,763
|
|---|
| 592 | YOU'RE SAFE.
|
|---|
| 593 |
|
|---|
| 594 | 133
|
|---|
| 595 | 00:06:53,763 --> 00:06:54,130
|
|---|
| 596 | OKAY. THERE WE GO.
|
|---|
| 597 |
|
|---|
| 598 | 134
|
|---|
| 599 | 00:06:56,065 --> 00:06:57,700
|
|---|
| 600 | WHO ARE YOU?
|
|---|
| 601 |
|
|---|
| 602 | 135
|
|---|
| 603 | 00:06:57,700 --> 00:06:58,001
|
|---|
| 604 | YOU DON'T LOOK LIKE COPS.
|
|---|
| 605 |
|
|---|
| 606 | 136
|
|---|
| 607 | 00:06:58,635 --> 00:07:01,938
|
|---|
| 608 | WE'RE NOT.
|
|---|
| 609 |
|
|---|
| 610 | 137
|
|---|
| 611 | 00:07:01,938 --> 00:07:07,277
|
|---|
| 612 | WE'RE ANGELS.
|
|---|
| 613 |
|
|---|
| 614 | 138
|
|---|
| 615 | 00:07:08,511 --> 00:07:11,297
|
|---|
| 616 | (Charlie) I spoke
|
|---|
| 617 | to Sarah's parents, Angels.
|
|---|
| 618 |
|
|---|
| 619 | 139
|
|---|
| 620 | 00:07:11,297 --> 00:07:12,982
|
|---|
| 621 | They are incredibly relieved
|
|---|
| 622 | to have her back safe and sound.
|
|---|
| 623 |
|
|---|
| 624 | 140
|
|---|
| 625 | 00:07:13,483 --> 00:07:15,318
|
|---|
| 626 | WELL, NOW THAT MACKAL'S
|
|---|
| 627 |
|
|---|
| 628 | 141
|
|---|
| 629 | 00:07:15,318 --> 00:07:16,352
|
|---|
| 630 | BEEN HIDING BEHIND
|
|---|
| 631 | AN ARMY OF LAWYERS,
|
|---|
| 632 |
|
|---|
| 633 | 142
|
|---|
| 634 | 00:07:17,687 --> 00:07:18,921
|
|---|
| 635 | WHAT ARE THE CHANCES
|
|---|
| 636 | HE'LL FLIP ON HIS BOSS PAJARO?
|
|---|
| 637 |
|
|---|
| 638 | 143
|
|---|
| 639 | 00:07:18,921 --> 00:07:20,189
|
|---|
| 640 | It's doubtful
|
|---|
| 641 | Mackal's even met him.
|
|---|
| 642 |
|
|---|
| 643 | 144
|
|---|
| 644 | 00:07:23,559 --> 00:07:24,460
|
|---|
| 645 | YOU DO REALIZE THE IRONY OF THAT
|
|---|
| 646 | COMING FROM YOU, RIGHT, CHARLIE?
|
|---|
| 647 |
|
|---|
| 648 | 145
|
|---|
| 649 | 00:07:24,460 --> 00:07:25,628
|
|---|
| 650 | (chuckles)
|
|---|
| 651 | (laughs)
|
|---|
| 652 |
|
|---|
| 653 | 146
|
|---|
| 654 | 00:07:27,030 --> 00:07:31,768
|
|---|
| 655 | OH, MIAMI P.D.'s BEEN TRYING
|
|---|
| 656 | TO NAIL PAJARO FOR YEARS.
|
|---|
| 657 |
|
|---|
| 658 | 147
|
|---|
| 659 | 00:07:31,768 --> 00:07:32,135
|
|---|
| 660 | HE DOESN'T LEAVE ANY FOOTPRINTS,
|
|---|
| 661 | ELECTRONIC OR OTHERWISE.
|
|---|
| 662 |
|
|---|
| 663 | 148
|
|---|
| 664 | 00:07:32,468 --> 00:07:35,438
|
|---|
| 665 | HE'S A GHOST.
|
|---|
| 666 |
|
|---|
| 667 | 149
|
|---|
| 668 | 00:07:35,438 --> 00:07:36,539
|
|---|
| 669 | GHOSTS AREN'T REAL.
|
|---|
| 670 | THIS GUY IS AND HE NEEDS TO PAY.
|
|---|
| 671 |
|
|---|
| 672 | 150
|
|---|
| 673 | 00:07:38,741 --> 00:07:41,611
|
|---|
| 674 | Don't lose sight of what
|
|---|
| 675 | you accomplished tonight.
|
|---|
| 676 |
|
|---|
| 677 | 151
|
|---|
| 678 | 00:07:41,611 --> 00:07:41,978
|
|---|
| 679 | Sarah's safe
|
|---|
| 680 | because of you three.
|
|---|
| 681 |
|
|---|
| 682 | 152
|
|---|
| 683 | 00:07:43,363 --> 00:07:46,416
|
|---|
| 684 | (Bosley) AHEM.
|
|---|
| 685 |
|
|---|
| 686 | 153
|
|---|
| 687 | 00:07:46,416 --> 00:07:46,816
|
|---|
| 688 | And, of course, you, Bosley.
|
|---|
| 689 |
|
|---|
| 690 | 154
|
|---|
| 691 | 00:07:47,517 --> 00:07:48,685
|
|---|
| 692 | (women chuckle)
|
|---|
| 693 |
|
|---|
| 694 | 155
|
|---|
| 695 | 00:07:48,685 --> 00:07:49,319
|
|---|
| 696 | Good night, Angels.
|
|---|
| 697 |
|
|---|
| 698 | 156
|
|---|
| 699 | 00:07:50,887 --> 00:07:54,490
|
|---|
| 700 | (women) GOOD NIGHT, CHARLIE.
|
|---|
| 701 |
|
|---|
| 702 | 157
|
|---|
| 703 | 00:07:54,490 --> 00:07:55,024
|
|---|
| 704 | OKAY, TIME TO GET THE PARTY ON.
|
|---|
| 705 | I'M SERIOUS.
|
|---|
| 706 |
|
|---|
| 707 | 158
|
|---|
| 708 | 00:07:56,292 --> 00:07:56,793
|
|---|
| 709 | I'M GONNA HAVE TO PASS.
|
|---|
| 710 |
|
|---|
| 711 | 159
|
|---|
| 712 | 00:07:56,793 --> 00:07:57,560
|
|---|
| 713 | HMM?
|
|---|
| 714 |
|
|---|
| 715 | 160
|
|---|
| 716 | 00:08:01,364 --> 00:08:04,100
|
|---|
| 717 | I, UH, GOT
|
|---|
| 718 | A PREVIOUS ENGAGEMENT.
|
|---|
| 719 |
|
|---|
| 720 | 161
|
|---|
| 721 | 00:08:04,100 --> 00:08:04,334
|
|---|
| 722 | POOL BABES?
|
|---|
| 723 |
|
|---|
| 724 | 162
|
|---|
| 725 | 00:08:06,169 --> 00:08:07,804
|
|---|
| 726 | UM...
|
|---|
| 727 |
|
|---|
| 728 | 163
|
|---|
| 729 | 00:08:07,804 --> 00:08:08,037
|
|---|
| 730 | GOOD NIGHT.
|
|---|
| 731 | (laughs)
|
|---|
| 732 |
|
|---|
| 733 | 164
|
|---|
| 734 | 00:08:08,604 --> 00:08:11,574
|
|---|
| 735 | OOH!
|
|---|
| 736 |
|
|---|
| 737 | 165
|
|---|
| 738 | 00:08:11,574 --> 00:08:12,075
|
|---|
| 739 | OKAY, WELL,
|
|---|
| 740 | WHERE ARE WE CELEBRATING?
|
|---|
| 741 |
|
|---|
| 742 | 166
|
|---|
| 743 | 00:08:12,875 --> 00:08:15,812
|
|---|
| 744 | UH, TIDEPOOL, RIPCORD?
|
|---|
| 745 |
|
|---|
| 746 | 167
|
|---|
| 747 | 00:08:15,812 --> 00:08:17,146
|
|---|
| 748 | OR IF WE GO TO THE DECK,
|
|---|
| 749 | I CAN SCORE US A V.I.P. TABLE.
|
|---|
| 750 |
|
|---|
| 751 | 168
|
|---|
| 752 | 00:08:19,449 --> 00:08:20,383
|
|---|
| 753 | SOUNDS GOOD.
|
|---|
| 754 | OH. IS YOUR FAVORITE BARTENDER
|
|---|
| 755 | WORKING TONIGHT?
|
|---|
| 756 |
|
|---|
| 757 | 169
|
|---|
| 758 | 00:08:20,383 --> 00:08:21,384
|
|---|
| 759 | SO FUNNY YOU SHOULD ASK.
|
|---|
| 760 |
|
|---|
| 761 | 170
|
|---|
| 762 | 00:08:23,886 --> 00:08:26,356
|
|---|
| 763 | ACTUALLY, HIS SHIFT DOES NOT END
|
|---|
| 764 | UNTIL 5:00 A.M.
|
|---|
| 765 |
|
|---|
| 766 | 171
|
|---|
| 767 | 00:08:26,356 --> 00:08:26,622
|
|---|
| 768 | HMM.
|
|---|
| 769 |
|
|---|
| 770 | 172
|
|---|
| 771 | 00:08:27,023 --> 00:08:29,492
|
|---|
| 772 | WHAT?
|
|---|
| 773 |
|
|---|
| 774 | 173
|
|---|
| 775 | 00:08:29,492 --> 00:08:29,892
|
|---|
| 776 | HE'S SINGLE, HE'S STRAIGHT,
|
|---|
| 777 | AND HE HAS A LIFE PLAN.
|
|---|
| 778 |
|
|---|
| 779 | 174
|
|---|
| 780 | 00:08:30,426 --> 00:08:32,128
|
|---|
| 781 | MIXING MOJITOS.
|
|---|
| 782 |
|
|---|
| 783 | 175
|
|---|
| 784 | 00:08:32,128 --> 00:08:33,062
|
|---|
| 785 | NO. HE IS SAVING HIS MONEY
|
|---|
| 786 | TO BUY A BOAT
|
|---|
| 787 |
|
|---|
| 788 | 176
|
|---|
| 789 | 00:08:34,831 --> 00:08:37,800
|
|---|
| 790 | AND SAIL AROUND THE WORLD.
|
|---|
| 791 | THAT IS A PLAN.
|
|---|
| 792 |
|
|---|
| 793 | 177
|
|---|
| 794 | 00:08:37,800 --> 00:08:38,801
|
|---|
| 795 | YOU DO REALIZE
|
|---|
| 796 | THAT IS NOT A LIFE PLAN.
|
|---|
| 797 |
|
|---|
| 798 | 178
|
|---|
| 799 | 00:08:40,803 --> 00:08:42,171
|
|---|
| 800 | OKAY, FINE. HE'S A DREAMER,
|
|---|
| 801 | AND THAT'S SEXY.
|
|---|
| 802 |
|
|---|
| 803 | 179
|
|---|
| 804 | 00:08:42,171 --> 00:08:42,805
|
|---|
| 805 | PLEASE, PLEASE, COME WITH ME.
|
|---|
| 806 |
|
|---|
| 807 | 180
|
|---|
| 808 | 00:08:43,172 --> 00:08:45,641
|
|---|
| 809 | (chuckles)
|
|---|
| 810 | ACTUALLY, GUYS,
|
|---|
| 811 |
|
|---|
| 812 | 181
|
|---|
| 813 | 00:08:45,641 --> 00:08:46,809
|
|---|
| 814 | I THINK I'M GOING TO SKIP
|
|---|
| 815 | THE VELVET ROPE TONIGHT.
|
|---|
| 816 |
|
|---|
| 817 | 182
|
|---|
| 818 | 00:08:47,043 --> 00:08:48,594
|
|---|
| 819 | NO, YOU'RE NOT. COME ON.
|
|---|
| 820 | YOU'RE COMING WITH US. LET'S GO.
|
|---|
| 821 |
|
|---|
| 822 | 183
|
|---|
| 823 | 00:08:48,594 --> 00:08:51,247
|
|---|
| 824 | NO. NO, NO, NO, NO. REALLY,
|
|---|
| 825 | REALLY. I-I'M COMPLETELY BEAT.
|
|---|
| 826 |
|
|---|
| 827 | 184
|
|---|
| 828 | 00:08:53,649 --> 00:08:57,286
|
|---|
| 829 | YOU GUYS GO. GO AND HAVE
|
|---|
| 830 | A MARGARITA FOR ME.
|
|---|
| 831 |
|
|---|
| 832 | 185
|
|---|
| 833 | 00:08:57,286 --> 00:08:57,787
|
|---|
| 834 | WE WILL HAVE
|
|---|
| 835 | TWO MARGARITAS FOR YOU.
|
|---|
| 836 |
|
|---|
| 837 | 186
|
|---|
| 838 | 00:08:58,988 --> 00:09:02,058
|
|---|
| 839 | YOU'RE MISSING OUT.
|
|---|
| 840 |
|
|---|
| 841 | 187
|
|---|
| 842 | 00:09:02,058 --> 00:09:02,658
|
|---|
| 843 | âª
|
|---|
| 844 |
|
|---|
| 845 | 188
|
|---|
| 846 | 00:09:04,527 --> 00:09:06,629
|
|---|
| 847 | I FOUND THESE IN YOUR TRASH.
|
|---|
| 848 |
|
|---|
| 849 | 189
|
|---|
| 850 | 00:09:06,629 --> 00:09:07,597
|
|---|
| 851 | WHEN YOU SAID YOUR DAD WAS
|
|---|
| 852 | REACHING OUT, YOU DIDN'T SAY
|
|---|
| 853 |
|
|---|
| 854 | 190
|
|---|
| 855 | 00:09:08,631 --> 00:09:11,634
|
|---|
| 856 | IT WAS A FULL-BLOWN
|
|---|
| 857 | LETTER WRITING CAMPAIGN.
|
|---|
| 858 |
|
|---|
| 859 | 191
|
|---|
| 860 | 00:09:11,634 --> 00:09:12,068
|
|---|
| 861 | THE GREAT WHITE SHARK OF
|
|---|
| 862 | WALL STREET CAN BE RELENTLESS,
|
|---|
| 863 |
|
|---|
| 864 | 192
|
|---|
| 865 | 00:09:12,502 --> 00:09:15,371
|
|---|
| 866 | EVEN IN CAPTIVITY.
|
|---|
| 867 |
|
|---|
| 868 | 193
|
|---|
| 869 | 00:09:15,371 --> 00:09:16,305
|
|---|
| 870 | AND I THREW THEM IN THERE
|
|---|
| 871 | FOR A REASON, DETECTIVE.
|
|---|
| 872 |
|
|---|
| 873 | 194
|
|---|
| 874 | 00:09:17,840 --> 00:09:20,476
|
|---|
| 875 | GOOD NIGHT. I'LL CATCH
|
|---|
| 876 | YOU LADIES TOMORROW.
|
|---|
| 877 |
|
|---|
| 878 | 195
|
|---|
| 879 | 00:09:20,476 --> 00:09:20,843
|
|---|
| 880 | IT IS TOMORROW.
|
|---|
| 881 |
|
|---|
| 882 | 196
|
|---|
| 883 | 00:09:21,411 --> 00:09:22,061
|
|---|
| 884 | (blows kiss)
|
|---|
| 885 |
|
|---|
| 886 | 197
|
|---|
| 887 | 00:09:22,061 --> 00:09:24,981
|
|---|
| 888 | COME ON. IT'S YOUR DAD.
|
|---|
| 889 |
|
|---|
| 890 | 198
|
|---|
| 891 | 00:09:26,482 --> 00:09:29,385
|
|---|
| 892 | I USED TO STEAL WARHOLS
|
|---|
| 893 | TO GET THAT MAN'S--
|
|---|
| 894 |
|
|---|
| 895 | 199
|
|---|
| 896 | 00:09:29,385 --> 00:09:32,789
|
|---|
| 897 | (loud explosion)
|
|---|
| 898 | (gasps)
|
|---|
| 899 |
|
|---|
| 900 | 200
|
|---|
| 901 | 00:09:34,123 --> 00:09:41,798
|
|---|
| 902 | GLORIA!
|
|---|
| 903 |
|
|---|
| 904 | 201
|
|---|
| 905 | 00:09:41,798 --> 00:09:50,973
|
|---|
| 906 | (sirens wailing,
|
|---|
| 907 | police radio chatter)
|
|---|
| 908 |
|
|---|
| 909 | 202
|
|---|
| 910 | 00:09:54,093 --> 00:09:55,411
|
|---|
| 911 | (cries) PLEASE TELL ME
|
|---|
| 912 | SHE'S NOT REALLY GONE...
|
|---|
| 913 |
|
|---|
| 914 | 203
|
|---|
| 915 | 00:09:55,411 --> 00:09:55,678
|
|---|
| 916 | (sniffles)
|
|---|
| 917 |
|
|---|
| 918 | 204
|
|---|
| 919 | 00:09:56,179 --> 00:10:00,049
|
|---|
| 920 | (cries)
|
|---|
| 921 |
|
|---|
| 922 | 205
|
|---|
| 923 | 00:10:00,049 --> 00:10:05,321
|
|---|
| 924 | AND THAT I'M JUST GONNA WAKE UP
|
|---|
| 925 | AND SEE HER AGAIN.
|
|---|
| 926 |
|
|---|
| 927 | 206
|
|---|
| 928 | 00:10:08,157 --> 00:10:10,359
|
|---|
| 929 | YOU KNOW, I-I NEVER THOUGHT
|
|---|
| 930 | MY HEART COULD...
|
|---|
| 931 |
|
|---|
| 932 | 207
|
|---|
| 933 | 00:10:10,359 --> 00:10:12,495
|
|---|
| 934 | (cries) HURT THIS MUCH.
|
|---|
| 935 |
|
|---|
| 936 | 208
|
|---|
| 937 | 00:10:14,964 --> 00:10:17,533
|
|---|
| 938 | SHE DOESN'T EVEN HAVE
|
|---|
| 939 | ANY FAMILY THAT WE CAN CALL.
|
|---|
| 940 |
|
|---|
| 941 | 209
|
|---|
| 942 | 00:10:17,533 --> 00:10:17,800
|
|---|
| 943 | (crying)
|
|---|
| 944 |
|
|---|
| 945 | 210
|
|---|
| 946 | 00:10:18,534 --> 00:10:20,703
|
|---|
| 947 | (cries)
|
|---|
| 948 |
|
|---|
| 949 | 211
|
|---|
| 950 | 00:10:20,703 --> 00:10:21,170
|
|---|
| 951 | (siren continues wailing)
|
|---|
| 952 |
|
|---|
| 953 | 212
|
|---|
| 954 | 00:10:24,140 --> 00:10:26,125
|
|---|
| 955 | WE WERE HER FAMILY.
|
|---|
| 956 |
|
|---|
| 957 | 213
|
|---|
| 958 | 00:10:26,125 --> 00:10:34,717
|
|---|
| 959 | SHE WAS OUR SISTER.
|
|---|
| 960 |
|
|---|
| 961 | 214
|
|---|
| 962 | 00:10:36,986 --> 00:10:40,990
|
|---|
| 963 | HOW'S CHARLIE?
|
|---|
| 964 |
|
|---|
| 965 | 215
|
|---|
| 966 | 00:10:40,990 --> 00:10:43,159
|
|---|
| 967 | DEVASTATED.
|
|---|
| 968 |
|
|---|
| 969 | 216
|
|---|
| 970 | 00:10:45,661 --> 00:10:49,332
|
|---|
| 971 | LOSING AN ANGEL
|
|---|
| 972 | IS HIS WORST NIGHTMARE.
|
|---|
| 973 |
|
|---|
| 974 | 217
|
|---|
| 975 | 00:10:49,332 --> 00:10:52,902
|
|---|
| 976 | IT'S MINE, TOO.
|
|---|
| 977 |
|
|---|
| 978 | 218
|
|---|
| 979 | 00:10:55,838 --> 00:10:57,640
|
|---|
| 980 | WE'RE GONNA FIND OUT
|
|---|
| 981 | WHO DID THIS.
|
|---|
| 982 |
|
|---|
| 983 | 219
|
|---|
| 984 | 00:10:57,640 --> 00:10:57,907
|
|---|
| 985 | IF IT'S THE LAST THING
|
|---|
| 986 | WE DO.
|
|---|
| 987 |
|
|---|
| 988 | 220
|
|---|
| 989 | 00:10:59,091 --> 00:11:22,698
|
|---|
| 990 | (sighs)
|
|---|
| 991 |
|
|---|
| 992 | 221
|
|---|
| 993 | 00:11:22,732 --> 00:11:23,232
|
|---|
| 994 | [
|
|---|
| 995 |
|
|---|
| 996 | 222
|
|---|
| 997 | 00:11:22,765 --> 00:11:23,265
|
|---|
| 998 | [ F
|
|---|
| 999 |
|
|---|
| 1000 | 223
|
|---|
| 1001 | 00:11:22,798 --> 00:11:23,298
|
|---|
| 1002 | [ Fem
|
|---|
| 1003 |
|
|---|
| 1004 | 224
|
|---|
| 1005 | 00:11:22,832 --> 00:11:23,332
|
|---|
| 1006 | [ Femal
|
|---|
| 1007 |
|
|---|
| 1008 | 225
|
|---|
| 1009 | 00:11:22,865 --> 00:11:23,365
|
|---|
| 1010 | [ Female
|
|---|
| 1011 |
|
|---|
| 1012 | 226
|
|---|
| 1013 | 00:11:22,899 --> 00:11:23,399
|
|---|
| 1014 | [ Female An
|
|---|
| 1015 |
|
|---|
| 1016 | 227
|
|---|
| 1017 | 00:11:22,932 --> 00:11:23,432
|
|---|
| 1018 | [ Female Anno
|
|---|
| 1019 |
|
|---|
| 1020 | 228
|
|---|
| 1021 | 00:11:22,965 --> 00:11:23,465
|
|---|
| 1022 | [ Female Announ
|
|---|
| 1023 |
|
|---|
| 1024 | 229
|
|---|
| 1025 | 00:11:22,999 --> 00:11:23,499
|
|---|
| 1026 | [ Female Announc
|
|---|
| 1027 |
|
|---|
| 1028 | 230
|
|---|
| 1029 | 00:11:23,032 --> 00:11:23,532
|
|---|
| 1030 | [ Female Announcer
|
|---|
| 1031 |
|
|---|
| 1032 | 231
|
|---|
| 1033 | 00:11:23,065 --> 00:11:23,565
|
|---|
| 1034 | [ Female Announcer ]
|
|---|
| 1035 |
|
|---|
| 1036 | 232
|
|---|
| 1037 | 00:11:23,132 --> 00:11:23,632
|
|---|
| 1038 | [ Female Announcer ]
|
|---|
| 1039 |
|
|---|
| 1040 | 233
|
|---|
| 1041 | 00:11:23,199 --> 00:11:23,699
|
|---|
| 1042 | [ Female Announcer ]
|
|---|
| 1043 |
|
|---|
| 1044 | 234
|
|---|
| 1045 | 00:11:23,232 --> 00:11:23,732
|
|---|
| 1046 | [ Female Announcer ]
|
|---|
| 1047 |
|
|---|
| 1048 | 235
|
|---|
| 1049 | 00:11:23,266 --> 00:11:23,766
|
|---|
| 1050 | [ Female Announcer ]
|
|---|
| 1051 | IN
|
|---|
| 1052 |
|
|---|
| 1053 | 236
|
|---|
| 1054 | 00:11:23,299 --> 00:11:23,799
|
|---|
| 1055 | [ Female Announcer ]
|
|---|
| 1056 | INTR
|
|---|
| 1057 |
|
|---|
| 1058 | 237
|
|---|
| 1059 | 00:11:23,332 --> 00:11:23,832
|
|---|
| 1060 | [ Female Announcer ]
|
|---|
| 1061 | INTROD
|
|---|
| 1062 |
|
|---|
| 1063 | 238
|
|---|
| 1064 | 00:11:23,366 --> 00:11:23,866
|
|---|
| 1065 | [ Female Announcer ]
|
|---|
| 1066 | INTRODU
|
|---|
| 1067 |
|
|---|
| 1068 | 239
|
|---|
| 1069 | 00:11:23,399 --> 00:11:23,899
|
|---|
| 1070 | [ Female Announcer ]
|
|---|
| 1071 | INTRODUCI
|
|---|
| 1072 |
|
|---|
| 1073 | 240
|
|---|
| 1074 | 00:11:23,432 --> 00:11:23,932
|
|---|
| 1075 | [ Female Announcer ]
|
|---|
| 1076 | INTRODUCING
|
|---|
| 1077 |
|
|---|
| 1078 | 241
|
|---|
| 1079 | 00:11:23,466 --> 00:11:23,966
|
|---|
| 1080 | [ Female Announcer ]
|
|---|
| 1081 | INTRODUCING O
|
|---|
| 1082 |
|
|---|
| 1083 | 242
|
|---|
| 1084 | 00:11:23,499 --> 00:11:23,999
|
|---|
| 1085 | [ Female Announcer ]
|
|---|
| 1086 | INTRODUCING ONS
|
|---|
| 1087 |
|
|---|
| 1088 | 243
|
|---|
| 1089 | 00:11:23,533 --> 00:11:24,033
|
|---|
| 1090 | [ Female Announcer ]
|
|---|
| 1091 | INTRODUCING ONSTA
|
|---|
| 1092 |
|
|---|
| 1093 | 244
|
|---|
| 1094 | 00:11:23,566 --> 00:11:24,066
|
|---|
| 1095 | [ Female Announcer ]
|
|---|
| 1096 | INTRODUCING ONSTAR
|
|---|
| 1097 |
|
|---|
| 1098 | 245
|
|---|
| 1099 | 00:11:23,599 --> 00:11:24,099
|
|---|
| 1100 | [ Female Announcer ]
|
|---|
| 1101 | INTRODUCING ONSTAR FM
|
|---|
| 1102 |
|
|---|
| 1103 | 246
|
|---|
| 1104 | 00:11:23,633 --> 00:11:24,133
|
|---|
| 1105 | [ Female Announcer ]
|
|---|
| 1106 | INTRODUCING ONSTAR FMV
|
|---|
| 1107 |
|
|---|
| 1108 | 247
|
|---|
| 1109 | 00:11:23,699 --> 00:11:26,035
|
|---|
| 1110 | [ Female Announcer ]
|
|---|
| 1111 | INTRODUCING ONSTAR FMV.
|
|---|
| 1112 |
|
|---|
| 1113 | 248
|
|---|
| 1114 | 00:11:26,035 --> 00:11:27,370
|
|---|
| 1115 | THE NEW WAY TO ADD THE SAFETY
|
|---|
| 1116 | OF ONSTAR TO YOUR CAR.
|
|---|
| 1117 |
|
|---|
| 1118 | 249
|
|---|
| 1119 | 00:11:28,404 --> 00:11:29,739
|
|---|
| 1120 | [ Computer ] ONSTAR.
|
|---|
| 1121 | WE'RE LOOKING
|
|---|
| 1122 | FOR CITY HALL.
|
|---|
| 1123 |
|
|---|
| 1124 | 250
|
|---|
| 1125 | 00:11:29,739 --> 00:11:31,140
|
|---|
| 1126 | I'M SENDING DIRECTIONS
|
|---|
| 1127 | TO YOUR CAR.
|
|---|
| 1128 |
|
|---|
| 1129 | 251
|
|---|
| 1130 | 00:11:34,110 --> 00:11:35,678
|
|---|
| 1131 | TURN RIGHT ON HILL STREET.
|
|---|
| 1132 | GO NORTH FOR 2 MILES.
|
|---|
| 1133 |
|
|---|
| 1134 | 252
|
|---|
| 1135 | 00:11:35,678 --> 00:11:37,213
|
|---|
| 1136 | ⪠âª
|
|---|
| 1137 |
|
|---|
| 1138 | 253
|
|---|
| 1139 | 00:11:38,915 --> 00:11:40,082
|
|---|
| 1140 | THIS IS ONSTAR. I GOT A SIGNAL
|
|---|
| 1141 | THERE'S BEEN A CRASH.
|
|---|
| 1142 |
|
|---|
| 1143 | 254
|
|---|
| 1144 | 00:11:40,082 --> 00:11:40,583
|
|---|
| 1145 | DO YOU NEED HELP?
|
|---|
| 1146 |
|
|---|
| 1147 | 255
|
|---|
| 1148 | 00:11:40,783 --> 00:11:43,452
|
|---|
| 1149 | YES, PLEASE.
|
|---|
| 1150 |
|
|---|
| 1151 | 256
|
|---|
| 1152 | 00:11:43,452 --> 00:11:43,953
|
|---|
| 1153 | I'VE GOT YOUR GPS LOCATION.
|
|---|
| 1154 | I'M SENDING HELP.
|
|---|
| 1155 |
|
|---|
| 1156 | 257
|
|---|
| 1157 | 00:11:44,253 --> 00:11:45,655
|
|---|
| 1158 | ⪠âª
|
|---|
| 1159 |
|
|---|
| 1160 | 258
|
|---|
| 1161 | 00:11:45,655 --> 00:11:47,323
|
|---|
| 1162 | [ Female Announcer ]
|
|---|
| 1163 | FOR A LIMITED TIME,
|
|---|
| 1164 |
|
|---|
| 1165 | 259
|
|---|
| 1166 | 00:11:50,326 --> 00:11:52,094
|
|---|
| 1167 | GET AN ONSTAR FMV MIRROR
|
|---|
| 1168 | FOR ONLY $199 AFTER $100 OFF.
|
|---|
| 1169 |
|
|---|
| 1170 | 260
|
|---|
| 1171 | 00:11:52,094 --> 00:11:52,628
|
|---|
| 1172 | ⪠ALL RIGHT âª
|
|---|
| 1173 |
|
|---|
| 1174 | 261
|
|---|
| 1175 | 00:11:52,695 --> 00:11:53,195
|
|---|
| 1176 | [
|
|---|
| 1177 |
|
|---|
| 1178 | 262
|
|---|
| 1179 | 00:11:52,728 --> 00:11:53,228
|
|---|
| 1180 | [ Dr
|
|---|
| 1181 |
|
|---|
| 1182 | 263
|
|---|
| 1183 | 00:11:52,762 --> 00:11:53,262
|
|---|
| 1184 | [ Drew
|
|---|
| 1185 |
|
|---|
| 1186 | 264
|
|---|
| 1187 | 00:11:52,795 --> 00:11:53,295
|
|---|
| 1188 | [ Drew ]
|
|---|
| 1189 |
|
|---|
| 1190 | 265
|
|---|
| 1191 | 00:11:52,828 --> 00:11:53,328
|
|---|
| 1192 | [ Drew ] W
|
|---|
| 1193 |
|
|---|
| 1194 | 266
|
|---|
| 1195 | 00:11:52,862 --> 00:11:53,362
|
|---|
| 1196 | [ Drew ] WHA
|
|---|
| 1197 |
|
|---|
| 1198 | 267
|
|---|
| 1199 | 00:11:52,895 --> 00:11:53,395
|
|---|
| 1200 | [ Drew ] WHAT'
|
|---|
| 1201 |
|
|---|
| 1202 | 268
|
|---|
| 1203 | 00:11:52,929 --> 00:11:53,429
|
|---|
| 1204 | [ Drew ] WHAT'S
|
|---|
| 1205 |
|
|---|
| 1206 | 269
|
|---|
| 1207 | 00:11:52,962 --> 00:11:53,462
|
|---|
| 1208 | [ Drew ] WHAT'S TH
|
|---|
| 1209 |
|
|---|
| 1210 | 270
|
|---|
| 1211 | 00:11:52,995 --> 00:11:53,495
|
|---|
| 1212 | [ Drew ] WHAT'S THE
|
|---|
| 1213 |
|
|---|
| 1214 | 271
|
|---|
| 1215 | 00:11:53,029 --> 00:11:53,529
|
|---|
| 1216 | [ Drew ] WHAT'S THE LA
|
|---|
| 1217 |
|
|---|
| 1218 | 272
|
|---|
| 1219 | 00:11:53,062 --> 00:11:53,562
|
|---|
| 1220 | [ Drew ] WHAT'S THE LATE
|
|---|
| 1221 |
|
|---|
| 1222 | 273
|
|---|
| 1223 | 00:11:53,129 --> 00:11:53,629
|
|---|
| 1224 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1225 |
|
|---|
| 1226 | 274
|
|---|
| 1227 | 00:11:53,195 --> 00:11:53,695
|
|---|
| 1228 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1229 |
|
|---|
| 1230 | 275
|
|---|
| 1231 | 00:11:53,262 --> 00:11:53,762
|
|---|
| 1232 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1233 | IN
|
|---|
| 1234 |
|
|---|
| 1235 | 276
|
|---|
| 1236 | 00:11:53,296 --> 00:11:53,796
|
|---|
| 1237 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1238 | IN E
|
|---|
| 1239 |
|
|---|
| 1240 | 277
|
|---|
| 1241 | 00:11:53,329 --> 00:11:53,829
|
|---|
| 1242 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1243 | IN EYE
|
|---|
| 1244 |
|
|---|
| 1245 | 278
|
|---|
| 1246 | 00:11:53,362 --> 00:11:53,862
|
|---|
| 1247 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1248 | IN EYE C
|
|---|
| 1249 |
|
|---|
| 1250 | 279
|
|---|
| 1251 | 00:11:53,396 --> 00:11:53,896
|
|---|
| 1252 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1253 | IN EYE COU
|
|---|
| 1254 |
|
|---|
| 1255 | 280
|
|---|
| 1256 | 00:11:53,429 --> 00:11:53,929
|
|---|
| 1257 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1258 | IN EYE COUTU
|
|---|
| 1259 |
|
|---|
| 1260 | 281
|
|---|
| 1261 | 00:11:53,462 --> 00:11:53,962
|
|---|
| 1262 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1263 | IN EYE COUTURE
|
|---|
| 1264 |
|
|---|
| 1265 | 282
|
|---|
| 1266 | 00:11:54,630 --> 00:11:55,631
|
|---|
| 1267 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1268 | IN EYE COUTURE?
|
|---|
| 1269 |
|
|---|
| 1270 | 283
|
|---|
| 1271 | 00:11:55,698 --> 00:11:57,366
|
|---|
| 1272 | NEW Intense ShadowBlast
|
|---|
| 1273 | FROM CoverGirl.
|
|---|
| 1274 | [ Drew ] WHAT'S THE LATEST
|
|---|
| 1275 | IN EYE COUTURE?
|
|---|
| 1276 |
|
|---|
| 1277 | 284
|
|---|
| 1278 | 00:11:57,366 --> 00:12:00,670
|
|---|
| 1279 | THE NEWS? IT'S EYE SHADOW
|
|---|
| 1280 | WITH PRIMER BUILT-IN
|
|---|
| 1281 |
|
|---|
| 1282 | 285
|
|---|
| 1283 | 00:12:00,736 --> 00:12:01,871
|
|---|
| 1284 | SO IT LASTS!
|
|---|
| 1285 | THE NEWS? IT'S EYE SHADOW
|
|---|
| 1286 | WITH PRIMER BUILT-IN
|
|---|
| 1287 |
|
|---|
| 1288 | 286
|
|---|
| 1289 | 00:12:01,871 --> 00:12:04,774
|
|---|
| 1290 | RICH COLOR THAT'S FADEPROOF,
|
|---|
| 1291 | WATERPROOF,
|
|---|
| 1292 |
|
|---|
| 1293 | 287
|
|---|
| 1294 | 00:12:04,840 --> 00:12:05,875
|
|---|
| 1295 | RICH COLOR THAT'S FADEPROOF,
|
|---|
| 1296 | WATERPROOF,
|
|---|
| 1297 | TOTALLY IGNORE-PROOF!
|
|---|
| 1298 |
|
|---|
| 1299 | 288
|
|---|
| 1300 | 00:12:05,875 --> 00:12:07,143
|
|---|
| 1301 | OH YES!
|
|---|
| 1302 |
|
|---|
| 1303 | 289
|
|---|
| 1304 | 00:12:07,210 --> 00:12:09,045
|
|---|
| 1305 | WITH NEW Intense ShadowBlast
|
|---|
| 1306 | OH YES!
|
|---|
| 1307 |
|
|---|
| 1308 | 290
|
|---|
| 1309 | 00:12:09,045 --> 00:12:11,814
|
|---|
| 1310 | EYE COUTURE IS READY TO WEAR
|
|---|
| 1311 | FOR HOURS!
|
|---|
| 1312 |
|
|---|
| 1313 | 291
|
|---|
| 1314 | 00:12:11,881 --> 00:12:12,882
|
|---|
| 1315 | EYE COUTURE IS READY TO WEAR
|
|---|
| 1316 | FOR HOURS!
|
|---|
| 1317 | AND HERE'S A TIP:
|
|---|
| 1318 |
|
|---|
| 1319 | 292
|
|---|
| 1320 | 00:12:12,882 --> 00:12:14,750
|
|---|
| 1321 | TO MAKE AN EVEN BIGGER STATEMENT
|
|---|
| 1322 |
|
|---|
| 1323 | 293
|
|---|
| 1324 | 00:12:14,817 --> 00:12:17,153
|
|---|
| 1325 | TO MAKE AN EVEN BIGGER STATEMENT
|
|---|
| 1326 | WEAR WITH LashBlast Fusion
|
|---|
| 1327 | MASCARA
|
|---|
| 1328 |
|
|---|
| 1329 | 294
|
|---|
| 1330 | 00:12:17,153 --> 00:12:19,755
|
|---|
| 1331 | LashBlast
|
|---|
| 1332 | AND NEW Intense ShadowBlast
|
|---|
| 1333 |
|
|---|
| 1334 | 295
|
|---|
| 1335 | 00:12:19,822 --> 00:12:22,592
|
|---|
| 1336 | FROM EASY, BREEZY,
|
|---|
| 1337 | BEAUTIFUL CoverGirl.
|
|---|
| 1338 | LashBlast
|
|---|
| 1339 | AND NEW Intense ShadowBlast
|
|---|
| 1340 |
|
|---|
| 1341 | 296
|
|---|
| 1342 | 00:12:22,658 --> 00:12:23,158
|
|---|
| 1343 | VO
|
|---|
| 1344 |
|
|---|
| 1345 | 297
|
|---|
| 1346 | 00:12:22,692 --> 00:12:23,192
|
|---|
| 1347 | VO:
|
|---|
| 1348 |
|
|---|
| 1349 | 298
|
|---|
| 1350 | 00:12:22,725 --> 00:12:23,225
|
|---|
| 1351 | VO: It
|
|---|
| 1352 |
|
|---|
| 1353 | 299
|
|---|
| 1354 | 00:12:22,758 --> 00:12:23,258
|
|---|
| 1355 | VO: It's
|
|---|
| 1356 |
|
|---|
| 1357 | 300
|
|---|
| 1358 | 00:12:22,792 --> 00:12:23,292
|
|---|
| 1359 | VO: It's O
|
|---|
| 1360 |
|
|---|
| 1361 | 301
|
|---|
| 1362 | 00:12:22,825 --> 00:12:23,325
|
|---|
| 1363 | VO: It's Old
|
|---|
| 1364 |
|
|---|
| 1365 | 302
|
|---|
| 1366 | 00:12:22,858 --> 00:12:23,358
|
|---|
| 1367 | VO: It's Old N
|
|---|
| 1368 |
|
|---|
| 1369 | 303
|
|---|
| 1370 | 00:12:22,892 --> 00:12:23,392
|
|---|
| 1371 | VO: It's Old Nav
|
|---|
| 1372 |
|
|---|
| 1373 | 304
|
|---|
| 1374 | 00:12:22,925 --> 00:12:23,425
|
|---|
| 1375 | VO: It's Old Navy'
|
|---|
| 1376 |
|
|---|
| 1377 | 305
|
|---|
| 1378 | 00:12:22,959 --> 00:12:23,459
|
|---|
| 1379 | VO: It's Old Navy's
|
|---|
| 1380 |
|
|---|
| 1381 | 306
|
|---|
| 1382 | 00:12:22,992 --> 00:12:23,492
|
|---|
| 1383 | VO: It's Old Navy's St
|
|---|
| 1384 |
|
|---|
| 1385 | 307
|
|---|
| 1386 | 00:12:23,025 --> 00:12:23,525
|
|---|
| 1387 | VO: It's Old Navy's Stor
|
|---|
| 1388 |
|
|---|
| 1389 | 308
|
|---|
| 1390 | 00:12:23,059 --> 00:12:23,559
|
|---|
| 1391 | VO: It's Old Navy's Storew
|
|---|
| 1392 |
|
|---|
| 1393 | 309
|
|---|
| 1394 | 00:12:23,092 --> 00:12:23,592
|
|---|
| 1395 | VO: It's Old Navy's Storewid
|
|---|
| 1396 |
|
|---|
| 1397 | 310
|
|---|
| 1398 | 00:12:23,125 --> 00:12:23,625
|
|---|
| 1399 | VO: It's Old Navy's Storewide
|
|---|
| 1400 |
|
|---|
| 1401 | 311
|
|---|
| 1402 | 00:12:23,159 --> 00:12:23,659
|
|---|
| 1403 | VO: It's Old Navy's Storewide
|
|---|
| 1404 |
|
|---|
| 1405 | 312
|
|---|
| 1406 | 00:12:23,192 --> 00:12:23,692
|
|---|
| 1407 | VO: It's Old Navy's Storewide
|
|---|
| 1408 | Bu
|
|---|
| 1409 |
|
|---|
| 1410 | 313
|
|---|
| 1411 | 00:12:23,226 --> 00:12:23,726
|
|---|
| 1412 | VO: It's Old Navy's Storewide
|
|---|
| 1413 | Buy
|
|---|
| 1414 |
|
|---|
| 1415 | 314
|
|---|
| 1416 | 00:12:23,259 --> 00:12:23,759
|
|---|
| 1417 | VO: It's Old Navy's Storewide
|
|---|
| 1418 | Buy On
|
|---|
| 1419 |
|
|---|
| 1420 | 315
|
|---|
| 1421 | 00:12:23,292 --> 00:12:23,792
|
|---|
| 1422 | VO: It's Old Navy's Storewide
|
|---|
| 1423 | Buy One
|
|---|
| 1424 |
|
|---|
| 1425 | 316
|
|---|
| 1426 | 00:12:23,326 --> 00:12:23,826
|
|---|
| 1427 | VO: It's Old Navy's Storewide
|
|---|
| 1428 | Buy One Ge
|
|---|
| 1429 |
|
|---|
| 1430 | 317
|
|---|
| 1431 | 00:12:23,359 --> 00:12:23,859
|
|---|
| 1432 | VO: It's Old Navy's Storewide
|
|---|
| 1433 | Buy One Get
|
|---|
| 1434 |
|
|---|
| 1435 | 318
|
|---|
| 1436 | 00:12:23,392 --> 00:12:23,892
|
|---|
| 1437 | VO: It's Old Navy's Storewide
|
|---|
| 1438 | Buy One Get On
|
|---|
| 1439 |
|
|---|
| 1440 | 319
|
|---|
| 1441 | 00:12:23,426 --> 00:12:23,926
|
|---|
| 1442 | VO: It's Old Navy's Storewide
|
|---|
| 1443 | Buy One Get One
|
|---|
| 1444 |
|
|---|
| 1445 | 320
|
|---|
| 1446 | 00:12:23,459 --> 00:12:23,959
|
|---|
| 1447 | VO: It's Old Navy's Storewide
|
|---|
| 1448 | Buy One Get One 75
|
|---|
| 1449 |
|
|---|
| 1450 | 321
|
|---|
| 1451 | 00:12:23,492 --> 00:12:23,992
|
|---|
| 1452 | VO: It's Old Navy's Storewide
|
|---|
| 1453 | Buy One Get One 75%
|
|---|
| 1454 |
|
|---|
| 1455 | 322
|
|---|
| 1456 | 00:12:23,526 --> 00:12:24,026
|
|---|
| 1457 | VO: It's Old Navy's Storewide
|
|---|
| 1458 | Buy One Get One 75% Of
|
|---|
| 1459 |
|
|---|
| 1460 | 323
|
|---|
| 1461 | 00:12:25,194 --> 00:12:25,795
|
|---|
| 1462 | VO: It's Old Navy's Storewide
|
|---|
| 1463 | Buy One Get One 75% Off!
|
|---|
| 1464 |
|
|---|
| 1465 | 324
|
|---|
| 1466 | 00:12:25,795 --> 00:12:26,629
|
|---|
| 1467 | Buy something!
|
|---|
| 1468 |
|
|---|
| 1469 | 325
|
|---|
| 1470 | 00:12:27,413 --> 00:12:31,601
|
|---|
| 1471 | And get another
|
|---|
| 1472 | something 75% Off!
|
|---|
| 1473 |
|
|---|
| 1474 | 326
|
|---|
| 1475 | 00:12:31,601 --> 00:12:32,301
|
|---|
| 1476 | Sale ends Sunday. So BO GO
|
|---|
| 1477 | before this deal is BO GONE!
|
|---|
| 1478 |
|
|---|
| 1479 | 327
|
|---|
| 1480 | 00:12:34,303 --> 00:12:37,707
|
|---|
| 1481 | It's Buy One Get One 75% Off!
|
|---|
| 1482 |
|
|---|
| 1483 | 328
|
|---|
| 1484 | 00:12:37,773 --> 00:12:38,273
|
|---|
| 1485 | O
|
|---|
| 1486 |
|
|---|
| 1487 | 329
|
|---|
| 1488 | 00:12:37,807 --> 00:12:38,307
|
|---|
| 1489 | OUR
|
|---|
| 1490 |
|
|---|
| 1491 | 330
|
|---|
| 1492 | 00:12:37,840 --> 00:12:38,340
|
|---|
| 1493 | OUR T
|
|---|
| 1494 |
|
|---|
| 1495 | 331
|
|---|
| 1496 | 00:12:37,907 --> 00:12:38,407
|
|---|
| 1497 | OUR TWO
|
|---|
| 1498 |
|
|---|
| 1499 | 332
|
|---|
| 1500 | 00:12:37,974 --> 00:12:38,474
|
|---|
| 1501 | OUR TWO
|
|---|
| 1502 |
|
|---|
| 1503 | 333
|
|---|
| 1504 | 00:12:38,040 --> 00:12:38,540
|
|---|
| 1505 | OUR TWO
|
|---|
| 1506 | F
|
|---|
| 1507 |
|
|---|
| 1508 | 334
|
|---|
| 1509 | 00:12:38,074 --> 00:12:38,574
|
|---|
| 1510 | OUR TWO
|
|---|
| 1511 | FAV
|
|---|
| 1512 |
|
|---|
| 1513 | 335
|
|---|
| 1514 | 00:12:38,107 --> 00:12:38,607
|
|---|
| 1515 | OUR TWO
|
|---|
| 1516 | FAVOR
|
|---|
| 1517 |
|
|---|
| 1518 | 336
|
|---|
| 1519 | 00:12:38,140 --> 00:12:38,640
|
|---|
| 1520 | OUR TWO
|
|---|
| 1521 | FAVORIT
|
|---|
| 1522 |
|
|---|
| 1523 | 337
|
|---|
| 1524 | 00:12:38,174 --> 00:12:38,674
|
|---|
| 1525 | OUR TWO
|
|---|
| 1526 | FAVORITE
|
|---|
| 1527 |
|
|---|
| 1528 | 338
|
|---|
| 1529 | 00:12:38,207 --> 00:12:38,707
|
|---|
| 1530 | OUR TWO
|
|---|
| 1531 | FAVORITE TH
|
|---|
| 1532 |
|
|---|
| 1533 | 339
|
|---|
| 1534 | 00:12:38,241 --> 00:12:38,741
|
|---|
| 1535 | OUR TWO
|
|---|
| 1536 | FAVORITE THIN
|
|---|
| 1537 |
|
|---|
| 1538 | 340
|
|---|
| 1539 | 00:12:38,274 --> 00:12:38,774
|
|---|
| 1540 | OUR TWO
|
|---|
| 1541 | FAVORITE THINGS
|
|---|
| 1542 |
|
|---|
| 1543 | 341
|
|---|
| 1544 | 00:12:38,307 --> 00:12:38,807
|
|---|
| 1545 | OUR TWO
|
|---|
| 1546 | FAVORITE THINGS..
|
|---|
| 1547 |
|
|---|
| 1548 | 342
|
|---|
| 1549 | 00:12:38,374 --> 00:12:40,710
|
|---|
| 1550 | OUR TWO
|
|---|
| 1551 | FAVORITE THINGS...
|
|---|
| 1552 |
|
|---|
| 1553 | 343
|
|---|
| 1554 | 00:12:40,710 --> 00:12:41,244
|
|---|
| 1555 | ...FANTASY FOOTBALL AND
|
|---|
| 1556 | PIZZA HUT'S TEN DOLLAR ANY DEAL.
|
|---|
| 1557 |
|
|---|
| 1558 | 344
|
|---|
| 1559 | 00:12:41,410 --> 00:12:42,578
|
|---|
| 1560 | ...FANTASY FOOTBALL AND
|
|---|
| 1561 | PIZZA HUT'S TEN DOLLAR ANY DEAL.
|
|---|
| 1562 | ANY PIZZA, ANY SIZE,
|
|---|
| 1563 |
|
|---|
| 1564 | 345
|
|---|
| 1565 | 00:12:42,578 --> 00:12:44,280
|
|---|
| 1566 | ANY CRUST, ANY TOPPINGS.
|
|---|
| 1567 | JUST TEN BUCKS.
|
|---|
| 1568 |
|
|---|
| 1569 | 346
|
|---|
| 1570 | 00:12:46,582 --> 00:12:48,351
|
|---|
| 1571 | ANY CRUST, ANY TOPPINGS.
|
|---|
| 1572 | JUST TEN BUCKS.
|
|---|
| 1573 | IT'S A SWEET DEAL!
|
|---|
| 1574 | SPEAKING OF SWEET DEALS,
|
|---|
| 1575 | I'LL GIVE YOU REGGIE BUSH,
|
|---|
| 1576 |
|
|---|
| 1577 | 347
|
|---|
| 1578 | 00:12:48,351 --> 00:12:49,452
|
|---|
| 1579 | FOR THAT PIZZA.
|
|---|
| 1580 | DONE.
|
|---|
| 1581 |
|
|---|
| 1582 | 348
|
|---|
| 1583 | 00:12:50,820 --> 00:12:53,422
|
|---|
| 1584 | FOR THAT PIZZA.
|
|---|
| 1585 | DONE.
|
|---|
| 1586 | HOLD UP! YOU JUST TRADED ME
|
|---|
| 1587 | FOR A PIZZA?!
|
|---|
| 1588 |
|
|---|
| 1589 | 349
|
|---|
| 1590 | 00:12:53,422 --> 00:12:54,457
|
|---|
| 1591 | A PIZZA HUT
|
|---|
| 1592 | SUPREME PIZZA.
|
|---|
| 1593 |
|
|---|
| 1594 | 350
|
|---|
| 1595 | 00:12:55,925 --> 00:12:56,926
|
|---|
| 1596 | MMMMMMM.
|
|---|
| 1597 | THAT WAS A GREAT TRADE.
|
|---|
| 1598 | A PIZZA HUT
|
|---|
| 1599 | SUPREME PIZZA.
|
|---|
| 1600 |
|
|---|
| 1601 | 351
|
|---|
| 1602 | 00:12:56,926 --> 00:12:57,526
|
|---|
| 1603 | THANKS, GUYS.
|
|---|
| 1604 |
|
|---|
| 1605 | 352
|
|---|
| 1606 | 00:12:57,960 --> 00:13:00,396
|
|---|
| 1607 | WHAT JUST HAPPENED?
|
|---|
| 1608 | THANKS, GUYS.
|
|---|
| 1609 |
|
|---|
| 1610 | 353
|
|---|
| 1611 | 00:13:00,396 --> 00:13:01,063
|
|---|
| 1612 | [ Male Announcer ] RIGHT NOW,
|
|---|
| 1613 | 10 DOLLARS GETS YOU ANY PIZZA,
|
|---|
| 1614 |
|
|---|
| 1615 | 354
|
|---|
| 1616 | 00:13:01,731 --> 00:13:02,431
|
|---|
| 1617 | ANY SIZE, ANY CRUST
|
|---|
| 1618 | [ Male Announcer ] RIGHT NOW,
|
|---|
| 1619 | 10 DOLLARS GETS YOU ANY PIZZA,
|
|---|
| 1620 |
|
|---|
| 1621 | 355
|
|---|
| 1622 | 00:13:02,431 --> 00:13:03,299
|
|---|
| 1623 | AND ANY TOPPINGS.
|
|---|
| 1624 |
|
|---|
| 1625 | 356
|
|---|
| 1626 | 00:13:04,367 --> 00:13:05,167
|
|---|
| 1627 | AND ANY TOPPINGS.
|
|---|
| 1628 | DELIVERY, CARRYOUT OR DINE-IN.
|
|---|
| 1629 |
|
|---|
| 1630 | 357
|
|---|
| 1631 | 00:13:05,167 --> 00:13:05,968
|
|---|
| 1632 | ONLY 10 BUCKS
|
|---|
| 1633 |
|
|---|
| 1634 | 358
|
|---|
| 1635 | 00:13:06,869 --> 00:13:53,215
|
|---|
| 1636 | ONLY 10 BUCKS
|
|---|
| 1637 | AND ONLY AT YOUR PIZZA HUT.
|
|---|
| 1638 |
|
|---|
| 1639 | 359
|
|---|
| 1640 | 00:13:53,249 --> 00:13:53,749
|
|---|
| 1641 | I'
|
|---|
| 1642 |
|
|---|
| 1643 | 360
|
|---|
| 1644 | 00:13:53,282 --> 00:13:53,782
|
|---|
| 1645 | I'M
|
|---|
| 1646 |
|
|---|
| 1647 | 361
|
|---|
| 1648 | 00:13:53,316 --> 00:13:53,816
|
|---|
| 1649 | I'M SO
|
|---|
| 1650 |
|
|---|
| 1651 | 362
|
|---|
| 1652 | 00:13:53,349 --> 00:13:53,849
|
|---|
| 1653 | I'M SOFI
|
|---|
| 1654 |
|
|---|
| 1655 | 363
|
|---|
| 1656 | 00:13:53,382 --> 00:13:53,882
|
|---|
| 1657 | I'M SOFIA
|
|---|
| 1658 |
|
|---|
| 1659 | 364
|
|---|
| 1660 | 00:13:53,416 --> 00:13:53,916
|
|---|
| 1661 | I'M SOFIA VE
|
|---|
| 1662 |
|
|---|
| 1663 | 365
|
|---|
| 1664 | 00:13:53,449 --> 00:13:53,949
|
|---|
| 1665 | I'M SOFIA VERG
|
|---|
| 1666 |
|
|---|
| 1667 | 366
|
|---|
| 1668 | 00:13:53,482 --> 00:13:53,982
|
|---|
| 1669 | I'M SOFIA VERGAR
|
|---|
| 1670 |
|
|---|
| 1671 | 367
|
|---|
| 1672 | 00:13:53,516 --> 00:13:54,016
|
|---|
| 1673 | I'M SOFIA VERGARA,
|
|---|
| 1674 |
|
|---|
| 1675 | 368
|
|---|
| 1676 | 00:13:53,549 --> 00:13:54,049
|
|---|
| 1677 | I'M SOFIA VERGARA, A
|
|---|
| 1678 |
|
|---|
| 1679 | 369
|
|---|
| 1680 | 00:13:53,582 --> 00:13:54,082
|
|---|
| 1681 | I'M SOFIA VERGARA, AND
|
|---|
| 1682 |
|
|---|
| 1683 | 370
|
|---|
| 1684 | 00:13:53,616 --> 00:13:54,116
|
|---|
| 1685 | I'M SOFIA VERGARA, AND I
|
|---|
| 1686 |
|
|---|
| 1687 | 371
|
|---|
| 1688 | 00:13:53,683 --> 00:13:54,183
|
|---|
| 1689 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1690 |
|
|---|
| 1691 | 372
|
|---|
| 1692 | 00:13:53,716 --> 00:13:54,216
|
|---|
| 1693 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1694 |
|
|---|
| 1695 | 373
|
|---|
| 1696 | 00:13:53,749 --> 00:13:54,249
|
|---|
| 1697 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1698 | NO
|
|---|
| 1699 |
|
|---|
| 1700 | 374
|
|---|
| 1701 | 00:13:53,783 --> 00:13:54,283
|
|---|
| 1702 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1703 | NOT
|
|---|
| 1704 |
|
|---|
| 1705 | 375
|
|---|
| 1706 | 00:13:53,816 --> 00:13:54,316
|
|---|
| 1707 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1708 | NOT AF
|
|---|
| 1709 |
|
|---|
| 1710 | 376
|
|---|
| 1711 | 00:13:53,849 --> 00:13:54,349
|
|---|
| 1712 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1713 | NOT AFRA
|
|---|
| 1714 |
|
|---|
| 1715 | 377
|
|---|
| 1716 | 00:13:53,883 --> 00:13:54,383
|
|---|
| 1717 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1718 | NOT AFRAID
|
|---|
| 1719 |
|
|---|
| 1720 | 378
|
|---|
| 1721 | 00:13:53,916 --> 00:13:54,416
|
|---|
| 1722 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1723 | NOT AFRAID T
|
|---|
| 1724 |
|
|---|
| 1725 | 379
|
|---|
| 1726 | 00:13:53,949 --> 00:13:54,449
|
|---|
| 1727 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1728 | NOT AFRAID TO
|
|---|
| 1729 |
|
|---|
| 1730 | 380
|
|---|
| 1731 | 00:13:53,983 --> 00:13:54,483
|
|---|
| 1732 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1733 | NOT AFRAID TO WO
|
|---|
| 1734 |
|
|---|
| 1735 | 381
|
|---|
| 1736 | 00:13:54,016 --> 00:13:54,516
|
|---|
| 1737 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1738 | NOT AFRAID TO WORK
|
|---|
| 1739 |
|
|---|
| 1740 | 382
|
|---|
| 1741 | 00:13:54,050 --> 00:13:54,550
|
|---|
| 1742 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1743 | NOT AFRAID TO WORK W
|
|---|
| 1744 |
|
|---|
| 1745 | 383
|
|---|
| 1746 | 00:13:54,083 --> 00:13:54,583
|
|---|
| 1747 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1748 | NOT AFRAID TO WORK WIT
|
|---|
| 1749 |
|
|---|
| 1750 | 384
|
|---|
| 1751 | 00:13:54,950 --> 00:13:57,153
|
|---|
| 1752 | I'M SOFIA VERGARA, AND I'M
|
|---|
| 1753 | NOT AFRAID TO WORK WITH
|
|---|
| 1754 |
|
|---|
| 1755 | 385
|
|---|
| 1756 | 00:13:57,153 --> 00:13:58,120
|
|---|
| 1757 | WHAT I'VE GOT.
|
|---|
| 1758 |
|
|---|
| 1759 | 386
|
|---|
| 1760 | 00:14:02,158 --> 00:14:03,876
|
|---|
| 1761 | YOU'RE A WOMAN, SO
|
|---|
| 1762 | DRESS LIKE A WOMAN.
|
|---|
| 1763 |
|
|---|
| 1764 | 387
|
|---|
| 1765 | 00:14:03,876 --> 00:14:05,594
|
|---|
| 1766 | MY COLLECTION IS AT KMART.
|
|---|
| 1767 |
|
|---|
| 1768 | 388
|
|---|
| 1769 | 00:14:07,396 --> 00:14:07,997
|
|---|
| 1770 | SO GO!
|
|---|
| 1771 |
|
|---|
| 1772 | 389
|
|---|
| 1773 | 00:14:08,030 --> 00:14:08,530
|
|---|
| 1774 | [
|
|---|
| 1775 |
|
|---|
| 1776 | 390
|
|---|
| 1777 | 00:14:08,064 --> 00:14:08,564
|
|---|
| 1778 | [ Fe
|
|---|
| 1779 |
|
|---|
| 1780 | 391
|
|---|
| 1781 | 00:14:08,097 --> 00:14:08,597
|
|---|
| 1782 | [ Fema
|
|---|
| 1783 |
|
|---|
| 1784 | 392
|
|---|
| 1785 | 00:14:08,130 --> 00:14:08,630
|
|---|
| 1786 | [ Female
|
|---|
| 1787 |
|
|---|
| 1788 | 393
|
|---|
| 1789 | 00:14:08,164 --> 00:14:08,664
|
|---|
| 1790 | [ Female A
|
|---|
| 1791 |
|
|---|
| 1792 | 394
|
|---|
| 1793 | 00:14:08,197 --> 00:14:08,697
|
|---|
| 1794 | [ Female Ann
|
|---|
| 1795 |
|
|---|
| 1796 | 395
|
|---|
| 1797 | 00:14:08,230 --> 00:14:08,730
|
|---|
| 1798 | [ Female Annou
|
|---|
| 1799 |
|
|---|
| 1800 | 396
|
|---|
| 1801 | 00:14:08,264 --> 00:14:08,764
|
|---|
| 1802 | [ Female Announc
|
|---|
| 1803 |
|
|---|
| 1804 | 397
|
|---|
| 1805 | 00:14:08,297 --> 00:14:08,797
|
|---|
| 1806 | [ Female Announcer
|
|---|
| 1807 |
|
|---|
| 1808 | 398
|
|---|
| 1809 | 00:14:08,331 --> 00:14:08,831
|
|---|
| 1810 | [ Female Announcer ]
|
|---|
| 1811 |
|
|---|
| 1812 | 399
|
|---|
| 1813 | 00:14:08,364 --> 00:14:08,864
|
|---|
| 1814 | [ Female Announcer ]
|
|---|
| 1815 |
|
|---|
| 1816 | 400
|
|---|
| 1817 | 00:14:08,431 --> 00:14:08,931
|
|---|
| 1818 | [ Female Announcer ]
|
|---|
| 1819 |
|
|---|
| 1820 | 401
|
|---|
| 1821 | 00:14:08,464 --> 00:14:08,964
|
|---|
| 1822 | [ Female Announcer ]
|
|---|
| 1823 | HA
|
|---|
| 1824 |
|
|---|
| 1825 | 402
|
|---|
| 1826 | 00:14:08,497 --> 00:14:08,997
|
|---|
| 1827 | [ Female Announcer ]
|
|---|
| 1828 | HAVE
|
|---|
| 1829 |
|
|---|
| 1830 | 403
|
|---|
| 1831 | 00:14:08,531 --> 00:14:09,031
|
|---|
| 1832 | [ Female Announcer ]
|
|---|
| 1833 | HAVE Y
|
|---|
| 1834 |
|
|---|
| 1835 | 404
|
|---|
| 1836 | 00:14:08,564 --> 00:14:09,064
|
|---|
| 1837 | [ Female Announcer ]
|
|---|
| 1838 | HAVE YOU
|
|---|
| 1839 |
|
|---|
| 1840 | 405
|
|---|
| 1841 | 00:14:08,597 --> 00:14:09,097
|
|---|
| 1842 | [ Female Announcer ]
|
|---|
| 1843 | HAVE YOU M
|
|---|
| 1844 |
|
|---|
| 1845 | 406
|
|---|
| 1846 | 00:14:08,631 --> 00:14:09,131
|
|---|
| 1847 | [ Female Announcer ]
|
|---|
| 1848 | HAVE YOU MET
|
|---|
| 1849 |
|
|---|
| 1850 | 407
|
|---|
| 1851 | 00:14:08,664 --> 00:14:09,164
|
|---|
| 1852 | [ Female Announcer ]
|
|---|
| 1853 | HAVE YOU MET Y
|
|---|
| 1854 |
|
|---|
| 1855 | 408
|
|---|
| 1856 | 00:14:08,698 --> 00:14:09,198
|
|---|
| 1857 | [ Female Announcer ]
|
|---|
| 1858 | HAVE YOU MET YOU
|
|---|
| 1859 |
|
|---|
| 1860 | 409
|
|---|
| 1861 | 00:14:08,731 --> 00:14:09,231
|
|---|
| 1862 | [ Female Announcer ]
|
|---|
| 1863 | HAVE YOU MET YOUR
|
|---|
| 1864 |
|
|---|
| 1865 | 410
|
|---|
| 1866 | 00:14:08,764 --> 00:14:09,264
|
|---|
| 1867 | [ Female Announcer ]
|
|---|
| 1868 | HAVE YOU MET YOUR SK
|
|---|
| 1869 |
|
|---|
| 1870 | 411
|
|---|
| 1871 | 00:14:08,798 --> 00:14:09,298
|
|---|
| 1872 | [ Female Announcer ]
|
|---|
| 1873 | HAVE YOU MET YOUR SKIN
|
|---|
| 1874 |
|
|---|
| 1875 | 412
|
|---|
| 1876 | 00:14:08,831 --> 00:14:09,331
|
|---|
| 1877 | [ Female Announcer ]
|
|---|
| 1878 | HAVE YOU MET YOUR SKIN T
|
|---|
| 1879 |
|
|---|
| 1880 | 413
|
|---|
| 1881 | 00:14:08,864 --> 00:14:09,364
|
|---|
| 1882 | [ Female Announcer ]
|
|---|
| 1883 | HAVE YOU MET YOUR SKIN TWI
|
|---|
| 1884 |
|
|---|
| 1885 | 414
|
|---|
| 1886 | 00:14:09,231 --> 00:14:10,099
|
|---|
| 1887 | [ Female Announcer ]
|
|---|
| 1888 | HAVE YOU MET YOUR SKIN TWIN?
|
|---|
| 1889 |
|
|---|
| 1890 | 415
|
|---|
| 1891 | 00:14:10,099 --> 00:14:10,800
|
|---|
| 1892 | COVERGIRL TRUBLEND
|
|---|
| 1893 |
|
|---|
| 1894 | 416
|
|---|
| 1895 | 00:14:10,933 --> 00:14:13,469
|
|---|
| 1896 | HAS SKIN TWIN TECHNOLOGY.
|
|---|
| 1897 |
|
|---|
| 1898 | 417
|
|---|
| 1899 | 00:14:13,469 --> 00:14:14,336
|
|---|
| 1900 | OTHER MAKEUP CAN SIT
|
|---|
| 1901 | ON THE SURFACE OF YOUR SKIN,
|
|---|
| 1902 |
|
|---|
| 1903 | 418
|
|---|
| 1904 | 00:14:15,171 --> 00:14:17,673
|
|---|
| 1905 | SO IT LOOKS LIKE...MAKEUP.
|
|---|
| 1906 |
|
|---|
| 1907 | 419
|
|---|
| 1908 | 00:14:17,673 --> 00:14:18,708
|
|---|
| 1909 | BUT TRUBLEND
|
|---|
| 1910 | HAS SKIN TWIN TECHNOLOGY
|
|---|
| 1911 |
|
|---|
| 1912 | 420
|
|---|
| 1913 | 00:14:19,642 --> 00:14:22,244
|
|---|
| 1914 | TO ACTUALLY MERGE
|
|---|
| 1915 | WITH YOUR SKIN.
|
|---|
| 1916 |
|
|---|
| 1917 | 421
|
|---|
| 1918 | 00:14:22,244 --> 00:14:23,112
|
|---|
| 1919 | YOU GET SKIN TWIN COVERAGE
|
|---|
| 1920 | THAT'S PERFECTLY TRUE.
|
|---|
| 1921 |
|
|---|
| 1922 | 422
|
|---|
| 1923 | 00:14:24,013 --> 00:14:26,148
|
|---|
| 1924 | AND YOU'RE MORE PERFECTLY YOU.
|
|---|
| 1925 |
|
|---|
| 1926 | 423
|
|---|
| 1927 | 00:14:26,148 --> 00:14:27,049
|
|---|
| 1928 | [ Female Announcer ]
|
|---|
| 1929 | PLUS, WITH TRUBLEND,
|
|---|
| 1930 |
|
|---|
| 1931 | 424
|
|---|
| 1932 | 00:14:28,451 --> 00:14:30,052
|
|---|
| 1933 | YOU ALWAYS GET A PERFECT MATCH.
|
|---|
| 1934 |
|
|---|
| 1935 | 425
|
|---|
| 1936 | 00:14:30,052 --> 00:14:31,053
|
|---|
| 1937 | IF YOU'RE A SHADE 1 HERE,
|
|---|
| 1938 |
|
|---|
| 1939 | 426
|
|---|
| 1940 | 00:14:32,355 --> 00:14:34,590
|
|---|
| 1941 | YOU'RE A 1 HERE...
|
|---|
| 1942 | AND HERE.
|
|---|
| 1943 |
|
|---|
| 1944 | 427
|
|---|
| 1945 | 00:14:34,590 --> 00:14:35,458
|
|---|
| 1946 | HOW EASY BREEZY BEAUTIFUL
|
|---|
| 1947 | S THAT?
|
|---|
| 1948 |
|
|---|
| 1949 | 428
|
|---|
| 1950 | 00:14:37,376 --> 00:14:59,381
|
|---|
| 1951 | TRUBLEND...FROM COVERGIRL.
|
|---|
| 1952 |
|
|---|
| 1953 | 429
|
|---|
| 1954 | 00:14:59,381 --> 00:15:01,917
|
|---|
| 1955 | (indistinct conversations)
|
|---|
| 1956 |
|
|---|
| 1957 | 430
|
|---|
| 1958 | 00:15:03,319 --> 00:15:04,520
|
|---|
| 1959 | (man) NOTHING HERE.
|
|---|
| 1960 |
|
|---|
| 1961 | 431
|
|---|
| 1962 | 00:15:04,520 --> 00:15:04,920
|
|---|
| 1963 | WE'RE GOOD.
|
|---|
| 1964 |
|
|---|
| 1965 | 432
|
|---|
| 1966 | 00:15:05,321 --> 00:15:08,624
|
|---|
| 1967 | (rapid beeps)
|
|---|
| 1968 |
|
|---|
| 1969 | 433
|
|---|
| 1970 | 00:15:08,624 --> 00:15:09,859
|
|---|
| 1971 | THEY JUST WALKED IN.
|
|---|
| 1972 | HOLD ON A SECOND.
|
|---|
| 1973 |
|
|---|
| 1974 | 434
|
|---|
| 1975 | 00:15:10,459 --> 00:15:12,027
|
|---|
| 1976 | (man)
|
|---|
| 1977 | WE'RE CLEAN ON THIS SIDE.
|
|---|
| 1978 | CAN WE HAVE THE ROOM?
|
|---|
| 1979 |
|
|---|
| 1980 | 435
|
|---|
| 1981 | 00:15:12,027 --> 00:15:12,428
|
|---|
| 1982 | (man) PHIL,
|
|---|
| 1983 | LET'S GET OUT OF HERE.
|
|---|
| 1984 |
|
|---|
| 1985 | 436
|
|---|
| 1986 | 00:15:14,397 --> 00:15:17,233
|
|---|
| 1987 | CLEAR THE ROOM.
|
|---|
| 1988 |
|
|---|
| 1989 | 437
|
|---|
| 1990 | 00:15:17,233 --> 00:15:18,100
|
|---|
| 1991 | (man speaks indistinctly)
|
|---|
| 1992 |
|
|---|
| 1993 | 438
|
|---|
| 1994 | 00:15:18,801 --> 00:15:22,171
|
|---|
| 1995 | (Bosley) OKAY, CHARLIE.
|
|---|
| 1996 | (door closes)
|
|---|
| 1997 |
|
|---|
| 1998 | 439
|
|---|
| 1999 | 00:15:22,171 --> 00:15:22,705
|
|---|
| 2000 | Bosley updated me.
|
|---|
| 2001 | Thank God you're okay.
|
|---|
| 2002 |
|
|---|
| 2003 | 440
|
|---|
| 2004 | 00:15:23,405 --> 00:15:24,673
|
|---|
| 2005 | WHO WERE THOSE PEOPLE?
|
|---|
| 2006 |
|
|---|
| 2007 | 441
|
|---|
| 2008 | 00:15:24,673 --> 00:15:25,307
|
|---|
| 2009 | It's just a precaution.
|
|---|
| 2010 |
|
|---|
| 2011 | 442
|
|---|
| 2012 | 00:15:26,108 --> 00:15:29,011
|
|---|
| 2013 | They're sweeping the agency.
|
|---|
| 2014 |
|
|---|
| 2015 | 443
|
|---|
| 2016 | 00:15:29,011 --> 00:15:29,678
|
|---|
| 2017 | I sent teams to your homes
|
|---|
| 2018 | as well.
|
|---|
| 2019 |
|
|---|
| 2020 | 444
|
|---|
| 2021 | 00:15:30,880 --> 00:15:32,681
|
|---|
| 2022 | YOU THINK WE'RE BEING TARGETED?
|
|---|
| 2023 |
|
|---|
| 2024 | 445
|
|---|
| 2025 | 00:15:32,681 --> 00:15:33,149
|
|---|
| 2026 | I can't confirm that you're not.
|
|---|
| 2027 |
|
|---|
| 2028 | 446
|
|---|
| 2029 | 00:15:33,949 --> 00:15:36,969
|
|---|
| 2030 | Gloria was family,
|
|---|
| 2031 |
|
|---|
| 2032 | 447
|
|---|
| 2033 | 00:15:36,969 --> 00:15:38,187
|
|---|
| 2034 | and her murder
|
|---|
| 2035 | is our most personal case.
|
|---|
| 2036 |
|
|---|
| 2037 | 448
|
|---|
| 2038 | 00:15:39,288 --> 00:15:41,690
|
|---|
| 2039 | I need to know
|
|---|
| 2040 | you're up for the fight.
|
|---|
| 2041 |
|
|---|
| 2042 | 449
|
|---|
| 2043 | 00:15:41,690 --> 00:15:42,057
|
|---|
| 2044 | BRING IT ON.
|
|---|
| 2045 |
|
|---|
| 2046 | 450
|
|---|
| 2047 | 00:15:42,958 --> 00:15:44,794
|
|---|
| 2048 | Just remember,
|
|---|
| 2049 |
|
|---|
| 2050 | 451
|
|---|
| 2051 | 00:15:44,794 --> 00:15:45,361
|
|---|
| 2052 | you're Angels of justice,
|
|---|
| 2053 |
|
|---|
| 2054 | 452
|
|---|
| 2055 | 00:15:47,596 --> 00:15:49,732
|
|---|
| 2056 | not Angels of vengeance.
|
|---|
| 2057 |
|
|---|
| 2058 | 453
|
|---|
| 2059 | 00:15:49,732 --> 00:15:52,401
|
|---|
| 2060 | CHECK THIS OUT.
|
|---|
| 2061 |
|
|---|
| 2062 | 454
|
|---|
| 2063 | 00:15:54,637 --> 00:15:55,871
|
|---|
| 2064 | I GAVE THE COPS ACCESS
|
|---|
| 2065 | TO ALL OF OUR SECURITY CAMERAS,
|
|---|
| 2066 |
|
|---|
| 2067 | 455
|
|---|
| 2068 | 00:15:55,871 --> 00:15:56,372
|
|---|
| 2069 | EXCEPT THESE.
|
|---|
| 2070 |
|
|---|
| 2071 | 456
|
|---|
| 2072 | 00:15:57,106 --> 00:16:01,076
|
|---|
| 2073 | SENDING IT TO YOU NOW.
|
|---|
| 2074 |
|
|---|
| 2075 | 457
|
|---|
| 2076 | 00:16:01,076 --> 00:16:01,977
|
|---|
| 2077 | THIS IS HALF AN HOUR BEFORE
|
|---|
| 2078 | YOU GUYS LEFT THE BUILDING.
|
|---|
| 2079 |
|
|---|
| 2080 | 458
|
|---|
| 2081 | 00:16:02,778 --> 00:16:04,046
|
|---|
| 2082 | CHECK OUT
|
|---|
| 2083 | THE WOMAN ON THE MOTORCYCLE
|
|---|
| 2084 |
|
|---|
| 2085 | 459
|
|---|
| 2086 | 00:16:04,046 --> 00:16:04,914
|
|---|
| 2087 | SCOPING GLORIA'S CAR.
|
|---|
| 2088 |
|
|---|
| 2089 | 460
|
|---|
| 2090 | 00:16:05,247 --> 00:16:08,417
|
|---|
| 2091 | SHE SPLIT
|
|---|
| 2092 | RIGHT AFTER THE EXPLOSION,
|
|---|
| 2093 |
|
|---|
| 2094 | 461
|
|---|
| 2095 | 00:16:08,417 --> 00:16:09,351
|
|---|
| 2096 | DIDN'T CALL 9-1-1 OR STICK
|
|---|
| 2097 | AROUND AND WAIT FOR THE POLICE
|
|---|
| 2098 |
|
|---|
| 2099 | 462
|
|---|
| 2100 | 00:16:09,602 --> 00:16:13,189
|
|---|
| 2101 | AND TALK TO THEM.
|
|---|
| 2102 | SHE JUST... TOOK OFF.
|
|---|
| 2103 |
|
|---|
| 2104 | 463
|
|---|
| 2105 | 00:16:13,189 --> 00:16:13,522
|
|---|
| 2106 | WHAT'S THAT'S SHADOW
|
|---|
| 2107 | ON THE BACK OF HER NECK?
|
|---|
| 2108 |
|
|---|
| 2109 | 464
|
|---|
| 2110 | 00:16:16,459 --> 00:16:18,027
|
|---|
| 2111 | (beeping)
|
|---|
| 2112 |
|
|---|
| 2113 | 465
|
|---|
| 2114 | 00:16:18,027 --> 00:16:18,494
|
|---|
| 2115 | LOOK AT THE INK.
|
|---|
| 2116 |
|
|---|
| 2117 | 466
|
|---|
| 2118 | 00:16:18,694 --> 00:16:21,630
|
|---|
| 2119 | SAME AS GLORIA'S.
|
|---|
| 2120 |
|
|---|
| 2121 | 467
|
|---|
| 2122 | 00:16:21,630 --> 00:16:22,698
|
|---|
| 2123 | MEANS THEY WERE MEMBERS
|
|---|
| 2124 | OF THE SAME CAR BOOSTING CREW.
|
|---|
| 2125 |
|
|---|
| 2126 | 468
|
|---|
| 2127 | 00:16:24,033 --> 00:16:27,236
|
|---|
| 2128 | I DON'T GET IT. GLORIA WAVED
|
|---|
| 2129 | GOOD-BYE TO THAT LIFE
|
|---|
| 2130 |
|
|---|
| 2131 | 469
|
|---|
| 2132 | 00:16:27,236 --> 00:16:27,703
|
|---|
| 2133 | WHEN SHE ENLISTED
|
|---|
| 2134 | WITH UNCLE SAM.
|
|---|
| 2135 |
|
|---|
| 2136 | 470
|
|---|
| 2137 | 00:16:28,471 --> 00:16:31,473
|
|---|
| 2138 | BOS, RUN HER FACE
|
|---|
| 2139 |
|
|---|
| 2140 | 471
|
|---|
| 2141 | 00:16:31,473 --> 00:16:32,274
|
|---|
| 2142 | AGAINST THE MIAMI-DADE
|
|---|
| 2143 | AUTO THEFT DATABASE.
|
|---|
| 2144 |
|
|---|
| 2145 | 472
|
|---|
| 2146 | 00:16:34,577 --> 00:16:35,945
|
|---|
| 2147 | LOG IN
|
|---|
| 2148 | UNDER DETECTIVE RAY GOODSON,
|
|---|
| 2149 |
|
|---|
| 2150 | 473
|
|---|
| 2151 | 00:16:35,945 --> 00:16:36,412
|
|---|
| 2152 | BADGE 4-1-9-7-6.
|
|---|
| 2153 |
|
|---|
| 2154 | 474
|
|---|
| 2155 | 00:16:37,446 --> 00:16:38,714
|
|---|
| 2156 | YOU'RE EX-FIANCE?
|
|---|
| 2157 |
|
|---|
| 2158 | 475
|
|---|
| 2159 | 00:16:38,714 --> 00:16:39,715
|
|---|
| 2160 | YES.
|
|---|
| 2161 |
|
|---|
| 2162 | 476
|
|---|
| 2163 | 00:16:40,616 --> 00:16:41,400
|
|---|
| 2164 | GUESS I CAN TAKE
|
|---|
| 2165 | IMPERSONATING A POLICE OFFICER
|
|---|
| 2166 |
|
|---|
| 2167 | 477
|
|---|
| 2168 | 00:16:41,400 --> 00:16:43,219
|
|---|
| 2169 | OFF MY BUCKET LIST. PASSWORD?
|
|---|
| 2170 |
|
|---|
| 2171 | 478
|
|---|
| 2172 | 00:16:44,386 --> 00:16:47,823
|
|---|
| 2173 | ALWAYS USES HIS BIRTHDAY.
|
|---|
| 2174 |
|
|---|
| 2175 | 479
|
|---|
| 2176 | 00:16:47,823 --> 00:16:48,090
|
|---|
| 2177 | 12-4-80.
|
|---|
| 2178 |
|
|---|
| 2179 | 480
|
|---|
| 2180 | 00:16:48,791 --> 00:16:50,359
|
|---|
| 2181 | (beeps)
|
|---|
| 2182 |
|
|---|
| 2183 | 481
|
|---|
| 2184 | 00:16:50,359 --> 00:16:51,894
|
|---|
| 2185 | ACCESS GRANTED.
|
|---|
| 2186 |
|
|---|
| 2187 | 482
|
|---|
| 2188 | 00:16:52,328 --> 00:16:54,263
|
|---|
| 2189 | (beeps)
|
|---|
| 2190 |
|
|---|
| 2191 | 483
|
|---|
| 2192 | 00:16:54,263 --> 00:16:55,231
|
|---|
| 2193 | EVE FRENCH--
|
|---|
| 2194 | PLEADED NO CONTEST
|
|---|
| 2195 |
|
|---|
| 2196 | 484
|
|---|
| 2197 | 00:16:57,299 --> 00:16:59,702
|
|---|
| 2198 | TO GRAND THEFT AUTO
|
|---|
| 2199 | AND MANSLAUGHTER IN '05.
|
|---|
| 2200 |
|
|---|
| 2201 | 485
|
|---|
| 2202 | 00:16:59,702 --> 00:17:00,769
|
|---|
| 2203 | STOLE A LAMBORGHINI,
|
|---|
| 2204 | GOT INTO A HIGH-SPEED CHASE,
|
|---|
| 2205 |
|
|---|
| 2206 | 486
|
|---|
| 2207 | 00:17:04,306 --> 00:17:07,476
|
|---|
| 2208 | ENDED UP... HITTING A CAB
|
|---|
| 2209 | AND KILLING THE DRIVER.
|
|---|
| 2210 |
|
|---|
| 2211 | 487
|
|---|
| 2212 | 00:17:07,476 --> 00:17:08,244
|
|---|
| 2213 | DID FOUR YEARS AT TALLAHASSEE
|
|---|
| 2214 | WOMEN'S CORRECTIONAL.
|
|---|
| 2215 |
|
|---|
| 2216 | 488
|
|---|
| 2217 | 00:17:09,378 --> 00:17:10,679
|
|---|
| 2218 | HOW LONG SHE BEEN BACK
|
|---|
| 2219 | IN MIAMI?
|
|---|
| 2220 |
|
|---|
| 2221 | 489
|
|---|
| 2222 | 00:17:10,679 --> 00:17:11,580
|
|---|
| 2223 | PAROLED SIX MONTHS AGO.
|
|---|
| 2224 |
|
|---|
| 2225 | 490
|
|---|
| 2226 | 00:17:13,933 --> 00:17:16,785
|
|---|
| 2227 | LIVES ON A HOUSEBOAT,
|
|---|
| 2228 | BISCAYNE MARINA.
|
|---|
| 2229 |
|
|---|
| 2230 | 491
|
|---|
| 2231 | 00:17:16,785 --> 00:17:17,253
|
|---|
| 2232 | WHY WOULD SHE WANT
|
|---|
| 2233 | GLORIA DEAD?
|
|---|
| 2234 |
|
|---|
| 2235 | 492
|
|---|
| 2236 | 00:17:18,888 --> 00:17:21,857
|
|---|
| 2237 | LET'S GO ASK HER.
|
|---|
| 2238 |
|
|---|
| 2239 | 493
|
|---|
| 2240 | 00:17:21,857 --> 00:17:22,791
|
|---|
| 2241 | (clicking)
|
|---|
| 2242 |
|
|---|
| 2243 | 494
|
|---|
| 2244 | 00:17:24,960 --> 00:17:28,397
|
|---|
| 2245 | WHOA, WHOA.
|
|---|
| 2246 | REMEMBER WHAT CHARLIE SAID.
|
|---|
| 2247 |
|
|---|
| 2248 | 495
|
|---|
| 2249 | 00:17:28,397 --> 00:17:28,664
|
|---|
| 2250 | WHAT? THESE ARE
|
|---|
| 2251 | JUST CONVERSATION STARTERS.
|
|---|
| 2252 |
|
|---|
| 2253 | 496
|
|---|
| 2254 | 00:17:29,732 --> 00:17:30,966
|
|---|
| 2255 | GUYS.
|
|---|
| 2256 |
|
|---|
| 2257 | 497
|
|---|
| 2258 | 00:17:30,966 --> 00:17:31,300
|
|---|
| 2259 | JUST...
|
|---|
| 2260 |
|
|---|
| 2261 | 498
|
|---|
| 2262 | 00:17:33,068 --> 00:17:37,072
|
|---|
| 2263 | BE CAREFUL.
|
|---|
| 2264 |
|
|---|
| 2265 | 499
|
|---|
| 2266 | 00:17:37,072 --> 00:18:04,166
|
|---|
| 2267 | FOR ME.
|
|---|
| 2268 |
|
|---|
| 2269 | 500
|
|---|
| 2270 | 00:18:04,800 --> 00:18:08,037
|
|---|
| 2271 | (door bangs)
|
|---|
| 2272 |
|
|---|
| 2273 | 501
|
|---|
| 2274 | 00:18:08,037 --> 00:18:14,643
|
|---|
| 2275 | (both grunting)
|
|---|
| 2276 |
|
|---|
| 2277 | 502
|
|---|
| 2278 | 00:18:14,910 --> 00:18:17,713
|
|---|
| 2279 | (cocks gun)
|
|---|
| 2280 |
|
|---|
| 2281 | 503
|
|---|
| 2282 | 00:18:17,713 --> 00:18:18,247
|
|---|
| 2283 | OKAY, CALM DOWN.
|
|---|
| 2284 | WE JUST WANNA TALK.
|
|---|
| 2285 |
|
|---|
| 2286 | 504
|
|---|
| 2287 | 00:18:18,764 --> 00:18:21,617
|
|---|
| 2288 | TRY KNOCKING NEXT TIME.
|
|---|
| 2289 |
|
|---|
| 2290 | 505
|
|---|
| 2291 | 00:18:21,617 --> 00:18:21,951
|
|---|
| 2292 | WHY DID YOU KILL GLORIA?
|
|---|
| 2293 |
|
|---|
| 2294 | 506
|
|---|
| 2295 | 00:18:22,585 --> 00:18:23,919
|
|---|
| 2296 | I DIDN'T.
|
|---|
| 2297 |
|
|---|
| 2298 | 507
|
|---|
| 2299 | 00:18:23,919 --> 00:18:24,553
|
|---|
| 2300 | THEN WHY WERE YOU
|
|---|
| 2301 | IN STALKER MODE
|
|---|
| 2302 |
|
|---|
| 2303 | 508
|
|---|
| 2304 | 00:18:24,987 --> 00:18:26,655
|
|---|
| 2305 | OUTSIDE THE AGENCY LAST NIGHT?
|
|---|
| 2306 |
|
|---|
| 2307 | 509
|
|---|
| 2308 | 00:18:26,655 --> 00:18:27,289
|
|---|
| 2309 | WE CAUGHT YOU ON TAPE
|
|---|
| 2310 | FLEEING THE SCENE.
|
|---|
| 2311 |
|
|---|
| 2312 | 510
|
|---|
| 2313 | 00:18:27,790 --> 00:18:29,391
|
|---|
| 2314 | THAT DOESN'T MAKE ME GUILTY.
|
|---|
| 2315 |
|
|---|
| 2316 | 511
|
|---|
| 2317 | 00:18:29,391 --> 00:18:30,593
|
|---|
| 2318 | INNOCENT PEOPLE
|
|---|
| 2319 | DON'T USUALLY RUN AWAY.
|
|---|
| 2320 |
|
|---|
| 2321 | 512
|
|---|
| 2322 | 00:18:32,895 --> 00:18:35,264
|
|---|
| 2323 | I'M NOT PLAYING THIS GAME.
|
|---|
| 2324 | GLORIA WAS LIKE A SISTER TO ME.
|
|---|
| 2325 |
|
|---|
| 2326 | 513
|
|---|
| 2327 | 00:18:35,264 --> 00:18:35,698
|
|---|
| 2328 | (helicopter whirring)
|
|---|
| 2329 |
|
|---|
| 2330 | 514
|
|---|
| 2331 | 00:18:37,700 --> 00:18:41,670
|
|---|
| 2332 | WE NEED TO MOVE.
|
|---|
| 2333 |
|
|---|
| 2334 | 515
|
|---|
| 2335 | 00:18:41,670 --> 00:18:42,137
|
|---|
| 2336 | NOW!
|
|---|
| 2337 |
|
|---|
| 2338 | 516
|
|---|
| 2339 | 00:18:45,140 --> 00:18:53,749
|
|---|
| 2340 | (machine gunfire)
|
|---|
| 2341 |
|
|---|
| 2342 | 517
|
|---|
| 2343 | 00:18:53,749 --> 00:19:01,423
|
|---|
| 2344 | (gunfire continues)
|
|---|
| 2345 |
|
|---|
| 2346 | 518
|
|---|
| 2347 | 00:19:02,424 --> 00:19:05,761
|
|---|
| 2348 | (gunfire stops)
|
|---|
| 2349 |
|
|---|
| 2350 | 519
|
|---|
| 2351 | 00:19:05,761 --> 00:19:12,568
|
|---|
| 2352 | ALL RIGHT, WE GOT 'EM!
|
|---|
| 2353 | WE GOT 'EM.
|
|---|
| 2354 |
|
|---|
| 2355 | 520
|
|---|
| 2356 | 00:19:13,902 --> 00:19:15,971
|
|---|
| 2357 | (gasps) OH!
|
|---|
| 2358 |
|
|---|
| 2359 | 521
|
|---|
| 2360 | 00:19:15,971 --> 00:19:16,238
|
|---|
| 2361 | AH! (coughs)
|
|---|
| 2362 |
|
|---|
| 2363 | 522
|
|---|
| 2364 | 00:19:17,339 --> 00:19:21,877
|
|---|
| 2365 | (gasps)
|
|---|
| 2366 |
|
|---|
| 2367 | 523
|
|---|
| 2368 | 00:19:21,877 --> 00:19:22,978
|
|---|
| 2369 | WHO WERE THOSE SHOOTERS?
|
|---|
| 2370 |
|
|---|
| 2371 | 524
|
|---|
| 2372 | 00:19:23,595 --> 00:19:25,681
|
|---|
| 2373 | IN CASE YOU MISSED IT,
|
|---|
| 2374 | THEY TRIED TO KILL ME, TOO.
|
|---|
| 2375 |
|
|---|
| 2376 | 525
|
|---|
| 2377 | 00:19:25,681 --> 00:19:26,515
|
|---|
| 2378 | LOOK--
|
|---|
| 2379 | EASY, ABBS.
|
|---|
| 2380 |
|
|---|
| 2381 | 526
|
|---|
| 2382 | 00:19:26,949 --> 00:19:30,285
|
|---|
| 2383 | LET'S DO THIS
|
|---|
| 2384 | BACK AT THE OFFICE.
|
|---|
| 2385 |
|
|---|
| 2386 | 527
|
|---|
| 2387 | 00:19:30,285 --> 00:19:30,886
|
|---|
| 2388 | NO, SHE STARTS FILLING IN
|
|---|
| 2389 | THE BLANKS RIGHT NOW.
|
|---|
| 2390 |
|
|---|
| 2391 | 528
|
|---|
| 2392 | 00:19:32,755 --> 00:19:33,922
|
|---|
| 2393 | I GOT A TEXT FROM GLORIA.
|
|---|
| 2394 |
|
|---|
| 2395 | 529
|
|---|
| 2396 | 00:19:33,922 --> 00:19:35,157
|
|---|
| 2397 | SHE WANTED ME TO MEET HER
|
|---|
| 2398 | AFTER WORK.
|
|---|
| 2399 |
|
|---|
| 2400 | 530
|
|---|
| 2401 | 00:19:37,393 --> 00:19:38,961
|
|---|
| 2402 | THEN WHY NOT COME IN INSTEAD
|
|---|
| 2403 | OF LURKING AROUND ON THE STREET?
|
|---|
| 2404 |
|
|---|
| 2405 | 531
|
|---|
| 2406 | 00:19:38,961 --> 00:19:39,228
|
|---|
| 2407 | I'M SHY.
|
|---|
| 2408 |
|
|---|
| 2409 | 532
|
|---|
| 2410 | 00:19:40,295 --> 00:19:41,663
|
|---|
| 2411 | (scoffs)
|
|---|
| 2412 |
|
|---|
| 2413 | 533
|
|---|
| 2414 | 00:19:41,663 --> 00:19:42,464
|
|---|
| 2415 | HEY, DID SHE SAY
|
|---|
| 2416 | WHAT SHE WANTED?
|
|---|
| 2417 |
|
|---|
| 2418 | 534
|
|---|
| 2419 | 00:19:43,365 --> 00:19:45,801
|
|---|
| 2420 | PERSONAL CASE
|
|---|
| 2421 | SHE WAS WORKING ON.
|
|---|
| 2422 |
|
|---|
| 2423 | 535
|
|---|
| 2424 | 00:19:45,801 --> 00:19:46,435
|
|---|
| 2425 | SHE WANTED
|
|---|
| 2426 | TO SHOW ME SOMETHING.
|
|---|
| 2427 |
|
|---|
| 2428 | 536
|
|---|
| 2429 | 00:19:49,104 --> 00:19:52,341
|
|---|
| 2430 | (sirens wailing in distance)
|
|---|
| 2431 |
|
|---|
| 2432 | 537
|
|---|
| 2433 | 00:19:52,341 --> 00:19:52,741
|
|---|
| 2434 | DEAL WITH THEM OR COME WITH US.
|
|---|
| 2435 |
|
|---|
| 2436 | 538
|
|---|
| 2437 | 00:19:54,777 --> 00:20:01,650
|
|---|
| 2438 | IT'S YOUR CALL.
|
|---|
| 2439 |
|
|---|
| 2440 | 539
|
|---|
| 2441 | 00:20:01,683 --> 00:20:02,183
|
|---|
| 2442 | [
|
|---|
| 2443 |
|
|---|
| 2444 | 540
|
|---|
| 2445 | 00:20:01,717 --> 00:20:02,217
|
|---|
| 2446 | [ Ma
|
|---|
| 2447 |
|
|---|
| 2448 | 541
|
|---|
| 2449 | 00:20:01,750 --> 00:20:02,250
|
|---|
| 2450 | [ Male
|
|---|
| 2451 |
|
|---|
| 2452 | 542
|
|---|
| 2453 | 00:20:01,784 --> 00:20:02,284
|
|---|
| 2454 | [ Male A
|
|---|
| 2455 |
|
|---|
| 2456 | 543
|
|---|
| 2457 | 00:20:01,817 --> 00:20:02,317
|
|---|
| 2458 | [ Male Ann
|
|---|
| 2459 |
|
|---|
| 2460 | 544
|
|---|
| 2461 | 00:20:01,850 --> 00:20:02,350
|
|---|
| 2462 | [ Male Annou
|
|---|
| 2463 |
|
|---|
| 2464 | 545
|
|---|
| 2465 | 00:20:01,884 --> 00:20:02,384
|
|---|
| 2466 | [ Male Announc
|
|---|
| 2467 |
|
|---|
| 2468 | 546
|
|---|
| 2469 | 00:20:01,917 --> 00:20:02,417
|
|---|
| 2470 | [ Male Announcer
|
|---|
| 2471 |
|
|---|
| 2472 | 547
|
|---|
| 2473 | 00:20:01,950 --> 00:20:02,450
|
|---|
| 2474 | [ Male Announcer ]
|
|---|
| 2475 |
|
|---|
| 2476 | 548
|
|---|
| 2477 | 00:20:01,984 --> 00:20:02,484
|
|---|
| 2478 | [ Male Announcer ]
|
|---|
| 2479 |
|
|---|
| 2480 | 549
|
|---|
| 2481 | 00:20:02,051 --> 00:20:02,551
|
|---|
| 2482 | [ Male Announcer ]
|
|---|
| 2483 |
|
|---|
| 2484 | 550
|
|---|
| 2485 | 00:20:02,084 --> 00:20:02,584
|
|---|
| 2486 | [ Male Announcer ]
|
|---|
| 2487 | UN
|
|---|
| 2488 |
|
|---|
| 2489 | 551
|
|---|
| 2490 | 00:20:02,117 --> 00:20:02,617
|
|---|
| 2491 | [ Male Announcer ]
|
|---|
| 2492 | UNDE
|
|---|
| 2493 |
|
|---|
| 2494 | 552
|
|---|
| 2495 | 00:20:02,151 --> 00:20:02,651
|
|---|
| 2496 | [ Male Announcer ]
|
|---|
| 2497 | UNDENI
|
|---|
| 2498 |
|
|---|
| 2499 | 553
|
|---|
| 2500 | 00:20:02,184 --> 00:20:02,684
|
|---|
| 2501 | [ Male Announcer ]
|
|---|
| 2502 | UNDENIAB
|
|---|
| 2503 |
|
|---|
| 2504 | 554
|
|---|
| 2505 | 00:20:02,217 --> 00:20:02,717
|
|---|
| 2506 | [ Male Announcer ]
|
|---|
| 2507 | UNDENIABLY
|
|---|
| 2508 |
|
|---|
| 2509 | 555
|
|---|
| 2510 | 00:20:02,251 --> 00:20:02,751
|
|---|
| 2511 | [ Male Announcer ]
|
|---|
| 2512 | UNDENIABLY C
|
|---|
| 2513 |
|
|---|
| 2514 | 556
|
|---|
| 2515 | 00:20:02,284 --> 00:20:02,784
|
|---|
| 2516 | [ Male Announcer ]
|
|---|
| 2517 | UNDENIABLY COL
|
|---|
| 2518 |
|
|---|
| 2519 | 557
|
|---|
| 2520 | 00:20:02,317 --> 00:20:02,817
|
|---|
| 2521 | [ Male Announcer ]
|
|---|
| 2522 | UNDENIABLY COLOR
|
|---|
| 2523 |
|
|---|
| 2524 | 558
|
|---|
| 2525 | 00:20:02,351 --> 00:20:02,851
|
|---|
| 2526 | [ Male Announcer ]
|
|---|
| 2527 | UNDENIABLY COLORFU
|
|---|
| 2528 |
|
|---|
| 2529 | 559
|
|---|
| 2530 | 00:20:02,584 --> 00:20:03,786
|
|---|
| 2531 | [ Male Announcer ]
|
|---|
| 2532 | UNDENIABLY COLORFUL,
|
|---|
| 2533 |
|
|---|
| 2534 | 560
|
|---|
| 2535 | 00:20:05,554 --> 00:20:06,588
|
|---|
| 2536 | SERIOUSLY SMOOTH
|
|---|
| 2537 | AND IN EXCELLENT CONDITION...
|
|---|
| 2538 |
|
|---|
| 2539 | 561
|
|---|
| 2540 | 00:20:06,588 --> 00:20:07,489
|
|---|
| 2541 | THOSE ARE YOUR LIPS
|
|---|
| 2542 |
|
|---|
| 2543 | 562
|
|---|
| 2544 | 00:20:08,691 --> 00:20:10,693
|
|---|
| 2545 | WITH COVERGIRL
|
|---|
| 2546 | LIP PERFECTION.
|
|---|
| 2547 |
|
|---|
| 2548 | 563
|
|---|
| 2549 | 00:20:10,693 --> 00:20:11,794
|
|---|
| 2550 | IT DOESN'T JUST GIVE YOU
|
|---|
| 2551 | BEAUTIFUL COLOR NOW,
|
|---|
| 2552 |
|
|---|
| 2553 | 564
|
|---|
| 2554 | 00:20:13,762 --> 00:20:17,266
|
|---|
| 2555 | IT GIVES YOU MORE BEAUTIFUL LIPS
|
|---|
| 2556 | IN 7 DAYS.
|
|---|
| 2557 |
|
|---|
| 2558 | 565
|
|---|
| 2559 | 00:20:17,266 --> 00:20:18,434
|
|---|
| 2560 | IN A SINGLE STROKE,
|
|---|
| 2561 | RICHCOLOR ROCKS YOUR LIPS.
|
|---|
| 2562 |
|
|---|
| 2563 | 566
|
|---|
| 2564 | 00:20:20,335 --> 00:20:22,538
|
|---|
| 2565 | IN A SINGLE WEEK,
|
|---|
| 2566 | "THE SILK MOISTURIZING COMPLEX
|
|---|
| 2567 |
|
|---|
| 2568 | 567
|
|---|
| 2569 | 00:20:22,538 --> 00:20:23,138
|
|---|
| 2570 | HELPS SMOOTH AND SOFTEN THEM.
|
|---|
| 2571 |
|
|---|
| 2572 | 568
|
|---|
| 2573 | 00:20:23,405 --> 00:20:25,307
|
|---|
| 2574 | HOW PERFECT!
|
|---|
| 2575 |
|
|---|
| 2576 | 569
|
|---|
| 2577 | 00:20:25,307 --> 00:20:26,208
|
|---|
| 2578 | [ Male Announcer ]
|
|---|
| 2579 | LIP PERFECTION.
|
|---|
| 2580 |
|
|---|
| 2581 | 570
|
|---|
| 2582 | 00:20:26,642 --> 00:20:30,713
|
|---|
| 2583 | IN 44 LIP PERFECTING SHADES
|
|---|
| 2584 |
|
|---|
| 2585 | 571
|
|---|
| 2586 | 00:20:30,713 --> 00:21:31,440
|
|---|
| 2587 | FROM EASY, BREEZE, BEAUTIFUL...
|
|---|
| 2588 | COVEGIRL.
|
|---|
| 2589 |
|
|---|
| 2590 | 572
|
|---|
| 2591 | 00:21:31,440 --> 00:21:32,908
|
|---|
| 2592 | GGGGGGGGGG
|
|---|
| 2593 |
|
|---|
| 2594 | 573
|
|---|
| 2595 | 00:21:32,941 --> 00:21:34,243
|
|---|
| 2596 | PASTA BOWL IS ALMOST OVER.
|
|---|
| 2597 |
|
|---|
| 2598 | 574
|
|---|
| 2599 | 00:21:34,243 --> 00:21:36,078
|
|---|
| 2600 | FOR JUST $8.95 TRY NEW SAUCES
|
|---|
| 2601 |
|
|---|
| 2602 | 575
|
|---|
| 2603 | 00:21:36,111 --> 00:21:38,046
|
|---|
| 2604 | LIKE ROASTED MUSHROOM PARMESAN
|
|---|
| 2605 |
|
|---|
| 2606 | 576
|
|---|
| 2607 | 00:21:38,046 --> 00:21:39,448
|
|---|
| 2608 | AND HEARTY PIZZAIOLA MEAT.
|
|---|
| 2609 |
|
|---|
| 2610 | 577
|
|---|
| 2611 | 00:21:39,481 --> 00:21:41,350
|
|---|
| 2612 | CHOOSE ALL THE SAUCE AND
|
|---|
| 2613 | PASTA COMBINATIONS YOU WANT
|
|---|
| 2614 |
|
|---|
| 2615 | 578
|
|---|
| 2616 | 00:21:41,350 --> 00:21:42,951
|
|---|
| 2617 | JUST
|
|---|
| 2618 | $8.95,
|
|---|
| 2619 |
|
|---|
| 2620 | 579
|
|---|
| 2621 | 00:21:42,985 --> 00:21:46,755
|
|---|
| 2622 | WITH UNLIMITED
|
|---|
| 2623 | SALAD AND BREADSTICKS.
|
|---|
| 2624 |
|
|---|
| 2625 | 580
|
|---|
| 2626 | 00:21:46,755 --> 00:21:47,189
|
|---|
| 2627 | SO HURRY IN TO OLIVE GARDEN.
|
|---|
| 2628 |
|
|---|
| 2629 | 581
|
|---|
| 2630 | 00:21:47,222 --> 00:21:47,722
|
|---|
| 2631 | [
|
|---|
| 2632 |
|
|---|
| 2633 | 582
|
|---|
| 2634 | 00:21:47,256 --> 00:21:47,756
|
|---|
| 2635 | [ Ma
|
|---|
| 2636 |
|
|---|
| 2637 | 583
|
|---|
| 2638 | 00:21:47,289 --> 00:21:47,789
|
|---|
| 2639 | [ Male
|
|---|
| 2640 |
|
|---|
| 2641 | 584
|
|---|
| 2642 | 00:21:47,322 --> 00:21:47,822
|
|---|
| 2643 | [ Male A
|
|---|
| 2644 |
|
|---|
| 2645 | 585
|
|---|
| 2646 | 00:21:47,356 --> 00:21:47,856
|
|---|
| 2647 | [ Male Ann
|
|---|
| 2648 |
|
|---|
| 2649 | 586
|
|---|
| 2650 | 00:21:47,389 --> 00:21:47,889
|
|---|
| 2651 | [ Male Annou
|
|---|
| 2652 |
|
|---|
| 2653 | 587
|
|---|
| 2654 | 00:21:47,422 --> 00:21:47,922
|
|---|
| 2655 | [ Male Announc
|
|---|
| 2656 |
|
|---|
| 2657 | 588
|
|---|
| 2658 | 00:21:47,456 --> 00:21:47,956
|
|---|
| 2659 | [ Male Announcer
|
|---|
| 2660 |
|
|---|
| 2661 | 589
|
|---|
| 2662 | 00:21:47,523 --> 00:21:48,023
|
|---|
| 2663 | [ Male Announcer ]
|
|---|
| 2664 |
|
|---|
| 2665 | 590
|
|---|
| 2666 | 00:21:47,589 --> 00:21:48,089
|
|---|
| 2667 | [ Male Announcer ]
|
|---|
| 2668 |
|
|---|
| 2669 | 591
|
|---|
| 2670 | 00:21:47,689 --> 00:21:48,189
|
|---|
| 2671 | [ Male Announcer ]
|
|---|
| 2672 |
|
|---|
| 2673 | 592
|
|---|
| 2674 | 00:21:47,723 --> 00:21:48,223
|
|---|
| 2675 | [ Male Announcer ]
|
|---|
| 2676 | TH
|
|---|
| 2677 |
|
|---|
| 2678 | 593
|
|---|
| 2679 | 00:21:47,756 --> 00:21:48,256
|
|---|
| 2680 | [ Male Announcer ]
|
|---|
| 2681 | THIS
|
|---|
| 2682 |
|
|---|
| 2683 | 594
|
|---|
| 2684 | 00:21:47,790 --> 00:21:48,290
|
|---|
| 2685 | [ Male Announcer ]
|
|---|
| 2686 | THIS I
|
|---|
| 2687 |
|
|---|
| 2688 | 595
|
|---|
| 2689 | 00:21:47,823 --> 00:21:48,323
|
|---|
| 2690 | [ Male Announcer ]
|
|---|
| 2691 | THIS IS
|
|---|
| 2692 |
|
|---|
| 2693 | 596
|
|---|
| 2694 | 00:21:47,856 --> 00:21:48,356
|
|---|
| 2695 | [ Male Announcer ]
|
|---|
| 2696 | THIS IS TH
|
|---|
| 2697 |
|
|---|
| 2698 | 597
|
|---|
| 2699 | 00:21:47,890 --> 00:21:48,390
|
|---|
| 2700 | [ Male Announcer ]
|
|---|
| 2701 | THIS IS THE
|
|---|
| 2702 |
|
|---|
| 2703 | 598
|
|---|
| 2704 | 00:21:47,923 --> 00:21:48,423
|
|---|
| 2705 | [ Male Announcer ]
|
|---|
| 2706 | THIS IS THE NE
|
|---|
| 2707 |
|
|---|
| 2708 | 599
|
|---|
| 2709 | 00:21:47,956 --> 00:21:48,456
|
|---|
| 2710 | [ Male Announcer ]
|
|---|
| 2711 | THIS IS THE NETW
|
|---|
| 2712 |
|
|---|
| 2713 | 600
|
|---|
| 2714 | 00:21:47,990 --> 00:21:48,490
|
|---|
| 2715 | [ Male Announcer ]
|
|---|
| 2716 | THIS IS THE NETWOR
|
|---|
| 2717 |
|
|---|
| 2718 | 601
|
|---|
| 2719 | 00:21:48,056 --> 00:21:48,924
|
|---|
| 2720 | [ Male Announcer ]
|
|---|
| 2721 | THIS IS THE NETWORK.
|
|---|
| 2722 |
|
|---|
| 2723 | 602
|
|---|
| 2724 | 00:21:49,691 --> 00:21:53,695
|
|---|
| 2725 | [ Male Announcer ]
|
|---|
| 2726 | THIS IS THE NETWORK.
|
|---|
| 2727 | A NETWORK OF POSSIBILITIES...
|
|---|
| 2728 |
|
|---|
| 2729 | 603
|
|---|
| 2730 | 00:21:53,695 --> 00:21:54,530
|
|---|
| 2731 | ⪠âª
|
|---|
| 2732 |
|
|---|
| 2733 | 604
|
|---|
| 2734 | 00:21:55,848 --> 00:21:57,666
|
|---|
| 2735 | ⪠âª
|
|---|
| 2736 | IN HERE, PETS NEVER GET LOST.
|
|---|
| 2737 |
|
|---|
| 2738 | 605
|
|---|
| 2739 | 00:21:57,666 --> 00:21:58,834
|
|---|
| 2740 | ⪠âª
|
|---|
| 2741 |
|
|---|
| 2742 | 606
|
|---|
| 2743 | 00:22:01,904 --> 00:22:04,540
|
|---|
| 2744 | ⪠âª
|
|---|
| 2745 | IN HERE, EVERY CONTINENT
|
|---|
| 2746 | FITS IN ONE ROOM.
|
|---|
| 2747 |
|
|---|
| 2748 | 607
|
|---|
| 2749 | 00:22:04,540 --> 00:22:05,407
|
|---|
| 2750 | IT WAS FUN,
|
|---|
| 2751 | WE PLAYED FOOTBALL OUTSIDE.
|
|---|
| 2752 |
|
|---|
| 2753 | 608
|
|---|
| 2754 | 00:22:06,308 --> 00:22:07,242
|
|---|
| 2755 | IT WAS FUN,
|
|---|
| 2756 | WE PLAYED FOOTBALL OUTSIDE.
|
|---|
| 2757 | WHY ARE YOU SITTING
|
|---|
| 2758 | IN THE DARK?
|
|---|
| 2759 |
|
|---|
| 2760 | 609
|
|---|
| 2761 | 00:22:07,242 --> 00:22:08,744
|
|---|
| 2762 | ⪠âª
|
|---|
| 2763 |
|
|---|
| 2764 | 610
|
|---|
| 2765 | 00:22:10,846 --> 00:22:11,613
|
|---|
| 2766 | ⪠âª
|
|---|
| 2767 | [ Male Announcer ] IN HERE,
|
|---|
| 2768 | YOU'RE NEVER AWAY FROM HOME.
|
|---|
| 2769 |
|
|---|
| 2770 | 611
|
|---|
| 2771 | 00:22:11,613 --> 00:22:13,148
|
|---|
| 2772 | IT'S THE AT&T NETWORK.
|
|---|
| 2773 |
|
|---|
| 2774 | 612
|
|---|
| 2775 | 00:22:27,646 --> 00:23:54,416
|
|---|
| 2776 | IT'S THE AT&T NETWORK.
|
|---|
| 2777 | AND WHAT'S POSSIBLE IN HERE
|
|---|
| 2778 | IS ALMOST IMPOSSIBLE TO SAY.
|
|---|
| 2779 |
|
|---|
| 2780 | 613
|
|---|
| 2781 | 00:23:54,416 --> 00:23:55,284
|
|---|
| 2782 | YOU GIRLS DECENT?
|
|---|
| 2783 |
|
|---|
| 2784 | 614
|
|---|
| 2785 | 00:23:55,784 --> 00:23:59,655
|
|---|
| 2786 | (Abby) YEAH,
|
|---|
| 2787 | I JUST UPDATED CHARLIE.
|
|---|
| 2788 |
|
|---|
| 2789 | 615
|
|---|
| 2790 | 00:23:59,655 --> 00:24:00,789
|
|---|
| 2791 | I'VE GOT GLORIA'S PHONE RECORDS.
|
|---|
| 2792 | SHE TEXTED EVE AT 12:35 A.M.
|
|---|
| 2793 |
|
|---|
| 2794 | 616
|
|---|
| 2795 | 00:24:02,424 --> 00:24:04,993
|
|---|
| 2796 | WOW. SHE WASN'T LYING
|
|---|
| 2797 | ABOUT YOUR MAD HACKING SKILLS.
|
|---|
| 2798 |
|
|---|
| 2799 | 617
|
|---|
| 2800 | 00:24:04,993 --> 00:24:05,594
|
|---|
| 2801 | OKAY, UH, I'M NOT A BIG FAN
|
|---|
| 2802 | OF THE "H" WORD.
|
|---|
| 2803 |
|
|---|
| 2804 | 618
|
|---|
| 2805 | 00:24:05,994 --> 00:24:07,763
|
|---|
| 2806 | IT'S LIKE TELLING PICASSO
|
|---|
| 2807 |
|
|---|
| 2808 | 619
|
|---|
| 2809 | 00:24:07,763 --> 00:24:08,630
|
|---|
| 2810 | HE'S GOOD AT THROWING PAINT
|
|---|
| 2811 | ONTO A CANVAS.
|
|---|
| 2812 |
|
|---|
| 2813 | 620
|
|---|
| 2814 | 00:24:10,032 --> 00:24:12,734
|
|---|
| 2815 | WAIT. GLORIA TALKED TO YOU
|
|---|
| 2816 | ABOUT US?
|
|---|
| 2817 |
|
|---|
| 2818 | 621
|
|---|
| 2819 | 00:24:12,734 --> 00:24:13,402
|
|---|
| 2820 | SAID YOU WERE THE BEST CREW
|
|---|
| 2821 | SHE EVER HAD.
|
|---|
| 2822 |
|
|---|
| 2823 | 622
|
|---|
| 2824 | 00:24:14,603 --> 00:24:16,905
|
|---|
| 2825 | SHE NEVER MENTIONED YOU ONCE.
|
|---|
| 2826 |
|
|---|
| 2827 | 623
|
|---|
| 2828 | 00:24:16,905 --> 00:24:17,506
|
|---|
| 2829 | THAT DOESN'T MEAN
|
|---|
| 2830 | WE WEREN'T CLOSE.
|
|---|
| 2831 |
|
|---|
| 2832 | 624
|
|---|
| 2833 | 00:24:18,373 --> 00:24:20,842
|
|---|
| 2834 | I MET GLORIA WHEN I WAS 5.
|
|---|
| 2835 |
|
|---|
| 2836 | 625
|
|---|
| 2837 | 00:24:20,842 --> 00:24:21,677
|
|---|
| 2838 | ST. THERESA'S ORPHANAGE
|
|---|
| 2839 | IN EL SALVADOR.
|
|---|
| 2840 |
|
|---|
| 2841 | 626
|
|---|
| 2842 | 00:24:23,111 --> 00:24:24,746
|
|---|
| 2843 | HOW DID YOU END UP
|
|---|
| 2844 | IN CENTRAL AMERICA?
|
|---|
| 2845 |
|
|---|
| 2846 | 627
|
|---|
| 2847 | 00:24:24,746 --> 00:24:25,747
|
|---|
| 2848 | MY PARENTS WERE AID WORKERS.
|
|---|
| 2849 |
|
|---|
| 2850 | 628
|
|---|
| 2851 | 00:24:27,516 --> 00:24:28,350
|
|---|
| 2852 | THEY WERE KILLED
|
|---|
| 2853 | IN THE CIVIL WAR DOWN THERE.
|
|---|
| 2854 |
|
|---|
| 2855 | 629
|
|---|
| 2856 | 00:24:28,350 --> 00:24:29,418
|
|---|
| 2857 | WHEN I GOT TO ST. T.'s,
|
|---|
| 2858 |
|
|---|
| 2859 | 630
|
|---|
| 2860 | 00:24:30,652 --> 00:24:34,089
|
|---|
| 2861 | GLORIA TOOK ME UNDER HER WING
|
|---|
| 2862 | AND PROTECTED ME.
|
|---|
| 2863 |
|
|---|
| 2864 | 631
|
|---|
| 2865 | 00:24:34,089 --> 00:24:34,923
|
|---|
| 2866 | WOW. FROM ORPHAN TO CAR THIEF
|
|---|
| 2867 | TO JAILBIRD.
|
|---|
| 2868 |
|
|---|
| 2869 | 632
|
|---|
| 2870 | 00:24:36,758 --> 00:24:38,744
|
|---|
| 2871 | YOU SHOULD HAVE
|
|---|
| 2872 | YOUR OWN REALITY SHOW.
|
|---|
| 2873 |
|
|---|
| 2874 | 633
|
|---|
| 2875 | 00:24:38,744 --> 00:24:40,629
|
|---|
| 2876 | I'M NOT BITTER ABOUT
|
|---|
| 2877 | THE CARDS I'VE BEEN DEALT.
|
|---|
| 2878 |
|
|---|
| 2879 | 634
|
|---|
| 2880 | 00:24:43,732 --> 00:24:47,135
|
|---|
| 2881 | IF YOU WANNA SURVIVE,
|
|---|
| 2882 | YOU HAVE TO ADAPT.
|
|---|
| 2883 |
|
|---|
| 2884 | 635
|
|---|
| 2885 | 00:24:47,135 --> 00:24:47,602
|
|---|
| 2886 | IS THAT WHAT YOU'RE DOING
|
|---|
| 2887 | RIGHT NOW?
|
|---|
| 2888 |
|
|---|
| 2889 | 636
|
|---|
| 2890 | 00:24:48,003 --> 00:24:49,638
|
|---|
| 2891 | I KNOW YOU'RE UPSET
|
|---|
| 2892 |
|
|---|
| 2893 | 637
|
|---|
| 2894 | 00:24:49,638 --> 00:24:50,872
|
|---|
| 2895 | BECAUSE GLORIA CAME TO ME
|
|---|
| 2896 | INSTEAD OF YOU.
|
|---|
| 2897 |
|
|---|
| 2898 | 638
|
|---|
| 2899 | 00:24:53,508 --> 00:24:55,043
|
|---|
| 2900 | BUT THE FACT THAT YOUR FEELINGS
|
|---|
| 2901 | ARE HURT ISN'T MY PROBLEM.
|
|---|
| 2902 |
|
|---|
| 2903 | 639
|
|---|
| 2904 | 00:24:55,043 --> 00:24:55,711
|
|---|
| 2905 | DING DING!
|
|---|
| 2906 |
|
|---|
| 2907 | 640
|
|---|
| 2908 | 00:24:56,211 --> 00:24:58,914
|
|---|
| 2909 | LOVE A CATFIGHT, BUT, LADIES,
|
|---|
| 2910 |
|
|---|
| 2911 | 641
|
|---|
| 2912 | 00:24:58,914 --> 00:25:01,183
|
|---|
| 2913 | PLEASE, BACK TO YOUR CORNERS.
|
|---|
| 2914 | MM.
|
|---|
| 2915 |
|
|---|
| 2916 | 642
|
|---|
| 2917 | 00:25:02,050 --> 00:25:04,052
|
|---|
| 2918 | EVE, ACCORDING TO
|
|---|
| 2919 | HER PHONE RECORDS,
|
|---|
| 2920 |
|
|---|
| 2921 | 643
|
|---|
| 2922 | 00:25:04,052 --> 00:25:04,653
|
|---|
| 2923 | YOU TWO HAVE BEEN
|
|---|
| 2924 | TALKING A LOT RECENTLY.
|
|---|
| 2925 |
|
|---|
| 2926 | 644
|
|---|
| 2927 | 00:25:05,554 --> 00:25:08,523
|
|---|
| 2928 | YEAH. WHEN I GOT PAROLED,
|
|---|
| 2929 |
|
|---|
| 2930 | 645
|
|---|
| 2931 | 00:25:08,523 --> 00:25:09,057
|
|---|
| 2932 | GLORIA WAS HELPING ME
|
|---|
| 2933 | GET BACK ON MY FEET.
|
|---|
| 2934 |
|
|---|
| 2935 | 646
|
|---|
| 2936 | 00:25:09,324 --> 00:25:10,676
|
|---|
| 2937 | I SWEPT HER HARD DRIVE,
|
|---|
| 2938 |
|
|---|
| 2939 | 647
|
|---|
| 2940 | 00:25:10,676 --> 00:25:12,561
|
|---|
| 2941 | IF SHE WAS WORKING A CASE ON
|
|---|
| 2942 | HER DOWNTIME, SHE LEFT NO TRACE.
|
|---|
| 2943 |
|
|---|
| 2944 | 648
|
|---|
| 2945 | 00:25:12,694 --> 00:25:14,896
|
|---|
| 2946 | (sighs)
|
|---|
| 2947 |
|
|---|
| 2948 | 649
|
|---|
| 2949 | 00:25:14,896 --> 00:25:16,064
|
|---|
| 2950 | DO YOU HAVE ANY IDEA
|
|---|
| 2951 | WHAT SHE WANTED TO SHOW YOU?
|
|---|
| 2952 |
|
|---|
| 2953 | 650
|
|---|
| 2954 | 00:25:19,434 --> 00:25:22,604
|
|---|
| 2955 | NO, BUT I THINK WE SHOULD
|
|---|
| 2956 | GO CHECK OUT HER APARTMENT.
|
|---|
| 2957 |
|
|---|
| 2958 | 651
|
|---|
| 2959 | 00:25:22,604 --> 00:25:28,143
|
|---|
| 2960 | LET'S DO IT.
|
|---|
| 2961 |
|
|---|
| 2962 | 652
|
|---|
| 2963 | 00:25:29,111 --> 00:25:30,912
|
|---|
| 2964 | (gears shift)
|
|---|
| 2965 |
|
|---|
| 2966 | 653
|
|---|
| 2967 | 00:25:30,912 --> 00:25:31,713
|
|---|
| 2968 | SINCE WHEN CAN THE COPS
|
|---|
| 2969 | SPARE EXTRA UNIFORMS
|
|---|
| 2970 |
|
|---|
| 2971 | 654
|
|---|
| 2972 | 00:25:33,081 --> 00:25:36,051
|
|---|
| 2973 | TO BABYSIT
|
|---|
| 2974 | A VICTIM'S APARTMENT?
|
|---|
| 2975 |
|
|---|
| 2976 | 655
|
|---|
| 2977 | 00:25:36,051 --> 00:25:40,822
|
|---|
| 2978 | LET'S FIND A WAY IN.
|
|---|
| 2979 | YEAH.
|
|---|
| 2980 |
|
|---|
| 2981 | 656
|
|---|
| 2982 | 00:25:42,691 --> 00:25:43,842
|
|---|
| 2983 | (Abby) THAT'S GLORIA'S BALCONY,
|
|---|
| 2984 | THIRD FLOOR.
|
|---|
| 2985 |
|
|---|
| 2986 | 657
|
|---|
| 2987 | 00:25:43,842 --> 00:25:45,761
|
|---|
| 2988 | LADIES, I GOT THIS.
|
|---|
| 2989 |
|
|---|
| 2990 | 658
|
|---|
| 2991 | 00:25:47,162 --> 00:25:57,038
|
|---|
| 2992 | HAND ME THE PRADA.
|
|---|
| 2993 |
|
|---|
| 2994 | 659
|
|---|
| 2995 | 00:25:57,038 --> 00:26:20,062
|
|---|
| 2996 | ABBY PUT THE "CAT"
|
|---|
| 2997 | IN "CAT BURGLAR."
|
|---|
| 2998 |
|
|---|
| 2999 | 660
|
|---|
| 3000 | 00:26:20,762 --> 00:26:23,565
|
|---|
| 3001 | (Abby scoffs)
|
|---|
| 3002 |
|
|---|
| 3003 | 661
|
|---|
| 3004 | 00:26:23,565 --> 00:26:24,266
|
|---|
| 3005 | NOW THE DOUGHNUT PATROL
|
|---|
| 3006 | MAKES SENSE.
|
|---|
| 3007 |
|
|---|
| 3008 | 662
|
|---|
| 3009 | 00:26:26,401 --> 00:26:29,404
|
|---|
| 3010 | SOMEBODY MADE IT
|
|---|
| 3011 | A CRIME SCENE.
|
|---|
| 3012 |
|
|---|
| 3013 | 663
|
|---|
| 3014 | 00:26:29,404 --> 00:26:42,617
|
|---|
| 3015 | BUT WHY TRASH HER PLACE?
|
|---|
| 3016 |
|
|---|
| 3017 | 664
|
|---|
| 3018 | 00:26:44,619 --> 00:26:47,489
|
|---|
| 3019 | THEY EVEN GUTTED HER GATOR.
|
|---|
| 3020 |
|
|---|
| 3021 | 665
|
|---|
| 3022 | 00:26:47,489 --> 00:26:49,891
|
|---|
| 3023 | I GAVE THIS TO HER
|
|---|
| 3024 | LAST CHRISTMAS.
|
|---|
| 3025 |
|
|---|
| 3026 | 666
|
|---|
| 3027 | 00:26:51,026 --> 00:26:53,462
|
|---|
| 3028 | THIS IS POINTLESS.
|
|---|
| 3029 |
|
|---|
| 3030 | 667
|
|---|
| 3031 | 00:26:53,462 --> 00:26:54,463
|
|---|
| 3032 | I WOULDN'T SAY THAT.
|
|---|
| 3033 | YOU GROW UP IN AN ORPHANAGE,
|
|---|
| 3034 |
|
|---|
| 3035 | 668
|
|---|
| 3036 | 00:26:56,431 --> 00:27:03,605
|
|---|
| 3037 | YOU LEARN HOW TO HIDE THINGS
|
|---|
| 3038 | THAT ARE VALUABLE.
|
|---|
| 3039 |
|
|---|
| 3040 | 669
|
|---|
| 3041 | 00:27:03,605 --> 00:27:04,406
|
|---|
| 3042 | HEY, GUYS.
|
|---|
| 3043 |
|
|---|
| 3044 | 670
|
|---|
| 3045 | 00:27:06,641 --> 00:27:07,609
|
|---|
| 3046 | SINCE WHEN DID
|
|---|
| 3047 | GLORIA HAVE A CAT?
|
|---|
| 3048 |
|
|---|
| 3049 | 671
|
|---|
| 3050 | 00:27:07,609 --> 00:27:08,143
|
|---|
| 3051 | SHE DIDN'T.
|
|---|
| 3052 |
|
|---|
| 3053 | 672
|
|---|
| 3054 | 00:27:08,910 --> 00:27:11,880
|
|---|
| 3055 | YEAH, SHE'S ALLERGIC.
|
|---|
| 3056 |
|
|---|
| 3057 | 673
|
|---|
| 3058 | 00:27:11,880 --> 00:27:16,785
|
|---|
| 3059 | THEN WHAT'S SHE DOING
|
|---|
| 3060 | WITH A KITTY LITTER BOX?
|
|---|
| 3061 |
|
|---|
| 3062 | 674
|
|---|
| 3063 | 00:27:18,553 --> 00:27:25,727
|
|---|
| 3064 | (grunts)
|
|---|
| 3065 |
|
|---|
| 3066 | 675
|
|---|
| 3067 | 00:27:25,727 --> 00:27:27,129
|
|---|
| 3068 | THAT'S MY GIRL.
|
|---|
| 3069 |
|
|---|
| 3070 | 676
|
|---|
| 3071 | 00:27:29,364 --> 00:27:32,767
|
|---|
| 3072 | NUNS FORCE YOU TO BE CRAFTY.
|
|---|
| 3073 |
|
|---|
| 3074 | 677
|
|---|
| 3075 | 00:27:32,767 --> 00:27:33,535
|
|---|
| 3076 | IT'S A CLASS "A" FLOOR SAFE.
|
|---|
| 3077 |
|
|---|
| 3078 | 678
|
|---|
| 3079 | 00:27:35,070 --> 00:27:36,371
|
|---|
| 3080 | BLAST-RESISTANT,
|
|---|
| 3081 | BIOMETRIC LOCK.
|
|---|
| 3082 |
|
|---|
| 3083 | 679
|
|---|
| 3084 | 00:27:36,371 --> 00:27:36,972
|
|---|
| 3085 | LAST TIME
|
|---|
| 3086 | I CRACKED ONE OF THESE,
|
|---|
| 3087 |
|
|---|
| 3088 | 680
|
|---|
| 3089 | 00:27:37,205 --> 00:27:41,843
|
|---|
| 3090 | IT WAS UNDER TWO MINUTES--
|
|---|
| 3091 |
|
|---|
| 3092 | 681
|
|---|
| 3093 | 00:27:41,843 --> 00:27:42,110
|
|---|
| 3094 | BUT THAT WAS AFTER TWO COSMOS,
|
|---|
| 3095 | AND I WAS HANGING UPSIDE-DOWN.
|
|---|
| 3096 |
|
|---|
| 3097 | 682
|
|---|
| 3098 | 00:27:43,211 --> 00:27:47,249
|
|---|
| 3099 | (laughs)
|
|---|
| 3100 |
|
|---|
| 3101 | 683
|
|---|
| 3102 | 00:27:47,249 --> 00:27:51,887
|
|---|
| 3103 | (beeps)
|
|---|
| 3104 |
|
|---|
| 3105 | 684
|
|---|
| 3106 | 00:27:52,771 --> 00:27:57,592
|
|---|
| 3107 | (beeping)
|
|---|
| 3108 |
|
|---|
| 3109 | 685
|
|---|
| 3110 | 00:27:57,592 --> 00:27:57,859
|
|---|
| 3111 | (lock chirps)
|
|---|
| 3112 |
|
|---|
| 3113 | 686
|
|---|
| 3114 | 00:28:00,195 --> 00:28:02,130
|
|---|
| 3115 | (beeps)
|
|---|
| 3116 |
|
|---|
| 3117 | 687
|
|---|
| 3118 | 00:28:02,130 --> 00:28:06,902
|
|---|
| 3119 | (whoosh)
|
|---|
| 3120 |
|
|---|
| 3121 | 688
|
|---|
| 3122 | 00:28:08,770 --> 00:28:12,507
|
|---|
| 3123 | (metal clinks)
|
|---|
| 3124 |
|
|---|
| 3125 | 689
|
|---|
| 3126 | 00:28:12,507 --> 00:28:13,408
|
|---|
| 3127 | I KNOW THIS BOX.
|
|---|
| 3128 | THIS WAS HER MOM'S.
|
|---|
| 3129 |
|
|---|
| 3130 | 690
|
|---|
| 3131 | 00:28:15,744 --> 00:28:18,480
|
|---|
| 3132 | AT ST. T.'s ORPHANAGE,
|
|---|
| 3133 | SHE NEVER LET IT GO.
|
|---|
| 3134 |
|
|---|
| 3135 | 691
|
|---|
| 3136 | 00:28:18,480 --> 00:28:19,548
|
|---|
| 3137 | IT'S A D.N.A. ANALYSIS REPORT.
|
|---|
| 3138 |
|
|---|
| 3139 | 692
|
|---|
| 3140 | 00:28:21,583 --> 00:28:23,885
|
|---|
| 3141 | CAME BACK YESTERDAY.
|
|---|
| 3142 | GLORIA HAD TWO SAMPLES TESTED.
|
|---|
| 3143 |
|
|---|
| 3144 | 693
|
|---|
| 3145 | 00:28:23,885 --> 00:28:24,386
|
|---|
| 3146 | A FLAKE OF BLOOD FROM THE BOX
|
|---|
| 3147 | AND...
|
|---|
| 3148 |
|
|---|
| 3149 | 694
|
|---|
| 3150 | 00:28:25,203 --> 00:28:27,389
|
|---|
| 3151 | (plastic bag crinkles)
|
|---|
| 3152 |
|
|---|
| 3153 | 695
|
|---|
| 3154 | 00:28:27,389 --> 00:28:27,722
|
|---|
| 3155 | SALIVA FROM THIS SHOT GLASS.
|
|---|
| 3156 |
|
|---|
| 3157 | 696
|
|---|
| 3158 | 00:28:29,991 --> 00:28:32,494
|
|---|
| 3159 | LET'S SEE.
|
|---|
| 3160 |
|
|---|
| 3161 | 697
|
|---|
| 3162 | 00:28:32,494 --> 00:28:33,094
|
|---|
| 3163 | CLUB CYPHER.
|
|---|
| 3164 |
|
|---|
| 3165 | 698
|
|---|
| 3166 | 00:28:34,896 --> 00:28:38,934
|
|---|
| 3167 | THAT'S ON 10th AND COLLINS.
|
|---|
| 3168 |
|
|---|
| 3169 | 699
|
|---|
| 3170 | 00:28:38,934 --> 00:28:50,011
|
|---|
| 3171 | THE TWO SAMPLES MATCH.
|
|---|
| 3172 | I WONDER WHO THE BIG WINNER IS.
|
|---|
| 3173 |
|
|---|
| 3174 | 700
|
|---|
| 3175 | 00:28:52,180 --> 00:28:55,483
|
|---|
| 3176 | THIS IS NESTOR RODRIGO.
|
|---|
| 3177 |
|
|---|
| 3178 | 701
|
|---|
| 3179 | 00:28:55,483 --> 00:28:56,051
|
|---|
| 3180 | WHY WOULD GLORIA
|
|---|
| 3181 | BE TRACKING HIM?
|
|---|
| 3182 |
|
|---|
| 3183 | 702
|
|---|
| 3184 | 00:28:58,103 --> 00:29:00,622
|
|---|
| 3185 | OH, MY GOD. SHE FOUND HIM.
|
|---|
| 3186 |
|
|---|
| 3187 | 703
|
|---|
| 3188 | 00:29:00,622 --> 00:29:00,889
|
|---|
| 3189 | FOUND WHO?
|
|---|
| 3190 |
|
|---|
| 3191 | 704
|
|---|
| 3192 | 00:29:03,124 --> 00:29:06,428
|
|---|
| 3193 | PAJARO.
|
|---|
| 3194 |
|
|---|
| 3195 | 705
|
|---|
| 3196 | 00:29:06,428 --> 00:29:07,596
|
|---|
| 3197 | HOW DO YOU KNOW ABOUT HIM?
|
|---|
| 3198 |
|
|---|
| 3199 | 706
|
|---|
| 3200 | 00:29:10,532 --> 00:29:14,302
|
|---|
| 3201 | IT'S A LONG STORY. BUT I HAD
|
|---|
| 3202 | NO IDEA SHE TRACKED HIM DOWN.
|
|---|
| 3203 |
|
|---|
| 3204 | 707
|
|---|
| 3205 | 00:29:14,302 --> 00:29:15,203
|
|---|
| 3206 | TIME-OUT.
|
|---|
| 3207 | RODRIGO'S A MULTIMILLIONAIRE.
|
|---|
| 3208 |
|
|---|
| 3209 | 708
|
|---|
| 3210 | 00:29:17,472 --> 00:29:19,574
|
|---|
| 3211 | HE THROWS MORE WHITE PARTIES
|
|---|
| 3212 | THAN DIDDY.
|
|---|
| 3213 |
|
|---|
| 3214 | 709
|
|---|
| 3215 | 00:29:19,574 --> 00:29:20,041
|
|---|
| 3216 | YOU SURE HE'S PAJARO?
|
|---|
| 3217 |
|
|---|
| 3218 | 710
|
|---|
| 3219 | 00:29:22,344 --> 00:29:25,113
|
|---|
| 3220 | I SWEAR ON MY LIFE.
|
|---|
| 3221 |
|
|---|
| 3222 | 711
|
|---|
| 3223 | 00:29:25,113 --> 00:29:25,914
|
|---|
| 3224 | WE NEED TO CALL BOS.
|
|---|
| 3225 |
|
|---|
| 3226 | 712
|
|---|
| 3227 | 00:29:28,416 --> 00:29:30,235
|
|---|
| 3228 | YEAH, WE NEED TO LOOP IN
|
|---|
| 3229 | CHARLIE.
|
|---|
| 3230 |
|
|---|
| 3231 | 713
|
|---|
| 3232 | 00:29:30,235 --> 00:29:31,052
|
|---|
| 3233 | HEY! COME ON!
|
|---|
| 3234 | DROP THE GUN!
|
|---|
| 3235 |
|
|---|
| 3236 | 714
|
|---|
| 3237 | 00:29:32,587 --> 00:29:35,423
|
|---|
| 3238 | GIVE ME YOUR KEYS.
|
|---|
| 3239 | EVE.
|
|---|
| 3240 |
|
|---|
| 3241 | 715
|
|---|
| 3242 | 00:29:35,423 --> 00:29:36,524
|
|---|
| 3243 | EVE, WHAT ARE YOU DOING?
|
|---|
| 3244 |
|
|---|
| 3245 | 716
|
|---|
| 3246 | 00:29:37,926 --> 00:29:39,894
|
|---|
| 3247 | KEEPING A PROMISE I MADE
|
|---|
| 3248 | TO GLORIA A LONG TIME AGO.
|
|---|
| 3249 |
|
|---|
| 3250 | 717
|
|---|
| 3251 | 00:29:39,894 --> 00:29:40,462
|
|---|
| 3252 | I'M SERIOUS.
|
|---|
| 3253 |
|
|---|
| 3254 | 718
|
|---|
| 3255 | 00:29:42,631 --> 00:29:44,866
|
|---|
| 3256 | WHAT PROMISE DID YOU MAKE?
|
|---|
| 3257 |
|
|---|
| 3258 | 719
|
|---|
| 3259 | 00:29:44,866 --> 00:29:46,635
|
|---|
| 3260 | TO KILL PAJARO.
|
|---|
| 3261 |
|
|---|
| 3262 | 720
|
|---|
| 3263 | 00:29:50,372 --> 00:29:52,007
|
|---|
| 3264 | EVE, PUT THE GUN DOWN.
|
|---|
| 3265 | LET'S JUST TALK THIS THROUGH.
|
|---|
| 3266 |
|
|---|
| 3267 | 721
|
|---|
| 3268 | 00:29:52,007 --> 00:29:53,008
|
|---|
| 3269 | THERE'S NOTHING TO TALK ABOUT.
|
|---|
| 3270 |
|
|---|
| 3271 | 722
|
|---|
| 3272 | 00:29:54,509 --> 00:29:55,276
|
|---|
| 3273 | THAT'S WHY GLORIA CALLED ME
|
|---|
| 3274 | THE OTHER NIGHT.
|
|---|
| 3275 |
|
|---|
| 3276 | 723
|
|---|
| 3277 | 00:29:55,276 --> 00:29:56,278
|
|---|
| 3278 | SO WHAT'S YOUR BIG PLAN?
|
|---|
| 3279 |
|
|---|
| 3280 | 724
|
|---|
| 3281 | 00:29:58,213 --> 00:29:59,481
|
|---|
| 3282 | ROLL UP TO CLUB CYPHER
|
|---|
| 3283 | AND BLOW RODRIGO AWAY?
|
|---|
| 3284 |
|
|---|
| 3285 | 725
|
|---|
| 3286 | 00:29:59,481 --> 00:29:59,981
|
|---|
| 3287 | HE HAS TO PAY.
|
|---|
| 3288 |
|
|---|
| 3289 | 726
|
|---|
| 3290 | 00:30:00,248 --> 00:30:02,784
|
|---|
| 3291 | WE LOVED GLORIA, TOO.
|
|---|
| 3292 |
|
|---|
| 3293 | 727
|
|---|
| 3294 | 00:30:02,784 --> 00:30:03,451
|
|---|
| 3295 | WE WANNA GET JUSTICE,
|
|---|
| 3296 | BUT THIS ISN'T THE WAY TO DO IT.
|
|---|
| 3297 |
|
|---|
| 3298 | 728
|
|---|
| 3299 | 00:30:03,668 --> 00:30:08,757
|
|---|
| 3300 | YOU HAVE NO IDEA WHAT HE'S DONE.
|
|---|
| 3301 |
|
|---|
| 3302 | 729
|
|---|
| 3303 | 00:30:08,757 --> 00:30:10,058
|
|---|
| 3304 | HOW ABOUT TRAFFICKING
|
|---|
| 3305 | UNDERAGE GIRLS?
|
|---|
| 3306 |
|
|---|
| 3307 | 730
|
|---|
| 3308 | 00:30:11,760 --> 00:30:13,295
|
|---|
| 3309 | HE WAS BEHIND A CASE
|
|---|
| 3310 | WE JUST BROKE.
|
|---|
| 3311 |
|
|---|
| 3312 | 731
|
|---|
| 3313 | 00:30:13,295 --> 00:30:13,828
|
|---|
| 3314 | 16-YEAR-OLD RUNAWAY.
|
|---|
| 3315 |
|
|---|
| 3316 | 732
|
|---|
| 3317 | 00:30:14,929 --> 00:30:18,733
|
|---|
| 3318 | WE MANAGED TO HELP HER,
|
|---|
| 3319 |
|
|---|
| 3320 | 733
|
|---|
| 3321 | 00:30:18,733 --> 00:30:20,535
|
|---|
| 3322 | BUT THERE WERE OTHERS
|
|---|
| 3323 | WE COULDN'T SAVE.
|
|---|
| 3324 |
|
|---|
| 3325 | 734
|
|---|
| 3326 | 00:30:21,803 --> 00:30:24,806
|
|---|
| 3327 | WE CAN RESCUE THEM,
|
|---|
| 3328 |
|
|---|
| 3329 | 735
|
|---|
| 3330 | 00:30:24,806 --> 00:30:25,340
|
|---|
| 3331 | THEN TAKE DOWN
|
|---|
| 3332 | PAJARO'S ENTIRE OPERATION,
|
|---|
| 3333 |
|
|---|
| 3334 | 736
|
|---|
| 3335 | 00:30:27,275 --> 00:30:30,078
|
|---|
| 3336 | BUT NOT IF YOU KILL HIM.
|
|---|
| 3337 |
|
|---|
| 3338 | 737
|
|---|
| 3339 | 00:30:30,078 --> 00:30:31,713
|
|---|
| 3340 | HE CAN'T HURT ANOTHER GIRL.
|
|---|
| 3341 |
|
|---|
| 3342 | 738
|
|---|
| 3343 | 00:30:34,382 --> 00:30:47,729
|
|---|
| 3344 | HE WON'T.
|
|---|
| 3345 | YOU HAVE OUR WORD.
|
|---|
| 3346 |
|
|---|
| 3347 | 739
|
|---|
| 3348 | 00:30:47,762 --> 00:30:48,262
|
|---|
| 3349 | [
|
|---|
| 3350 |
|
|---|
| 3351 | 740
|
|---|
| 3352 | 00:30:47,796 --> 00:30:48,296
|
|---|
| 3353 | [ M
|
|---|
| 3354 |
|
|---|
| 3355 | 741
|
|---|
| 3356 | 00:30:47,829 --> 00:30:48,329
|
|---|
| 3357 | [ Mal
|
|---|
| 3358 |
|
|---|
| 3359 | 742
|
|---|
| 3360 | 00:30:47,862 --> 00:30:48,362
|
|---|
| 3361 | [ Male
|
|---|
| 3362 |
|
|---|
| 3363 | 743
|
|---|
| 3364 | 00:30:47,896 --> 00:30:48,396
|
|---|
| 3365 | [ Male An
|
|---|
| 3366 |
|
|---|
| 3367 | 744
|
|---|
| 3368 | 00:30:47,929 --> 00:30:48,429
|
|---|
| 3369 | [ Male Anno
|
|---|
| 3370 |
|
|---|
| 3371 | 745
|
|---|
| 3372 | 00:30:47,962 --> 00:30:48,462
|
|---|
| 3373 | [ Male Announ
|
|---|
| 3374 |
|
|---|
| 3375 | 746
|
|---|
| 3376 | 00:30:47,996 --> 00:30:48,496
|
|---|
| 3377 | [ Male Announce
|
|---|
| 3378 |
|
|---|
| 3379 | 747
|
|---|
| 3380 | 00:30:48,029 --> 00:30:48,529
|
|---|
| 3381 | [ Male Announcer
|
|---|
| 3382 |
|
|---|
| 3383 | 748
|
|---|
| 3384 | 00:30:48,096 --> 00:30:48,596
|
|---|
| 3385 | [ Male Announcer ]
|
|---|
| 3386 |
|
|---|
| 3387 | 749
|
|---|
| 3388 | 00:30:48,163 --> 00:30:48,663
|
|---|
| 3389 | [ Male Announcer ]
|
|---|
| 3390 |
|
|---|
| 3391 | 750
|
|---|
| 3392 | 00:30:48,263 --> 00:30:48,763
|
|---|
| 3393 | [ Male Announcer ]
|
|---|
| 3394 |
|
|---|
| 3395 | 751
|
|---|
| 3396 | 00:30:48,296 --> 00:30:48,796
|
|---|
| 3397 | [ Male Announcer ]
|
|---|
| 3398 | S
|
|---|
| 3399 |
|
|---|
| 3400 | 752
|
|---|
| 3401 | 00:30:48,330 --> 00:30:48,830
|
|---|
| 3402 | [ Male Announcer ]
|
|---|
| 3403 | SPR
|
|---|
| 3404 |
|
|---|
| 3405 | 753
|
|---|
| 3406 | 00:30:48,363 --> 00:30:48,863
|
|---|
| 3407 | [ Male Announcer ]
|
|---|
| 3408 | SPRIN
|
|---|
| 3409 |
|
|---|
| 3410 | 754
|
|---|
| 3411 | 00:30:48,396 --> 00:30:48,896
|
|---|
| 3412 | [ Male Announcer ]
|
|---|
| 3413 | SPRINT
|
|---|
| 3414 |
|
|---|
| 3415 | 755
|
|---|
| 3416 | 00:30:48,430 --> 00:30:48,930
|
|---|
| 3417 | [ Male Announcer ]
|
|---|
| 3418 | SPRINT IN
|
|---|
| 3419 |
|
|---|
| 3420 | 756
|
|---|
| 3421 | 00:30:48,463 --> 00:30:48,963
|
|---|
| 3422 | [ Male Announcer ]
|
|---|
| 3423 | SPRINT INTR
|
|---|
| 3424 |
|
|---|
| 3425 | 757
|
|---|
| 3426 | 00:30:48,496 --> 00:30:48,996
|
|---|
| 3427 | [ Male Announcer ]
|
|---|
| 3428 | SPRINT INTROD
|
|---|
| 3429 |
|
|---|
| 3430 | 758
|
|---|
| 3431 | 00:30:48,530 --> 00:30:49,030
|
|---|
| 3432 | [ Male Announcer ]
|
|---|
| 3433 | SPRINT INTRODUC
|
|---|
| 3434 |
|
|---|
| 3435 | 759
|
|---|
| 3436 | 00:30:48,596 --> 00:30:49,364
|
|---|
| 3437 | [ Male Announcer ]
|
|---|
| 3438 | SPRINT INTRODUCES
|
|---|
| 3439 |
|
|---|
| 3440 | 760
|
|---|
| 3441 | 00:30:49,698 --> 00:30:52,867
|
|---|
| 3442 | AMERICA'S FIRST 3D PHONE.
|
|---|
| 3443 | [ Male Announcer ]
|
|---|
| 3444 | SPRINT INTRODUCES
|
|---|
| 3445 |
|
|---|
| 3446 | 761
|
|---|
| 3447 | 00:30:52,867 --> 00:30:54,002
|
|---|
| 3448 | NOW ANYONE CAN WATCH
|
|---|
| 3449 | AND SHOOT VIDEO IN 3D.
|
|---|
| 3450 |
|
|---|
| 3451 | 762
|
|---|
| 3452 | 00:30:55,937 --> 00:30:57,505
|
|---|
| 3453 | NOW ANYONE CAN WATCH
|
|---|
| 3454 | AND SHOOT VIDEO IN 3D.
|
|---|
| 3455 | CUT, GUYS. UH, WE'RE NOT
|
|---|
| 3456 | MAKING EFFECTIVE USE
|
|---|
| 3457 |
|
|---|
| 3458 | 763
|
|---|
| 3459 | 00:30:57,505 --> 00:30:58,106
|
|---|
| 3460 | OF THE 3D TECHNOLOGY.
|
|---|
| 3461 |
|
|---|
| 3462 | 764
|
|---|
| 3463 | 00:30:58,606 --> 00:31:00,542
|
|---|
| 3464 | I THINK I CAN HELP.
|
|---|
| 3465 | OF THE 3D TECHNOLOGY.
|
|---|
| 3466 |
|
|---|
| 3467 | 765
|
|---|
| 3468 | 00:31:00,542 --> 00:31:01,109
|
|---|
| 3469 | YOU STAND OVER THERE
|
|---|
| 3470 | AND FILM DADDY.
|
|---|
| 3471 |
|
|---|
| 3472 | 766
|
|---|
| 3473 | 00:31:02,077 --> 00:31:03,912
|
|---|
| 3474 | YOU STAND OVER THERE
|
|---|
| 3475 | AND FILM DADDY.
|
|---|
| 3476 | VOLLEY FOR SERVE.
|
|---|
| 3477 |
|
|---|
| 3478 | 767
|
|---|
| 3479 | 00:31:03,912 --> 00:31:04,979
|
|---|
| 3480 | WHAT WAS THAT?!
|
|---|
| 3481 |
|
|---|
| 3482 | 768
|
|---|
| 3483 | 00:31:07,649 --> 00:31:08,149
|
|---|
| 3484 | WHAT WAS THAT?!
|
|---|
| 3485 | THAT WAS 3D GOLD.
|
|---|
| 3486 | THAT'S WHAT THAT WAS.
|
|---|
| 3487 |
|
|---|
| 3488 | 769
|
|---|
| 3489 | 00:31:08,149 --> 00:31:09,951
|
|---|
| 3490 | ⪠âª
|
|---|
| 3491 |
|
|---|
| 3492 | 770
|
|---|
| 3493 | 00:31:10,719 --> 00:31:13,488
|
|---|
| 3494 | ⪠âª
|
|---|
| 3495 | [ Male Announcer ]
|
|---|
| 3496 | LET'S MAKE HOMEMADE 3D
|
|---|
| 3497 | THE NEXT BIG THING.
|
|---|
| 3498 |
|
|---|
| 3499 | 771
|
|---|
| 3500 | 00:31:13,488 --> 00:31:15,256
|
|---|
| 3501 | ⪠ALL TOGETHER
|
|---|
| 3502 | NOW âª
|
|---|
| 3503 |
|
|---|
| 3504 | 772
|
|---|
| 3505 | 00:31:16,825 --> 00:31:17,992
|
|---|
| 3506 | ⪠ALL TOGETHER
|
|---|
| 3507 | NOW âª
|
|---|
| 3508 | TROUBLE HEARING ON THE PHONE?
|
|---|
| 3509 | VISIT SPRINTRELAY.COM
|
|---|
| 3510 |
|
|---|
| 3511 | 773
|
|---|
| 3512 | 00:31:18,026 --> 00:31:18,526
|
|---|
| 3513 | [
|
|---|
| 3514 |
|
|---|
| 3515 | 774
|
|---|
| 3516 | 00:31:18,059 --> 00:31:18,559
|
|---|
| 3517 | [ Dr
|
|---|
| 3518 |
|
|---|
| 3519 | 775
|
|---|
| 3520 | 00:31:18,093 --> 00:31:18,593
|
|---|
| 3521 | [ Drew
|
|---|
| 3522 |
|
|---|
| 3523 | 776
|
|---|
| 3524 | 00:31:18,126 --> 00:31:18,626
|
|---|
| 3525 | [ Drew ]
|
|---|
| 3526 |
|
|---|
| 3527 | 777
|
|---|
| 3528 | 00:31:18,159 --> 00:31:18,659
|
|---|
| 3529 | [ Drew ]
|
|---|
| 3530 |
|
|---|
| 3531 | 778
|
|---|
| 3532 | 00:31:18,226 --> 00:31:18,726
|
|---|
| 3533 | [ Drew ]
|
|---|
| 3534 | GI
|
|---|
| 3535 |
|
|---|
| 3536 | 779
|
|---|
| 3537 | 00:31:18,259 --> 00:31:18,759
|
|---|
| 3538 | [ Drew ]
|
|---|
| 3539 | GIVE
|
|---|
| 3540 |
|
|---|
| 3541 | 780
|
|---|
| 3542 | 00:31:18,293 --> 00:31:18,793
|
|---|
| 3543 | [ Drew ]
|
|---|
| 3544 | GIVE M
|
|---|
| 3545 |
|
|---|
| 3546 | 781
|
|---|
| 3547 | 00:31:18,326 --> 00:31:18,826
|
|---|
| 3548 | [ Drew ]
|
|---|
| 3549 | GIVE ME
|
|---|
| 3550 |
|
|---|
| 3551 | 782
|
|---|
| 3552 | 00:31:18,360 --> 00:31:18,860
|
|---|
| 3553 | [ Drew ]
|
|---|
| 3554 | GIVE ME VO
|
|---|
| 3555 |
|
|---|
| 3556 | 783
|
|---|
| 3557 | 00:31:18,393 --> 00:31:18,893
|
|---|
| 3558 | [ Drew ]
|
|---|
| 3559 | GIVE ME VOLU
|
|---|
| 3560 |
|
|---|
| 3561 | 784
|
|---|
| 3562 | 00:31:18,426 --> 00:31:18,926
|
|---|
| 3563 | [ Drew ]
|
|---|
| 3564 | GIVE ME VOLUME
|
|---|
| 3565 |
|
|---|
| 3566 | 785
|
|---|
| 3567 | 00:31:18,860 --> 00:31:21,029
|
|---|
| 3568 | [ Drew ]
|
|---|
| 3569 | GIVE ME VOLUME.
|
|---|
| 3570 |
|
|---|
| 3571 | 786
|
|---|
| 3572 | 00:31:21,029 --> 00:31:21,629
|
|---|
| 3573 | NOT CLUMPS OR GAPS.
|
|---|
| 3574 |
|
|---|
| 3575 | 787
|
|---|
| 3576 | 00:31:22,497 --> 00:31:23,431
|
|---|
| 3577 | THE ANSWER...
|
|---|
| 3578 |
|
|---|
| 3579 | 788
|
|---|
| 3580 | 00:31:23,431 --> 00:31:25,300
|
|---|
| 3581 | IT'S ALL IN THE WRAP.
|
|---|
| 3582 |
|
|---|
| 3583 | 789
|
|---|
| 3584 | 00:31:28,470 --> 00:31:29,304
|
|---|
| 3585 | COVERGIRL INTRODUCES
|
|---|
| 3586 | NEW LASHPERFECTION MASCARA.
|
|---|
| 3587 |
|
|---|
| 3588 | 790
|
|---|
| 3589 | 00:31:29,304 --> 00:31:30,405
|
|---|
| 3590 | "THE SECRET" --
|
|---|
| 3591 |
|
|---|
| 3592 | 791
|
|---|
| 3593 | 00:31:32,974 --> 00:31:34,609
|
|---|
| 3594 | THE LASHWRAP BRUSH
|
|---|
| 3595 | PERFECTLY WRAPS EACH LASH
|
|---|
| 3596 |
|
|---|
| 3597 | 792
|
|---|
| 3598 | 00:31:34,609 --> 00:31:35,677
|
|---|
| 3599 | FOR UP TO 3X MORE VOLUME.
|
|---|
| 3600 |
|
|---|
| 3601 | 793
|
|---|
| 3602 | 00:31:38,446 --> 00:31:39,581
|
|---|
| 3603 | INDIVIDUAL VOLUME
|
|---|
| 3604 | FOR "EVERY LITTLE LASH."
|
|---|
| 3605 |
|
|---|
| 3606 | 794
|
|---|
| 3607 | 00:31:39,581 --> 00:31:40,148
|
|---|
| 3608 | WRAP IT UP.
|
|---|
| 3609 |
|
|---|
| 3610 | 795
|
|---|
| 3611 | 00:31:40,532 --> 00:31:42,984
|
|---|
| 3612 | I'LL TAKE IT.
|
|---|
| 3613 |
|
|---|
| 3614 | 796
|
|---|
| 3615 | 00:31:42,984 --> 00:31:43,818
|
|---|
| 3616 | NEW LASHPERFECTION
|
|---|
| 3617 |
|
|---|
| 3618 | 797
|
|---|
| 3619 | 00:31:45,453 --> 00:31:47,689
|
|---|
| 3620 | FROM EASY, BREEZY, BEAUTIFUL
|
|---|
| 3621 |
|
|---|
| 3622 | 798
|
|---|
| 3623 | 00:31:47,689 --> 00:31:49,624
|
|---|
| 3624 | COVERGIRL.
|
|---|
| 3625 |
|
|---|
| 3626 | 799
|
|---|
| 3627 | 00:31:49,624 --> 00:31:49,891
|
|---|
| 3628 | GET YOUR CASH BACK!
|
|---|
| 3629 |
|
|---|
| 3630 | 800
|
|---|
| 3631 | 00:31:49,958 --> 00:31:51,292
|
|---|
| 3632 | OH, HI.
|
|---|
| 3633 |
|
|---|
| 3634 | 801
|
|---|
| 3635 | 00:31:51,292 --> 00:31:52,193
|
|---|
| 3636 | WHICH CASH BACK BOOTH
|
|---|
| 3637 | LOOKS BETTER TO YOU,
|
|---|
| 3638 |
|
|---|
| 3639 | 802
|
|---|
| 3640 | 00:31:53,828 --> 00:31:55,530
|
|---|
| 3641 | CHASE FREEDOM OR THE
|
|---|
| 3642 | LARGEST CASHBACK CARD?
|
|---|
| 3643 |
|
|---|
| 3644 | 803
|
|---|
| 3645 | 00:31:55,530 --> 00:31:55,997
|
|---|
| 3646 | OH, I'LL TRY THE LARGEST.
|
|---|
| 3647 |
|
|---|
| 3648 | 804
|
|---|
| 3649 | 00:31:56,431 --> 00:31:57,365
|
|---|
| 3650 | OH, THAT IS TOO BAD.
|
|---|
| 3651 |
|
|---|
| 3652 | 805
|
|---|
| 3653 | 00:31:57,365 --> 00:31:58,233
|
|---|
| 3654 | APPARENTLY YOU DON'T KNOW
|
|---|
| 3655 |
|
|---|
| 3656 | 806
|
|---|
| 3657 | 00:32:00,001 --> 00:32:02,670
|
|---|
| 3658 | CHASE FREEDOM GUARANTEES
|
|---|
| 3659 | YOU 1% CASH BACK.
|
|---|
| 3660 |
|
|---|
| 3661 | 807
|
|---|
| 3662 | 00:32:02,670 --> 00:32:03,505
|
|---|
| 3663 | 4 TIMES MORE THAN THE
|
|---|
| 3664 | LARGEST CASH BACK CARD,
|
|---|
| 3665 |
|
|---|
| 3666 | 808
|
|---|
| 3667 | 00:32:04,139 --> 00:32:07,375
|
|---|
| 3668 | WHICH ONLY GIVES YOU
|
|---|
| 3669 | A QUARTER PERCENT
|
|---|
| 3670 |
|
|---|
| 3671 | 809
|
|---|
| 3672 | 00:32:07,375 --> 00:32:08,409
|
|---|
| 3673 | UNTIL YOU SPEND
|
|---|
| 3674 | $3,000 EVERY YEAR.
|
|---|
| 3675 |
|
|---|
| 3676 | 810
|
|---|
| 3677 | 00:32:09,611 --> 00:32:12,180
|
|---|
| 3678 | BUT HAVE FUN.
|
|---|
| 3679 |
|
|---|
| 3680 | 811
|
|---|
| 3681 | 00:32:12,180 --> 00:32:13,081
|
|---|
| 3682 | BOB AND WEAVE ONCE
|
|---|
| 3683 | YOU'RE IN THERE.
|
|---|
| 3684 |
|
|---|
| 3685 | 812
|
|---|
| 3686 | 00:32:15,116 --> 00:32:17,018
|
|---|
| 3687 | DON'T GET SHORT CHANGED.
|
|---|
| 3688 | GET YOUR CASH BACK.
|
|---|
| 3689 |
|
|---|
| 3690 | 813
|
|---|
| 3691 | 00:32:17,018 --> 00:34:52,941
|
|---|
| 3692 | CHASE FREEDOM.
|
|---|
| 3693 |
|
|---|
| 3694 | 814
|
|---|
| 3695 | 00:34:54,642 --> 00:34:55,059
|
|---|
| 3696 | (indistinct conversations)
|
|---|
| 3697 |
|
|---|
| 3698 | 815
|
|---|
| 3699 | 00:34:55,059 --> 00:34:56,177
|
|---|
| 3700 | AHEM.
|
|---|
| 3701 |
|
|---|
| 3702 | 816
|
|---|
| 3703 | 00:34:58,046 --> 00:35:02,850
|
|---|
| 3704 | ALL RIGHT.
|
|---|
| 3705 | I GOT CONFIRMATION.
|
|---|
| 3706 |
|
|---|
| 3707 | 817
|
|---|
| 3708 | 00:35:02,850 --> 00:35:04,285
|
|---|
| 3709 | THE PRINTS ON THAT SHOT GLASS
|
|---|
| 3710 | ARE NESTOR RODRIGO'S.
|
|---|
| 3711 |
|
|---|
| 3712 | 818
|
|---|
| 3713 | 00:35:05,486 --> 00:35:08,323
|
|---|
| 3714 | JUST SO WE'RE CLEAR, EVE,
|
|---|
| 3715 | YOU'RE ACCUSING
|
|---|
| 3716 |
|
|---|
| 3717 | 819
|
|---|
| 3718 | 00:35:08,323 --> 00:35:08,823
|
|---|
| 3719 | ONE OF THE BIGGEST DEVELOPERS
|
|---|
| 3720 | IN SOUTH FLORIDA
|
|---|
| 3721 |
|
|---|
| 3722 | 820
|
|---|
| 3723 | 00:35:09,590 --> 00:35:13,027
|
|---|
| 3724 | OF TRAFFICKING KIDS.
|
|---|
| 3725 |
|
|---|
| 3726 | 821
|
|---|
| 3727 | 00:35:13,027 --> 00:35:14,696
|
|---|
| 3728 | YOU'RE SURE
|
|---|
| 3729 | THIS IS THE SAME GUY?
|
|---|
| 3730 |
|
|---|
| 3731 | 822
|
|---|
| 3732 | 00:35:16,230 --> 00:35:19,133
|
|---|
| 3733 | BEFORE RODRIGO
|
|---|
| 3734 | WAS ON MAGAZINE COVERS,
|
|---|
| 3735 |
|
|---|
| 3736 | 823
|
|---|
| 3737 | 00:35:19,133 --> 00:35:20,101
|
|---|
| 3738 | HE LED A DEATH SQUAD
|
|---|
| 3739 | IN EL SALVADOR.
|
|---|
| 3740 |
|
|---|
| 3741 | 824
|
|---|
| 3742 | 00:35:21,636 --> 00:35:25,707
|
|---|
| 3743 | I KNOW BECAUSE I SAW HIM
|
|---|
| 3744 | WITH MY OWN EYES.
|
|---|
| 3745 |
|
|---|
| 3746 | 825
|
|---|
| 3747 | 00:35:25,707 --> 00:35:26,674
|
|---|
| 3748 | GLORIA DARED ME TO SNEAK INTO
|
|---|
| 3749 | THE CHAPEL AT THE ORPHANAGE.
|
|---|
| 3750 |
|
|---|
| 3751 | 826
|
|---|
| 3752 | 00:35:27,609 --> 00:35:31,779
|
|---|
| 3753 | THERE WAS
|
|---|
| 3754 | A WOODEN ANGEL ON THE ALTAR,
|
|---|
| 3755 |
|
|---|
| 3756 | 827
|
|---|
| 3757 | 00:35:31,779 --> 00:35:32,413
|
|---|
| 3758 | AND WE WERE GONNA CARVE
|
|---|
| 3759 | OUR INITIALS IN THE BACK OF IT.
|
|---|
| 3760 |
|
|---|
| 3761 | 828
|
|---|
| 3762 | 00:35:34,983 --> 00:35:37,885
|
|---|
| 3763 | THAT'S WHEN THE TRUCKS CAME.
|
|---|
| 3764 |
|
|---|
| 3765 | 829
|
|---|
| 3766 | 00:35:37,885 --> 00:35:38,820
|
|---|
| 3767 | PAJARO WAS THERE
|
|---|
| 3768 | TO STEAL THE GIRLS...
|
|---|
| 3769 | (men shouting in Spanish)
|
|---|
| 3770 |
|
|---|
| 3771 | 830
|
|---|
| 3772 | 00:35:40,388 --> 00:35:41,623
|
|---|
| 3773 | AND HE MURDERED THE NUNS
|
|---|
| 3774 | AND THE BOYS.
|
|---|
| 3775 |
|
|---|
| 3776 | 831
|
|---|
| 3777 | 00:35:41,623 --> 00:35:42,090
|
|---|
| 3778 | (woman screams)
|
|---|
| 3779 |
|
|---|
| 3780 | 832
|
|---|
| 3781 | 00:35:42,490 --> 00:35:45,059
|
|---|
| 3782 | THEY WORE MASKS
|
|---|
| 3783 |
|
|---|
| 3784 | 833
|
|---|
| 3785 | 00:35:45,059 --> 00:35:45,293
|
|---|
| 3786 | AND ATTACKED WITHOUT WARNING.
|
|---|
| 3787 |
|
|---|
| 3788 | 834
|
|---|
| 3789 | 00:35:45,927 --> 00:35:49,931
|
|---|
| 3790 | WAIT.
|
|---|
| 3791 |
|
|---|
| 3792 | 835
|
|---|
| 3793 | 00:35:49,931 --> 00:35:50,732
|
|---|
| 3794 | IF RODRIGO WORE A MASK,
|
|---|
| 3795 | HOW CAN YOU BE SURE IT'S HIM?
|
|---|
| 3796 |
|
|---|
| 3797 | 836
|
|---|
| 3798 | 00:35:54,402 --> 00:35:55,670
|
|---|
| 3799 | I HAVE AN ANGEL
|
|---|
| 3800 | TO THANK FOR THAT.
|
|---|
| 3801 |
|
|---|
| 3802 | 837
|
|---|
| 3803 | 00:35:55,670 --> 00:35:56,804
|
|---|
| 3804 | WE HID UNDER THE ALTAR.
|
|---|
| 3805 |
|
|---|
| 3806 | 838
|
|---|
| 3807 | 00:35:58,773 --> 00:35:59,791
|
|---|
| 3808 | GLORIA WAS CLUTCHING
|
|---|
| 3809 | HER BUTTERFLY BOX SO TIGHT,
|
|---|
| 3810 |
|
|---|
| 3811 | 839
|
|---|
| 3812 | 00:35:59,791 --> 00:36:02,310
|
|---|
| 3813 | I THOUGHT SHE'D BREAK IT.
|
|---|
| 3814 |
|
|---|
| 3815 | 840
|
|---|
| 3816 | 00:36:04,212 --> 00:36:09,050
|
|---|
| 3817 | PAJARO CAME IN
|
|---|
| 3818 | TO SEARCH THE CHAPEL,
|
|---|
| 3819 |
|
|---|
| 3820 | 841
|
|---|
| 3821 | 00:36:09,050 --> 00:36:10,018
|
|---|
| 3822 | AND THAT'S WHEN I SAW HIS FACE,
|
|---|
| 3823 | AND SO DID GLORIA.
|
|---|
| 3824 |
|
|---|
| 3825 | 842
|
|---|
| 3826 | 00:36:13,021 --> 00:36:17,492
|
|---|
| 3827 | (men shouting in Spanish,
|
|---|
| 3828 | girls screaming)
|
|---|
| 3829 |
|
|---|
| 3830 | 843
|
|---|
| 3831 | 00:36:17,492 --> 00:36:18,159
|
|---|
| 3832 | I KNEW WHAT HE WAS GONNA
|
|---|
| 3833 | DO WITH US,
|
|---|
| 3834 |
|
|---|
| 3835 | 844
|
|---|
| 3836 | 00:36:19,394 --> 00:36:20,461
|
|---|
| 3837 | SO I HIT HIM WITH THE ANGEL.
|
|---|
| 3838 |
|
|---|
| 3839 | 845
|
|---|
| 3840 | 00:36:20,461 --> 00:36:21,129
|
|---|
| 3841 | UHH!
|
|---|
| 3842 |
|
|---|
| 3843 | 846
|
|---|
| 3844 | 00:36:22,363 --> 00:36:24,699
|
|---|
| 3845 | AND THEN WE RAN FOR OUR LIVES.
|
|---|
| 3846 |
|
|---|
| 3847 | 847
|
|---|
| 3848 | 00:36:24,699 --> 00:36:25,833
|
|---|
| 3849 | (girls screaming, gunshots)
|
|---|
| 3850 |
|
|---|
| 3851 | 848
|
|---|
| 3852 | 00:36:29,804 --> 00:36:42,016
|
|---|
| 3853 | THE FACES OF THE GIRLS
|
|---|
| 3854 | WE LEFT BEHIND STILL HAUNT ME.
|
|---|
| 3855 |
|
|---|
| 3856 | 849
|
|---|
| 3857 | 00:36:42,016 --> 00:36:42,784
|
|---|
| 3858 | IS THAT WHY YOU AND GLORIA
|
|---|
| 3859 | MADE YOUR PACT TO KILL PAJARO?
|
|---|
| 3860 |
|
|---|
| 3861 | 850
|
|---|
| 3862 | 00:36:46,087 --> 00:36:50,691
|
|---|
| 3863 | I GET IT.
|
|---|
| 3864 | YOU WANTED HIM TO PAY.
|
|---|
| 3865 |
|
|---|
| 3866 | 851
|
|---|
| 3867 | 00:36:50,691 --> 00:36:51,059
|
|---|
| 3868 | HOW ARE WE GONNA NAIL THIS GUY?
|
|---|
| 3869 |
|
|---|
| 3870 | 852
|
|---|
| 3871 | 00:36:52,660 --> 00:36:55,763
|
|---|
| 3872 | WE AREN'T.
|
|---|
| 3873 |
|
|---|
| 3874 | 853
|
|---|
| 3875 | 00:36:55,763 --> 00:36:56,030
|
|---|
| 3876 | ABBY, BOS, AND I
|
|---|
| 3877 | WILL TAKE IT FROM HERE.
|
|---|
| 3878 |
|
|---|
| 3879 | 854
|
|---|
| 3880 | 00:36:57,632 --> 00:36:59,300
|
|---|
| 3881 | WHAT?
|
|---|
| 3882 |
|
|---|
| 3883 | 855
|
|---|
| 3884 | 00:36:59,300 --> 00:37:00,301
|
|---|
| 3885 | THIS ISN'T ABOUT REVENGE,
|
|---|
| 3886 | EVE.
|
|---|
| 3887 |
|
|---|
| 3888 | 856
|
|---|
| 3889 | 00:37:01,235 --> 00:37:02,670
|
|---|
| 3890 | IF WE'RE GONNA SHUT DOWN
|
|---|
| 3891 | RODRIGO'S OPERATION,
|
|---|
| 3892 |
|
|---|
| 3893 | 857
|
|---|
| 3894 | 00:37:02,670 --> 00:37:03,271
|
|---|
| 3895 | WE NEED HIM ALIVE.
|
|---|
| 3896 |
|
|---|
| 3897 | 858
|
|---|
| 3898 | 00:37:04,856 --> 00:37:06,541
|
|---|
| 3899 | ABOUT TONIGHT, I'M SORRY.
|
|---|
| 3900 |
|
|---|
| 3901 | 859
|
|---|
| 3902 | 00:37:06,541 --> 00:37:07,742
|
|---|
| 3903 | TOO LATE. YOU'RE BENCHED.
|
|---|
| 3904 |
|
|---|
| 3905 | 860
|
|---|
| 3906 | 00:37:10,178 --> 00:37:12,680
|
|---|
| 3907 | RODRIGO'S BEEN GIVING THE COPS
|
|---|
| 3908 | THE MIDDLE FINGER FOR YEARS.
|
|---|
| 3909 |
|
|---|
| 3910 | 861
|
|---|
| 3911 | 00:37:12,680 --> 00:37:13,414
|
|---|
| 3912 | WE DON'T EXACTLY
|
|---|
| 3913 | PLAY BY THE RULES EITHER.
|
|---|
| 3914 |
|
|---|
| 3915 | 862
|
|---|
| 3916 | 00:37:16,684 --> 00:37:25,359
|
|---|
| 3917 | YEAH, WE'RE ANGELS,
|
|---|
| 3918 | NOT SAINTS.
|
|---|
| 3919 |
|
|---|
| 3920 | 863
|
|---|
| 3921 | 00:37:25,359 --> 00:37:26,160
|
|---|
| 3922 | (Charlie) I ran Nestor Rodrigo
|
|---|
| 3923 | past my intelligence sources.
|
|---|
| 3924 |
|
|---|
| 3925 | 864
|
|---|
| 3926 | 00:37:28,096 --> 00:37:28,730
|
|---|
| 3927 | LET ME GUESS.
|
|---|
| 3928 | HE'S SQUEAKY-CLEAN.
|
|---|
| 3929 |
|
|---|
| 3930 | 865
|
|---|
| 3931 | 00:37:28,730 --> 00:37:29,764
|
|---|
| 3932 | Spotless.
|
|---|
| 3933 |
|
|---|
| 3934 | 866
|
|---|
| 3935 | 00:37:31,432 --> 00:37:32,967
|
|---|
| 3936 | Sarah Daniels is
|
|---|
| 3937 | the only one of Pajaro's victims
|
|---|
| 3938 |
|
|---|
| 3939 | 867
|
|---|
| 3940 | 00:37:32,967 --> 00:37:33,935
|
|---|
| 3941 | that has ever been saved.
|
|---|
| 3942 |
|
|---|
| 3943 | 868
|
|---|
| 3944 | 00:37:35,603 --> 00:37:37,388
|
|---|
| 3945 | Abby, was she able
|
|---|
| 3946 | to give you any insight?
|
|---|
| 3947 |
|
|---|
| 3948 | 869
|
|---|
| 3949 | 00:37:37,388 --> 00:37:39,040
|
|---|
| 3950 | SHE SAID SHE WAS CHAINED
|
|---|
| 3951 | TO SOME OTHER GIRLS.
|
|---|
| 3952 |
|
|---|
| 3953 | 870
|
|---|
| 3954 | 00:37:41,109 --> 00:37:42,243
|
|---|
| 3955 | MOST OF THEM
|
|---|
| 3956 | WERE SPEAKING SPANISH.
|
|---|
| 3957 |
|
|---|
| 3958 | 871
|
|---|
| 3959 | 00:37:42,243 --> 00:37:43,344
|
|---|
| 3960 | HERE'S AN INTERESTING FACT.
|
|---|
| 3961 |
|
|---|
| 3962 | 872
|
|---|
| 3963 | 00:37:45,947 --> 00:37:46,681
|
|---|
| 3964 | HIS FOUNDATION BUILDS ORPHANAGES
|
|---|
| 3965 | IN CENTRAL AMERICA.
|
|---|
| 3966 |
|
|---|
| 3967 | 873
|
|---|
| 3968 | 00:37:46,681 --> 00:37:47,715
|
|---|
| 3969 | RODRIGO MUST BE USING IT
|
|---|
| 3970 |
|
|---|
| 3971 | 874
|
|---|
| 3972 | 00:37:49,283 --> 00:37:50,218
|
|---|
| 3973 | TO FUNNEL GIRLS INTO THE COUNTRY
|
|---|
| 3974 | FOR TRAFFICKING.
|
|---|
| 3975 |
|
|---|
| 3976 | 875
|
|---|
| 3977 | 00:37:50,218 --> 00:37:51,452
|
|---|
| 3978 | I SQUEEGEED HIS DATABASE.
|
|---|
| 3979 |
|
|---|
| 3980 | 876
|
|---|
| 3981 | 00:37:52,854 --> 00:37:56,524
|
|---|
| 3982 | SOMEHOW HE'S KEEPING ALL OF HIS
|
|---|
| 3983 | ILLEGAL ACTIVITY OFF THE GRID.
|
|---|
| 3984 |
|
|---|
| 3985 | 877
|
|---|
| 3986 | 00:37:56,524 --> 00:37:57,458
|
|---|
| 3987 | THE MAN RUNS A CRIMINAL
|
|---|
| 3988 | ENTERPRISE IN THE 21st CENTURY.
|
|---|
| 3989 |
|
|---|
| 3990 | 878
|
|---|
| 3991 | 00:37:58,826 --> 00:38:00,294
|
|---|
| 3992 | THE INFORMATION HAS
|
|---|
| 3993 | TO BE THERE SOMEWHERE.
|
|---|
| 3994 |
|
|---|
| 3995 | 879
|
|---|
| 3996 | 00:38:00,294 --> 00:38:01,462
|
|---|
| 3997 | Actually, it's in someone.
|
|---|
| 3998 |
|
|---|
| 3999 | 880
|
|---|
| 4000 | 00:38:05,566 --> 00:38:07,602
|
|---|
| 4001 | Her name is Nadia Kozlova.
|
|---|
| 4002 | She has a photographic memory.
|
|---|
| 4003 |
|
|---|
| 4004 | 881
|
|---|
| 4005 | 00:38:07,602 --> 00:38:08,336
|
|---|
| 4006 | ONE OF MY BUDDIES AT M.I.T.
|
|---|
| 4007 | TOLD ME ABOUT HER.
|
|---|
| 4008 |
|
|---|
| 4009 | 882
|
|---|
| 4010 | 00:38:08,770 --> 00:38:10,121
|
|---|
| 4011 | THOUGHT SHE WAS
|
|---|
| 4012 | AN URBAN LEGEND.
|
|---|
| 4013 |
|
|---|
| 4014 | 883
|
|---|
| 4015 | 00:38:10,121 --> 00:38:13,241
|
|---|
| 4016 | She absconded with $14 million
|
|---|
| 4017 | from the Russian mob.
|
|---|
| 4018 |
|
|---|
| 4019 | 884
|
|---|
| 4020 | 00:38:15,676 --> 00:38:16,377
|
|---|
| 4021 | Rodrigo's bodyguards aren't only
|
|---|
| 4022 | for his protection.
|
|---|
| 4023 |
|
|---|
| 4024 | 885
|
|---|
| 4025 | 00:38:16,377 --> 00:38:17,478
|
|---|
| 4026 | They're for hers.
|
|---|
| 4027 |
|
|---|
| 4028 | 886
|
|---|
| 4029 | 00:38:18,279 --> 00:38:21,549
|
|---|
| 4030 | (elevator bell dings)
|
|---|
| 4031 | They go with her everywhere,
|
|---|
| 4032 |
|
|---|
| 4033 | 887
|
|---|
| 4034 | 00:38:21,549 --> 00:38:25,653
|
|---|
| 4035 | except inside
|
|---|
| 4036 | his Star Island compound.
|
|---|
| 4037 |
|
|---|
| 4038 | 888
|
|---|
| 4039 | 00:38:28,356 --> 00:38:30,424
|
|---|
| 4040 | DID WE SAY THAT
|
|---|
| 4041 | YOU WERE BENCHED OR NO?
|
|---|
| 4042 |
|
|---|
| 4043 | 889
|
|---|
| 4044 | 00:38:30,424 --> 00:38:31,459
|
|---|
| 4045 | Actually, I thought Miss French
|
|---|
| 4046 | could assist you.
|
|---|
| 4047 |
|
|---|
| 4048 | 890
|
|---|
| 4049 | 00:38:33,728 --> 00:38:38,666
|
|---|
| 4050 | GLORIA WAS THE ONLY FAMILY
|
|---|
| 4051 | I HAD. I WANNA HELP.
|
|---|
| 4052 |
|
|---|
| 4053 | 891
|
|---|
| 4054 | 00:38:38,666 --> 00:38:39,333
|
|---|
| 4055 | It's fortunate for you that
|
|---|
| 4056 | I believe in second chances.
|
|---|
| 4057 |
|
|---|
| 4058 | 892
|
|---|
| 4059 | 00:38:40,668 --> 00:38:42,653
|
|---|
| 4060 | Don't let me down.
|
|---|
| 4061 | I WON'T.
|
|---|
| 4062 |
|
|---|
| 4063 | 893
|
|---|
| 4064 | 00:38:42,653 --> 00:38:46,307
|
|---|
| 4065 | IS THIS OKAY WITH YOU GUYS?
|
|---|
| 4066 |
|
|---|
| 4067 | 894
|
|---|
| 4068 | 00:38:48,442 --> 00:38:51,879
|
|---|
| 4069 | IT'S CHARLIE'S CALL.
|
|---|
| 4070 |
|
|---|
| 4071 | 895
|
|---|
| 4072 | 00:38:51,879 --> 00:38:52,780
|
|---|
| 4073 | ACCORDING
|
|---|
| 4074 | TO HIS TWITTER FEED,
|
|---|
| 4075 |
|
|---|
| 4076 | 896
|
|---|
| 4077 | 00:38:54,482 --> 00:38:57,084
|
|---|
| 4078 | RODRIGO IS HOSTING
|
|---|
| 4079 | A CHARITY FUND-RAISER
|
|---|
| 4080 |
|
|---|
| 4081 | 897
|
|---|
| 4082 | 00:38:57,084 --> 00:38:57,652
|
|---|
| 4083 | AT HIS MANSION
|
|---|
| 4084 | TOMORROW NIGHT.
|
|---|
| 4085 |
|
|---|
| 4086 | 898
|
|---|
| 4087 | 00:38:59,053 --> 00:39:01,656
|
|---|
| 4088 | THEME IS HEAVEN AND HELL.
|
|---|
| 4089 |
|
|---|
| 4090 | 899
|
|---|
| 4091 | 00:39:01,656 --> 00:39:02,557
|
|---|
| 4092 | SOUNDS LIKE
|
|---|
| 4093 | WE'LL BLEND RIGHT IN.
|
|---|
| 4094 |
|
|---|
| 4095 | 900
|
|---|
| 4096 | 00:39:04,692 --> 00:39:08,396
|
|---|
| 4097 | BIG PARTY,
|
|---|
| 4098 | LOTS OF SECURITY DISTRACTIONS.
|
|---|
| 4099 |
|
|---|
| 4100 | 901
|
|---|
| 4101 | 00:39:08,396 --> 00:39:08,996
|
|---|
| 4102 | WE GO UNDERCOVER
|
|---|
| 4103 | AND GRAB NADIA.
|
|---|
| 4104 |
|
|---|
| 4105 | 902
|
|---|
| 4106 | 00:39:09,297 --> 00:39:12,333
|
|---|
| 4107 | HATE TO BUZZKILL THE PLAN,
|
|---|
| 4108 |
|
|---|
| 4109 | 903
|
|---|
| 4110 | 00:39:12,333 --> 00:39:12,934
|
|---|
| 4111 | BUT DON'T YOU THINK POLICE
|
|---|
| 4112 | MIGHT CONSIDER THAT KIDNAPPING?
|
|---|
| 4113 |
|
|---|
| 4114 | 904
|
|---|
| 4115 | 00:39:14,202 --> 00:39:15,119
|
|---|
| 4116 | The police need evidence.
|
|---|
| 4117 |
|
|---|
| 4118 | 905
|
|---|
| 4119 | 00:39:15,119 --> 00:39:16,437
|
|---|
| 4120 | I only need certainty.
|
|---|
| 4121 |
|
|---|
| 4122 | 906
|
|---|
| 4123 | 00:39:16,704 --> 00:39:19,574
|
|---|
| 4124 | Nadia is the best way
|
|---|
| 4125 |
|
|---|
| 4126 | 907
|
|---|
| 4127 | 00:39:19,574 --> 00:39:20,174
|
|---|
| 4128 | to link Rodrigo to his crimes
|
|---|
| 4129 | and take him down.
|
|---|
| 4130 |
|
|---|
| 4131 | 908
|
|---|
| 4132 | 00:39:20,908 --> 00:39:23,945
|
|---|
| 4133 | Watch your backs, Angels.
|
|---|
| 4134 |
|
|---|
| 4135 | 909
|
|---|
| 4136 | 00:39:23,945 --> 00:39:24,378
|
|---|
| 4137 | (singsongy) GOOD-BYE, CHARLIE.
|
|---|
| 4138 | THANKS, CHARLIE.
|
|---|
| 4139 |
|
|---|
| 4140 | 910
|
|---|
| 4141 | 00:39:25,079 --> 00:39:27,348
|
|---|
| 4142 | GOOD-BYE, CHARLIE.
|
|---|
| 4143 |
|
|---|
| 4144 | 911
|
|---|
| 4145 | 00:39:27,348 --> 00:39:27,982
|
|---|
| 4146 | BYE. (chuckles)
|
|---|
| 4147 |
|
|---|
| 4148 | 912
|
|---|
| 4149 | 00:39:29,450 --> 00:39:31,686
|
|---|
| 4150 | ⪠LET ME INTRODUCE YOU âª
|
|---|
| 4151 |
|
|---|
| 4152 | 913
|
|---|
| 4153 | 00:39:31,686 --> 00:39:32,186
|
|---|
| 4154 | ⪠TO MY PARTY PEOPLE âª
|
|---|
| 4155 |
|
|---|
| 4156 | 914
|
|---|
| 4157 | 00:39:33,988 --> 00:39:35,289
|
|---|
| 4158 | ⪠IN THE CLUB âª
|
|---|
| 4159 |
|
|---|
| 4160 | 915
|
|---|
| 4161 | 00:39:35,289 --> 00:39:35,990
|
|---|
| 4162 | ⪠LA-LA-LA LA LA LA âª
|
|---|
| 4163 |
|
|---|
| 4164 | 916
|
|---|
| 4165 | 00:39:37,758 --> 00:39:40,962
|
|---|
| 4166 | ⪠LA LA LA LA LA LA LA LA LA âª
|
|---|
| 4167 |
|
|---|
| 4168 | 917
|
|---|
| 4169 | 00:39:40,962 --> 00:39:41,529
|
|---|
| 4170 | ⪠TONIGHT WE GON' BE IT
|
|---|
| 4171 | ON THE FLOOR âª
|
|---|
| 4172 |
|
|---|
| 4173 | 918
|
|---|
| 4174 | 00:39:42,630 --> 00:39:44,498
|
|---|
| 4175 | ⪠LA-LA-LA LA LA LA âª
|
|---|
| 4176 |
|
|---|
| 4177 | 919
|
|---|
| 4178 | 00:39:44,498 --> 00:39:45,466
|
|---|
| 4179 | ⪠LA LA LA LA LA LA LA LA LA âª
|
|---|
| 4180 |
|
|---|
| 4181 | 920
|
|---|
| 4182 | 00:39:47,401 --> 00:39:49,237
|
|---|
| 4183 | ⪠TONIGHT WE GON' BE IT
|
|---|
| 4184 | ON THE FLOOR âª
|
|---|
| 4185 |
|
|---|
| 4186 | 921
|
|---|
| 4187 | 00:39:49,237 --> 00:39:49,737
|
|---|
| 4188 | (indistinct conversations)
|
|---|
| 4189 |
|
|---|
| 4190 | 922
|
|---|
| 4191 | 00:39:52,106 --> 00:39:53,741
|
|---|
| 4192 | (Eve) THERE'S RODRIGO.
|
|---|
| 4193 |
|
|---|
| 4194 | 923
|
|---|
| 4195 | 00:39:53,741 --> 00:39:54,208
|
|---|
| 4196 | âª
|
|---|
| 4197 |
|
|---|
| 4198 | 924
|
|---|
| 4199 | 00:39:54,675 --> 00:39:57,578
|
|---|
| 4200 | BOS, ARE YOU SET?
|
|---|
| 4201 |
|
|---|
| 4202 | 925
|
|---|
| 4203 | 00:39:57,578 --> 00:39:58,412
|
|---|
| 4204 | TRUCK'S IN POSITION
|
|---|
| 4205 | IN THE BACK BY THE BATHROOMS.
|
|---|
| 4206 |
|
|---|
| 4207 | 926
|
|---|
| 4208 | 00:39:58,980 --> 00:40:01,015
|
|---|
| 4209 | ONCE THE SPRAY
|
|---|
| 4210 | HITS NADIA'S STOMACH,
|
|---|
| 4211 |
|
|---|
| 4212 | 927
|
|---|
| 4213 | 00:40:01,015 --> 00:40:02,049
|
|---|
| 4214 | SHE'LL START CRAMPING
|
|---|
| 4215 | WITHIN 30 SECONDS.
|
|---|
| 4216 |
|
|---|
| 4217 | 928
|
|---|
| 4218 | 00:40:02,783 --> 00:40:03,918
|
|---|
| 4219 | (filtered voice)
|
|---|
| 4220 | When she heads to the bathroom,
|
|---|
| 4221 |
|
|---|
| 4222 | 929
|
|---|
| 4223 | 00:40:03,918 --> 00:40:04,719
|
|---|
| 4224 | that's when we'll grab her
|
|---|
| 4225 |
|
|---|
| 4226 | 930
|
|---|
| 4227 | 00:40:05,052 --> 00:40:08,256
|
|---|
| 4228 | and get her
|
|---|
| 4229 | to the catering truck.
|
|---|
| 4230 |
|
|---|
| 4231 | 931
|
|---|
| 4232 | 00:40:08,256 --> 00:40:08,522
|
|---|
| 4233 | EVE, STAY ON RODRIGO.
|
|---|
| 4234 | LET US KNOW IF HE MOVES.
|
|---|
| 4235 |
|
|---|
| 4236 | 932
|
|---|
| 4237 | 00:40:09,323 --> 00:40:10,391
|
|---|
| 4238 | GOT IT.
|
|---|
| 4239 |
|
|---|
| 4240 | 933
|
|---|
| 4241 | 00:40:10,391 --> 00:40:11,092
|
|---|
| 4242 | ⪠GET ON THE FLOOR âª
|
|---|
| 4243 |
|
|---|
| 4244 | 934
|
|---|
| 4245 | 00:40:11,993 --> 00:40:14,595
|
|---|
| 4246 | ⪠STRAIGHT TO L.A., NEW YORK âª
|
|---|
| 4247 |
|
|---|
| 4248 | 935
|
|---|
| 4249 | 00:40:14,595 --> 00:40:14,962
|
|---|
| 4250 | ⪠VEGAS TO AFRICA âª
|
|---|
| 4251 |
|
|---|
| 4252 | 936
|
|---|
| 4253 | 00:40:15,229 --> 00:40:17,732
|
|---|
| 4254 | ABBS?
|
|---|
| 4255 | HMM?
|
|---|
| 4256 |
|
|---|
| 4257 | 937
|
|---|
| 4258 | 00:40:17,732 --> 00:40:18,499
|
|---|
| 4259 | YOU WANNA TAKE THE FIRST SHOT
|
|---|
| 4260 | AT NADIA?
|
|---|
| 4261 |
|
|---|
| 4262 | 938
|
|---|
| 4263 | 00:40:20,101 --> 00:40:21,218
|
|---|
| 4264 | SHE'S RIGHT BY
|
|---|
| 4265 | THE ICE SCULPTURE.
|
|---|
| 4266 |
|
|---|
| 4267 | 939
|
|---|
| 4268 | 00:40:21,218 --> 00:40:22,036
|
|---|
| 4269 | HMM.
|
|---|
| 4270 |
|
|---|
| 4271 | 940
|
|---|
| 4272 | 00:40:23,337 --> 00:40:25,273
|
|---|
| 4273 | CAN HARDLY TELL THE TWO APART.
|
|---|
| 4274 |
|
|---|
| 4275 | 941
|
|---|
| 4276 | 00:40:25,273 --> 00:40:29,076
|
|---|
| 4277 | (spritzes)
|
|---|
| 4278 |
|
|---|
| 4279 | 942
|
|---|
| 4280 | 00:40:31,045 --> 00:40:32,613
|
|---|
| 4281 | LOOKS JUST LIKE HER.
|
|---|
| 4282 |
|
|---|
| 4283 | 943
|
|---|
| 4284 | 00:40:32,613 --> 00:40:33,447
|
|---|
| 4285 | ABBY SAMPSON?
|
|---|
| 4286 |
|
|---|
| 4287 | 944
|
|---|
| 4288 | 00:40:35,583 --> 00:40:38,219
|
|---|
| 4289 | BRIDGET AND PRISCELLA.
|
|---|
| 4290 | UH, DALTON PREP?
|
|---|
| 4291 |
|
|---|
| 4292 | 945
|
|---|
| 4293 | 00:40:38,219 --> 00:40:38,552
|
|---|
| 4294 | UH, YEAH. THE WENTWORTH SISTERS.
|
|---|
| 4295 |
|
|---|
| 4296 | 946
|
|---|
| 4297 | 00:40:39,787 --> 00:40:41,088
|
|---|
| 4298 | SURE. HI.
|
|---|
| 4299 |
|
|---|
| 4300 | 947
|
|---|
| 4301 | 00:40:41,088 --> 00:40:41,722
|
|---|
| 4302 | IT'S BEEN, UH,
|
|---|
| 4303 | IT'S BEEN FOREVER.
|
|---|
| 4304 |
|
|---|
| 4305 | 948
|
|---|
| 4306 | 00:40:42,423 --> 00:40:44,659
|
|---|
| 4307 | (Priscella) YEAH, CUTE OUTFIT.
|
|---|
| 4308 |
|
|---|
| 4309 | 949
|
|---|
| 4310 | 00:40:44,659 --> 00:40:45,126
|
|---|
| 4311 | UH...
|
|---|
| 4312 | ARE YOU ONE OF THE SERVERS?
|
|---|
| 4313 |
|
|---|
| 4314 | 950
|
|---|
| 4315 | 00:40:45,593 --> 00:40:46,961
|
|---|
| 4316 | (laughs)
|
|---|
| 4317 | YEAH.
|
|---|
| 4318 |
|
|---|
| 4319 | 951
|
|---|
| 4320 | 00:40:46,961 --> 00:40:48,162
|
|---|
| 4321 | YEAH. RECESSION'S A BITCH,
|
|---|
| 4322 | YOU KNOW.
|
|---|
| 4323 |
|
|---|
| 4324 | 952
|
|---|
| 4325 | 00:40:50,431 --> 00:40:52,984
|
|---|
| 4326 | OH. CONSIDERING WHAT YOUR FATHER
|
|---|
| 4327 | DID, I'D CALL IT PAYBACK.
|
|---|
| 4328 |
|
|---|
| 4329 | 953
|
|---|
| 4330 | 00:40:52,984 --> 00:40:54,602
|
|---|
| 4331 | DO YOU KNOW HOW MUCH MONEY
|
|---|
| 4332 | HE SCREWED OUR UNCLE OUT OF?
|
|---|
| 4333 |
|
|---|
| 4334 | 954
|
|---|
| 4335 | 00:40:54,969 --> 00:40:57,872
|
|---|
| 4336 | UH, NO IDEA.
|
|---|
| 4337 |
|
|---|
| 4338 | 955
|
|---|
| 4339 | 00:40:57,872 --> 00:40:58,539
|
|---|
| 4340 | I, UH, I HAVEN'T SPOKEN
|
|---|
| 4341 | TO MY DAD IN...
|
|---|
| 4342 | (camera shutter clicks)
|
|---|
| 4343 |
|
|---|
| 4344 | 956
|
|---|
| 4345 | 00:40:59,907 --> 00:41:01,642
|
|---|
| 4346 | OH. THAT'S FOR MY FACEBOOK PAGE.
|
|---|
| 4347 |
|
|---|
| 4348 | 957
|
|---|
| 4349 | 00:41:01,642 --> 00:41:02,576
|
|---|
| 4350 | I'M SURE
|
|---|
| 4351 | ALL YOUR OLD DALTON FRIENDS
|
|---|
| 4352 |
|
|---|
| 4353 | 958
|
|---|
| 4354 | 00:41:04,512 --> 00:41:06,714
|
|---|
| 4355 | WOULD LOVE TO SEE
|
|---|
| 4356 | WHAT YOU'VE BEEN UP TO.
|
|---|
| 4357 |
|
|---|
| 4358 | 959
|
|---|
| 4359 | 00:41:06,714 --> 00:41:06,948
|
|---|
| 4360 | YEAH.
|
|---|
| 4361 |
|
|---|
| 4362 | 960
|
|---|
| 4363 | 00:41:07,381 --> 00:41:10,518
|
|---|
| 4364 | BLINI?
|
|---|
| 4365 |
|
|---|
| 4366 | 961
|
|---|
| 4367 | 00:41:10,518 --> 00:41:10,785
|
|---|
| 4368 | OOH! YEAH.
|
|---|
| 4369 | OH, SURE.
|
|---|
| 4370 |
|
|---|
| 4371 | 962
|
|---|
| 4372 | 00:41:11,752 --> 00:41:12,586
|
|---|
| 4373 | THANKS.
|
|---|
| 4374 |
|
|---|
| 4375 | 963
|
|---|
| 4376 | 00:41:12,586 --> 00:41:13,120
|
|---|
| 4377 | BYE.
|
|---|
| 4378 |
|
|---|
| 4379 | 964
|
|---|
| 4380 | 00:41:14,322 --> 00:41:19,226
|
|---|
| 4381 | YOU ARE SO WELCOME.
|
|---|
| 4382 |
|
|---|
| 4383 | 965
|
|---|
| 4384 | 00:41:19,226 --> 00:41:19,627
|
|---|
| 4385 | NICE FRIENDS.
|
|---|
| 4386 | YEAH.
|
|---|
| 4387 |
|
|---|
| 4388 | 966
|
|---|
| 4389 | 00:41:19,894 --> 00:41:22,964
|
|---|
| 4390 | YOU ALL RIGHT?
|
|---|
| 4391 |
|
|---|
| 4392 | 967
|
|---|
| 4393 | 00:41:22,964 --> 00:41:23,297
|
|---|
| 4394 | I WILL BE
|
|---|
| 4395 | IN ABOUT 30 SECONDS.
|
|---|
| 4396 |
|
|---|
| 4397 | 968
|
|---|
| 4398 | 00:41:24,398 --> 00:41:25,516
|
|---|
| 4399 | OH, MY GOD.
|
|---|
| 4400 |
|
|---|
| 4401 | 969
|
|---|
| 4402 | 00:41:25,516 --> 00:41:26,801
|
|---|
| 4403 | (Abby) INSTANT EX-LAX.
|
|---|
| 4404 |
|
|---|
| 4405 | 970
|
|---|
| 4406 | 00:41:28,703 --> 00:41:32,707
|
|---|
| 4407 | WELL, AT LEAST WE KNOW
|
|---|
| 4408 | THE GUT JUICE WORKS.
|
|---|
| 4409 |
|
|---|
| 4410 | 971
|
|---|
| 4411 | 00:41:32,707 --> 00:41:35,343
|
|---|
| 4412 | NO WONDER GLORIA LIKED YOU.
|
|---|
| 4413 |
|
|---|
| 4414 | 972
|
|---|
| 4415 | 00:41:36,444 --> 00:41:38,346
|
|---|
| 4416 | (Abby) You're up next, Kate.
|
|---|
| 4417 |
|
|---|
| 4418 | 973
|
|---|
| 4419 | 00:41:38,346 --> 00:41:40,748
|
|---|
| 4420 | (spritzing)
|
|---|
| 4421 |
|
|---|
| 4422 | 974
|
|---|
| 4423 | 00:41:42,216 --> 00:41:44,685
|
|---|
| 4424 | HORS D'OEUVRE?
|
|---|
| 4425 |
|
|---|
| 4426 | 975
|
|---|
| 4427 | 00:41:44,685 --> 00:41:45,186
|
|---|
| 4428 | NO, THANK YOU.
|
|---|
| 4429 |
|
|---|
| 4430 | 976
|
|---|
| 4431 | 00:41:46,887 --> 00:41:48,055
|
|---|
| 4432 | WE MISSED OUR WINDOW.
|
|---|
| 4433 |
|
|---|
| 4434 | 977
|
|---|
| 4435 | 00:41:48,055 --> 00:41:48,589
|
|---|
| 4436 | TIME FOR PLAN "B."
|
|---|
| 4437 |
|
|---|
| 4438 | 978
|
|---|
| 4439 | 00:41:50,358 --> 00:41:51,025
|
|---|
| 4440 | AS IN, UH, PLAN BOSLEY?
|
|---|
| 4441 |
|
|---|
| 4442 | 979
|
|---|
| 4443 | 00:41:51,025 --> 00:41:52,259
|
|---|
| 4444 | (clears throat)
|
|---|
| 4445 |
|
|---|
| 4446 | 980
|
|---|
| 4447 | 00:41:53,260 --> 00:41:56,597
|
|---|
| 4448 | WHOA. WHOA, WHOA, WHOA. WE NEVER
|
|---|
| 4449 | FULLY DISCUSSED PLAN BOSLEY.
|
|---|
| 4450 |
|
|---|
| 4451 | 981
|
|---|
| 4452 | 00:41:56,597 --> 00:41:57,431
|
|---|
| 4453 | WELL, WE KNOW HER DEAL WITH
|
|---|
| 4454 | RODRIGO IS STRICTLY BUSINESS.
|
|---|
| 4455 |
|
|---|
| 4456 | 982
|
|---|
| 4457 | 00:41:58,049 --> 00:42:01,268
|
|---|
| 4458 | BUT CHARLIE'S INTEL
|
|---|
| 4459 | SUGGESTS SHE HAS
|
|---|
| 4460 |
|
|---|
| 4461 | 983
|
|---|
| 4462 | 00:42:01,268 --> 00:42:02,336
|
|---|
| 4463 | a healthy appetite
|
|---|
| 4464 | for the opposite sex.
|
|---|
| 4465 |
|
|---|
| 4466 | 984
|
|---|
| 4467 | 00:42:04,405 --> 00:42:07,675
|
|---|
| 4468 | I'D SAY BOSLEY TRUMPS BELUGA
|
|---|
| 4469 | ANY DAY OF THE WEEK.
|
|---|
| 4470 |
|
|---|
| 4471 | 985
|
|---|
| 4472 | 00:42:07,675 --> 00:42:07,975
|
|---|
| 4473 | I'll meet you
|
|---|
| 4474 | at the catering truck.
|
|---|
| 4475 |
|
|---|
| 4476 | 986
|
|---|
| 4477 | 00:42:09,076 --> 00:42:12,613
|
|---|
| 4478 | ALL RIGHT.
|
|---|
| 4479 |
|
|---|
| 4480 | 987
|
|---|
| 4481 | 00:42:12,613 --> 00:42:17,818
|
|---|
| 4482 | âª
|
|---|
| 4483 |
|
|---|
| 4484 | 988
|
|---|
| 4485 | 00:42:19,553 --> 00:42:21,455
|
|---|
| 4486 | 287.
|
|---|
| 4487 |
|
|---|
| 4488 | 989
|
|---|
| 4489 | 00:42:21,455 --> 00:42:22,556
|
|---|
| 4490 | THAT'S THE TOTAL NUMBER
|
|---|
| 4491 | OF GUESTS.
|
|---|
| 4492 |
|
|---|
| 4493 | 990
|
|---|
| 4494 | 00:42:27,561 --> 00:42:29,797
|
|---|
| 4495 | 58 SERVERS, 29 BUSBOYS,
|
|---|
| 4496 | 16 VALETS, 2 ICE SCULPTURES,
|
|---|
| 4497 |
|
|---|
| 4498 | 991
|
|---|
| 4499 | 00:42:29,797 --> 00:42:30,531
|
|---|
| 4500 | AND ONE VERY BEAUTIFUL WOMAN.
|
|---|
| 4501 |
|
|---|
| 4502 | 992
|
|---|
| 4503 | 00:42:30,614 --> 00:42:35,803
|
|---|
| 4504 | (Russian accent)
|
|---|
| 4505 | WHAT ARE YOU?
|
|---|
| 4506 |
|
|---|
| 4507 | 993
|
|---|
| 4508 | 00:42:35,803 --> 00:42:36,337
|
|---|
| 4509 | DOCTOR, LAWYER,
|
|---|
| 4510 | INTERNET BILLIONAIRE?
|
|---|
| 4511 |
|
|---|
| 4512 | 994
|
|---|
| 4513 | 00:42:37,538 --> 00:42:38,739
|
|---|
| 4514 | STARVING GRAD STUDENT.
|
|---|
| 4515 |
|
|---|
| 4516 | 995
|
|---|
| 4517 | 00:42:38,739 --> 00:42:39,607
|
|---|
| 4518 | MY BUDDY'S
|
|---|
| 4519 | ONE OF THE CATERERS,
|
|---|
| 4520 |
|
|---|
| 4521 | 996
|
|---|
| 4522 | 00:42:40,574 --> 00:42:44,145
|
|---|
| 4523 | SO I TAGGED ALONG
|
|---|
| 4524 | FOR THE FREE FOOD
|
|---|
| 4525 |
|
|---|
| 4526 | 997
|
|---|
| 4527 | 00:42:44,145 --> 00:42:45,146
|
|---|
| 4528 | AND TO WATCH THE RICH AND FAMOUS
|
|---|
| 4529 | IN THEIR NATURAL HABITAT.
|
|---|
| 4530 |
|
|---|
| 4531 | 998
|
|---|
| 4532 | 00:42:49,150 --> 00:42:53,020
|
|---|
| 4533 | AND WHAT DO YOU THINK
|
|---|
| 4534 | OF THE WILDLIFE SO FAR?
|
|---|
| 4535 |
|
|---|
| 4536 | 999
|
|---|
| 4537 | 00:42:53,020 --> 00:42:53,254
|
|---|
| 4538 | JUST GOT MORE EXOTIC.
|
|---|
| 4539 |
|
|---|
| 4540 | 1000
|
|---|
| 4541 | 00:42:56,924 --> 00:42:59,794
|
|---|
| 4542 | âª
|
|---|
| 4543 |
|
|---|
| 4544 | 1001
|
|---|
| 4545 | 00:42:59,794 --> 00:43:00,494
|
|---|
| 4546 | GUYS, RODRIGO'S ON THE MOVE.
|
|---|
| 4547 |
|
|---|
| 4548 | 1002
|
|---|
| 4549 | 00:43:01,896 --> 00:43:03,714
|
|---|
| 4550 | HE COULD BE LOOKING
|
|---|
| 4551 | FOR NADIA.
|
|---|
| 4552 |
|
|---|
| 4553 | 1003
|
|---|
| 4554 | 00:43:03,714 --> 00:43:06,233
|
|---|
| 4555 | BOS, TIME TO PUT THE PARTY
|
|---|
| 4556 | ON WHEELS.
|
|---|
| 4557 |
|
|---|
| 4558 | 1004
|
|---|
| 4559 | 00:43:07,001 --> 00:43:08,869
|
|---|
| 4560 | Get Nadia to the catering truck.
|
|---|
| 4561 |
|
|---|
| 4562 | 1005
|
|---|
| 4563 | 00:43:08,869 --> 00:43:10,070
|
|---|
| 4564 | WHY DON'T WE FIND A PLACE
|
|---|
| 4565 | WITH A LITTLE MORE PRIVACY?
|
|---|
| 4566 |
|
|---|
| 4567 | 1006
|
|---|
| 4568 | 00:43:13,641 --> 00:43:16,243
|
|---|
| 4569 | YEAH. THE GUEST HOUSE IS ON
|
|---|
| 4570 | THE OTHER END OF THE COMPOUND.
|
|---|
| 4571 |
|
|---|
| 4572 | 1007
|
|---|
| 4573 | 00:43:16,243 --> 00:43:16,577
|
|---|
| 4574 | MY BUDDY'S CATERING TRUCK'S
|
|---|
| 4575 | RIGHT THERE.
|
|---|
| 4576 |
|
|---|
| 4577 | 1008
|
|---|
| 4578 | 00:43:18,579 --> 00:43:21,115
|
|---|
| 4579 | (panting)
|
|---|
| 4580 |
|
|---|
| 4581 | 1009
|
|---|
| 4582 | 00:43:21,115 --> 00:43:21,382
|
|---|
| 4583 | DOWN AND DIRTY'S
|
|---|
| 4584 | NOT MY STYLE.
|
|---|
| 4585 |
|
|---|
| 4586 | 1010
|
|---|
| 4587 | 00:43:21,615 --> 00:43:23,717
|
|---|
| 4588 | (click)
|
|---|
| 4589 |
|
|---|
| 4590 | 1011
|
|---|
| 4591 | 00:43:23,717 --> 00:43:24,852
|
|---|
| 4592 | OKAY. OKAY. NOT DOWN AND DIRTY.
|
|---|
| 4593 | WE'LL KEEP IT NICE AND CLEAN.
|
|---|
| 4594 |
|
|---|
| 4595 | 1012
|
|---|
| 4596 | 00:43:27,188 --> 00:43:29,657
|
|---|
| 4597 | YOU HAVE FIVE SECONDS
|
|---|
| 4598 | TO TELL ME WHO YOU REALLY ARE.
|
|---|
| 4599 |
|
|---|
| 4600 | 1013
|
|---|
| 4601 | 00:43:29,657 --> 00:43:30,124
|
|---|
| 4602 | FINE.
|
|---|
| 4603 |
|
|---|
| 4604 | 1014
|
|---|
| 4605 | 00:43:30,991 --> 00:43:32,560
|
|---|
| 4606 | I'M A HEARTBREAKER.
|
|---|
| 4607 |
|
|---|
| 4608 | 1015
|
|---|
| 4609 | 00:43:32,560 --> 00:43:33,094
|
|---|
| 4610 | UHH!
|
|---|
| 4611 | AHH.
|
|---|
| 4612 |
|
|---|
| 4613 | 1016
|
|---|
| 4614 | 00:43:34,128 --> 00:43:35,463
|
|---|
| 4615 | (panting)
|
|---|
| 4616 | (groans)
|
|---|
| 4617 |
|
|---|
| 4618 | 1017
|
|---|
| 4619 | 00:43:35,463 --> 00:43:35,963
|
|---|
| 4620 | NICE JOB, CASANOVA.
|
|---|
| 4621 |
|
|---|
| 4622 | 1018
|
|---|
| 4623 | 00:43:36,764 --> 00:43:39,033
|
|---|
| 4624 | TOOK YOU LONG ENOUGH.
|
|---|
| 4625 |
|
|---|
| 4626 | 1019
|
|---|
| 4627 | 00:43:39,033 --> 00:43:39,834
|
|---|
| 4628 | GUYS, I LOST RODRIGO.
|
|---|
| 4629 |
|
|---|
| 4630 | 1020
|
|---|
| 4631 | 00:43:40,534 --> 00:43:43,571
|
|---|
| 4632 | (Abby) Never mind.
|
|---|
| 4633 | We got Nadia.
|
|---|
| 4634 |
|
|---|
| 4635 | 1021
|
|---|
| 4636 | 00:43:43,571 --> 00:43:45,406
|
|---|
| 4637 | JUST GET CHANGED
|
|---|
| 4638 | AND GET THE HELL OUT OF THERE.
|
|---|
| 4639 |
|
|---|
| 4640 | 1022
|
|---|
| 4641 | 00:43:45,739 --> 00:43:50,010
|
|---|
| 4642 | OH! (chuckles) SEE?
|
|---|
| 4643 |
|
|---|
| 4644 | 1023
|
|---|
| 4645 | 00:43:50,010 --> 00:43:55,583
|
|---|
| 4646 | I KNEW THE DEVIL WOULD
|
|---|
| 4647 | GET ME EVENTUALLY.
|
|---|
| 4648 |
|
|---|
| 4649 | 1024
|
|---|
| 4650 | 00:43:56,717 --> 00:43:58,486
|
|---|
| 4651 | EVE, WHERE ARE YOU?
|
|---|
| 4652 |
|
|---|
| 4653 | 1025
|
|---|
| 4654 | 00:43:58,486 --> 00:44:03,023
|
|---|
| 4655 | COMING.
|
|---|
| 4656 |
|
|---|
| 4657 | 1026
|
|---|
| 4658 | 00:44:05,025 --> 00:44:07,528
|
|---|
| 4659 | Eve, we have to move now.
|
|---|
| 4660 |
|
|---|
| 4661 | 1027
|
|---|
| 4662 | 00:44:07,528 --> 00:44:07,962
|
|---|
| 4663 | I'M DELAYED. DON'T WAIT.
|
|---|
| 4664 |
|
|---|
| 4665 | 1028
|
|---|
| 4666 | 00:44:08,145 --> 00:44:22,276
|
|---|
| 4667 | (sighs) LET'S GO.
|
|---|
| 4668 |
|
|---|
| 4669 | 1029
|
|---|
| 4670 | 00:44:22,276 --> 00:44:23,177
|
|---|
| 4671 | I KEPT THAT AS A REMINDER
|
|---|
| 4672 |
|
|---|
| 4673 | 1030
|
|---|
| 4674 | 00:44:25,946 --> 00:44:30,918
|
|---|
| 4675 | OF WHEN I LET TWO LITTLE GIRLS
|
|---|
| 4676 | GET AWAY.
|
|---|
| 4677 |
|
|---|
| 4678 | 1031
|
|---|
| 4679 | 00:44:30,918 --> 00:44:31,418
|
|---|
| 4680 | YOU KILLED MY BEST FRIEND.
|
|---|
| 4681 |
|
|---|
| 4682 | 1032
|
|---|
| 4683 | 00:44:33,521 --> 00:44:38,225
|
|---|
| 4684 | IT WAS HER OWN FAULT.
|
|---|
| 4685 |
|
|---|
| 4686 | 1033
|
|---|
| 4687 | 00:44:38,225 --> 00:44:38,959
|
|---|
| 4688 | SHE SHOULD'VE
|
|---|
| 4689 | LEFT THE PAST ALONE.
|
|---|
| 4690 |
|
|---|
| 4691 | 1034
|
|---|
| 4692 | 00:44:40,611 --> 00:44:47,234
|
|---|
| 4693 | (radio chatter)
|
|---|
| 4694 | NADIA'S MISSING.
|
|---|
| 4695 |
|
|---|
| 4696 | 1035
|
|---|
| 4697 | 00:44:47,234 --> 00:44:47,501
|
|---|
| 4698 | YOUR PAST IS ABOUT TO
|
|---|
| 4699 | CATCH UP WITH YOU...
|
|---|
| 4700 |
|
|---|
| 4701 | 1036
|
|---|
| 4702 | 00:44:49,103 --> 00:44:50,304
|
|---|
| 4703 | PAJARO.
|
|---|
| 4704 |
|
|---|
| 4705 | 1037
|
|---|
| 4706 | 00:44:50,304 --> 00:44:53,941
|
|---|
| 4707 | HMM.
|
|---|
| 4708 |
|
|---|
| 4709 | 1038
|
|---|
| 4710 | 00:44:54,542 --> 00:44:56,377
|
|---|
| 4711 | OHH!
|
|---|
| 4712 |
|
|---|
| 4713 | 1039
|
|---|
| 4714 | 00:44:56,377 --> 00:44:56,810
|
|---|
| 4715 | (Kate) Eve, can you hear me?
|
|---|
| 4716 |
|
|---|
| 4717 | 1040
|
|---|
| 4718 | 00:44:58,546 --> 00:45:00,848
|
|---|
| 4719 | WHAT HAVE WE HERE?
|
|---|
| 4720 |
|
|---|
| 4721 | 1041
|
|---|
| 4722 | 00:45:00,848 --> 00:45:01,348
|
|---|
| 4723 | YOU'RE FULL OF SURPRISES.
|
|---|
| 4724 |
|
|---|
| 4725 | 1042
|
|---|
| 4726 | 00:45:02,283 --> 00:45:02,950
|
|---|
| 4727 | Eve, are you there?
|
|---|
| 4728 |
|
|---|
| 4729 | 1043
|
|---|
| 4730 | 00:45:02,950 --> 00:45:03,551
|
|---|
| 4731 | (snaps)
|
|---|
| 4732 |
|
|---|
| 4733 | 1044
|
|---|
| 4734 | 00:45:06,554 --> 00:45:18,799
|
|---|
| 4735 | (feedback whining)
|
|---|
| 4736 | AH!
|
|---|
| 4737 |
|
|---|
| 4738 | 1045
|
|---|
| 4739 | 00:45:18,799 --> 00:45:19,567
|
|---|
| 4740 | SO THE SHOW WENT LATE IN TULSA
|
|---|
| 4741 |
|
|---|
| 4742 | 1046
|
|---|
| 4743 | 00:45:20,367 --> 00:45:21,802
|
|---|
| 4744 | AND I WOKE UP IN
|
|---|
| 4745 | THE VAN IN OMAHA.
|
|---|
| 4746 |
|
|---|
| 4747 | 1047
|
|---|
| 4748 | 00:45:21,802 --> 00:45:22,303
|
|---|
| 4749 | THAT'S LIFE IN A BAND.
|
|---|
| 4750 |
|
|---|
| 4751 | 1048
|
|---|
| 4752 | 00:45:22,803 --> 00:45:23,571
|
|---|
| 4753 | GOT ONLINE AND GOT US
|
|---|
| 4754 |
|
|---|
| 4755 | 1049
|
|---|
| 4756 | 00:45:23,571 --> 00:45:23,904
|
|---|
| 4757 | TO THE NEXT GIG.
|
|---|
| 4758 |
|
|---|
| 4759 | 1050
|
|---|
| 4760 | 00:45:24,171 --> 00:45:24,805
|
|---|
| 4761 | SOUND CHECK,
|
|---|
| 4762 |
|
|---|
| 4763 | 1051
|
|---|
| 4764 | 00:45:24,805 --> 00:45:25,573
|
|---|
| 4765 | EQUIPMENT CHECK,
|
|---|
| 4766 |
|
|---|
| 4767 | 1052
|
|---|
| 4768 | 00:45:26,207 --> 00:45:28,809
|
|---|
| 4769 | TWEAKED THE T-SHIRT
|
|---|
| 4770 | DESIGNS. NICE.
|
|---|
| 4771 |
|
|---|
| 4772 | 1053
|
|---|
| 4773 | 00:45:28,809 --> 00:45:29,910
|
|---|
| 4774 | SHOWTIME. SMALL PLACE,
|
|---|
| 4775 | MASSIVE CROWD.
|
|---|
| 4776 |
|
|---|
| 4777 | 1054
|
|---|
| 4778 | 00:45:31,812 --> 00:45:32,346
|
|---|
| 4779 | THEY SEEMED INTO IT EXCEPT
|
|---|
| 4780 | FOR THE GUY THROWING STUFF.
|
|---|
| 4781 |
|
|---|
| 4782 | 1055
|
|---|
| 4783 | 00:45:32,346 --> 00:45:33,280
|
|---|
| 4784 | MORON.
|
|---|
| 4785 |
|
|---|
| 4786 | 1056
|
|---|
| 4787 | 00:45:34,815 --> 00:45:35,516
|
|---|
| 4788 | LAPTOP FELL BUT DIDN'T
|
|---|
| 4789 | CRASH. GOOD THING.
|
|---|
| 4790 |
|
|---|
| 4791 | 1057
|
|---|
| 4792 | 00:45:35,516 --> 00:45:36,083
|
|---|
| 4793 | WE KILLED IT.
|
|---|
| 4794 |
|
|---|
| 4795 | 1058
|
|---|
| 4796 | 00:45:36,650 --> 00:45:37,818
|
|---|
| 4797 | PICKED UP A FEW NEW FANS.
|
|---|
| 4798 |
|
|---|
| 4799 | 1059
|
|---|
| 4800 | 00:45:37,818 --> 00:45:38,652
|
|---|
| 4801 | SHOW ENDED BUT
|
|---|
| 4802 | THE NIGHT DIDN'T.
|
|---|
| 4803 |
|
|---|
| 4804 | 1060
|
|---|
| 4805 | 00:45:39,553 --> 00:45:42,089
|
|---|
| 4806 | WE DROVE A FEW HOURS
|
|---|
| 4807 | BEFORE CAMPING OUT
|
|---|
| 4808 |
|
|---|
| 4809 | 1061
|
|---|
| 4810 | 00:45:42,089 --> 00:45:42,456
|
|---|
| 4811 | THEN WATCHED THE FIRST
|
|---|
| 4812 | CUT OF OUR FIRST VIDEO.
|
|---|
| 4813 |
|
|---|
| 4814 | 1062
|
|---|
| 4815 | 00:45:42,673 --> 00:45:45,826
|
|---|
| 4816 | NOT A BAD DAY.
|
|---|
| 4817 |
|
|---|
| 4818 | 1063
|
|---|
| 4819 | 00:45:45,826 --> 00:45:45,926
|
|---|
| 4820 | LENOVO. FOR THOSE WHO DO.
|
|---|
| 4821 |
|
|---|
| 4822 | 1064
|
|---|
| 4823 | 00:45:45,993 --> 00:45:46,493
|
|---|
| 4824 | VO
|
|---|
| 4825 |
|
|---|
| 4826 | 1065
|
|---|
| 4827 | 00:45:46,026 --> 00:45:46,526
|
|---|
| 4828 | VO:
|
|---|
| 4829 |
|
|---|
| 4830 | 1066
|
|---|
| 4831 | 00:45:46,060 --> 00:45:46,560
|
|---|
| 4832 | VO: It
|
|---|
| 4833 |
|
|---|
| 4834 | 1067
|
|---|
| 4835 | 00:45:46,093 --> 00:45:46,593
|
|---|
| 4836 | VO: It's
|
|---|
| 4837 |
|
|---|
| 4838 | 1068
|
|---|
| 4839 | 00:45:46,126 --> 00:45:46,626
|
|---|
| 4840 | VO: It's O
|
|---|
| 4841 |
|
|---|
| 4842 | 1069
|
|---|
| 4843 | 00:45:46,160 --> 00:45:46,660
|
|---|
| 4844 | VO: It's Old
|
|---|
| 4845 |
|
|---|
| 4846 | 1070
|
|---|
| 4847 | 00:45:46,193 --> 00:45:46,693
|
|---|
| 4848 | VO: It's Old N
|
|---|
| 4849 |
|
|---|
| 4850 | 1071
|
|---|
| 4851 | 00:45:46,227 --> 00:45:46,727
|
|---|
| 4852 | VO: It's Old Nav
|
|---|
| 4853 |
|
|---|
| 4854 | 1072
|
|---|
| 4855 | 00:45:46,260 --> 00:45:46,760
|
|---|
| 4856 | VO: It's Old Navy'
|
|---|
| 4857 |
|
|---|
| 4858 | 1073
|
|---|
| 4859 | 00:45:46,293 --> 00:45:46,793
|
|---|
| 4860 | VO: It's Old Navy's
|
|---|
| 4861 |
|
|---|
| 4862 | 1074
|
|---|
| 4863 | 00:45:46,327 --> 00:45:46,827
|
|---|
| 4864 | VO: It's Old Navy's St
|
|---|
| 4865 |
|
|---|
| 4866 | 1075
|
|---|
| 4867 | 00:45:46,360 --> 00:45:46,860
|
|---|
| 4868 | VO: It's Old Navy's Stor
|
|---|
| 4869 |
|
|---|
| 4870 | 1076
|
|---|
| 4871 | 00:45:46,393 --> 00:45:46,893
|
|---|
| 4872 | VO: It's Old Navy's Storew
|
|---|
| 4873 |
|
|---|
| 4874 | 1077
|
|---|
| 4875 | 00:45:46,427 --> 00:45:46,927
|
|---|
| 4876 | VO: It's Old Navy's Storewid
|
|---|
| 4877 |
|
|---|
| 4878 | 1078
|
|---|
| 4879 | 00:45:46,460 --> 00:45:46,960
|
|---|
| 4880 | VO: It's Old Navy's Storewide
|
|---|
| 4881 |
|
|---|
| 4882 | 1079
|
|---|
| 4883 | 00:45:46,493 --> 00:45:46,993
|
|---|
| 4884 | VO: It's Old Navy's Storewide
|
|---|
| 4885 |
|
|---|
| 4886 | 1080
|
|---|
| 4887 | 00:45:46,527 --> 00:45:47,027
|
|---|
| 4888 | VO: It's Old Navy's Storewide
|
|---|
| 4889 | Bu
|
|---|
| 4890 |
|
|---|
| 4891 | 1081
|
|---|
| 4892 | 00:45:46,560 --> 00:45:47,060
|
|---|
| 4893 | VO: It's Old Navy's Storewide
|
|---|
| 4894 | Buy
|
|---|
| 4895 |
|
|---|
| 4896 | 1082
|
|---|
| 4897 | 00:45:46,594 --> 00:45:47,094
|
|---|
| 4898 | VO: It's Old Navy's Storewide
|
|---|
| 4899 | Buy On
|
|---|
| 4900 |
|
|---|
| 4901 | 1083
|
|---|
| 4902 | 00:45:46,627 --> 00:45:47,127
|
|---|
| 4903 | VO: It's Old Navy's Storewide
|
|---|
| 4904 | Buy One
|
|---|
| 4905 |
|
|---|
| 4906 | 1084
|
|---|
| 4907 | 00:45:46,660 --> 00:45:47,160
|
|---|
| 4908 | VO: It's Old Navy's Storewide
|
|---|
| 4909 | Buy One Ge
|
|---|
| 4910 |
|
|---|
| 4911 | 1085
|
|---|
| 4912 | 00:45:46,694 --> 00:45:47,194
|
|---|
| 4913 | VO: It's Old Navy's Storewide
|
|---|
| 4914 | Buy One Get
|
|---|
| 4915 |
|
|---|
| 4916 | 1086
|
|---|
| 4917 | 00:45:46,727 --> 00:45:47,227
|
|---|
| 4918 | VO: It's Old Navy's Storewide
|
|---|
| 4919 | Buy One Get On
|
|---|
| 4920 |
|
|---|
| 4921 | 1087
|
|---|
| 4922 | 00:45:46,760 --> 00:45:47,260
|
|---|
| 4923 | VO: It's Old Navy's Storewide
|
|---|
| 4924 | Buy One Get One
|
|---|
| 4925 |
|
|---|
| 4926 | 1088
|
|---|
| 4927 | 00:45:46,794 --> 00:45:47,294
|
|---|
| 4928 | VO: It's Old Navy's Storewide
|
|---|
| 4929 | Buy One Get One 75
|
|---|
| 4930 |
|
|---|
| 4931 | 1089
|
|---|
| 4932 | 00:45:46,827 --> 00:45:47,327
|
|---|
| 4933 | VO: It's Old Navy's Storewide
|
|---|
| 4934 | Buy One Get One 75%
|
|---|
| 4935 |
|
|---|
| 4936 | 1090
|
|---|
| 4937 | 00:45:46,860 --> 00:45:47,360
|
|---|
| 4938 | VO: It's Old Navy's Storewide
|
|---|
| 4939 | Buy One Get One 75% Of
|
|---|
| 4940 |
|
|---|
| 4941 | 1091
|
|---|
| 4942 | 00:45:48,529 --> 00:45:48,963
|
|---|
| 4943 | VO: It's Old Navy's Storewide
|
|---|
| 4944 | Buy One Get One 75% Off!
|
|---|
| 4945 |
|
|---|
| 4946 | 1092
|
|---|
| 4947 | 00:45:49,129 --> 00:45:51,298
|
|---|
| 4948 | Buy something!
|
|---|
| 4949 |
|
|---|
| 4950 | 1093
|
|---|
| 4951 | 00:45:51,298 --> 00:45:52,466
|
|---|
| 4952 | And get another
|
|---|
| 4953 | something 75% Off!
|
|---|
| 4954 |
|
|---|
| 4955 | 1094
|
|---|
| 4956 | 00:45:54,935 --> 00:45:57,638
|
|---|
| 4957 | Sale ends Sunday. So BO GO
|
|---|
| 4958 | before this deal is BO GONE!
|
|---|
| 4959 |
|
|---|
| 4960 | 1095
|
|---|
| 4961 | 00:45:57,638 --> 00:46:46,020
|
|---|
| 4962 | It's Buy One Get One 75% Off!
|
|---|
| 4963 |
|
|---|
| 4964 | 1096
|
|---|
| 4965 | 00:46:46,053 --> 00:46:46,553
|
|---|
| 4966 | Ca
|
|---|
| 4967 |
|
|---|
| 4968 | 1097
|
|---|
| 4969 | 00:46:46,086 --> 00:46:46,586
|
|---|
| 4970 | Cap
|
|---|
| 4971 |
|
|---|
| 4972 | 1098
|
|---|
| 4973 | 00:46:46,120 --> 00:46:46,620
|
|---|
| 4974 | Capit
|
|---|
| 4975 |
|
|---|
| 4976 | 1099
|
|---|
| 4977 | 00:46:46,153 --> 00:46:46,653
|
|---|
| 4978 | Capital
|
|---|
| 4979 |
|
|---|
| 4980 | 1100
|
|---|
| 4981 | 00:46:46,186 --> 00:46:46,686
|
|---|
| 4982 | Capital O
|
|---|
| 4983 |
|
|---|
| 4984 | 1101
|
|---|
| 4985 | 00:46:46,220 --> 00:46:46,720
|
|---|
| 4986 | Capital One
|
|---|
| 4987 |
|
|---|
| 4988 | 1102
|
|---|
| 4989 | 00:46:46,253 --> 00:46:46,753
|
|---|
| 4990 | Capital One's
|
|---|
| 4991 |
|
|---|
| 4992 | 1103
|
|---|
| 4993 | 00:46:46,287 --> 00:46:46,787
|
|---|
| 4994 | Capital One's N
|
|---|
| 4995 |
|
|---|
| 4996 | 1104
|
|---|
| 4997 | 00:46:46,353 --> 00:46:46,853
|
|---|
| 4998 | Capital One's NEW
|
|---|
| 4999 |
|
|---|
| 5000 | 1105
|
|---|
| 5001 | 00:46:46,387 --> 00:46:46,887
|
|---|
| 5002 | Capital One's NEW
|
|---|
| 5003 |
|
|---|
| 5004 | 1106
|
|---|
| 5005 | 00:46:46,420 --> 00:46:46,920
|
|---|
| 5006 | Capital One's NEW
|
|---|
| 5007 | Ca
|
|---|
| 5008 |
|
|---|
| 5009 | 1107
|
|---|
| 5010 | 00:46:46,453 --> 00:46:46,953
|
|---|
| 5011 | Capital One's NEW
|
|---|
| 5012 | Cash
|
|---|
| 5013 |
|
|---|
| 5014 | 1108
|
|---|
| 5015 | 00:46:46,487 --> 00:46:46,987
|
|---|
| 5016 | Capital One's NEW
|
|---|
| 5017 | Cash R
|
|---|
| 5018 |
|
|---|
| 5019 | 1109
|
|---|
| 5020 | 00:46:46,520 --> 00:46:47,020
|
|---|
| 5021 | Capital One's NEW
|
|---|
| 5022 | Cash Rew
|
|---|
| 5023 |
|
|---|
| 5024 | 1110
|
|---|
| 5025 | 00:46:46,553 --> 00:46:47,053
|
|---|
| 5026 | Capital One's NEW
|
|---|
| 5027 | Cash Rewar
|
|---|
| 5028 |
|
|---|
| 5029 | 1111
|
|---|
| 5030 | 00:46:46,587 --> 00:46:47,087
|
|---|
| 5031 | Capital One's NEW
|
|---|
| 5032 | Cash Rewards
|
|---|
| 5033 |
|
|---|
| 5034 | 1112
|
|---|
| 5035 | 00:46:46,620 --> 00:46:47,120
|
|---|
| 5036 | Capital One's NEW
|
|---|
| 5037 | Cash Rewards C
|
|---|
| 5038 |
|
|---|
| 5039 | 1113
|
|---|
| 5040 | 00:46:46,654 --> 00:46:47,154
|
|---|
| 5041 | Capital One's NEW
|
|---|
| 5042 | Cash Rewards Car
|
|---|
| 5043 |
|
|---|
| 5044 | 1114
|
|---|
| 5045 | 00:46:46,720 --> 00:46:47,755
|
|---|
| 5046 | Capital One's NEW
|
|---|
| 5047 | Cash Rewards Card
|
|---|
| 5048 |
|
|---|
| 5049 | 1115
|
|---|
| 5050 | 00:46:48,555 --> 00:46:50,724
|
|---|
| 5051 | GIVES YOU A 50 PERCENT
|
|---|
| 5052 | ANNUAL BONUS.
|
|---|
| 5053 | Capital One's NEW
|
|---|
| 5054 | Cash Rewards Card
|
|---|
| 5055 |
|
|---|
| 5056 | 1116
|
|---|
| 5057 | 00:46:50,724 --> 00:46:51,959
|
|---|
| 5058 | SO YOU EARN 50 PERCENT
|
|---|
| 5059 | MORE CASH.
|
|---|
| 5060 |
|
|---|
| 5061 | 1117
|
|---|
| 5062 | 00:46:54,061 --> 00:46:56,497
|
|---|
| 5063 | SO YOU EARN 50 PERCENT
|
|---|
| 5064 | MORE CASH.
|
|---|
| 5065 | IF YOU'RE NOT SATISFIED WITH 50%
|
|---|
| 5066 | MORE CASH, SEND IT BACK!
|
|---|
| 5067 |
|
|---|
| 5068 | 1118
|
|---|
| 5069 | 00:46:56,497 --> 00:46:57,231
|
|---|
| 5070 | I'LL BE RIGHT HERE,
|
|---|
| 5071 | WAITING FOR IT.
|
|---|
| 5072 |
|
|---|
| 5073 | 1119
|
|---|
| 5074 | 00:46:59,133 --> 00:47:00,234
|
|---|
| 5075 | I'LL BE RIGHT HERE,
|
|---|
| 5076 | WAITING FOR IT.
|
|---|
| 5077 | WHO WOULDN'T WANT MORE CASH?
|
|---|
| 5078 |
|
|---|
| 5079 | 1120
|
|---|
| 5080 | 00:47:00,234 --> 00:47:00,734
|
|---|
| 5081 | [ insects chirping ]
|
|---|
| 5082 |
|
|---|
| 5083 | 1121
|
|---|
| 5084 | 00:47:01,201 --> 00:47:02,803
|
|---|
| 5085 | I'LL TAKE IT.
|
|---|
| 5086 | [ insects chirping ]
|
|---|
| 5087 |
|
|---|
| 5088 | 1122
|
|---|
| 5089 | 00:47:02,803 --> 00:47:04,304
|
|---|
| 5090 | I'LL MAKE IT RAIN UP IN HERE.
|
|---|
| 5091 |
|
|---|
| 5092 | 1123
|
|---|
| 5093 | 00:47:05,306 --> 00:47:09,376
|
|---|
| 5094 | I'LL MAKE IT RAIN UP IN HERE.
|
|---|
| 5095 | [ Male Announcer ] THE NEW
|
|---|
| 5096 | Capital One Cash Rewards Card.
|
|---|
| 5097 |
|
|---|
| 5098 | 1124
|
|---|
| 5099 | 00:47:09,376 --> 00:47:10,044
|
|---|
| 5100 | THE CARD FOR PEOPLE
|
|---|
| 5101 | WHO WANT 50% MORE CASH.
|
|---|
| 5102 |
|
|---|
| 5103 | 1125
|
|---|
| 5104 | 00:47:11,145 --> 00:47:13,113
|
|---|
| 5105 | WHAT'S IN YOUR WALLET?
|
|---|
| 5106 | THE CARD FOR PEOPLE
|
|---|
| 5107 | WHO WANT 50% MORE CASH.
|
|---|
| 5108 |
|
|---|
| 5109 | 1126
|
|---|
| 5110 | 00:47:13,113 --> 00:47:13,881
|
|---|
| 5111 | SORRY I'LL CLEAN THIS UP.
|
|---|
| 5112 |
|
|---|
| 5113 | 1127
|
|---|
| 5114 | 00:47:15,582 --> 00:47:16,016
|
|---|
| 5115 | SORRY I'LL CLEAN THIS UP.
|
|---|
| 5116 | SHOULDN'T HAVE MADE IT RAIN.
|
|---|
| 5117 |
|
|---|
| 5118 | 1128
|
|---|
| 5119 | 00:47:16,116 --> 00:47:16,616
|
|---|
| 5120 | âª
|
|---|
| 5121 |
|
|---|
| 5122 | 1129
|
|---|
| 5123 | 00:47:16,183 --> 00:47:16,683
|
|---|
| 5124 | âª
|
|---|
| 5125 |
|
|---|
| 5126 | 1130
|
|---|
| 5127 | 00:47:17,818 --> 00:47:20,437
|
|---|
| 5128 | ⪠âª
|
|---|
| 5129 |
|
|---|
| 5130 | 1131
|
|---|
| 5131 | 00:47:20,437 --> 00:47:22,856
|
|---|
| 5132 | ⪠HANDS, SHOULDERS, KNEES
|
|---|
| 5133 | AND TOES âª
|
|---|
| 5134 |
|
|---|
| 5135 | 1132
|
|---|
| 5136 | 00:47:26,160 --> 00:47:28,195
|
|---|
| 5137 | ⪠HANDS, SHOULDERS, KNEES
|
|---|
| 5138 | AND TOES âª
|
|---|
| 5139 | ⪠THIGHS AND HEELS, HIPS, ANKLES
|
|---|
| 5140 | AND ELBOWS âª
|
|---|
| 5141 |
|
|---|
| 5142 | 1133
|
|---|
| 5143 | 00:47:28,195 --> 00:47:29,063
|
|---|
| 5144 | ⪠HANDS, SHOULDERS, KNEES
|
|---|
| 5145 | AND TOES âª
|
|---|
| 5146 |
|
|---|
| 5147 | 1134
|
|---|
| 5148 | 00:47:29,129 --> 00:47:31,165
|
|---|
| 5149 | ⪠HANDS, SHOULDERS, KNEES
|
|---|
| 5150 | AND TOES âª
|
|---|
| 5151 | [ Female Announcer ] YOUR SKIN
|
|---|
| 5152 |
|
|---|
| 5153 | 1135
|
|---|
| 5154 | 00:47:31,165 --> 00:47:32,066
|
|---|
| 5155 | WILL LOVE THE FRESH FEEL
|
|---|
| 5156 | OF THE 100% NATURAL,
|
|---|
| 5157 |
|
|---|
| 5158 | 1136
|
|---|
| 5159 | 00:47:33,967 --> 00:47:35,302
|
|---|
| 5160 | WILL LOVE THE FRESH FEEL
|
|---|
| 5161 | OF THE 100% NATURAL,
|
|---|
| 5162 | NON-GREASY
|
|---|
| 5163 | MOISTURIZERS
|
|---|
| 5164 |
|
|---|
| 5165 | 1137
|
|---|
| 5166 | 00:47:35,302 --> 00:47:36,003
|
|---|
| 5167 | IN ST. IVES LOTIONS.
|
|---|
| 5168 |
|
|---|
| 5169 | 1138
|
|---|
| 5170 | 00:47:36,470 --> 00:47:37,571
|
|---|
| 5171 | THEY INSTANTLY HELP HEAL,
|
|---|
| 5172 | IN ST. IVES LOTIONS.
|
|---|
| 5173 |
|
|---|
| 5174 | 1139
|
|---|
| 5175 | 00:47:37,571 --> 00:47:38,305
|
|---|
| 5176 | SEAL AND SOOTHE
|
|---|
| 5177 |
|
|---|
| 5178 | 1140
|
|---|
| 5179 | 00:47:39,540 --> 00:47:40,741
|
|---|
| 5180 | SEAL AND SOOTHE
|
|---|
| 5181 | EVEN THE DRIEST SKIN,
|
|---|
| 5182 |
|
|---|
| 5183 | 1141
|
|---|
| 5184 | 00:47:40,741 --> 00:47:41,308
|
|---|
| 5185 | FROM HEAD TO TOE.
|
|---|
| 5186 |
|
|---|
| 5187 | 1142
|
|---|
| 5188 | 00:47:42,176 --> 00:47:43,110
|
|---|
| 5189 | FROM HEAD TO TOE.
|
|---|
| 5190 | ST. IVES. FRESH.
|
|---|
| 5191 |
|
|---|
| 5192 | 1143
|
|---|
| 5193 | 00:47:43,110 --> 00:47:43,610
|
|---|
| 5194 | BETTER.
|
|---|
| 5195 |
|
|---|
| 5196 | 1144
|
|---|
| 5197 | 00:47:45,179 --> 00:47:46,347
|
|---|
| 5198 | NATURALLY.
|
|---|
| 5199 | BETTER.
|
|---|
| 5200 |
|
|---|
| 5201 | 1145
|
|---|
| 5202 | 00:47:46,380 --> 00:47:46,880
|
|---|
| 5203 | BR
|
|---|
| 5204 |
|
|---|
| 5205 | 1146
|
|---|
| 5206 | 00:47:46,413 --> 00:47:46,913
|
|---|
| 5207 | BRAD
|
|---|
| 5208 |
|
|---|
| 5209 | 1147
|
|---|
| 5210 | 00:47:46,447 --> 00:47:46,947
|
|---|
| 5211 | BRAD,
|
|---|
| 5212 |
|
|---|
| 5213 | 1148
|
|---|
| 5214 | 00:47:46,480 --> 00:47:46,980
|
|---|
| 5215 | BRAD, WH
|
|---|
| 5216 |
|
|---|
| 5217 | 1149
|
|---|
| 5218 | 00:47:46,513 --> 00:47:47,013
|
|---|
| 5219 | BRAD, WHER
|
|---|
| 5220 |
|
|---|
| 5221 | 1150
|
|---|
| 5222 | 00:47:46,547 --> 00:47:47,047
|
|---|
| 5223 | BRAD, WHERE
|
|---|
| 5224 |
|
|---|
| 5225 | 1151
|
|---|
| 5226 | 00:47:46,580 --> 00:47:47,080
|
|---|
| 5227 | BRAD, WHERE WE
|
|---|
| 5228 |
|
|---|
| 5229 | 1152
|
|---|
| 5230 | 00:47:46,613 --> 00:47:47,113
|
|---|
| 5231 | BRAD, WHERE WE G
|
|---|
| 5232 |
|
|---|
| 5233 | 1153
|
|---|
| 5234 | 00:47:46,647 --> 00:47:47,147
|
|---|
| 5235 | BRAD, WHERE WE GOI
|
|---|
| 5236 |
|
|---|
| 5237 | 1154
|
|---|
| 5238 | 00:47:46,680 --> 00:47:47,180
|
|---|
| 5239 | BRAD, WHERE WE GOING
|
|---|
| 5240 |
|
|---|
| 5241 | 1155
|
|---|
| 5242 | 00:47:47,047 --> 00:47:47,881
|
|---|
| 5243 | BRAD, WHERE WE GOING?
|
|---|
| 5244 |
|
|---|
| 5245 | 1156
|
|---|
| 5246 | 00:47:49,983 --> 00:47:50,818
|
|---|
| 5247 | JUST A SECOND.
|
|---|
| 5248 | JUST, JUST ONE SECOND.
|
|---|
| 5249 |
|
|---|
| 5250 | 1157
|
|---|
| 5251 | 00:47:50,818 --> 00:47:51,752
|
|---|
| 5252 | ⪠âª
|
|---|
| 5253 |
|
|---|
| 5254 | 1158
|
|---|
| 5255 | 00:47:52,436 --> 00:47:54,388
|
|---|
| 5256 | WHAT ARE YOU LOOKING AT?
|
|---|
| 5257 | DON'T LOOK UP THERE.
|
|---|
| 5258 |
|
|---|
| 5259 | 1159
|
|---|
| 5260 | 00:47:54,388 --> 00:47:54,655
|
|---|
| 5261 | WHY ARE YOU LOOKING UP?
|
|---|
| 5262 |
|
|---|
| 5263 | 1160
|
|---|
| 5264 | 00:47:56,557 --> 00:47:58,992
|
|---|
| 5265 | ⪠âª
|
|---|
| 5266 |
|
|---|
| 5267 | 1161
|
|---|
| 5268 | 00:47:58,992 --> 00:47:59,426
|
|---|
| 5269 | GET OUTTA THE CAR.
|
|---|
| 5270 |
|
|---|
| 5271 | 1162
|
|---|
| 5272 | 00:48:00,594 --> 00:48:05,065
|
|---|
| 5273 | GET OUTTA THE CAR.
|
|---|
| 5274 |
|
|---|
| 5275 | 1163
|
|---|
| 5276 | 00:48:05,065 --> 00:48:05,432
|
|---|
| 5277 | ⪠âª
|
|---|
| 5278 |
|
|---|
| 5279 | 1164
|
|---|
| 5280 | 00:48:06,433 --> 00:48:07,601
|
|---|
| 5281 | ARE YOU OK?
|
|---|
| 5282 |
|
|---|
| 5283 | 1165
|
|---|
| 5284 | 00:48:07,601 --> 00:48:08,435
|
|---|
| 5285 | THE...
|
|---|
| 5286 |
|
|---|
| 5287 | 1166
|
|---|
| 5288 | 00:48:09,436 --> 00:48:12,439
|
|---|
| 5289 | GET IN THE CAR.
|
|---|
| 5290 | GET IN THE CAR!
|
|---|
| 5291 |
|
|---|
| 5292 | 1167
|
|---|
| 5293 | 00:48:12,439 --> 00:48:12,873
|
|---|
| 5294 | [ Male Announcer ] THE EPA
|
|---|
| 5295 | ESTIMATED 42 MPG HIGHWAY
|
|---|
| 5296 |
|
|---|
| 5297 | 1168
|
|---|
| 5298 | 00:48:13,841 --> 00:48:15,743
|
|---|
| 5299 | CHEVY CRUZE ECO.
|
|---|
| 5300 |
|
|---|
| 5301 | 1169
|
|---|
| 5302 | 00:48:15,743 --> 00:49:38,458
|
|---|
| 5303 | FOR WHEREVER LIFE TAKES YOU.
|
|---|
| 5304 |
|
|---|
| 5305 | 1170
|
|---|
| 5306 | 00:49:39,460 --> 00:49:41,295
|
|---|
| 5307 | ONCE I BRING THE ICE PRINCESS
|
|---|
| 5308 | OUT OF SLEEP MODE,
|
|---|
| 5309 |
|
|---|
| 5310 | 1171
|
|---|
| 5311 | 00:49:41,295 --> 00:49:41,728
|
|---|
| 5312 | SHE'S ALL YOURS, DETECTIVE.
|
|---|
| 5313 |
|
|---|
| 5314 | 1172
|
|---|
| 5315 | 00:49:42,596 --> 00:49:43,730
|
|---|
| 5316 | (inhales deeply)
|
|---|
| 5317 |
|
|---|
| 5318 | 1173
|
|---|
| 5319 | 00:49:43,730 --> 00:49:43,931
|
|---|
| 5320 | (gasps)
|
|---|
| 5321 |
|
|---|
| 5322 | 1174
|
|---|
| 5323 | 00:49:44,731 --> 00:49:45,666
|
|---|
| 5324 | HI.
|
|---|
| 5325 |
|
|---|
| 5326 | 1175
|
|---|
| 5327 | 00:49:45,666 --> 00:49:45,999
|
|---|
| 5328 | EASY.
|
|---|
| 5329 |
|
|---|
| 5330 | 1176
|
|---|
| 5331 | 00:49:46,266 --> 00:49:49,002
|
|---|
| 5332 | (panting)
|
|---|
| 5333 |
|
|---|
| 5334 | 1177
|
|---|
| 5335 | 00:49:49,002 --> 00:49:49,570
|
|---|
| 5336 | THE CAPTAIN HASN'T TURNED OFF
|
|---|
| 5337 | THE "FASTEN SEAT BELT" SIGN.
|
|---|
| 5338 |
|
|---|
| 5339 | 1178
|
|---|
| 5340 | 00:49:50,571 --> 00:49:53,307
|
|---|
| 5341 | WHERE ARE YOU TAKING ME?
|
|---|
| 5342 |
|
|---|
| 5343 | 1179
|
|---|
| 5344 | 00:49:53,307 --> 00:49:53,941
|
|---|
| 5345 | YOU'RE 25,000 FEET
|
|---|
| 5346 | ABOVE THE ATLANTIC
|
|---|
| 5347 |
|
|---|
| 5348 | 1180
|
|---|
| 5349 | 00:49:55,676 --> 00:49:57,244
|
|---|
| 5350 | EN ROUTE TO ST. PETERSBURG.
|
|---|
| 5351 |
|
|---|
| 5352 | 1181
|
|---|
| 5353 | 00:49:57,244 --> 00:49:58,011
|
|---|
| 5354 | RIPPING OFF A RUSSIAN CRIME BOSS
|
|---|
| 5355 |
|
|---|
| 5356 | 1182
|
|---|
| 5357 | 00:49:59,913 --> 00:50:02,416
|
|---|
| 5358 | WASN'T EXACTLY
|
|---|
| 5359 | THE SMARTEST IDEA.
|
|---|
| 5360 |
|
|---|
| 5361 | 1183
|
|---|
| 5362 | 00:50:02,416 --> 00:50:07,054
|
|---|
| 5363 | PETROVSKI SENT YOU?
|
|---|
| 5364 |
|
|---|
| 5365 | 1184
|
|---|
| 5366 | 00:50:11,191 --> 00:50:13,794
|
|---|
| 5367 | THESE DAYS, HE HIRES
|
|---|
| 5368 | PRETTY GIRLS TO DO A MAN'S JOB.
|
|---|
| 5369 |
|
|---|
| 5370 | 1185
|
|---|
| 5371 | 00:50:13,794 --> 00:50:14,361
|
|---|
| 5372 | YOU HEAR THAT, ABBS?
|
|---|
| 5373 |
|
|---|
| 5374 | 1186
|
|---|
| 5375 | 00:50:15,796 --> 00:50:17,564
|
|---|
| 5376 | SHE CALLED US PRETTY.
|
|---|
| 5377 |
|
|---|
| 5378 | 1187
|
|---|
| 5379 | 00:50:17,564 --> 00:50:18,165
|
|---|
| 5380 | SUCH A SWEETHEART.
|
|---|
| 5381 |
|
|---|
| 5382 | 1188
|
|---|
| 5383 | 00:50:20,400 --> 00:50:22,502
|
|---|
| 5384 | WHATEVER HE'S PAYING YOU,
|
|---|
| 5385 |
|
|---|
| 5386 | 1189
|
|---|
| 5387 | 00:50:22,502 --> 00:50:24,605
|
|---|
| 5388 | I'LL DOUBLE IT.
|
|---|
| 5389 |
|
|---|
| 5390 | 1190
|
|---|
| 5391 | 00:50:25,839 --> 00:50:32,479
|
|---|
| 5392 | SO TURN THE PLANE AROUND.
|
|---|
| 5393 |
|
|---|
| 5394 | 1191
|
|---|
| 5395 | 00:50:32,479 --> 00:50:34,348
|
|---|
| 5396 | RODRIGO GRABBED ONE OF OUR TEAM.
|
|---|
| 5397 | WHERE WOULD HE TAKE HER?
|
|---|
| 5398 |
|
|---|
| 5399 | 1192
|
|---|
| 5400 | 00:50:34,631 --> 00:50:38,619
|
|---|
| 5401 | AS SOON AS WE LAND IN MIAMI,
|
|---|
| 5402 |
|
|---|
| 5403 | 1193
|
|---|
| 5404 | 00:50:38,619 --> 00:50:38,986
|
|---|
| 5405 | I'LL TELL YOU.
|
|---|
| 5406 |
|
|---|
| 5407 | 1194
|
|---|
| 5408 | 00:50:40,621 --> 00:50:42,422
|
|---|
| 5409 | YOU'RE LYING.
|
|---|
| 5410 |
|
|---|
| 5411 | 1195
|
|---|
| 5412 | 00:50:42,422 --> 00:50:42,890
|
|---|
| 5413 | SHE'LL BE DEAD BY THEN.
|
|---|
| 5414 |
|
|---|
| 5415 | 1196
|
|---|
| 5416 | 00:50:46,093 --> 00:50:51,098
|
|---|
| 5417 | IT'S MY BEST OFFER.
|
|---|
| 5418 |
|
|---|
| 5419 | 1197
|
|---|
| 5420 | 00:50:51,098 --> 00:50:52,266
|
|---|
| 5421 | HERE'S SOME
|
|---|
| 5422 | IN-FLIGHT ENTERTAINMENT.
|
|---|
| 5423 |
|
|---|
| 5424 | 1198
|
|---|
| 5425 | 00:50:54,768 --> 00:50:56,103
|
|---|
| 5426 | IT'S A HOME MOVIE OF THE LAST
|
|---|
| 5427 | GUY WHO CROSSED PETROVSKI.
|
|---|
| 5428 |
|
|---|
| 5429 | 1199
|
|---|
| 5430 | 00:50:56,103 --> 00:50:56,737
|
|---|
| 5431 | HOPE YOU'RE NOT SQUEAMISH.
|
|---|
| 5432 |
|
|---|
| 5433 | 1200
|
|---|
| 5434 | 00:50:58,071 --> 00:50:59,840
|
|---|
| 5435 | (man screaming, gunshots)
|
|---|
| 5436 |
|
|---|
| 5437 | 1201
|
|---|
| 5438 | 00:50:59,840 --> 00:51:00,274
|
|---|
| 5439 | (scoffs) NOW THAT GUY
|
|---|
| 5440 | IS AN ARTIST
|
|---|
| 5441 |
|
|---|
| 5442 | 1202
|
|---|
| 5443 | 00:51:01,041 --> 00:51:03,544
|
|---|
| 5444 | WITH A NAIL GUN.
|
|---|
| 5445 |
|
|---|
| 5446 | 1203
|
|---|
| 5447 | 00:51:03,544 --> 00:51:04,311
|
|---|
| 5448 | (screaming continues)
|
|---|
| 5449 |
|
|---|
| 5450 | 1204
|
|---|
| 5451 | 00:51:06,380 --> 00:51:10,550
|
|---|
| 5452 | YOU THINK THAT SCARES ME?
|
|---|
| 5453 | HMM?
|
|---|
| 5454 |
|
|---|
| 5455 | 1205
|
|---|
| 5456 | 00:51:10,550 --> 00:51:11,451
|
|---|
| 5457 | WELL, YOU SHOULD HEAR
|
|---|
| 5458 | WHAT HE HAS IN STORE FOR YOU.
|
|---|
| 5459 |
|
|---|
| 5460 | 1206
|
|---|
| 5461 | 00:51:12,653 --> 00:51:16,657
|
|---|
| 5462 | (sighs) IF IT MAKES YOU
|
|---|
| 5463 | FEEL ANY BETTER,
|
|---|
| 5464 |
|
|---|
| 5465 | 1207
|
|---|
| 5466 | 00:51:16,657 --> 00:51:17,491
|
|---|
| 5467 | HE'S ALL BENT UP ABOUT HAVING
|
|---|
| 5468 | TO KILL HIS LITTLE BABUSHKA.
|
|---|
| 5469 |
|
|---|
| 5470 | 1208
|
|---|
| 5471 | 00:51:18,592 --> 00:51:21,094
|
|---|
| 5472 | ISN'T THAT WHAT HE USED
|
|---|
| 5473 | TO CALL YOU?
|
|---|
| 5474 |
|
|---|
| 5475 | 1209
|
|---|
| 5476 | 00:51:21,094 --> 00:51:23,797
|
|---|
| 5477 | HOW DID YOU KNOW THAT?
|
|---|
| 5478 |
|
|---|
| 5479 | 1210
|
|---|
| 5480 | 00:51:27,401 --> 00:51:32,940
|
|---|
| 5481 | (speaks Russian)
|
|---|
| 5482 |
|
|---|
| 5483 | 1211
|
|---|
| 5484 | 00:51:32,940 --> 00:51:33,273
|
|---|
| 5485 | ENJOY YOUR FLIGHT.
|
|---|
| 5486 |
|
|---|
| 5487 | 1212
|
|---|
| 5488 | 00:51:35,842 --> 00:51:39,563
|
|---|
| 5489 | OH, WAIT.
|
|---|
| 5490 |
|
|---|
| 5491 | 1213
|
|---|
| 5492 | 00:51:39,563 --> 00:51:41,048
|
|---|
| 5493 | FLAMINGO BOAT YARD.
|
|---|
| 5494 |
|
|---|
| 5495 | 1214
|
|---|
| 5496 | 00:51:42,983 --> 00:51:46,186
|
|---|
| 5497 | HE WOULD HAVE TAKEN
|
|---|
| 5498 | YOUR FRIENDS THERE.
|
|---|
| 5499 |
|
|---|
| 5500 | 1215
|
|---|
| 5501 | 00:51:46,186 --> 00:51:49,256
|
|---|
| 5502 | OKAY, BOS, IT'S TIME TO BAIL.
|
|---|
| 5503 |
|
|---|
| 5504 | 1216
|
|---|
| 5505 | 00:51:51,925 --> 00:51:59,499
|
|---|
| 5506 | DON'T OPEN THAT DOOR!
|
|---|
| 5507 | ARE YOU INSANE?
|
|---|
| 5508 |
|
|---|
| 5509 | 1217
|
|---|
| 5510 | 00:51:59,499 --> 00:51:59,833
|
|---|
| 5511 | (gasps)
|
|---|
| 5512 |
|
|---|
| 5513 | 1218
|
|---|
| 5514 | 00:52:01,735 --> 00:52:04,037
|
|---|
| 5515 | HEY, RELAX.
|
|---|
| 5516 |
|
|---|
| 5517 | 1219
|
|---|
| 5518 | 00:52:04,037 --> 00:52:09,109
|
|---|
| 5519 | AT LEAST
|
|---|
| 5520 | YOU'RE NOT IN COACH.
|
|---|
| 5521 |
|
|---|
| 5522 | 1220
|
|---|
| 5523 | 00:52:11,278 --> 00:52:22,689
|
|---|
| 5524 | (mouths words)
|
|---|
| 5525 |
|
|---|
| 5526 | 1221
|
|---|
| 5527 | 00:52:22,689 --> 00:52:23,457
|
|---|
| 5528 | WHO TOOK NADIA?
|
|---|
| 5529 |
|
|---|
| 5530 | 1222
|
|---|
| 5531 | 00:52:24,491 --> 00:52:28,061
|
|---|
| 5532 | TELL ME WHERE
|
|---|
| 5533 | THEY TOOK NADIA.
|
|---|
| 5534 |
|
|---|
| 5535 | 1223
|
|---|
| 5536 | 00:52:28,061 --> 00:52:28,428
|
|---|
| 5537 | WHO TOOK NADIA?!
|
|---|
| 5538 | (electricity crackles)
|
|---|
| 5539 |
|
|---|
| 5540 | 1224
|
|---|
| 5541 | 00:52:30,130 --> 00:52:32,432
|
|---|
| 5542 | (screaming)
|
|---|
| 5543 |
|
|---|
| 5544 | 1225
|
|---|
| 5545 | 00:52:32,432 --> 00:52:32,766
|
|---|
| 5546 | YOU HAD ENOUGH? HMM?
|
|---|
| 5547 |
|
|---|
| 5548 | 1226
|
|---|
| 5549 | 00:52:33,734 --> 00:52:37,938
|
|---|
| 5550 | (panting)
|
|---|
| 5551 |
|
|---|
| 5552 | 1227
|
|---|
| 5553 | 00:52:37,938 --> 00:52:38,705
|
|---|
| 5554 | JUST... GETTING...
|
|---|
| 5555 | WARMED... UP.
|
|---|
| 5556 |
|
|---|
| 5557 | 1228
|
|---|
| 5558 | 00:52:42,376 --> 00:52:53,220
|
|---|
| 5559 | (laughs)
|
|---|
| 5560 | JUST GETTING WARMED UP.
|
|---|
| 5561 |
|
|---|
| 5562 | 1229
|
|---|
| 5563 | 00:52:53,220 --> 00:52:54,488
|
|---|
| 5564 | OH, MY GOD. LOOK.
|
|---|
| 5565 |
|
|---|
| 5566 | 1230
|
|---|
| 5567 | 00:52:56,223 --> 00:52:58,158
|
|---|
| 5568 | THIS IS WHERE RODRIGO MUST BE
|
|---|
| 5569 | STORING THE GIRLS HE TRAFFICS.
|
|---|
| 5570 |
|
|---|
| 5571 | 1231
|
|---|
| 5572 | 00:52:58,158 --> 00:52:59,126
|
|---|
| 5573 | (Eve screaming,
|
|---|
| 5574 | Rodrigo shouting indistinctly)
|
|---|
| 5575 |
|
|---|
| 5576 | 1232
|
|---|
| 5577 | 00:53:01,161 --> 00:53:05,132
|
|---|
| 5578 | EVE'S RUNNING OUT OF TIME.
|
|---|
| 5579 | WE GOTTA MOVE NOW.
|
|---|
| 5580 |
|
|---|
| 5581 | 1233
|
|---|
| 5582 | 00:53:05,132 --> 00:53:05,499
|
|---|
| 5583 | NEW PLAN. YOU GET THE GIRLS.
|
|---|
| 5584 | I'LL GET EVE. GO.
|
|---|
| 5585 |
|
|---|
| 5586 | 1234
|
|---|
| 5587 | 00:53:07,601 --> 00:53:09,836
|
|---|
| 5588 | UHH!
|
|---|
| 5589 | AAH!
|
|---|
| 5590 |
|
|---|
| 5591 | 1235
|
|---|
| 5592 | 00:53:09,836 --> 00:53:19,246
|
|---|
| 5593 | WHO TOOK NADIA?!
|
|---|
| 5594 |
|
|---|
| 5595 | 1236
|
|---|
| 5596 | 00:53:20,514 --> 00:53:23,016
|
|---|
| 5597 | TELL ME WHO TOOK NADIA!
|
|---|
| 5598 |
|
|---|
| 5599 | 1237
|
|---|
| 5600 | 00:53:23,016 --> 00:53:23,417
|
|---|
| 5601 | (grunting and gasping)
|
|---|
| 5602 |
|
|---|
| 5603 | 1238
|
|---|
| 5604 | 00:53:25,585 --> 00:53:28,088
|
|---|
| 5605 | WHO TOOK NADIA?
|
|---|
| 5606 |
|
|---|
| 5607 | 1239
|
|---|
| 5608 | 00:53:28,088 --> 00:53:28,855
|
|---|
| 5609 | (grunts)
|
|---|
| 5610 |
|
|---|
| 5611 | 1240
|
|---|
| 5612 | 00:53:31,958 --> 00:53:32,993
|
|---|
| 5613 | NADIA'S NOT AS TOUGH
|
|---|
| 5614 | AS THIS ONE.
|
|---|
| 5615 |
|
|---|
| 5616 | 1241
|
|---|
| 5617 | 00:53:32,993 --> 00:53:33,527
|
|---|
| 5618 | SHE'LL BREAK.
|
|---|
| 5619 |
|
|---|
| 5620 | 1242
|
|---|
| 5621 | 00:53:34,461 --> 00:53:36,830
|
|---|
| 5622 | TIME TO SLASH AND BURN.
|
|---|
| 5623 |
|
|---|
| 5624 | 1243
|
|---|
| 5625 | 00:53:36,830 --> 00:53:43,370
|
|---|
| 5626 | AND KILL HER.
|
|---|
| 5627 |
|
|---|
| 5628 | 1244
|
|---|
| 5629 | 00:53:46,506 --> 00:53:49,326
|
|---|
| 5630 | UHH!
|
|---|
| 5631 | (grunts)
|
|---|
| 5632 |
|
|---|
| 5633 | 1245
|
|---|
| 5634 | 00:53:49,326 --> 00:53:53,547
|
|---|
| 5635 | (grunting)
|
|---|
| 5636 |
|
|---|
| 5637 | 1246
|
|---|
| 5638 | 00:53:54,781 --> 00:53:57,784
|
|---|
| 5639 | (bones crack)
|
|---|
| 5640 |
|
|---|
| 5641 | 1247
|
|---|
| 5642 | 00:53:57,784 --> 00:54:06,927
|
|---|
| 5643 | (grunting continues)
|
|---|
| 5644 |
|
|---|
| 5645 | 1248
|
|---|
| 5646 | 00:54:07,994 --> 00:54:08,895
|
|---|
| 5647 | (gun cocks)
|
|---|
| 5648 | BOS!
|
|---|
| 5649 |
|
|---|
| 5650 | 1249
|
|---|
| 5651 | 00:54:08,895 --> 00:54:09,262
|
|---|
| 5652 | UHH!
|
|---|
| 5653 |
|
|---|
| 5654 | 1250
|
|---|
| 5655 | 00:54:12,732 --> 00:54:18,305
|
|---|
| 5656 | (all grunting)
|
|---|
| 5657 |
|
|---|
| 5658 | 1251
|
|---|
| 5659 | 00:54:18,305 --> 00:54:18,638
|
|---|
| 5660 | (bones crack)
|
|---|
| 5661 |
|
|---|
| 5662 | 1252
|
|---|
| 5663 | 00:54:20,941 --> 00:54:21,658
|
|---|
| 5664 | (screams)
|
|---|
| 5665 |
|
|---|
| 5666 | 1253
|
|---|
| 5667 | 00:54:21,658 --> 00:54:27,314
|
|---|
| 5668 | (grunting continues)
|
|---|
| 5669 |
|
|---|
| 5670 | 1254
|
|---|
| 5671 | 00:54:29,850 --> 00:54:47,701
|
|---|
| 5672 | (metal clanks)
|
|---|
| 5673 |
|
|---|
| 5674 | 1255
|
|---|
| 5675 | 00:54:47,701 --> 00:54:48,101
|
|---|
| 5676 | (women scream)
|
|---|
| 5677 |
|
|---|
| 5678 | 1256
|
|---|
| 5679 | 00:54:51,438 --> 00:54:53,957
|
|---|
| 5680 | (women gasping)
|
|---|
| 5681 |
|
|---|
| 5682 | 1257
|
|---|
| 5683 | 00:54:53,957 --> 00:54:55,342
|
|---|
| 5684 | (whimpering)
|
|---|
| 5685 |
|
|---|
| 5686 | 1258
|
|---|
| 5687 | 00:54:58,879 --> 00:55:06,553
|
|---|
| 5688 | (speaks Spanish)
|
|---|
| 5689 |
|
|---|
| 5690 | 1259
|
|---|
| 5691 | 00:55:06,553 --> 00:55:09,489
|
|---|
| 5692 | COME ON!
|
|---|
| 5693 |
|
|---|
| 5694 | 1260
|
|---|
| 5695 | 00:55:10,423 --> 00:55:11,625
|
|---|
| 5696 | (crackles)
|
|---|
| 5697 |
|
|---|
| 5698 | 1261
|
|---|
| 5699 | 00:55:11,625 --> 00:55:11,992
|
|---|
| 5700 | (engine starts)
|
|---|
| 5701 |
|
|---|
| 5702 | 1262
|
|---|
| 5703 | 00:55:14,961 --> 00:55:20,400
|
|---|
| 5704 | (screeching)
|
|---|
| 5705 |
|
|---|
| 5706 | 1263
|
|---|
| 5707 | 00:55:20,400 --> 00:55:28,775
|
|---|
| 5708 | (gunshots)
|
|---|
| 5709 |
|
|---|
| 5710 | 1264
|
|---|
| 5711 | 00:55:31,044 --> 00:55:40,320
|
|---|
| 5712 | (grunting)
|
|---|
| 5713 |
|
|---|
| 5714 | 1265
|
|---|
| 5715 | 00:55:40,320 --> 00:55:42,122
|
|---|
| 5716 | (moaning)
|
|---|
| 5717 |
|
|---|
| 5718 | 1266
|
|---|
| 5719 | 00:55:43,456 --> 00:55:46,593
|
|---|
| 5720 | YOU'LL SPEND THE REST
|
|---|
| 5721 | OF YOUR LIFE IN A CAGE.
|
|---|
| 5722 |
|
|---|
| 5723 | 1267
|
|---|
| 5724 | 00:55:46,593 --> 00:56:05,745
|
|---|
| 5725 | THAT'S WHAT YOU DESERVE,
|
|---|
| 5726 | PAJARO.
|
|---|
| 5727 |
|
|---|
| 5728 | 1268
|
|---|
| 5729 | 00:56:08,348 --> 00:56:09,516
|
|---|
| 5730 | AHA.
|
|---|
| 5731 |
|
|---|
| 5732 | 1269
|
|---|
| 5733 | 00:56:09,516 --> 00:56:10,517
|
|---|
| 5734 | THOUGHT I MIGHT
|
|---|
| 5735 | FIND YOU HERE.
|
|---|
| 5736 |
|
|---|
| 5737 | 1270
|
|---|
| 5738 | 00:56:12,552 --> 00:56:16,656
|
|---|
| 5739 | GLORIA'S UNCLE USED
|
|---|
| 5740 | TO OWN THIS GARAGE, RIGHT?
|
|---|
| 5741 |
|
|---|
| 5742 | 1271
|
|---|
| 5743 | 00:56:16,656 --> 00:56:17,524
|
|---|
| 5744 | YEAH. I REBUILT MY FIRST ENGINE
|
|---|
| 5745 | HERE WHEN I WAS 13.
|
|---|
| 5746 |
|
|---|
| 5747 | 1272
|
|---|
| 5748 | 00:56:20,927 --> 00:56:23,430
|
|---|
| 5749 | BUT YOU'RE NOT HERE
|
|---|
| 5750 | TO TALK ABOUT CARS.
|
|---|
| 5751 |
|
|---|
| 5752 | 1273
|
|---|
| 5753 | 00:56:23,430 --> 00:56:24,431
|
|---|
| 5754 | CHARLIE TOLD ME
|
|---|
| 5755 | HE CALLED YOU.
|
|---|
| 5756 |
|
|---|
| 5757 | 1274
|
|---|
| 5758 | 00:56:26,299 --> 00:56:27,868
|
|---|
| 5759 | CAME BY TO SEE IF YOU'VE
|
|---|
| 5760 | CONSIDERED HIS OFFER.
|
|---|
| 5761 |
|
|---|
| 5762 | 1275
|
|---|
| 5763 | 00:56:27,868 --> 00:56:28,668
|
|---|
| 5764 | YEAH. UM...
|
|---|
| 5765 |
|
|---|
| 5766 | 1276
|
|---|
| 5767 | 00:56:29,336 --> 00:56:31,254
|
|---|
| 5768 | I'M JUST NOT SURE
|
|---|
| 5769 | WHY HE'D WANT ME.
|
|---|
| 5770 |
|
|---|
| 5771 | 1277
|
|---|
| 5772 | 00:56:31,254 --> 00:56:34,107
|
|---|
| 5773 | WELL, HE KEEPS HIS CRITERIA
|
|---|
| 5774 | CLOSE TO THE VEST.
|
|---|
| 5775 |
|
|---|
| 5776 | 1278
|
|---|
| 5777 | 00:56:35,575 --> 00:56:36,610
|
|---|
| 5778 | MY BET--HE'S IMPRESSED
|
|---|
| 5779 | WITH YOUR ABILITIES
|
|---|
| 5780 |
|
|---|
| 5781 | 1279
|
|---|
| 5782 | 00:56:36,610 --> 00:56:37,410
|
|---|
| 5783 | TO ADAPT TO SITUATIONS,
|
|---|
| 5784 |
|
|---|
| 5785 | 1280
|
|---|
| 5786 | 00:56:39,012 --> 00:56:41,414
|
|---|
| 5787 | YOUR ABOVE AVERAGE
|
|---|
| 5788 | DRIVING SKILLS,
|
|---|
| 5789 |
|
|---|
| 5790 | 1281
|
|---|
| 5791 | 00:56:41,414 --> 00:56:41,948
|
|---|
| 5792 | AND THE FACT THAT
|
|---|
| 5793 | YOUR EMPLOYMENT OPTIONS
|
|---|
| 5794 |
|
|---|
| 5795 | 1282
|
|---|
| 5796 | 00:56:42,649 --> 00:56:46,286
|
|---|
| 5797 | ARE EXTREMELY LIMITED.
|
|---|
| 5798 |
|
|---|
| 5799 | 1283
|
|---|
| 5800 | 00:56:46,286 --> 00:56:46,519
|
|---|
| 5801 | MM, YES,
|
|---|
| 5802 | IS THAT HOW HE GOT YOU?
|
|---|
| 5803 |
|
|---|
| 5804 | 1284
|
|---|
| 5805 | 00:56:47,687 --> 00:56:49,956
|
|---|
| 5806 | âª
|
|---|
| 5807 |
|
|---|
| 5808 | 1285
|
|---|
| 5809 | 00:56:49,956 --> 00:56:50,357
|
|---|
| 5810 | I WAS STARING
|
|---|
| 5811 | AT A 20-YEAR SENTENCE
|
|---|
| 5812 |
|
|---|
| 5813 | 1286
|
|---|
| 5814 | 00:56:51,491 --> 00:56:53,393
|
|---|
| 5815 | FOR TAX FRAUD.
|
|---|
| 5816 |
|
|---|
| 5817 | 1287
|
|---|
| 5818 | 00:56:53,393 --> 00:56:54,394
|
|---|
| 5819 | PLANTED A VIRUS
|
|---|
| 5820 | IN THE I.R.S. MAINFRAME,
|
|---|
| 5821 |
|
|---|
| 5822 | 1288
|
|---|
| 5823 | 00:56:56,730 --> 00:56:58,698
|
|---|
| 5824 | SKIMMED A PENNY
|
|---|
| 5825 | OFF EVERYBODY'S TAX RETURN.
|
|---|
| 5826 |
|
|---|
| 5827 | 1289
|
|---|
| 5828 | 00:56:58,698 --> 00:56:59,266
|
|---|
| 5829 | MY OWN PERSONAL
|
|---|
| 5830 | STIMULUS PACKAGE.
|
|---|
| 5831 |
|
|---|
| 5832 | 1290
|
|---|
| 5833 | 00:57:01,101 --> 00:57:03,003
|
|---|
| 5834 | I'VE ALREADY DONE MY TIME,
|
|---|
| 5835 |
|
|---|
| 5836 | 1291
|
|---|
| 5837 | 00:57:03,003 --> 00:57:03,503
|
|---|
| 5838 | AND WORKING
|
|---|
| 5839 | FOR A VOICE IN A BOX
|
|---|
| 5840 |
|
|---|
| 5841 | 1292
|
|---|
| 5842 | 00:57:03,853 --> 00:57:07,073
|
|---|
| 5843 | ISN'T REALLY MY STYLE.
|
|---|
| 5844 |
|
|---|
| 5845 | 1293
|
|---|
| 5846 | 00:57:07,073 --> 00:57:07,807
|
|---|
| 5847 | FIRST RULE
|
|---|
| 5848 | OF THE TOWNSEND AGENCY--
|
|---|
| 5849 |
|
|---|
| 5850 | 1294
|
|---|
| 5851 | 00:57:09,376 --> 00:57:12,312
|
|---|
| 5852 | ZERO FACE TIME
|
|---|
| 5853 | WITH THE BOSS.
|
|---|
| 5854 |
|
|---|
| 5855 | 1295
|
|---|
| 5856 | 00:57:12,312 --> 00:57:12,779
|
|---|
| 5857 | TELL HIM
|
|---|
| 5858 | I APPRECIATE THE OFFER,
|
|---|
| 5859 |
|
|---|
| 5860 | 1296
|
|---|
| 5861 | 00:57:14,514 --> 00:57:16,016
|
|---|
| 5862 | BUT IT'S NOT FOR ME.
|
|---|
| 5863 |
|
|---|
| 5864 | 1297
|
|---|
| 5865 | 00:57:16,016 --> 00:57:16,616
|
|---|
| 5866 | YOU KNOW WHY CHARLIE
|
|---|
| 5867 | CALLS THE WOMEN
|
|---|
| 5868 |
|
|---|
| 5869 | 1298
|
|---|
| 5870 | 00:57:18,919 --> 00:57:19,619
|
|---|
| 5871 | WHO WORK FOR HIM "ANGELS"?
|
|---|
| 5872 |
|
|---|
| 5873 | 1299
|
|---|
| 5874 | 00:57:19,619 --> 00:57:20,620
|
|---|
| 5875 | WHY?
|
|---|
| 5876 |
|
|---|
| 5877 | 1300
|
|---|
| 5878 | 00:57:21,655 --> 00:57:23,957
|
|---|
| 5879 | BECAUSE THEY SHOW UP
|
|---|
| 5880 | WHEN YOU LEAST EXPECT IT
|
|---|
| 5881 |
|
|---|
| 5882 | 1301
|
|---|
| 5883 | 00:57:23,957 --> 00:57:24,257
|
|---|
| 5884 | WHEN YOU NEED THEM THE MOST.
|
|---|
| 5885 |
|
|---|
| 5886 | 1302
|
|---|
| 5887 | 00:57:25,759 --> 00:57:28,028
|
|---|
| 5888 | TRUST ME.
|
|---|
| 5889 |
|
|---|
| 5890 | 1303
|
|---|
| 5891 | 00:57:28,028 --> 00:57:28,261
|
|---|
| 5892 | I'M NO ANGEL.
|
|---|
| 5893 |
|
|---|
| 5894 | 1304
|
|---|
| 5895 | 00:57:29,596 --> 00:57:30,163
|
|---|
| 5896 | WHY?
|
|---|
| 5897 |
|
|---|
| 5898 | 1305
|
|---|
| 5899 | 00:57:30,163 --> 00:57:31,164
|
|---|
| 5900 | (sighs)
|
|---|
| 5901 |
|
|---|
| 5902 | 1306
|
|---|
| 5903 | 00:57:33,166 --> 00:57:35,902
|
|---|
| 5904 | BECAUSE YOU HAVE A PAST
|
|---|
| 5905 | YOU'RE NOT PROUD OF?
|
|---|
| 5906 |
|
|---|
| 5907 | 1307
|
|---|
| 5908 | 00:57:35,902 --> 00:57:36,670
|
|---|
| 5909 | LOOK AT THIS
|
|---|
| 5910 | AS YOUR SECOND CHANCE,
|
|---|
| 5911 |
|
|---|
| 5912 | 1308
|
|---|
| 5913 | 00:57:37,187 --> 00:57:41,374
|
|---|
| 5914 | LIKE THE ONE
|
|---|
| 5915 | YOU GAVE GLORIA.
|
|---|
| 5916 |
|
|---|
| 5917 | 1309
|
|---|
| 5918 | 00:57:41,374 --> 00:57:42,375
|
|---|
| 5919 | âª
|
|---|
| 5920 |
|
|---|
| 5921 | 1310
|
|---|
| 5922 | 00:57:43,043 --> 00:57:45,945
|
|---|
| 5923 | SHE WAS WITH YOU THE NIGHT
|
|---|
| 5924 | YOU WERE ARRESTED,
|
|---|
| 5925 |
|
|---|
| 5926 | 1311
|
|---|
| 5927 | 00:57:45,945 --> 00:57:46,546
|
|---|
| 5928 | BUT YOU LET HER WALK AWAY
|
|---|
| 5929 | FROM THE ACCIDENT
|
|---|
| 5930 |
|
|---|
| 5931 | 1312
|
|---|
| 5932 | 00:57:48,214 --> 00:57:50,950
|
|---|
| 5933 | BEFORE THE COPS SHOWED UP.
|
|---|
| 5934 |
|
|---|
| 5935 | 1313
|
|---|
| 5936 | 00:57:50,950 --> 00:57:52,052
|
|---|
| 5937 | âª
|
|---|
| 5938 |
|
|---|
| 5939 | 1314
|
|---|
| 5940 | 00:57:55,188 --> 00:57:57,457
|
|---|
| 5941 | SHE HAD ALWAYS PROTECTED ME.
|
|---|
| 5942 | I WANTED TO PROTECT HER.
|
|---|
| 5943 |
|
|---|
| 5944 | 1315
|
|---|
| 5945 | 00:57:57,457 --> 00:57:57,957
|
|---|
| 5946 | BESIDES,
|
|---|
| 5947 | SHE'S THE ONLY FAMILY I HAD.
|
|---|
| 5948 |
|
|---|
| 5949 | 1316
|
|---|
| 5950 | 00:58:00,260 --> 00:58:02,495
|
|---|
| 5951 | WE'RE A FAMILY, TOO.
|
|---|
| 5952 |
|
|---|
| 5953 | 1317
|
|---|
| 5954 | 00:58:02,495 --> 00:58:02,962
|
|---|
| 5955 | I THINK YOU COULD USE
|
|---|
| 5956 | ONE OF THOSE RIGHT NOW.
|
|---|
| 5957 |
|
|---|
| 5958 | 1318
|
|---|
| 5959 | 00:58:05,231 --> 00:58:06,433
|
|---|
| 5960 | (cell phone rings)
|
|---|
| 5961 |
|
|---|
| 5962 | 1319
|
|---|
| 5963 | 00:58:06,433 --> 00:58:06,666
|
|---|
| 5964 | IT'S CHARLIE.
|
|---|
| 5965 |
|
|---|
| 5966 | 1320
|
|---|
| 5967 | 00:58:08,234 --> 00:58:09,019
|
|---|
| 5968 | (ring)
|
|---|
| 5969 |
|
|---|
| 5970 | 1321
|
|---|
| 5971 | 00:58:09,019 --> 00:58:10,003
|
|---|
| 5972 | TAKE MY ADVICE.
|
|---|
| 5973 |
|
|---|
| 5974 | 1322
|
|---|
| 5975 | 00:58:10,570 --> 00:58:12,539
|
|---|
| 5976 | (ring)
|
|---|
| 5977 |
|
|---|
| 5978 | 1323
|
|---|
| 5979 | 00:58:12,539 --> 00:58:12,772
|
|---|
| 5980 | ANSWER THE CALL.
|
|---|
| 5981 |
|
|---|
| 5982 | 1324
|
|---|
| 5983 | 00:58:15,141 --> 00:58:19,045
|
|---|
| 5984 | (ring)
|
|---|
| 5985 |
|
|---|
| 5986 | 1325
|
|---|
| 5987 | 00:58:19,045 --> 00:58:19,679
|
|---|
| 5988 | (Anjulie) ⪠DON'T NEED
|
|---|
| 5989 | YOUR SAD FACE, SORRY, BABY âª
|
|---|
| 5990 |
|
|---|
| 5991 | 1326
|
|---|
| 5992 | 00:58:20,447 --> 00:58:22,115
|
|---|
| 5993 | ⪠BUT I MADE UP MY MIND âª
|
|---|
| 5994 |
|
|---|
| 5995 | 1327
|
|---|
| 5996 | 00:58:22,115 --> 00:58:22,916
|
|---|
| 5997 | THE HOURS CAN BE LONG.
|
|---|
| 5998 |
|
|---|
| 5999 | 1328
|
|---|
| 6000 | 00:58:24,150 --> 00:58:25,885
|
|---|
| 6001 | AND KATE CAN BE
|
|---|
| 6002 | REALLY BOSSY.
|
|---|
| 6003 |
|
|---|
| 6004 | 1329
|
|---|
| 6005 | 00:58:25,885 --> 00:58:26,686
|
|---|
| 6006 | OH! AND ABBY WILL OVERSHARE
|
|---|
| 6007 |
|
|---|
| 6008 | 1330
|
|---|
| 6009 | 00:58:26,953 --> 00:58:29,222
|
|---|
| 6010 | AND WANT TO BORROW
|
|---|
| 6011 | ALL YOUR CLOTHES.
|
|---|
| 6012 |
|
|---|
| 6013 | 1331
|
|---|
| 6014 | 00:58:29,222 --> 00:58:30,156
|
|---|
| 6015 | SHE'S RIGHT, AND I TOTALLY
|
|---|
| 6016 | HAVE DIBS ON THOSE SHOES.
|
|---|
| 6017 |
|
|---|
| 6018 | 1332
|
|---|
| 6019 | 00:58:32,592 --> 00:58:35,362
|
|---|
| 6020 | JUST REMEMBER.
|
|---|
| 6021 | WE EARN OUR WINGS TOGETHER.
|
|---|
| 6022 |
|
|---|
| 6023 | 1333
|
|---|
| 6024 | 00:58:35,362 --> 00:58:35,695
|
|---|
| 6025 | ⪠TURNIN' UP THE,
|
|---|
| 6026 | TURNIN' UP THE BEAT âª
|
|---|
| 6027 |
|
|---|
| 6028 | 1334
|
|---|
| 6029 | 00:58:37,130 --> 00:58:38,298
|
|---|
| 6030 | I'M READY.
|
|---|
| 6031 |
|
|---|
| 6032 | 1335
|
|---|
| 6033 | 00:58:38,298 --> 00:58:38,965
|
|---|
| 6034 | WELCOME TO THE ANGELS.
|
|---|
| 6035 |
|
|---|
| 6036 | 1336
|
|---|
| 6037 | 00:58:40,166 --> 00:58:41,584
|
|---|
| 6038 | ⪠I'M LIKE A BRAND NEW CHICK âª
|
|---|
| 6039 |
|
|---|
| 6040 | 1337
|
|---|
| 6041 | 00:58:41,584 --> 00:58:43,036
|
|---|
| 6042 | SOMEBODY WOULD LIKE
|
|---|
| 6043 | TO SAY HELLO.
|
|---|
| 6044 |
|
|---|
| 6045 | 1338
|
|---|
| 6046 | 00:58:43,837 --> 00:58:46,940
|
|---|
| 6047 | (beep)
|
|---|
| 6048 | ⪠YOU WOULDN'T RECOGNIZE ME âª
|
|---|
| 6049 |
|
|---|
| 6050 | 1339
|
|---|
| 6051 | 00:58:46,940 --> 00:58:47,340
|
|---|
| 6052 | (Charlie) I trust
|
|---|
| 6053 | you're all enjoying my yacht.
|
|---|
| 6054 |
|
|---|
| 6055 | 1340
|
|---|
| 6056 | 00:58:47,941 --> 00:58:49,976
|
|---|
| 6057 | IT'S AMAZING.
|
|---|
| 6058 |
|
|---|
| 6059 | 1341
|
|---|
| 6060 | 00:58:49,976 --> 00:58:51,211
|
|---|
| 6061 | THE ONLY THING
|
|---|
| 6062 | WE'RE MISSING IS THE OWNER.
|
|---|
| 6063 |
|
|---|
| 6064 | 1342
|
|---|
| 6065 | 00:58:53,913 --> 00:58:58,585
|
|---|
| 6066 | WE WERE HOPING YOU WOULD DROP IN
|
|---|
| 6067 | ON THE CELEBRATION, CHARLIE.
|
|---|
| 6068 |
|
|---|
| 6069 | 1343
|
|---|
| 6070 | 00:58:58,585 --> 00:58:59,085
|
|---|
| 6071 | Not today, Angels, but know
|
|---|
| 6072 | I'm always a phone call away.
|
|---|
| 6073 |
|
|---|
| 6074 | 1344
|
|---|
| 6075 | 00:59:00,286 --> 00:59:04,457
|
|---|
| 6076 | CHEERS.
|
|---|
| 6077 | (clink)
|
|---|
| 6078 |
|
|---|
| 6079 | 1345
|
|---|
| 6080 | 00:59:04,457 --> 00:59:05,025
|
|---|
| 6081 | ⪠MY FACE TO THE SKY,
|
|---|
| 6082 | SUNGLASSES ON âª
|
|---|
| 6083 |
|
|---|
| 6084 | 1346
|
|---|
| 6085 | 00:59:06,026 --> 00:59:07,594
|
|---|
| 6086 | ⪠TURNIN' UP THE BEAT âª
|
|---|
| 6087 |
|
|---|
| 6088 | 1347
|
|---|
| 6089 | 00:59:07,594 --> 00:59:07,994
|
|---|
| 6090 | ⪠SO SICK âª
|
|---|
| 6091 |
|
|---|
| 6092 | 1348
|
|---|
| 6093 | 00:59:08,428 --> 00:59:10,030
|
|---|
| 6094 | ⪠YEAH, YEAH âª
|
|---|
| 6095 |
|
|---|
| 6096 | 1349
|
|---|
| 6097 | 00:59:10,030 --> 00:59:10,897
|
|---|
| 6098 | ⪠I'M LIKE A BRAND NEW âª
|
|---|
| 6099 |
|
|---|
| 6100 | 1350
|
|---|
| 6101 | 00:59:11,898 --> 00:59:14,284
|
|---|
| 6102 | ⪠TURNIN' UP THE,
|
|---|
| 6103 | TURNIN' UP THE âª
|
|---|
| 6104 |
|
|---|
| 6105 | 1351
|
|---|
| 6106 | 00:59:14,284 --> 00:59:16,736
|
|---|
| 6107 | ⪠TURNIN' UP THE BEAT
|
|---|
| 6108 | SO SICK âª
|
|---|
| 6109 |
|
|---|
| 6110 | 1352
|
|---|
| 6111 | 00:59:18,938 --> 00:59:21,674
|
|---|
| 6112 | ⪠I'M LIKE A BRAND NEW CHICK âª
|
|---|
| 6113 |
|
|---|
| 6114 | 1353
|
|---|
| 6115 | 00:59:21,741 --> 00:59:22,241
|
|---|
| 6116 | VO
|
|---|
| 6117 |
|
|---|
| 6118 | 1354
|
|---|
| 6119 | 00:59:21,775 --> 00:59:22,275
|
|---|
| 6120 | VO:
|
|---|
| 6121 |
|
|---|
| 6122 | 1355
|
|---|
| 6123 | 00:59:21,808 --> 00:59:22,308
|
|---|
| 6124 | VO: TH
|
|---|
| 6125 |
|
|---|
| 6126 | 1356
|
|---|
| 6127 | 00:59:21,841 --> 00:59:22,341
|
|---|
| 6128 | VO: THIS
|
|---|
| 6129 |
|
|---|
| 6130 | 1357
|
|---|
| 6131 | 00:59:21,875 --> 00:59:22,375
|
|---|
| 6132 | VO: THIS I
|
|---|
| 6133 |
|
|---|
| 6134 | 1358
|
|---|
| 6135 | 00:59:21,908 --> 00:59:22,408
|
|---|
| 6136 | VO: THIS IS
|
|---|
| 6137 |
|
|---|
| 6138 | 1359
|
|---|
| 6139 | 00:59:21,941 --> 00:59:22,441
|
|---|
| 6140 | VO: THIS IS CH
|
|---|
| 6141 |
|
|---|
| 6142 | 1360
|
|---|
| 6143 | 00:59:21,975 --> 00:59:22,475
|
|---|
| 6144 | VO: THIS IS CHER
|
|---|
| 6145 |
|
|---|
| 6146 | 1361
|
|---|
| 6147 | 00:59:22,008 --> 00:59:22,508
|
|---|
| 6148 | VO: THIS IS CHERYL
|
|---|
| 6149 |
|
|---|
| 6150 | 1362
|
|---|
| 6151 | 00:59:22,075 --> 00:59:23,543
|
|---|
| 6152 | VO: THIS IS CHERYL.
|
|---|
| 6153 |
|
|---|
| 6154 | 1363
|
|---|
| 6155 | 00:59:25,278 --> 00:59:26,780
|
|---|
| 6156 | THIS IS HER FOUR-YEAR-OLD
|
|---|
| 6157 | COMPUTER SHE DOESN'T THINK SHE
|
|---|
| 6158 | NEEDS TO UPDATE.
|
|---|
| 6159 |
|
|---|
| 6160 | 1364
|
|---|
| 6161 | 00:59:26,780 --> 00:59:27,614
|
|---|
| 6162 | SO TO SHOW HER
|
|---|
| 6163 | WHAT SHE'S MISSING,
|
|---|
| 6164 |
|
|---|
| 6165 | 1365
|
|---|
| 6166 | 00:59:29,916 --> 00:59:30,850
|
|---|
| 6167 | WE BUILT A PC STORE
|
|---|
| 6168 | IN HER HOUSE.
|
|---|
| 6169 |
|
|---|
| 6170 | 1366
|
|---|
| 6171 | 00:59:30,850 --> 00:59:31,785
|
|---|
| 6172 | CHERYL: OH MY GOSH!
|
|---|
| 6173 |
|
|---|
| 6174 | 1367
|
|---|
| 6175 | 00:59:32,085 --> 00:59:33,253
|
|---|
| 6176 | EMPLOYEE: WHAT DO YOU SAY
|
|---|
| 6177 | WE GO SHOPPING?
|
|---|
| 6178 |
|
|---|
| 6179 | 1368
|
|---|
| 6180 | 00:59:33,253 --> 00:59:34,120
|
|---|
| 6181 | CHERYL: THIS ONE'S VERY COOL.
|
|---|
| 6182 |
|
|---|
| 6183 | 1369
|
|---|
| 6184 | 00:59:34,788 --> 00:59:36,222
|
|---|
| 6185 | CHERYL: WHERE'S THE
|
|---|
| 6186 | TOWER FOR THIS?
|
|---|
| 6187 |
|
|---|
| 6188 | 1370
|
|---|
| 6189 | 00:59:36,222 --> 00:59:36,656
|
|---|
| 6190 | EMPLOYEE: EVERYTHING IS
|
|---|
| 6191 | RIGHT HERE.
|
|---|
| 6192 |
|
|---|
| 6193 | 1371
|
|---|
| 6194 | 00:59:36,723 --> 00:59:38,792
|
|---|
| 6195 | CHERYL: OH STOP!
|
|---|
| 6196 |
|
|---|
| 6197 | 1372
|
|---|
| 6198 | 00:59:38,792 --> 00:59:39,292
|
|---|
| 6199 | CHERYL: OKAY...
|
|---|
| 6200 | ALRIGHT...
|
|---|
| 6201 |
|
|---|
| 6202 | 1373
|
|---|
| 6203 | 00:59:39,459 --> 00:59:40,794
|
|---|
| 6204 | VERY LIGHT-WEIGHT!
|
|---|
| 6205 |
|
|---|
| 6206 | 1374
|
|---|
| 6207 | 00:59:40,794 --> 00:59:41,561
|
|---|
| 6208 | EMPLOYEE: 500GB HARD DRIVE.
|
|---|
| 6209 |
|
|---|
| 6210 | 1375
|
|---|
| 6211 | 00:59:43,229 --> 00:59:45,565
|
|---|
| 6212 | CHERYL: I LIKE THE
|
|---|
| 6213 | DVR THING...
|
|---|
| 6214 |
|
|---|
| 6215 | 1376
|
|---|
| 6216 | 00:59:45,565 --> 00:59:46,132
|
|---|
| 6217 | I LIKE THIS ONE.
|
|---|
| 6218 |
|
|---|
| 6219 | 1377
|
|---|
| 6220 | 00:59:46,916 --> 00:59:51,304
|
|---|
| 6221 | VO: NEW PC IN THE HOUSE.
|
|---|
| 6222 |
|
|---|
| 6223 | 1378
|
|---|
| 6224 | 00:59:51,304 --> 00:59:51,905
|
|---|
| 6225 | CHERYL: I'M A PC,
|
|---|
| 6226 | AND I'M FINALLY UP TO DATE.
|
|---|
| 6227 |
|
|---|
| 6228 | 1379
|
|---|
| 6229 | 00:59:51,938 --> 00:59:53,473
|
|---|
| 6230 | GGGG
|
|---|
| 6231 |
|
|---|
| 6232 | 1380
|
|---|
| 6233 | 00:59:53,473 --> 00:59:54,707
|
|---|
| 6234 | PASTA BOWL IS ALMOST OVER.
|
|---|
| 6235 |
|
|---|
| 6236 | 1381
|
|---|
| 6237 | 00:59:54,741 --> 00:59:56,609
|
|---|
| 6238 | FOR JUST $8.95 TRY NEW SAUCES
|
|---|
| 6239 |
|
|---|
| 6240 | 1382
|
|---|
| 6241 | 00:59:56,609 --> 00:59:58,511
|
|---|
| 6242 | LIKE ROASTED MUSHROOM PARMESAN
|
|---|
| 6243 |
|
|---|
| 6244 | 1383
|
|---|
| 6245 | 00:59:58,545 --> 00:59:59,979
|
|---|
| 6246 | AND HEARTY PIZZAIOLA MEAT.
|
|---|
| 6247 |
|
|---|
| 6248 | 1384
|
|---|
| 6249 | 00:59:59,979 --> 01:00:01,815
|
|---|
| 6250 | CHOOSE ALL THE SAUCE AND
|
|---|
| 6251 | PASTA COMBINATIONS YOU WANT
|
|---|
| 6252 |
|
|---|
| 6253 | 1385
|
|---|
| 6254 | 01:00:01,848 --> 01:00:03,483
|
|---|
| 6255 | JUST
|
|---|
| 6256 | $8.95,
|
|---|
| 6257 |
|
|---|
| 6258 | 1386
|
|---|
| 6259 | 01:00:03,483 --> 01:00:04,884
|
|---|
| 6260 | WITH UNLIMITED
|
|---|
| 6261 | SALAD AND BREADSTICKS.
|
|---|
| 6262 |
|
|---|
| 6263 | 1387
|
|---|
| 6264 | 01:00:19,449 --> 01:01:06,012
|
|---|
| 6265 | SO HURRY IN TO OLIVE GARDEN.
|
|---|
| 6266 |
|
|---|
| 6267 | 1388
|
|---|
| 6268 | 01:01:06,012 --> 01:01:11,584
|
|---|
| 6269 | âª
|
|---|
| 6270 |
|
|---|
| 6271 | 1389
|
|---|
| 6272 | 01:01:13,186 --> 01:01:15,355
|
|---|
| 6273 | (man) ⪠I LOVE YOU âª
|
|---|
| 6274 |
|
|---|
| 6275 | 1390
|
|---|
| 6276 | 01:01:15,355 --> 01:01:15,755
|
|---|
| 6277 | ⪠FROM THE BOTTOM OF MY HEART âª
|
|---|
| 6278 |
|
|---|
| 6279 | 1391
|
|---|
| 6280 | 01:01:17,090 --> 01:01:18,358
|
|---|
| 6281 | THERE'S NO MILK.
|
|---|
| 6282 |
|
|---|
| 6283 | 1392
|
|---|
| 6284 | 01:01:18,358 --> 01:01:18,725
|
|---|
| 6285 | OH.
|
|---|
| 6286 |
|
|---|
| 6287 | 1393
|
|---|
| 6288 | 01:01:19,359 --> 01:01:21,628
|
|---|
| 6289 | DAMN, I FORGOT.
|
|---|
| 6290 |
|
|---|
| 6291 | 1394
|
|---|
| 6292 | 01:01:21,628 --> 01:01:22,195
|
|---|
| 6293 | ALL I ASK IS FOR YOU
|
|---|
| 6294 | TO GET THE GROCERIES.
|
|---|
| 6295 |
|
|---|
| 6296 | 1395
|
|---|
| 6297 | 01:01:23,463 --> 01:01:26,332
|
|---|
| 6298 | AND I FORGOT.
|
|---|
| 6299 | I'M SORRY.
|
|---|
| 6300 |
|
|---|
| 6301 | 1396
|
|---|
| 6302 | 01:01:26,332 --> 01:01:26,966
|
|---|
| 6303 | YOU KNOW, I-I-IT'S NOT LIKE
|
|---|
| 6304 | I'M SITTING AROUND.
|
|---|
| 6305 |
|
|---|
| 6306 | 1397
|
|---|
| 6307 | 01:01:27,567 --> 01:01:29,335
|
|---|
| 6308 | I'M--I'M LOOKING
|
|---|
| 6309 | FOR A JOB.
|
|---|
| 6310 |
|
|---|
| 6311 | 1398
|
|---|
| 6312 | 01:01:29,335 --> 01:01:30,003
|
|---|
| 6313 | WELL, NOW WE'RE GONNA
|
|---|
| 6314 | HAVE TO STOP FOR COFFEE
|
|---|
| 6315 |
|
|---|
| 6316 | 1399
|
|---|
| 6317 | 01:01:31,037 --> 01:01:33,072
|
|---|
| 6318 | BEFORE YOU DROP ME OFF
|
|---|
| 6319 | AT WORK.
|
|---|
| 6320 |
|
|---|
| 6321 | 1400
|
|---|
| 6322 | 01:01:33,072 --> 01:01:34,040
|
|---|
| 6323 | (Meredith)
|
|---|
| 6324 | EVEN GOOD MARRIAGES FAIL.
|
|---|
| 6325 |
|
|---|
| 6326 | 1401
|
|---|
| 6327 | 01:01:35,575 --> 01:01:39,279
|
|---|
| 6328 | ONE MINUTE YOU'RE STANDING
|
|---|
| 6329 | ON SOLID GROUND.
|
|---|
| 6330 |
|
|---|
| 6331 | 1402
|
|---|
| 6332 | 01:01:39,279 --> 01:01:39,546
|
|---|
| 6333 | THE NEXT MINUTE...
|
|---|
| 6334 | YOU'RE NOT.
|
|---|
| 6335 |
|
|---|
| 6336 | 1403
|
|---|
| 6337 | 01:01:42,749 --> 01:01:43,516
|
|---|
| 6338 | (crying)
|
|---|
| 6339 |
|
|---|
| 6340 | 1404
|
|---|
| 6341 | 01:01:43,516 --> 01:01:44,417
|
|---|
| 6342 | BABY'S UP.
|
|---|
| 6343 |
|
|---|
| 6344 | 1405
|
|---|
| 6345 | 01:01:46,052 --> 01:01:46,786
|
|---|
| 6346 | YOU CHANGE THE DIAPER.
|
|---|
| 6347 | I'LL GET THE BOTTLE.
|
|---|
| 6348 |
|
|---|
| 6349 | 1406
|
|---|
| 6350 | 01:01:46,786 --> 01:01:47,620
|
|---|
| 6351 | (crying continues)
|
|---|
| 6352 |
|
|---|
| 6353 | 1407
|
|---|
| 6354 | 01:01:49,322 --> 01:01:50,190
|
|---|
| 6355 | AND THERE'S ALWAYS
|
|---|
| 6356 | TWO VERSIONS...
|
|---|
| 6357 |
|
|---|
| 6358 | 1408
|
|---|
| 6359 | 01:01:50,190 --> 01:01:50,557
|
|---|
| 6360 | (moans)
|
|---|
| 6361 |
|
|---|
| 6362 | 1409
|
|---|
| 6363 | 01:01:50,740 --> 01:01:52,592
|
|---|
| 6364 | (Zola babbling)
|
|---|
| 6365 |
|
|---|
| 6366 | 1410
|
|---|
| 6367 | 01:01:52,592 --> 01:01:53,059
|
|---|
| 6368 | YOURS...
|
|---|
| 6369 |
|
|---|
| 6370 | 1411
|
|---|
| 6371 | 01:01:55,094 --> 01:01:56,596
|
|---|
| 6372 | ⪠CRASH AND BURN âª
|
|---|
| 6373 |
|
|---|
| 6374 | 1412
|
|---|
| 6375 | 01:01:56,596 --> 01:01:57,096
|
|---|
| 6376 | ⪠YOU NEVER GIVE... âª
|
|---|
| 6377 |
|
|---|