1 00:01:03,847 --> 00:01:03,846 (Charlie) ONCE UPON A TIME, THERE WERE THREE YOUNG WOMEN 2 00:01:05,649 --> 00:01:05,648 WHO GOT INTO VERY BIG TROUBLE. (Charlie) ONCE UPON A TIME, THERE WERE THREE YOUNG WOMEN 3 00:01:06,716 --> 00:01:06,715 WHO GOT INTO VERY BIG TROUBLE. (Rihanna) ♪ NA NA NA, COME ON ♪ 4 00:01:09,786 --> 00:01:09,785 THE FIRST WAS A PARK AVENUE PRINCESS TURNED THIEF. (Rihanna) ♪ NA NA NA, COME ON ♪ 5 00:01:11,755 --> 00:01:11,754 THE FIRST WAS A PARK AVENUE PRINCESS TURNED THIEF. ♪ NA NA NA, COME ON ♪ 6 00:01:13,073 --> 00:01:13,072 (Rihanna's "S&M" playing) ♪ NA NA NA, COME ON ♪ 7 00:01:16,159 --> 00:01:16,158 (Rihanna's "S&M" playing) ♪ NA NA NA, COME ON ♪ 8 00:01:19,863 --> 00:01:19,862 THE SECOND WAS A MARINE DECORATED FOR VALOR, ♪ NA NA NA, COME ON ♪ 9 00:01:21,798 --> 00:01:21,797 THE SECOND WAS A MARINE DECORATED FOR VALOR, COURT-MARTIALED FOR A DEADLY MISTAKE. 10 00:01:25,068 --> 00:01:25,067 ♪ 'CAUSE I MAY BE BAD BUT I'M PERFECTLY GOOD AT IT ♪ COURT-MARTIALED FOR A DEADLY MISTAKE. 11 00:01:27,737 --> 00:01:27,736 ♪ 'CAUSE I MAY BE BAD BUT I'M PERFECTLY GOOD AT IT ♪ ♪ STICK AND STONES MAY BREAK MY BONES ♪ 12 00:01:31,141 --> 00:01:31,140 AND THE THIRD WAS A DEDICATED POLICE DETECTIVE ♪ STICK AND STONES MAY BREAK MY BONES ♪ 13 00:01:32,242 --> 00:01:32,241 AND THE THIRD WAS A DEDICATED POLICE DETECTIVE TURNED DIRTY COP. 14 00:01:35,178 --> 00:01:35,177 ♪ NA NA NA, COME ON, COME ON, COME ON ♪ TURNED DIRTY COP. 15 00:01:38,348 --> 00:01:38,347 ♪ NA NA NA, COME ON, COME ON, COME ON ♪ ♪ I LIKE IT, LIKE IT ♪ 16 00:01:40,350 --> 00:01:40,349 THEY EACH MADE MISTAKES, ♪ I LIKE IT, LIKE IT ♪ 17 00:01:43,720 --> 00:01:43,719 THEY EACH MADE MISTAKES, BUT I GAVE THEM A SECOND CHANCE. 18 00:01:45,805 --> 00:01:45,804 AND NOW THEY WORK FOR ME. BUT I GAVE THEM A SECOND CHANCE. 19 00:01:49,793 --> 00:01:49,792 AND NOW THEY WORK FOR ME. MY NAME IS CHARLIE. 20 00:01:52,062 --> 00:01:52,061 ♪ MY NAME IS CHARLIE. 21 00:01:56,032 --> 00:01:56,031 ♪ Captioned by Closed Captioning Services, Inc. 22 00:02:02,739 --> 00:02:02,738 ANGELS, YOU'RE LOOKING FOR A 16-YEAR-OLD RUNAWAY. Captioned by Closed Captioning Services, Inc. 23 00:02:04,140 --> 00:02:04,139 ANGELS, YOU'RE LOOKING FOR A 16-YEAR-OLD RUNAWAY. HER NAME IS SARAH DANIELS. 24 00:02:05,842 --> 00:02:05,841 SHE'S BEING HELD CAPTIVE IN A ROOM HER NAME IS SARAH DANIELS. 25 00:02:07,811 --> 00:02:07,810 SHE'S BEING HELD CAPTIVE IN A ROOM SOMEWHERE IN THE FALCON HOTEL. 26 00:02:10,847 --> 00:02:10,846 A NOTORIOUS CHILD TRAFFICKER KNOWN AS "PAJARO" SOMEWHERE IN THE FALCON HOTEL. 27 00:02:11,815 --> 00:02:11,814 A NOTORIOUS CHILD TRAFFICKER KNOWN AS "PAJARO" IS ATTEMPTING TO SELL HER. 28 00:02:14,284 --> 00:02:14,283 YOU HAVE TO FIND SARAH BEFORE IT'S TOO LATE. IS ATTEMPTING TO SELL HER. 29 00:02:17,320 --> 00:02:17,319 YOU HAVE TO FIND SARAH BEFORE IT'S TOO LATE. (Melanie Fiona's "Bang Bang" playing) 30 00:02:20,991 --> 00:02:20,990 ♪ FINGER ON THE TRIGGER, LET IT BANG BANG ♪ (Melanie Fiona's "Bang Bang" playing) 31 00:02:22,058 --> 00:02:22,057 ♪ FINGER ON THE TRIGGER, LET IT BANG BANG ♪ OH! (gasps) SORRY! 32 00:02:27,897 --> 00:02:27,896 I MANAGED TO KILL YOUR MARTINI AND MORTALLY WOUND YOUR SHIRT. OH! (gasps) SORRY! 33 00:02:28,598 --> 00:02:28,597 I MANAGED TO KILL YOUR MARTINI AND MORTALLY WOUND YOUR SHIRT. GOD. 34 00:02:31,034 --> 00:02:31,033 IT'S NOT, UH, IT'S NOT FATAL. GOD. 35 00:02:33,436 --> 00:02:33,435 IT'S NOT, UH, IT'S NOT FATAL. CAN I BUY YOU A DRINK? 36 00:02:34,337 --> 00:02:34,336 ♪ CAN I BUY YOU A DRINK? 37 00:02:38,508 --> 00:02:38,507 ♪ YEAH, I AM--I AM SUCH A KLUTZ, I'D PROBABLY SPILL IT. 38 00:02:41,878 --> 00:02:41,877 ONE FASHION EMERGENCY IS ENOUGH FOR TONIGHT. YEAH, I AM--I AM SUCH A KLUTZ, I'D PROBABLY SPILL IT. 39 00:02:45,982 --> 00:02:45,981 ONE FASHION EMERGENCY IS ENOUGH FOR TONIGHT. ♪ SO LET'S GET DOWN, BABY ♪ 40 00:02:47,784 --> 00:02:47,783 ♪ OOH, I'LL BE LOCKING AND LOADING ♪ ♪ SO LET'S GET DOWN, BABY ♪ 41 00:02:50,370 --> 00:02:50,369 ♪ OOH, I'LL BE LOCKING AND LOADING ♪ TAKE GOOD CARE OF HER. I WON'T BE LONG. 42 00:02:53,523 --> 00:02:53,522 ♪ GOT MY EYE ON THE TARGET AND I'LL MAYBE LET YOU ♪ TAKE GOOD CARE OF HER. I WON'T BE LONG. 43 00:02:54,290 --> 00:02:54,289 ♪ GOT MY EYE ON THE TARGET AND I'LL MAYBE LET YOU ♪ THANKS. 44 00:02:55,525 --> 00:02:55,524 ♪ SEE ME MOVING IN SILENCE ♪ THANKS. 45 00:02:57,694 --> 00:02:57,693 ♪ SEE ME MOVING IN SILENCE ♪ OKAY, LADIES. TIME TO FLY. 46 00:02:59,896 --> 00:02:59,895 YOU BUG MACKAL'S PHONE? OKAY, LADIES. TIME TO FLY. 47 00:03:02,666 --> 00:03:02,665 YOU BUG MACKAL'S PHONE? (chuckles) WITH ONE HAND BEHIND MY BACK. 48 00:03:04,434 --> 00:03:04,433 YOU IN POSITION? (chuckles) WITH ONE HAND BEHIND MY BACK. 49 00:03:05,535 --> 00:03:05,534 YOU IN POSITION? ALMOST. 50 00:03:08,838 --> 00:03:08,837 HEADED TOWARDS THE SERVICE AREA NOW. ALMOST. 51 00:03:12,976 --> 00:03:12,975 HEADED TOWARDS THE SERVICE AREA NOW. GLORIA, HAS THE BUYER'S REP TOUCHED DOWN? 52 00:03:15,845 --> 00:03:15,844 WALKING OFF HIS G6 AS WE SPEAK. GLORIA, HAS THE BUYER'S REP TOUCHED DOWN? 53 00:03:17,514 --> 00:03:17,513 WALKING OFF HIS G6 AS WE SPEAK. ♪ OF THAT COLD, COLD METAL IN MY HAND ♪ 54 00:03:20,550 --> 00:03:20,549 WELCOME TO MIAMI, MR. FISK. THANK YOU. ♪ OF THAT COLD, COLD METAL IN MY HAND ♪ 55 00:03:22,118 --> 00:03:22,117 WELCOME TO MIAMI, MR. FISK. THANK YOU. (jets roaring) 56 00:03:23,286 --> 00:03:23,285 ♪ KNOW I SOUND PSYCHO ♪ (jets roaring) 57 00:03:28,224 --> 00:03:28,223 ♪ KNOW I SOUND PSYCHO ♪ (Gloria) I got Fisk. I'm leaving the airport now, Kate. 58 00:03:31,494 --> 00:03:31,493 (Kate) Abby, get Bosley in position. (Gloria) I got Fisk. I'm leaving the airport now, Kate. 59 00:03:33,296 --> 00:03:33,295 (Kate) Abby, get Bosley in position. I'M ON IT. 60 00:03:35,131 --> 00:03:35,130 ♪ SHE SHINING ♪ I'M ON IT. 61 00:03:37,100 --> 00:03:37,099 ♪ SHE SHINING ♪ (indistinct conversations) 62 00:03:39,369 --> 00:03:39,368 AHEM. BOSLEY? (indistinct conversations) 63 00:03:41,271 --> 00:03:41,270 AHEM. BOSLEY? ♪ 64 00:03:43,373 --> 00:03:43,372 (laughing and speaking indistinctly) ♪ 65 00:03:44,274 --> 00:03:44,273 (laughing and speaking indistinctly) BOSLEY! 66 00:03:46,543 --> 00:03:46,542 ADULT SWIM IS OVER. BOSLEY! 67 00:03:49,446 --> 00:03:49,445 ADULT SWIM IS OVER. EXCUSE ME, LADIES. DUTY CALLS. 68 00:03:52,182 --> 00:03:52,181 (speaks Norwegian) EXCUSE ME, LADIES. DUTY CALLS. 69 00:03:53,650 --> 00:03:53,649 (speaks Norwegian) (speaks Norwegian) 70 00:03:55,535 --> 00:03:55,534 ♪ GOT MY EYE ON THE TARGET, AND I'LL MAYBE LET YOU ♪ (speaks Norwegian) 71 00:03:59,589 --> 00:03:59,588 ♪ GOT MY EYE ON THE TARGET, AND I'LL MAYBE LET YOU ♪ ♪ BANG BANG ♪ 72 00:04:01,491 --> 00:04:01,490 ♪ I'LL MAYBE LET YOU BANG BANG ♪ ♪ BANG BANG ♪ 73 00:04:03,593 --> 00:04:03,592 ♪ I'LL MAYBE LET YOU BANG BANG ♪ I'M MEETING PAJARO'S BROKER IN 20 MINUTES 74 00:04:05,662 --> 00:04:05,661 TO PICK UP THE PACKAGE. I'M MEETING PAJARO'S BROKER IN 20 MINUTES 75 00:04:07,731 --> 00:04:07,730 TO PICK UP THE PACKAGE. I'LL E-MAIL YOU A PICTURE NOW. 76 00:04:11,568 --> 00:04:11,567 I THINK YOU'LL APPROVE. I'LL E-MAIL YOU A PICTURE NOW. 77 00:04:20,143 --> 00:04:20,142 I THINK YOU'LL APPROVE. ♪ HOPE MY HEAD COMES DOWN FROM THE HIGH ♪ 78 00:04:23,880 --> 00:04:23,879 ♪ HIGH ♪ ♪ HOPE MY HEAD COMES DOWN FROM THE HIGH ♪ 79 00:04:26,316 --> 00:04:26,315 ♪ HIGH ♪ (beep) (Gloria) Bosley, you all ready? 80 00:04:28,001 --> 00:04:28,000 OKAY, GLORIA. I'M WIRED IN. (beeps) (beep) (Gloria) Bosley, you all ready? 81 00:04:32,122 --> 00:04:32,121 OKAY, GLORIA. I'M WIRED IN. (beeps) BUG IS ACTIVE. I'M READY TO TRACK THE CALLS. 82 00:04:34,724 --> 00:04:34,723 (Gloria) OKAY, I'M GOING OFF-ROAD. BUG IS ACTIVE. I'M READY TO TRACK THE CALLS. 83 00:04:35,358 --> 00:04:35,357 (Gloria) OKAY, I'M GOING OFF-ROAD. (tires screech) 84 00:04:38,661 --> 00:04:38,660 WHAT ARE YOU DOING?! WHERE DO YOU THINK YOU'RE TAKING ME?! (tires screech) 85 00:04:44,234 --> 00:04:44,233 WHAT ARE YOU DOING?! WHERE DO YOU THINK YOU'RE TAKING ME?! AAH! WHAT?! 86 00:04:45,635 --> 00:04:45,634 UHH! (cocks gun) AAH! WHAT?! 87 00:04:48,338 --> 00:04:48,337 UHH! (cocks gun) AAH! WHERE'S PAJARO'S BROKER KEEPING THE GIRL? 88 00:04:50,573 --> 00:04:50,572 I DON'T KNOW, I SWEAR. AAH! WHERE'S PAJARO'S BROKER KEEPING THE GIRL? 89 00:04:52,675 --> 00:04:52,674 I DON'T KNOW, I SWEAR. OKAY! OKAY! THE FALCON HOTEL! 90 00:04:54,744 --> 00:04:54,743 I'M MEETING HIM AT THE BAR-- A GUY NAMED MACKAL. OKAY! OKAY! THE FALCON HOTEL! 91 00:04:57,514 --> 00:04:57,513 I'M MEETING HIM AT THE BAR-- A GUY NAMED MACKAL. ONCE IT'S CONFIRMED BY BOSS' WIRE TRANSFER, 92 00:04:58,348 --> 00:04:58,347 HE'LL GIVE ME INSTRUCTIONS ONCE IT'S CONFIRMED BY BOSS' WIRE TRANSFER, 93 00:05:00,600 --> 00:05:00,599 HE'LL GIVE ME INSTRUCTIONS HOW TO GET THE PACKAGE OUT OF THE HOTEL. 94 00:05:02,185 --> 00:05:02,184 (gunshots) UHH! HOW TO GET THE PACKAGE OUT OF THE HOTEL. 95 00:05:03,486 --> 00:05:03,485 (gunshots) UHH! SHE'S NOT A PACKAGE. 96 00:05:05,822 --> 00:05:05,821 HER NAME IS SARAH. SHE'S 16 YEARS OLD. SHE'S NOT A PACKAGE. 97 00:05:08,258 --> 00:05:08,257 HER NAME IS SARAH. SHE'S 16 YEARS OLD. I-I'M JUST THE MIDDLE MAN. I'LL DO ANYTHING. 98 00:05:12,428 --> 00:05:12,427 YOU'RE GONNA MAKE A PHONE CALL, AND YOU BETTER BE OSCAR-WORTHY. I-I'M JUST THE MIDDLE MAN. I'LL DO ANYTHING. 99 00:05:14,464 --> 00:05:14,463 YOU'RE GONNA MAKE A PHONE CALL, AND YOU BETTER BE OSCAR-WORTHY. (cell phone rings) 100 00:05:17,901 --> 00:05:17,900 IT'S FISK. THE--THE LIMO NEVER SHOWED. I'M JUMPING IN A CAB. (cell phone rings) 101 00:05:19,602 --> 00:05:19,601 IT'S FISK. THE--THE LIMO NEVER SHOWED. I'M JUMPING IN A CAB. I'LL LET MY GUYS KNOW. 102 00:05:20,970 --> 00:05:20,969 ♪ I'LL LET MY GUYS KNOW. 103 00:05:25,141 --> 00:05:25,140 ♪ HE'S CALLING THE HOTEL ROOM. LOCKING DOWN THE SIGNAL. (beeps) 104 00:05:26,609 --> 00:05:26,608 ♪ HE'S CALLING THE HOTEL ROOM. LOCKING DOWN THE SIGNAL. (beeps) 105 00:05:28,244 --> 00:05:28,243 ♪ (telephone rings) 106 00:05:29,112 --> 00:05:29,111 YEAH. (telephone rings) 107 00:05:32,515 --> 00:05:32,514 YEAH. SIT TIGHT. BUYER'S REP IS RUNNING LATE. 108 00:05:33,266 --> 00:05:33,265 ♪ SIT TIGHT. BUYER'S REP IS RUNNING LATE. 109 00:05:35,618 --> 00:05:35,617 ♪ (beeping) ♪ BANG, BANG, BANG ♪ 110 00:05:36,920 --> 00:05:36,919 I GOT IT. (beeping) ♪ BANG, BANG, BANG ♪ 111 00:05:38,288 --> 00:05:38,287 I GOT IT. HE CALLED ROOM 2819. 112 00:05:41,291 --> 00:05:41,290 GET VISUAL CONFIRMATION SARAH'S IN THE ROOM. (button clicks) HE CALLED ROOM 2819. 113 00:05:43,593 --> 00:05:43,592 GET VISUAL CONFIRMATION SARAH'S IN THE ROOM. (button clicks) SATELLITE CAMERA COMING ONLINE. 114 00:05:46,029 --> 00:05:46,028 OKAY, YOU GOT THREE GUYS IN THE ROOM. SATELLITE CAMERA COMING ONLINE. 115 00:05:47,564 --> 00:05:47,563 OKAY, YOU GOT THREE GUYS IN THE ROOM. THEY LOOK HEAVILY ARMED. 116 00:05:49,199 --> 00:05:49,198 SARAH'S ON THE BED. THEY LOOK HEAVILY ARMED. 117 00:05:51,968 --> 00:05:51,967 SARAH'S ON THE BED. She's bound and gagged. (zip) 118 00:06:12,722 --> 00:06:12,721 OKAY, ABBY, READY TO DO SOME HOUSEKEEPING? She's bound and gagged. (zip) 119 00:06:16,125 --> 00:06:16,124 OKAY, ABBY, READY TO DO SOME HOUSEKEEPING? Dropping in now. 120 00:06:18,695 --> 00:06:18,694 (doorbell rings) Dropping in now. 121 00:06:23,933 --> 00:06:23,932 (doorbell rings) WHO IS IT? ROOM SERVICE. 122 00:06:25,702 --> 00:06:25,701 UHH! WHO IS IT? ROOM SERVICE. 123 00:06:27,170 --> 00:06:27,169 UHH! (cocks gun) 124 00:06:28,104 --> 00:06:28,103 (grunts) (cocks gun) 125 00:06:30,340 --> 00:06:30,339 (grunts) (gun cocks) UHH! 126 00:06:32,075 --> 00:06:32,074 (grunts) (gun cocks) UHH! 127 00:06:35,111 --> 00:06:35,110 (grunts) (all grunting) 128 00:06:44,420 --> 00:06:44,419 (electricity crackling) UHH! (all grunting) 129 00:06:46,656 --> 00:06:46,655 (electricity crackling) UHH! LET'S GO. 130 00:06:48,558 --> 00:06:48,557 (grunts and cries) LET'S GO. 131 00:06:49,859 --> 00:06:49,858 (grunts and cries) SHH. IT'S OKAY. 132 00:06:51,227 --> 00:06:51,226 YOU'RE SAFE. SHH. IT'S OKAY. 133 00:06:53,763 --> 00:06:53,762 YOU'RE SAFE. OKAY. THERE WE GO. 134 00:06:56,065 --> 00:06:56,064 WHO ARE YOU? OKAY. THERE WE GO. 135 00:06:57,700 --> 00:06:57,699 WHO ARE YOU? YOU DON'T LOOK LIKE COPS. 136 00:06:58,635 --> 00:06:58,634 WE'RE NOT. YOU DON'T LOOK LIKE COPS. 137 00:07:01,938 --> 00:07:01,937 WE'RE NOT. WE'RE ANGELS. 138 00:07:08,511 --> 00:07:08,510 (Charlie) I spoke to Sarah's parents, Angels. WE'RE ANGELS. 139 00:07:11,297 --> 00:07:11,296 (Charlie) I spoke to Sarah's parents, Angels. They are incredibly relieved to have her back safe and sound. 140 00:07:13,483 --> 00:07:13,482 WELL, NOW THAT MACKAL'S They are incredibly relieved to have her back safe and sound. 141 00:07:15,318 --> 00:07:15,317 WELL, NOW THAT MACKAL'S BEEN HIDING BEHIND AN ARMY OF LAWYERS, 142 00:07:17,687 --> 00:07:17,686 WHAT ARE THE CHANCES HE'LL FLIP ON HIS BOSS PAJARO? BEEN HIDING BEHIND AN ARMY OF LAWYERS, 143 00:07:18,921 --> 00:07:18,920 WHAT ARE THE CHANCES HE'LL FLIP ON HIS BOSS PAJARO? It's doubtful Mackal's even met him. 144 00:07:23,559 --> 00:07:23,558 YOU DO REALIZE THE IRONY OF THAT COMING FROM YOU, RIGHT, CHARLIE? It's doubtful Mackal's even met him. 145 00:07:24,460 --> 00:07:24,459 YOU DO REALIZE THE IRONY OF THAT COMING FROM YOU, RIGHT, CHARLIE? (chuckles) (laughs) 146 00:07:27,030 --> 00:07:27,029 OH, MIAMI P.D.'s BEEN TRYING TO NAIL PAJARO FOR YEARS. (chuckles) (laughs) 147 00:07:31,768 --> 00:07:31,767 OH, MIAMI P.D.'s BEEN TRYING TO NAIL PAJARO FOR YEARS. HE DOESN'T LEAVE ANY FOOTPRINTS, ELECTRONIC OR OTHERWISE. 148 00:07:32,468 --> 00:07:32,467 HE'S A GHOST. HE DOESN'T LEAVE ANY FOOTPRINTS, ELECTRONIC OR OTHERWISE. 149 00:07:35,438 --> 00:07:35,437 HE'S A GHOST. GHOSTS AREN'T REAL. THIS GUY IS AND HE NEEDS TO PAY. 150 00:07:38,741 --> 00:07:38,740 Don't lose sight of what you accomplished tonight. GHOSTS AREN'T REAL. THIS GUY IS AND HE NEEDS TO PAY. 151 00:07:41,611 --> 00:07:41,610 Don't lose sight of what you accomplished tonight. Sarah's safe because of you three. 152 00:07:43,363 --> 00:07:43,362 (Bosley) AHEM. Sarah's safe because of you three. 153 00:07:46,416 --> 00:07:46,415 (Bosley) AHEM. And, of course, you, Bosley. 154 00:07:47,517 --> 00:07:47,516 (women chuckle) And, of course, you, Bosley. 155 00:07:48,685 --> 00:07:48,684 (women chuckle) Good night, Angels. 156 00:07:50,887 --> 00:07:50,886 (women) GOOD NIGHT, CHARLIE. Good night, Angels. 157 00:07:54,490 --> 00:07:54,489 (women) GOOD NIGHT, CHARLIE. OKAY, TIME TO GET THE PARTY ON. I'M SERIOUS. 158 00:07:56,292 --> 00:07:56,291 I'M GONNA HAVE TO PASS. OKAY, TIME TO GET THE PARTY ON. I'M SERIOUS. 159 00:07:56,793 --> 00:07:56,792 I'M GONNA HAVE TO PASS. HMM? 160 00:08:01,364 --> 00:08:01,363 I, UH, GOT A PREVIOUS ENGAGEMENT. HMM? 161 00:08:04,100 --> 00:08:04,099 I, UH, GOT A PREVIOUS ENGAGEMENT. POOL BABES? 162 00:08:06,169 --> 00:08:06,168 UM... POOL BABES? 163 00:08:07,804 --> 00:08:07,803 UM... GOOD NIGHT. (laughs) 164 00:08:08,604 --> 00:08:08,603 OOH! GOOD NIGHT. (laughs) 165 00:08:11,574 --> 00:08:11,573 OOH! OKAY, WELL, WHERE ARE WE CELEBRATING? 166 00:08:12,875 --> 00:08:12,874 UH, TIDEPOOL, RIPCORD? OKAY, WELL, WHERE ARE WE CELEBRATING? 167 00:08:15,812 --> 00:08:15,811 UH, TIDEPOOL, RIPCORD? OR IF WE GO TO THE DECK, I CAN SCORE US A V.I.P. TABLE. 168 00:08:19,449 --> 00:08:19,448 SOUNDS GOOD. OH. IS YOUR FAVORITE BARTENDER WORKING TONIGHT? OR IF WE GO TO THE DECK, I CAN SCORE US A V.I.P. TABLE. 169 00:08:20,383 --> 00:08:20,382 SOUNDS GOOD. OH. IS YOUR FAVORITE BARTENDER WORKING TONIGHT? SO FUNNY YOU SHOULD ASK. 170 00:08:23,886 --> 00:08:23,885 ACTUALLY, HIS SHIFT DOES NOT END UNTIL 5:00 A.M. SO FUNNY YOU SHOULD ASK. 171 00:08:26,356 --> 00:08:26,355 ACTUALLY, HIS SHIFT DOES NOT END UNTIL 5:00 A.M. HMM. 172 00:08:27,023 --> 00:08:27,022 WHAT? HMM. 173 00:08:29,492 --> 00:08:29,491 WHAT? HE'S SINGLE, HE'S STRAIGHT, AND HE HAS A LIFE PLAN. 174 00:08:30,426 --> 00:08:30,425 MIXING MOJITOS. HE'S SINGLE, HE'S STRAIGHT, AND HE HAS A LIFE PLAN. 175 00:08:32,128 --> 00:08:32,127 MIXING MOJITOS. NO. HE IS SAVING HIS MONEY TO BUY A BOAT 176 00:08:34,831 --> 00:08:34,830 AND SAIL AROUND THE WORLD. THAT IS A PLAN. NO. HE IS SAVING HIS MONEY TO BUY A BOAT 177 00:08:37,800 --> 00:08:37,799 AND SAIL AROUND THE WORLD. THAT IS A PLAN. YOU DO REALIZE THAT IS NOT A LIFE PLAN. 178 00:08:40,803 --> 00:08:40,802 OKAY, FINE. HE'S A DREAMER, AND THAT'S SEXY. YOU DO REALIZE THAT IS NOT A LIFE PLAN. 179 00:08:42,171 --> 00:08:42,170 OKAY, FINE. HE'S A DREAMER, AND THAT'S SEXY. PLEASE, PLEASE, COME WITH ME. 180 00:08:43,172 --> 00:08:43,171 (chuckles) ACTUALLY, GUYS, PLEASE, PLEASE, COME WITH ME. 181 00:08:45,641 --> 00:08:45,640 (chuckles) ACTUALLY, GUYS, I THINK I'M GOING TO SKIP THE VELVET ROPE TONIGHT. 182 00:08:47,043 --> 00:08:47,042 NO, YOU'RE NOT. COME ON. YOU'RE COMING WITH US. LET'S GO. I THINK I'M GOING TO SKIP THE VELVET ROPE TONIGHT. 183 00:08:48,594 --> 00:08:48,593 NO, YOU'RE NOT. COME ON. YOU'RE COMING WITH US. LET'S GO. NO. NO, NO, NO, NO. REALLY, REALLY. I-I'M COMPLETELY BEAT. 184 00:08:53,649 --> 00:08:53,648 YOU GUYS GO. GO AND HAVE A MARGARITA FOR ME. NO. NO, NO, NO, NO. REALLY, REALLY. I-I'M COMPLETELY BEAT. 185 00:08:57,286 --> 00:08:57,285 YOU GUYS GO. GO AND HAVE A MARGARITA FOR ME. WE WILL HAVE TWO MARGARITAS FOR YOU. 186 00:08:58,988 --> 00:08:58,987 YOU'RE MISSING OUT. WE WILL HAVE TWO MARGARITAS FOR YOU. 187 00:09:02,058 --> 00:09:02,057 YOU'RE MISSING OUT. ♪ 188 00:09:04,527 --> 00:09:04,526 I FOUND THESE IN YOUR TRASH. ♪ 189 00:09:06,629 --> 00:09:06,628 I FOUND THESE IN YOUR TRASH. WHEN YOU SAID YOUR DAD WAS REACHING OUT, YOU DIDN'T SAY 190 00:09:08,631 --> 00:09:08,630 IT WAS A FULL-BLOWN LETTER WRITING CAMPAIGN. WHEN YOU SAID YOUR DAD WAS REACHING OUT, YOU DIDN'T SAY 191 00:09:11,634 --> 00:09:11,633 IT WAS A FULL-BLOWN LETTER WRITING CAMPAIGN. THE GREAT WHITE SHARK OF WALL STREET CAN BE RELENTLESS, 192 00:09:12,502 --> 00:09:12,501 EVEN IN CAPTIVITY. THE GREAT WHITE SHARK OF WALL STREET CAN BE RELENTLESS, 193 00:09:15,371 --> 00:09:15,370 EVEN IN CAPTIVITY. AND I THREW THEM IN THERE FOR A REASON, DETECTIVE. 194 00:09:17,840 --> 00:09:17,839 GOOD NIGHT. I'LL CATCH YOU LADIES TOMORROW. AND I THREW THEM IN THERE FOR A REASON, DETECTIVE. 195 00:09:20,476 --> 00:09:20,475 GOOD NIGHT. I'LL CATCH YOU LADIES TOMORROW. IT IS TOMORROW. 196 00:09:21,411 --> 00:09:21,410 (blows kiss) IT IS TOMORROW. 197 00:09:22,061 --> 00:09:22,060 (blows kiss) COME ON. IT'S YOUR DAD. 198 00:09:26,482 --> 00:09:26,481 I USED TO STEAL WARHOLS TO GET THAT MAN'S-- COME ON. IT'S YOUR DAD. 199 00:09:29,385 --> 00:09:29,384 I USED TO STEAL WARHOLS TO GET THAT MAN'S-- (loud explosion) (gasps) 200 00:09:34,123 --> 00:09:34,122 GLORIA! (loud explosion) (gasps) 201 00:09:41,798 --> 00:09:41,797 GLORIA! (sirens wailing, police radio chatter) 202 00:09:54,093 --> 00:09:54,092 (cries) PLEASE TELL ME SHE'S NOT REALLY GONE... (sirens wailing, police radio chatter) 203 00:09:55,411 --> 00:09:55,410 (cries) PLEASE TELL ME SHE'S NOT REALLY GONE... (sniffles) 204 00:09:56,179 --> 00:09:56,178 (cries) (sniffles) 205 00:10:00,049 --> 00:10:00,048 (cries) AND THAT I'M JUST GONNA WAKE UP AND SEE HER AGAIN. 206 00:10:08,157 --> 00:10:08,156 YOU KNOW, I-I NEVER THOUGHT MY HEART COULD... AND THAT I'M JUST GONNA WAKE UP AND SEE HER AGAIN. 207 00:10:10,359 --> 00:10:10,358 YOU KNOW, I-I NEVER THOUGHT MY HEART COULD... (cries) HURT THIS MUCH. 208 00:10:14,964 --> 00:10:14,963 SHE DOESN'T EVEN HAVE ANY FAMILY THAT WE CAN CALL. (cries) HURT THIS MUCH. 209 00:10:17,533 --> 00:10:17,532 SHE DOESN'T EVEN HAVE ANY FAMILY THAT WE CAN CALL. (crying) 210 00:10:18,534 --> 00:10:18,533 (cries) (crying) 211 00:10:20,703 --> 00:10:20,702 (cries) (siren continues wailing) 212 00:10:24,140 --> 00:10:24,139 WE WERE HER FAMILY. (siren continues wailing) 213 00:10:26,125 --> 00:10:26,124 WE WERE HER FAMILY. SHE WAS OUR SISTER. 214 00:10:36,986 --> 00:10:36,985 HOW'S CHARLIE? SHE WAS OUR SISTER. 215 00:10:40,990 --> 00:10:40,989 HOW'S CHARLIE? DEVASTATED. 216 00:10:45,661 --> 00:10:45,660 LOSING AN ANGEL IS HIS WORST NIGHTMARE. DEVASTATED. 217 00:10:49,332 --> 00:10:49,331 LOSING AN ANGEL IS HIS WORST NIGHTMARE. IT'S MINE, TOO. 218 00:10:55,838 --> 00:10:55,837 WE'RE GONNA FIND OUT WHO DID THIS. IT'S MINE, TOO. 219 00:10:57,640 --> 00:10:57,639 WE'RE GONNA FIND OUT WHO DID THIS. IF IT'S THE LAST THING WE DO. 220 00:10:59,091 --> 00:10:59,090 (sighs) IF IT'S THE LAST THING WE DO. 221 00:11:22,732 --> 00:11:22,731 [ IF IT'S THE LAST THING WE DO. 222 00:11:22,765 --> 00:11:22,764 [ F IF IT'S THE LAST THING WE DO. 223 00:11:22,798 --> 00:11:22,797 [ Fem IF IT'S THE LAST THING WE DO. 224 00:11:22,832 --> 00:11:22,831 [ Femal IF IT'S THE LAST THING WE DO. 225 00:11:22,865 --> 00:11:22,864 [ Female IF IT'S THE LAST THING WE DO. 226 00:11:22,899 --> 00:11:22,898 [ Female An IF IT'S THE LAST THING WE DO. 227 00:11:22,932 --> 00:11:22,931 [ Female Anno IF IT'S THE LAST THING WE DO. 228 00:11:22,965 --> 00:11:22,964 [ Female Announ IF IT'S THE LAST THING WE DO. 229 00:11:22,999 --> 00:11:22,998 [ Female Announc IF IT'S THE LAST THING WE DO. 230 00:11:23,032 --> 00:11:23,031 [ Female Announcer IF IT'S THE LAST THING WE DO. 231 00:11:23,065 --> 00:11:23,064 [ Female Announcer ] IF IT'S THE LAST THING WE DO. 232 00:11:23,132 --> 00:11:23,131 [ Female Announcer ] IF IT'S THE LAST THING WE DO. 233 00:11:23,199 --> 00:11:23,198 [ Female Announcer ] IF IT'S THE LAST THING WE DO. 234 00:11:23,232 --> 00:11:23,231 [ Female Announcer ] IF IT'S THE LAST THING WE DO. 235 00:11:23,266 --> 00:11:23,265 [ Female Announcer ] IN IF IT'S THE LAST THING WE DO. 236 00:11:23,299 --> 00:11:23,298 [ Female Announcer ] INTR IF IT'S THE LAST THING WE DO. 237 00:11:23,332 --> 00:11:23,331 [ Female Announcer ] INTROD IF IT'S THE LAST THING WE DO. 238 00:11:23,366 --> 00:11:23,365 [ Female Announcer ] INTRODU IF IT'S THE LAST THING WE DO. 239 00:11:23,399 --> 00:11:23,398 [ Female Announcer ] INTRODUCI IF IT'S THE LAST THING WE DO. 240 00:11:23,432 --> 00:11:23,431 [ Female Announcer ] INTRODUCING IF IT'S THE LAST THING WE DO. 241 00:11:23,466 --> 00:11:23,465 [ Female Announcer ] INTRODUCING O IF IT'S THE LAST THING WE DO. 242 00:11:23,499 --> 00:11:23,498 [ Female Announcer ] INTRODUCING ONS IF IT'S THE LAST THING WE DO. 243 00:11:23,533 --> 00:11:23,532 [ Female Announcer ] INTRODUCING ONSTA IF IT'S THE LAST THING WE DO. 244 00:11:23,566 --> 00:11:23,565 [ Female Announcer ] INTRODUCING ONSTAR IF IT'S THE LAST THING WE DO. 245 00:11:23,599 --> 00:11:23,598 [ Female Announcer ] INTRODUCING ONSTAR FM IF IT'S THE LAST THING WE DO. 246 00:11:23,633 --> 00:11:23,632 [ Female Announcer ] INTRODUCING ONSTAR FMV IF IT'S THE LAST THING WE DO. 247 00:11:23,699 --> 00:11:23,698 [ Female Announcer ] INTRODUCING ONSTAR FMV. IF IT'S THE LAST THING WE DO. 248 00:11:26,035 --> 00:11:26,034 [ Female Announcer ] INTRODUCING ONSTAR FMV. THE NEW WAY TO ADD THE SAFETY OF ONSTAR TO YOUR CAR. 249 00:11:28,404 --> 00:11:28,403 [ Computer ] ONSTAR. WE'RE LOOKING FOR CITY HALL. THE NEW WAY TO ADD THE SAFETY OF ONSTAR TO YOUR CAR. 250 00:11:29,739 --> 00:11:29,738 [ Computer ] ONSTAR. WE'RE LOOKING FOR CITY HALL. I'M SENDING DIRECTIONS TO YOUR CAR. 251 00:11:34,110 --> 00:11:34,109 TURN RIGHT ON HILL STREET. GO NORTH FOR 2 MILES. I'M SENDING DIRECTIONS TO YOUR CAR. 252 00:11:35,678 --> 00:11:35,677 TURN RIGHT ON HILL STREET. GO NORTH FOR 2 MILES. ♪ ♪ 253 00:11:38,915 --> 00:11:38,914 THIS IS ONSTAR. I GOT A SIGNAL THERE'S BEEN A CRASH. ♪ ♪ 254 00:11:40,082 --> 00:11:40,081 THIS IS ONSTAR. I GOT A SIGNAL THERE'S BEEN A CRASH. DO YOU NEED HELP? 255 00:11:40,783 --> 00:11:40,782 YES, PLEASE. DO YOU NEED HELP? 256 00:11:43,452 --> 00:11:43,451 YES, PLEASE. I'VE GOT YOUR GPS LOCATION. I'M SENDING HELP. 257 00:11:44,253 --> 00:11:44,252 ♪ ♪ I'VE GOT YOUR GPS LOCATION. I'M SENDING HELP. 258 00:11:45,655 --> 00:11:45,654 ♪ ♪ [ Female Announcer ] FOR A LIMITED TIME, 259 00:11:50,326 --> 00:11:50,325 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Female Announcer ] FOR A LIMITED TIME, 260 00:11:52,094 --> 00:11:52,093 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. ♪ ALL RIGHT ♪ 261 00:11:52,695 --> 00:11:52,694 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ 262 00:11:52,728 --> 00:11:52,727 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Dr 263 00:11:52,762 --> 00:11:52,761 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew 264 00:11:52,795 --> 00:11:52,794 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] 265 00:11:52,828 --> 00:11:52,827 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] W 266 00:11:52,862 --> 00:11:52,861 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHA 267 00:11:52,895 --> 00:11:52,894 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT' 268 00:11:52,929 --> 00:11:52,928 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S 269 00:11:52,962 --> 00:11:52,961 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S TH 270 00:11:52,995 --> 00:11:52,994 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE 271 00:11:53,029 --> 00:11:53,028 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LA 272 00:11:53,062 --> 00:11:53,061 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATE 273 00:11:53,129 --> 00:11:53,128 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATEST 274 00:11:53,195 --> 00:11:53,194 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATEST 275 00:11:53,262 --> 00:11:53,261 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATEST IN 276 00:11:53,296 --> 00:11:53,295 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATEST IN E 277 00:11:53,329 --> 00:11:53,328 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATEST IN EYE 278 00:11:53,362 --> 00:11:53,361 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATEST IN EYE C 279 00:11:53,396 --> 00:11:53,395 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATEST IN EYE COU 280 00:11:53,429 --> 00:11:53,428 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATEST IN EYE COUTU 281 00:11:53,462 --> 00:11:53,461 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATEST IN EYE COUTURE 282 00:11:54,630 --> 00:11:54,629 GET AN ONSTAR FMV MIRROR FOR ONLY $199 AFTER $100 OFF. [ Drew ] WHAT'S THE LATEST IN EYE COUTURE? 283 00:11:55,698 --> 00:11:55,697 NEW Intense ShadowBlast FROM CoverGirl. [ Drew ] WHAT'S THE LATEST IN EYE COUTURE? 284 00:11:57,366 --> 00:11:57,365 NEW Intense ShadowBlast FROM CoverGirl. THE NEWS? IT'S EYE SHADOW WITH PRIMER BUILT-IN 285 00:12:00,736 --> 00:12:00,735 SO IT LASTS! THE NEWS? IT'S EYE SHADOW WITH PRIMER BUILT-IN 286 00:12:01,871 --> 00:12:01,870 SO IT LASTS! RICH COLOR THAT'S FADEPROOF, WATERPROOF, 287 00:12:04,840 --> 00:12:04,839 TOTALLY IGNORE-PROOF! RICH COLOR THAT'S FADEPROOF, WATERPROOF, 288 00:12:05,875 --> 00:12:05,874 TOTALLY IGNORE-PROOF! OH YES! 289 00:12:07,210 --> 00:12:07,209 WITH NEW Intense ShadowBlast OH YES! 290 00:12:09,045 --> 00:12:09,044 WITH NEW Intense ShadowBlast EYE COUTURE IS READY TO WEAR FOR HOURS! 291 00:12:11,881 --> 00:12:11,880 AND HERE'S A TIP: EYE COUTURE IS READY TO WEAR FOR HOURS! 292 00:12:12,882 --> 00:12:12,881 AND HERE'S A TIP: TO MAKE AN EVEN BIGGER STATEMENT 293 00:12:14,817 --> 00:12:14,816 WEAR WITH LashBlast Fusion MASCARA TO MAKE AN EVEN BIGGER STATEMENT 294 00:12:17,153 --> 00:12:17,152 WEAR WITH LashBlast Fusion MASCARA LashBlast AND NEW Intense ShadowBlast 295 00:12:19,822 --> 00:12:19,821 FROM EASY, BREEZY, BEAUTIFUL CoverGirl. LashBlast AND NEW Intense ShadowBlast 296 00:12:22,658 --> 00:12:22,657 VO LashBlast AND NEW Intense ShadowBlast 297 00:12:22,692 --> 00:12:22,691 VO: LashBlast AND NEW Intense ShadowBlast 298 00:12:22,725 --> 00:12:22,724 VO: It LashBlast AND NEW Intense ShadowBlast 299 00:12:22,758 --> 00:12:22,757 VO: It's LashBlast AND NEW Intense ShadowBlast 300 00:12:22,792 --> 00:12:22,791 VO: It's O LashBlast AND NEW Intense ShadowBlast 301 00:12:22,825 --> 00:12:22,824 VO: It's Old LashBlast AND NEW Intense ShadowBlast 302 00:12:22,858 --> 00:12:22,857 VO: It's Old N LashBlast AND NEW Intense ShadowBlast 303 00:12:22,892 --> 00:12:22,891 VO: It's Old Nav LashBlast AND NEW Intense ShadowBlast 304 00:12:22,925 --> 00:12:22,924 VO: It's Old Navy' LashBlast AND NEW Intense ShadowBlast 305 00:12:22,959 --> 00:12:22,958 VO: It's Old Navy's LashBlast AND NEW Intense ShadowBlast 306 00:12:22,992 --> 00:12:22,991 VO: It's Old Navy's St LashBlast AND NEW Intense ShadowBlast 307 00:12:23,025 --> 00:12:23,024 VO: It's Old Navy's Stor LashBlast AND NEW Intense ShadowBlast 308 00:12:23,059 --> 00:12:23,058 VO: It's Old Navy's Storew LashBlast AND NEW Intense ShadowBlast 309 00:12:23,092 --> 00:12:23,091 VO: It's Old Navy's Storewid LashBlast AND NEW Intense ShadowBlast 310 00:12:23,125 --> 00:12:23,124 VO: It's Old Navy's Storewide LashBlast AND NEW Intense ShadowBlast 311 00:12:23,159 --> 00:12:23,158 VO: It's Old Navy's Storewide LashBlast AND NEW Intense ShadowBlast 312 00:12:23,192 --> 00:12:23,191 VO: It's Old Navy's Storewide Bu LashBlast AND NEW Intense ShadowBlast 313 00:12:23,226 --> 00:12:23,225 VO: It's Old Navy's Storewide Buy LashBlast AND NEW Intense ShadowBlast 314 00:12:23,259 --> 00:12:23,258 VO: It's Old Navy's Storewide Buy On LashBlast AND NEW Intense ShadowBlast 315 00:12:23,292 --> 00:12:23,291 VO: It's Old Navy's Storewide Buy One LashBlast AND NEW Intense ShadowBlast 316 00:12:23,326 --> 00:12:23,325 VO: It's Old Navy's Storewide Buy One Ge LashBlast AND NEW Intense ShadowBlast 317 00:12:23,359 --> 00:12:23,358 VO: It's Old Navy's Storewide Buy One Get LashBlast AND NEW Intense ShadowBlast 318 00:12:23,392 --> 00:12:23,391 VO: It's Old Navy's Storewide Buy One Get On LashBlast AND NEW Intense ShadowBlast 319 00:12:23,426 --> 00:12:23,425 VO: It's Old Navy's Storewide Buy One Get One LashBlast AND NEW Intense ShadowBlast 320 00:12:23,459 --> 00:12:23,458 VO: It's Old Navy's Storewide Buy One Get One 75 LashBlast AND NEW Intense ShadowBlast 321 00:12:23,492 --> 00:12:23,491 VO: It's Old Navy's Storewide Buy One Get One 75% LashBlast AND NEW Intense ShadowBlast 322 00:12:23,526 --> 00:12:23,525 VO: It's Old Navy's Storewide Buy One Get One 75% Of LashBlast AND NEW Intense ShadowBlast 323 00:12:25,194 --> 00:12:25,193 VO: It's Old Navy's Storewide Buy One Get One 75% Off! LashBlast AND NEW Intense ShadowBlast 324 00:12:25,795 --> 00:12:25,794 VO: It's Old Navy's Storewide Buy One Get One 75% Off! Buy something! 325 00:12:27,413 --> 00:12:27,412 And get another something 75% Off! Buy something! 326 00:12:31,601 --> 00:12:31,600 And get another something 75% Off! Sale ends Sunday. So BO GO before this deal is BO GONE! 327 00:12:34,303 --> 00:12:34,302 It's Buy One Get One 75% Off! Sale ends Sunday. So BO GO before this deal is BO GONE! 328 00:12:37,773 --> 00:12:37,772 O Sale ends Sunday. So BO GO before this deal is BO GONE! 329 00:12:37,807 --> 00:12:37,806 OUR Sale ends Sunday. So BO GO before this deal is BO GONE! 330 00:12:37,840 --> 00:12:37,839 OUR T Sale ends Sunday. So BO GO before this deal is BO GONE! 331 00:12:37,907 --> 00:12:37,906 OUR TWO Sale ends Sunday. So BO GO before this deal is BO GONE! 332 00:12:37,974 --> 00:12:37,973 OUR TWO Sale ends Sunday. So BO GO before this deal is BO GONE! 333 00:12:38,040 --> 00:12:38,039 OUR TWO F Sale ends Sunday. So BO GO before this deal is BO GONE! 334 00:12:38,074 --> 00:12:38,073 OUR TWO FAV Sale ends Sunday. So BO GO before this deal is BO GONE! 335 00:12:38,107 --> 00:12:38,106 OUR TWO FAVOR Sale ends Sunday. So BO GO before this deal is BO GONE! 336 00:12:38,140 --> 00:12:38,139 OUR TWO FAVORIT Sale ends Sunday. So BO GO before this deal is BO GONE! 337 00:12:38,174 --> 00:12:38,173 OUR TWO FAVORITE Sale ends Sunday. So BO GO before this deal is BO GONE! 338 00:12:38,207 --> 00:12:38,206 OUR TWO FAVORITE TH Sale ends Sunday. So BO GO before this deal is BO GONE! 339 00:12:38,241 --> 00:12:38,240 OUR TWO FAVORITE THIN Sale ends Sunday. So BO GO before this deal is BO GONE! 340 00:12:38,274 --> 00:12:38,273 OUR TWO FAVORITE THINGS Sale ends Sunday. So BO GO before this deal is BO GONE! 341 00:12:38,307 --> 00:12:38,306 OUR TWO FAVORITE THINGS.. Sale ends Sunday. So BO GO before this deal is BO GONE! 342 00:12:38,374 --> 00:12:38,373 OUR TWO FAVORITE THINGS... Sale ends Sunday. So BO GO before this deal is BO GONE! 343 00:12:40,710 --> 00:12:40,709 OUR TWO FAVORITE THINGS... ...FANTASY FOOTBALL AND PIZZA HUT'S TEN DOLLAR ANY DEAL. 344 00:12:41,410 --> 00:12:41,409 ANY PIZZA, ANY SIZE, ...FANTASY FOOTBALL AND PIZZA HUT'S TEN DOLLAR ANY DEAL. 345 00:12:42,578 --> 00:12:42,577 ANY PIZZA, ANY SIZE, ANY CRUST, ANY TOPPINGS. JUST TEN BUCKS. 346 00:12:46,582 --> 00:12:46,581 IT'S A SWEET DEAL! SPEAKING OF SWEET DEALS, I'LL GIVE YOU REGGIE BUSH, ANY CRUST, ANY TOPPINGS. JUST TEN BUCKS. 347 00:12:48,351 --> 00:12:48,350 IT'S A SWEET DEAL! SPEAKING OF SWEET DEALS, I'LL GIVE YOU REGGIE BUSH, FOR THAT PIZZA. DONE. 348 00:12:50,820 --> 00:12:50,819 HOLD UP! YOU JUST TRADED ME FOR A PIZZA?! FOR THAT PIZZA. DONE. 349 00:12:53,422 --> 00:12:53,421 HOLD UP! YOU JUST TRADED ME FOR A PIZZA?! A PIZZA HUT SUPREME PIZZA. 350 00:12:55,925 --> 00:12:55,924 MMMMMMM. THAT WAS A GREAT TRADE. A PIZZA HUT SUPREME PIZZA. 351 00:12:56,926 --> 00:12:56,925 MMMMMMM. THAT WAS A GREAT TRADE. THANKS, GUYS. 352 00:12:57,960 --> 00:12:57,959 WHAT JUST HAPPENED? THANKS, GUYS. 353 00:13:00,396 --> 00:13:00,395 WHAT JUST HAPPENED? [ Male Announcer ] RIGHT NOW, 10 DOLLARS GETS YOU ANY PIZZA, 354 00:13:01,731 --> 00:13:01,730 ANY SIZE, ANY CRUST [ Male Announcer ] RIGHT NOW, 10 DOLLARS GETS YOU ANY PIZZA, 355 00:13:02,431 --> 00:13:02,430 ANY SIZE, ANY CRUST AND ANY TOPPINGS. 356 00:13:04,367 --> 00:13:04,366 DELIVERY, CARRYOUT OR DINE-IN. AND ANY TOPPINGS. 357 00:13:05,167 --> 00:13:05,166 DELIVERY, CARRYOUT OR DINE-IN. ONLY 10 BUCKS 358 00:13:06,869 --> 00:13:06,868 AND ONLY AT YOUR PIZZA HUT. ONLY 10 BUCKS 359 00:13:53,249 --> 00:13:53,248 I' ONLY 10 BUCKS 360 00:13:53,282 --> 00:13:53,281 I'M ONLY 10 BUCKS 361 00:13:53,316 --> 00:13:53,315 I'M SO ONLY 10 BUCKS 362 00:13:53,349 --> 00:13:53,348 I'M SOFI ONLY 10 BUCKS 363 00:13:53,382 --> 00:13:53,381 I'M SOFIA ONLY 10 BUCKS 364 00:13:53,416 --> 00:13:53,415 I'M SOFIA VE ONLY 10 BUCKS 365 00:13:53,449 --> 00:13:53,448 I'M SOFIA VERG ONLY 10 BUCKS 366 00:13:53,482 --> 00:13:53,481 I'M SOFIA VERGAR ONLY 10 BUCKS 367 00:13:53,516 --> 00:13:53,515 I'M SOFIA VERGARA, ONLY 10 BUCKS 368 00:13:53,549 --> 00:13:53,548 I'M SOFIA VERGARA, A ONLY 10 BUCKS 369 00:13:53,582 --> 00:13:53,581 I'M SOFIA VERGARA, AND ONLY 10 BUCKS 370 00:13:53,616 --> 00:13:53,615 I'M SOFIA VERGARA, AND I ONLY 10 BUCKS 371 00:13:53,683 --> 00:13:53,682 I'M SOFIA VERGARA, AND I'M ONLY 10 BUCKS 372 00:13:53,716 --> 00:13:53,715 I'M SOFIA VERGARA, AND I'M ONLY 10 BUCKS 373 00:13:53,749 --> 00:13:53,748 I'M SOFIA VERGARA, AND I'M NO ONLY 10 BUCKS 374 00:13:53,783 --> 00:13:53,782 I'M SOFIA VERGARA, AND I'M NOT ONLY 10 BUCKS 375 00:13:53,816 --> 00:13:53,815 I'M SOFIA VERGARA, AND I'M NOT AF ONLY 10 BUCKS 376 00:13:53,849 --> 00:13:53,848 I'M SOFIA VERGARA, AND I'M NOT AFRA ONLY 10 BUCKS 377 00:13:53,883 --> 00:13:53,882 I'M SOFIA VERGARA, AND I'M NOT AFRAID ONLY 10 BUCKS 378 00:13:53,916 --> 00:13:53,915 I'M SOFIA VERGARA, AND I'M NOT AFRAID T ONLY 10 BUCKS 379 00:13:53,949 --> 00:13:53,948 I'M SOFIA VERGARA, AND I'M NOT AFRAID TO ONLY 10 BUCKS 380 00:13:53,983 --> 00:13:53,982 I'M SOFIA VERGARA, AND I'M NOT AFRAID TO WO ONLY 10 BUCKS 381 00:13:54,016 --> 00:13:54,015 I'M SOFIA VERGARA, AND I'M NOT AFRAID TO WORK ONLY 10 BUCKS 382 00:13:54,050 --> 00:13:54,049 I'M SOFIA VERGARA, AND I'M NOT AFRAID TO WORK W ONLY 10 BUCKS 383 00:13:54,083 --> 00:13:54,082 I'M SOFIA VERGARA, AND I'M NOT AFRAID TO WORK WIT ONLY 10 BUCKS 384 00:13:54,950 --> 00:13:54,949 I'M SOFIA VERGARA, AND I'M NOT AFRAID TO WORK WITH ONLY 10 BUCKS 385 00:13:57,153 --> 00:13:57,152 I'M SOFIA VERGARA, AND I'M NOT AFRAID TO WORK WITH WHAT I'VE GOT. 386 00:14:02,158 --> 00:14:02,157 YOU'RE A WOMAN, SO DRESS LIKE A WOMAN. WHAT I'VE GOT. 387 00:14:03,876 --> 00:14:03,875 YOU'RE A WOMAN, SO DRESS LIKE A WOMAN. MY COLLECTION IS AT KMART. 388 00:14:07,396 --> 00:14:07,395 SO GO! MY COLLECTION IS AT KMART. 389 00:14:08,030 --> 00:14:08,029 [ MY COLLECTION IS AT KMART. 390 00:14:08,064 --> 00:14:08,063 [ Fe MY COLLECTION IS AT KMART. 391 00:14:08,097 --> 00:14:08,096 [ Fema MY COLLECTION IS AT KMART. 392 00:14:08,130 --> 00:14:08,129 [ Female MY COLLECTION IS AT KMART. 393 00:14:08,164 --> 00:14:08,163 [ Female A MY COLLECTION IS AT KMART. 394 00:14:08,197 --> 00:14:08,196 [ Female Ann MY COLLECTION IS AT KMART. 395 00:14:08,230 --> 00:14:08,229 [ Female Annou MY COLLECTION IS AT KMART. 396 00:14:08,264 --> 00:14:08,263 [ Female Announc MY COLLECTION IS AT KMART. 397 00:14:08,297 --> 00:14:08,296 [ Female Announcer MY COLLECTION IS AT KMART. 398 00:14:08,331 --> 00:14:08,330 [ Female Announcer ] MY COLLECTION IS AT KMART. 399 00:14:08,364 --> 00:14:08,363 [ Female Announcer ] MY COLLECTION IS AT KMART. 400 00:14:08,431 --> 00:14:08,430 [ Female Announcer ] MY COLLECTION IS AT KMART. 401 00:14:08,464 --> 00:14:08,463 [ Female Announcer ] HA MY COLLECTION IS AT KMART. 402 00:14:08,497 --> 00:14:08,496 [ Female Announcer ] HAVE MY COLLECTION IS AT KMART. 403 00:14:08,531 --> 00:14:08,530 [ Female Announcer ] HAVE Y MY COLLECTION IS AT KMART. 404 00:14:08,564 --> 00:14:08,563 [ Female Announcer ] HAVE YOU MY COLLECTION IS AT KMART. 405 00:14:08,597 --> 00:14:08,596 [ Female Announcer ] HAVE YOU M MY COLLECTION IS AT KMART. 406 00:14:08,631 --> 00:14:08,630 [ Female Announcer ] HAVE YOU MET MY COLLECTION IS AT KMART. 407 00:14:08,664 --> 00:14:08,663 [ Female Announcer ] HAVE YOU MET Y MY COLLECTION IS AT KMART. 408 00:14:08,698 --> 00:14:08,697 [ Female Announcer ] HAVE YOU MET YOU MY COLLECTION IS AT KMART. 409 00:14:08,731 --> 00:14:08,730 [ Female Announcer ] HAVE YOU MET YOUR MY COLLECTION IS AT KMART. 410 00:14:08,764 --> 00:14:08,763 [ Female Announcer ] HAVE YOU MET YOUR SK MY COLLECTION IS AT KMART. 411 00:14:08,798 --> 00:14:08,797 [ Female Announcer ] HAVE YOU MET YOUR SKIN MY COLLECTION IS AT KMART. 412 00:14:08,831 --> 00:14:08,830 [ Female Announcer ] HAVE YOU MET YOUR SKIN T MY COLLECTION IS AT KMART. 413 00:14:08,864 --> 00:14:08,863 [ Female Announcer ] HAVE YOU MET YOUR SKIN TWI MY COLLECTION IS AT KMART. 414 00:14:09,231 --> 00:14:09,230 [ Female Announcer ] HAVE YOU MET YOUR SKIN TWIN? MY COLLECTION IS AT KMART. 415 00:14:10,099 --> 00:14:10,098 [ Female Announcer ] HAVE YOU MET YOUR SKIN TWIN? COVERGIRL TRUBLEND 416 00:14:10,933 --> 00:14:10,932 HAS SKIN TWIN TECHNOLOGY. COVERGIRL TRUBLEND 417 00:14:13,469 --> 00:14:13,468 HAS SKIN TWIN TECHNOLOGY. OTHER MAKEUP CAN SIT ON THE SURFACE OF YOUR SKIN, 418 00:14:15,171 --> 00:14:15,170 SO IT LOOKS LIKE...MAKEUP. OTHER MAKEUP CAN SIT ON THE SURFACE OF YOUR SKIN, 419 00:14:17,673 --> 00:14:17,672 SO IT LOOKS LIKE...MAKEUP. BUT TRUBLEND HAS SKIN TWIN TECHNOLOGY 420 00:14:19,642 --> 00:14:19,641 TO ACTUALLY MERGE WITH YOUR SKIN. BUT TRUBLEND HAS SKIN TWIN TECHNOLOGY 421 00:14:22,244 --> 00:14:22,243 TO ACTUALLY MERGE WITH YOUR SKIN. YOU GET SKIN TWIN COVERAGE THAT'S PERFECTLY TRUE. 422 00:14:24,013 --> 00:14:24,012 AND YOU'RE MORE PERFECTLY YOU. YOU GET SKIN TWIN COVERAGE THAT'S PERFECTLY TRUE. 423 00:14:26,148 --> 00:14:26,147 AND YOU'RE MORE PERFECTLY YOU. [ Female Announcer ] PLUS, WITH TRUBLEND, 424 00:14:28,451 --> 00:14:28,450 YOU ALWAYS GET A PERFECT MATCH. [ Female Announcer ] PLUS, WITH TRUBLEND, 425 00:14:30,052 --> 00:14:30,051 YOU ALWAYS GET A PERFECT MATCH. IF YOU'RE A SHADE 1 HERE, 426 00:14:32,355 --> 00:14:32,354 YOU'RE A 1 HERE... AND HERE. IF YOU'RE A SHADE 1 HERE, 427 00:14:34,590 --> 00:14:34,589 YOU'RE A 1 HERE... AND HERE. HOW EASY BREEZY BEAUTIFUL S THAT? 428 00:14:37,376 --> 00:14:37,375 TRUBLEND...FROM COVERGIRL. HOW EASY BREEZY BEAUTIFUL S THAT? 429 00:14:59,381 --> 00:14:59,380 TRUBLEND...FROM COVERGIRL. (indistinct conversations) 430 00:15:03,319 --> 00:15:03,318 (man) NOTHING HERE. (indistinct conversations) 431 00:15:04,520 --> 00:15:04,519 (man) NOTHING HERE. WE'RE GOOD. 432 00:15:05,321 --> 00:15:05,320 (rapid beeps) WE'RE GOOD. 433 00:15:08,624 --> 00:15:08,623 (rapid beeps) THEY JUST WALKED IN. HOLD ON A SECOND. 434 00:15:10,459 --> 00:15:10,458 (man) WE'RE CLEAN ON THIS SIDE. CAN WE HAVE THE ROOM? THEY JUST WALKED IN. HOLD ON A SECOND. 435 00:15:12,027 --> 00:15:12,026 (man) WE'RE CLEAN ON THIS SIDE. CAN WE HAVE THE ROOM? (man) PHIL, LET'S GET OUT OF HERE. 436 00:15:14,397 --> 00:15:14,396 CLEAR THE ROOM. (man) PHIL, LET'S GET OUT OF HERE. 437 00:15:17,233 --> 00:15:17,232 CLEAR THE ROOM. (man speaks indistinctly) 438 00:15:18,801 --> 00:15:18,800 (Bosley) OKAY, CHARLIE. (door closes) (man speaks indistinctly) 439 00:15:22,171 --> 00:15:22,170 (Bosley) OKAY, CHARLIE. (door closes) Bosley updated me. Thank God you're okay. 440 00:15:23,405 --> 00:15:23,404 WHO WERE THOSE PEOPLE? Bosley updated me. Thank God you're okay. 441 00:15:24,673 --> 00:15:24,672 WHO WERE THOSE PEOPLE? It's just a precaution. 442 00:15:26,108 --> 00:15:26,107 They're sweeping the agency. It's just a precaution. 443 00:15:29,011 --> 00:15:29,010 They're sweeping the agency. I sent teams to your homes as well. 444 00:15:30,880 --> 00:15:30,879 YOU THINK WE'RE BEING TARGETED? I sent teams to your homes as well. 445 00:15:32,681 --> 00:15:32,680 YOU THINK WE'RE BEING TARGETED? I can't confirm that you're not. 446 00:15:33,949 --> 00:15:33,948 Gloria was family, I can't confirm that you're not. 447 00:15:36,969 --> 00:15:36,968 Gloria was family, and her murder is our most personal case. 448 00:15:39,288 --> 00:15:39,287 I need to know you're up for the fight. and her murder is our most personal case. 449 00:15:41,690 --> 00:15:41,689 I need to know you're up for the fight. BRING IT ON. 450 00:15:42,958 --> 00:15:42,957 Just remember, BRING IT ON. 451 00:15:44,794 --> 00:15:44,793 Just remember, you're Angels of justice, 452 00:15:47,596 --> 00:15:47,595 not Angels of vengeance. you're Angels of justice, 453 00:15:49,732 --> 00:15:49,731 not Angels of vengeance. CHECK THIS OUT. 454 00:15:54,637 --> 00:15:54,636 I GAVE THE COPS ACCESS TO ALL OF OUR SECURITY CAMERAS, CHECK THIS OUT. 455 00:15:55,871 --> 00:15:55,870 I GAVE THE COPS ACCESS TO ALL OF OUR SECURITY CAMERAS, EXCEPT THESE. 456 00:15:57,106 --> 00:15:57,105 SENDING IT TO YOU NOW. EXCEPT THESE. 457 00:16:01,076 --> 00:16:01,075 SENDING IT TO YOU NOW. THIS IS HALF AN HOUR BEFORE YOU GUYS LEFT THE BUILDING. 458 00:16:02,778 --> 00:16:02,777 CHECK OUT THE WOMAN ON THE MOTORCYCLE THIS IS HALF AN HOUR BEFORE YOU GUYS LEFT THE BUILDING. 459 00:16:04,046 --> 00:16:04,045 CHECK OUT THE WOMAN ON THE MOTORCYCLE SCOPING GLORIA'S CAR. 460 00:16:05,247 --> 00:16:05,246 SHE SPLIT RIGHT AFTER THE EXPLOSION, SCOPING GLORIA'S CAR. 461 00:16:08,417 --> 00:16:08,416 SHE SPLIT RIGHT AFTER THE EXPLOSION, DIDN'T CALL 9-1-1 OR STICK AROUND AND WAIT FOR THE POLICE 462 00:16:09,602 --> 00:16:09,601 AND TALK TO THEM. SHE JUST... TOOK OFF. DIDN'T CALL 9-1-1 OR STICK AROUND AND WAIT FOR THE POLICE 463 00:16:13,189 --> 00:16:13,188 AND TALK TO THEM. SHE JUST... TOOK OFF. WHAT'S THAT'S SHADOW ON THE BACK OF HER NECK? 464 00:16:16,459 --> 00:16:16,458 (beeping) WHAT'S THAT'S SHADOW ON THE BACK OF HER NECK? 465 00:16:18,027 --> 00:16:18,026 (beeping) LOOK AT THE INK. 466 00:16:18,694 --> 00:16:18,693 SAME AS GLORIA'S. LOOK AT THE INK. 467 00:16:21,630 --> 00:16:21,629 SAME AS GLORIA'S. MEANS THEY WERE MEMBERS OF THE SAME CAR BOOSTING CREW. 468 00:16:24,033 --> 00:16:24,032 I DON'T GET IT. GLORIA WAVED GOOD-BYE TO THAT LIFE MEANS THEY WERE MEMBERS OF THE SAME CAR BOOSTING CREW. 469 00:16:27,236 --> 00:16:27,235 I DON'T GET IT. GLORIA WAVED GOOD-BYE TO THAT LIFE WHEN SHE ENLISTED WITH UNCLE SAM. 470 00:16:28,471 --> 00:16:28,470 BOS, RUN HER FACE WHEN SHE ENLISTED WITH UNCLE SAM. 471 00:16:31,473 --> 00:16:31,472 BOS, RUN HER FACE AGAINST THE MIAMI-DADE AUTO THEFT DATABASE. 472 00:16:34,577 --> 00:16:34,576 LOG IN UNDER DETECTIVE RAY GOODSON, AGAINST THE MIAMI-DADE AUTO THEFT DATABASE. 473 00:16:35,945 --> 00:16:35,944 LOG IN UNDER DETECTIVE RAY GOODSON, BADGE 4-1-9-7-6. 474 00:16:37,446 --> 00:16:37,445 YOU'RE EX-FIANCE? BADGE 4-1-9-7-6. 475 00:16:38,714 --> 00:16:38,713 YOU'RE EX-FIANCE? YES. 476 00:16:40,616 --> 00:16:40,615 GUESS I CAN TAKE IMPERSONATING A POLICE OFFICER YES. 477 00:16:41,400 --> 00:16:41,399 GUESS I CAN TAKE IMPERSONATING A POLICE OFFICER OFF MY BUCKET LIST. PASSWORD? 478 00:16:44,386 --> 00:16:44,385 ALWAYS USES HIS BIRTHDAY. OFF MY BUCKET LIST. PASSWORD? 479 00:16:47,823 --> 00:16:47,822 ALWAYS USES HIS BIRTHDAY. 12-4-80. 480 00:16:48,791 --> 00:16:48,790 (beeps) 12-4-80. 481 00:16:50,359 --> 00:16:50,358 (beeps) ACCESS GRANTED. 482 00:16:52,328 --> 00:16:52,327 (beeps) ACCESS GRANTED. 483 00:16:54,263 --> 00:16:54,262 (beeps) EVE FRENCH-- PLEADED NO CONTEST 484 00:16:57,299 --> 00:16:57,298 TO GRAND THEFT AUTO AND MANSLAUGHTER IN '05. EVE FRENCH-- PLEADED NO CONTEST 485 00:16:59,702 --> 00:16:59,701 TO GRAND THEFT AUTO AND MANSLAUGHTER IN '05. STOLE A LAMBORGHINI, GOT INTO A HIGH-SPEED CHASE, 486 00:17:04,306 --> 00:17:04,305 ENDED UP... HITTING A CAB AND KILLING THE DRIVER. STOLE A LAMBORGHINI, GOT INTO A HIGH-SPEED CHASE, 487 00:17:07,476 --> 00:17:07,475 ENDED UP... HITTING A CAB AND KILLING THE DRIVER. DID FOUR YEARS AT TALLAHASSEE WOMEN'S CORRECTIONAL. 488 00:17:09,378 --> 00:17:09,377 HOW LONG SHE BEEN BACK IN MIAMI? DID FOUR YEARS AT TALLAHASSEE WOMEN'S CORRECTIONAL. 489 00:17:10,679 --> 00:17:10,678 HOW LONG SHE BEEN BACK IN MIAMI? PAROLED SIX MONTHS AGO. 490 00:17:13,933 --> 00:17:13,932 LIVES ON A HOUSEBOAT, BISCAYNE MARINA. PAROLED SIX MONTHS AGO. 491 00:17:16,785 --> 00:17:16,784 LIVES ON A HOUSEBOAT, BISCAYNE MARINA. WHY WOULD SHE WANT GLORIA DEAD? 492 00:17:18,888 --> 00:17:18,887 LET'S GO ASK HER. WHY WOULD SHE WANT GLORIA DEAD? 493 00:17:21,857 --> 00:17:21,856 LET'S GO ASK HER. (clicking) 494 00:17:24,960 --> 00:17:24,959 WHOA, WHOA. REMEMBER WHAT CHARLIE SAID. (clicking) 495 00:17:28,397 --> 00:17:28,396 WHOA, WHOA. REMEMBER WHAT CHARLIE SAID. WHAT? THESE ARE JUST CONVERSATION STARTERS. 496 00:17:29,732 --> 00:17:29,731 GUYS. WHAT? THESE ARE JUST CONVERSATION STARTERS. 497 00:17:30,966 --> 00:17:30,965 GUYS. JUST... 498 00:17:33,068 --> 00:17:33,067 BE CAREFUL. JUST... 499 00:17:37,072 --> 00:17:37,071 BE CAREFUL. FOR ME. 500 00:18:04,800 --> 00:18:04,799 (door bangs) FOR ME. 501 00:18:08,037 --> 00:18:08,036 (door bangs) (both grunting) 502 00:18:14,910 --> 00:18:14,909 (cocks gun) (both grunting) 503 00:18:17,713 --> 00:18:17,712 (cocks gun) OKAY, CALM DOWN. WE JUST WANNA TALK. 504 00:18:18,764 --> 00:18:18,763 TRY KNOCKING NEXT TIME. OKAY, CALM DOWN. WE JUST WANNA TALK. 505 00:18:21,617 --> 00:18:21,616 TRY KNOCKING NEXT TIME. WHY DID YOU KILL GLORIA? 506 00:18:22,585 --> 00:18:22,584 I DIDN'T. WHY DID YOU KILL GLORIA? 507 00:18:23,919 --> 00:18:23,918 I DIDN'T. THEN WHY WERE YOU IN STALKER MODE 508 00:18:24,987 --> 00:18:24,986 OUTSIDE THE AGENCY LAST NIGHT? THEN WHY WERE YOU IN STALKER MODE 509 00:18:26,655 --> 00:18:26,654 OUTSIDE THE AGENCY LAST NIGHT? WE CAUGHT YOU ON TAPE FLEEING THE SCENE. 510 00:18:27,790 --> 00:18:27,789 THAT DOESN'T MAKE ME GUILTY. WE CAUGHT YOU ON TAPE FLEEING THE SCENE. 511 00:18:29,391 --> 00:18:29,390 THAT DOESN'T MAKE ME GUILTY. INNOCENT PEOPLE DON'T USUALLY RUN AWAY. 512 00:18:32,895 --> 00:18:32,894 I'M NOT PLAYING THIS GAME. GLORIA WAS LIKE A SISTER TO ME. INNOCENT PEOPLE DON'T USUALLY RUN AWAY. 513 00:18:35,264 --> 00:18:35,263 I'M NOT PLAYING THIS GAME. GLORIA WAS LIKE A SISTER TO ME. (helicopter whirring) 514 00:18:37,700 --> 00:18:37,699 WE NEED TO MOVE. (helicopter whirring) 515 00:18:41,670 --> 00:18:41,669 WE NEED TO MOVE. NOW! 516 00:18:45,140 --> 00:18:45,139 (machine gunfire) NOW! 517 00:18:53,749 --> 00:18:53,748 (machine gunfire) (gunfire continues) 518 00:19:02,424 --> 00:19:02,423 (gunfire stops) (gunfire continues) 519 00:19:05,761 --> 00:19:05,760 (gunfire stops) ALL RIGHT, WE GOT 'EM! WE GOT 'EM. 520 00:19:13,902 --> 00:19:13,901 (gasps) OH! ALL RIGHT, WE GOT 'EM! WE GOT 'EM. 521 00:19:15,971 --> 00:19:15,970 (gasps) OH! AH! (coughs) 522 00:19:17,339 --> 00:19:17,338 (gasps) AH! (coughs) 523 00:19:21,877 --> 00:19:21,876 (gasps) WHO WERE THOSE SHOOTERS? 524 00:19:23,595 --> 00:19:23,594 IN CASE YOU MISSED IT, THEY TRIED TO KILL ME, TOO. WHO WERE THOSE SHOOTERS? 525 00:19:25,681 --> 00:19:25,680 IN CASE YOU MISSED IT, THEY TRIED TO KILL ME, TOO. LOOK-- EASY, ABBS. 526 00:19:26,949 --> 00:19:26,948 LET'S DO THIS BACK AT THE OFFICE. LOOK-- EASY, ABBS. 527 00:19:30,285 --> 00:19:30,284 LET'S DO THIS BACK AT THE OFFICE. NO, SHE STARTS FILLING IN THE BLANKS RIGHT NOW. 528 00:19:32,755 --> 00:19:32,754 I GOT A TEXT FROM GLORIA. NO, SHE STARTS FILLING IN THE BLANKS RIGHT NOW. 529 00:19:33,922 --> 00:19:33,921 I GOT A TEXT FROM GLORIA. SHE WANTED ME TO MEET HER AFTER WORK. 530 00:19:37,393 --> 00:19:37,392 THEN WHY NOT COME IN INSTEAD OF LURKING AROUND ON THE STREET? SHE WANTED ME TO MEET HER AFTER WORK. 531 00:19:38,961 --> 00:19:38,960 THEN WHY NOT COME IN INSTEAD OF LURKING AROUND ON THE STREET? I'M SHY. 532 00:19:40,295 --> 00:19:40,294 (scoffs) I'M SHY. 533 00:19:41,663 --> 00:19:41,662 (scoffs) HEY, DID SHE SAY WHAT SHE WANTED? 534 00:19:43,365 --> 00:19:43,364 PERSONAL CASE SHE WAS WORKING ON. HEY, DID SHE SAY WHAT SHE WANTED? 535 00:19:45,801 --> 00:19:45,800 PERSONAL CASE SHE WAS WORKING ON. SHE WANTED TO SHOW ME SOMETHING. 536 00:19:49,104 --> 00:19:49,103 (sirens wailing in distance) SHE WANTED TO SHOW ME SOMETHING. 537 00:19:52,341 --> 00:19:52,340 (sirens wailing in distance) DEAL WITH THEM OR COME WITH US. 538 00:19:54,777 --> 00:19:54,776 IT'S YOUR CALL. DEAL WITH THEM OR COME WITH US. 539 00:20:01,683 --> 00:20:01,682 IT'S YOUR CALL. [ 540 00:20:01,717 --> 00:20:01,716 IT'S YOUR CALL. [ Ma 541 00:20:01,750 --> 00:20:01,749 IT'S YOUR CALL. [ Male 542 00:20:01,784 --> 00:20:01,783 IT'S YOUR CALL. [ Male A 543 00:20:01,817 --> 00:20:01,816 IT'S YOUR CALL. [ Male Ann 544 00:20:01,850 --> 00:20:01,849 IT'S YOUR CALL. [ Male Annou 545 00:20:01,884 --> 00:20:01,883 IT'S YOUR CALL. [ Male Announc 546 00:20:01,917 --> 00:20:01,916 IT'S YOUR CALL. [ Male Announcer 547 00:20:01,950 --> 00:20:01,949 IT'S YOUR CALL. [ Male Announcer ] 548 00:20:01,984 --> 00:20:01,983 IT'S YOUR CALL. [ Male Announcer ] 549 00:20:02,051 --> 00:20:02,050 IT'S YOUR CALL. [ Male Announcer ] 550 00:20:02,084 --> 00:20:02,083 IT'S YOUR CALL. [ Male Announcer ] UN 551 00:20:02,117 --> 00:20:02,116 IT'S YOUR CALL. [ Male Announcer ] UNDE 552 00:20:02,151 --> 00:20:02,150 IT'S YOUR CALL. [ Male Announcer ] UNDENI 553 00:20:02,184 --> 00:20:02,183 IT'S YOUR CALL. [ Male Announcer ] UNDENIAB 554 00:20:02,217 --> 00:20:02,216 IT'S YOUR CALL. [ Male Announcer ] UNDENIABLY 555 00:20:02,251 --> 00:20:02,250 IT'S YOUR CALL. [ Male Announcer ] UNDENIABLY C 556 00:20:02,284 --> 00:20:02,283 IT'S YOUR CALL. [ Male Announcer ] UNDENIABLY COL 557 00:20:02,317 --> 00:20:02,316 IT'S YOUR CALL. [ Male Announcer ] UNDENIABLY COLOR 558 00:20:02,351 --> 00:20:02,350 IT'S YOUR CALL. [ Male Announcer ] UNDENIABLY COLORFU 559 00:20:02,584 --> 00:20:02,583 IT'S YOUR CALL. [ Male Announcer ] UNDENIABLY COLORFUL, 560 00:20:05,554 --> 00:20:05,553 SERIOUSLY SMOOTH AND IN EXCELLENT CONDITION... [ Male Announcer ] UNDENIABLY COLORFUL, 561 00:20:06,588 --> 00:20:06,587 SERIOUSLY SMOOTH AND IN EXCELLENT CONDITION... THOSE ARE YOUR LIPS 562 00:20:08,691 --> 00:20:08,690 WITH COVERGIRL LIP PERFECTION. THOSE ARE YOUR LIPS 563 00:20:10,693 --> 00:20:10,692 WITH COVERGIRL LIP PERFECTION. IT DOESN'T JUST GIVE YOU BEAUTIFUL COLOR NOW, 564 00:20:13,762 --> 00:20:13,761 IT GIVES YOU MORE BEAUTIFUL LIPS IN 7 DAYS. IT DOESN'T JUST GIVE YOU BEAUTIFUL COLOR NOW, 565 00:20:17,266 --> 00:20:17,265 IT GIVES YOU MORE BEAUTIFUL LIPS IN 7 DAYS. IN A SINGLE STROKE, RICHCOLOR ROCKS YOUR LIPS. 566 00:20:20,335 --> 00:20:20,334 IN A SINGLE WEEK, "THE SILK MOISTURIZING COMPLEX IN A SINGLE STROKE, RICHCOLOR ROCKS YOUR LIPS. 567 00:20:22,538 --> 00:20:22,537 IN A SINGLE WEEK, "THE SILK MOISTURIZING COMPLEX HELPS SMOOTH AND SOFTEN THEM. 568 00:20:23,405 --> 00:20:23,404 HOW PERFECT! HELPS SMOOTH AND SOFTEN THEM. 569 00:20:25,307 --> 00:20:25,306 HOW PERFECT! [ Male Announcer ] LIP PERFECTION. 570 00:20:26,642 --> 00:20:26,641 IN 44 LIP PERFECTING SHADES [ Male Announcer ] LIP PERFECTION. 571 00:20:30,713 --> 00:20:30,712 IN 44 LIP PERFECTING SHADES FROM EASY, BREEZE, BEAUTIFUL... COVEGIRL. 572 00:21:31,440 --> 00:21:31,439 IN 44 LIP PERFECTING SHADES GGGGGGGGGG 573 00:21:32,941 --> 00:21:32,940 PASTA BOWL IS ALMOST OVER. GGGGGGGGGG 574 00:21:34,243 --> 00:21:34,242 PASTA BOWL IS ALMOST OVER. FOR JUST $8.95 TRY NEW SAUCES 575 00:21:36,111 --> 00:21:36,110 LIKE ROASTED MUSHROOM PARMESAN FOR JUST $8.95 TRY NEW SAUCES 576 00:21:38,046 --> 00:21:38,045 LIKE ROASTED MUSHROOM PARMESAN AND HEARTY PIZZAIOLA MEAT. 577 00:21:39,481 --> 00:21:39,480 CHOOSE ALL THE SAUCE AND PASTA COMBINATIONS YOU WANT AND HEARTY PIZZAIOLA MEAT. 578 00:21:41,350 --> 00:21:41,349 CHOOSE ALL THE SAUCE AND PASTA COMBINATIONS YOU WANT JUST $8.95, 579 00:21:42,985 --> 00:21:42,984 WITH UNLIMITED SALAD AND BREADSTICKS. JUST $8.95, 580 00:21:46,755 --> 00:21:46,754 WITH UNLIMITED SALAD AND BREADSTICKS. SO HURRY IN TO OLIVE GARDEN. 581 00:21:47,222 --> 00:21:47,221 WITH UNLIMITED SALAD AND BREADSTICKS. [ 582 00:21:47,256 --> 00:21:47,255 WITH UNLIMITED SALAD AND BREADSTICKS. [ Ma 583 00:21:47,289 --> 00:21:47,288 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male 584 00:21:47,322 --> 00:21:47,321 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male A 585 00:21:47,356 --> 00:21:47,355 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Ann 586 00:21:47,389 --> 00:21:47,388 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Annou 587 00:21:47,422 --> 00:21:47,421 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announc 588 00:21:47,456 --> 00:21:47,455 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer 589 00:21:47,523 --> 00:21:47,522 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] 590 00:21:47,589 --> 00:21:47,588 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] 591 00:21:47,689 --> 00:21:47,688 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] 592 00:21:47,723 --> 00:21:47,722 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] TH 593 00:21:47,756 --> 00:21:47,755 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] THIS 594 00:21:47,790 --> 00:21:47,789 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] THIS I 595 00:21:47,823 --> 00:21:47,822 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] THIS IS 596 00:21:47,856 --> 00:21:47,855 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] THIS IS TH 597 00:21:47,890 --> 00:21:47,889 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] THIS IS THE 598 00:21:47,923 --> 00:21:47,922 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] THIS IS THE NE 599 00:21:47,956 --> 00:21:47,955 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] THIS IS THE NETW 600 00:21:47,990 --> 00:21:47,989 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] THIS IS THE NETWOR 601 00:21:48,056 --> 00:21:48,055 WITH UNLIMITED SALAD AND BREADSTICKS. [ Male Announcer ] THIS IS THE NETWORK. 602 00:21:49,691 --> 00:21:49,690 A NETWORK OF POSSIBILITIES... [ Male Announcer ] THIS IS THE NETWORK. 603 00:21:53,695 --> 00:21:53,694 A NETWORK OF POSSIBILITIES... ♪ ♪ 604 00:21:55,848 --> 00:21:55,847 IN HERE, PETS NEVER GET LOST. ♪ ♪ 605 00:21:57,666 --> 00:21:57,665 IN HERE, PETS NEVER GET LOST. ♪ ♪ 606 00:22:01,904 --> 00:22:01,903 IN HERE, EVERY CONTINENT FITS IN ONE ROOM. ♪ ♪ 607 00:22:04,540 --> 00:22:04,539 IN HERE, EVERY CONTINENT FITS IN ONE ROOM. IT WAS FUN, WE PLAYED FOOTBALL OUTSIDE. 608 00:22:06,308 --> 00:22:06,307 WHY ARE YOU SITTING IN THE DARK? IT WAS FUN, WE PLAYED FOOTBALL OUTSIDE. 609 00:22:07,242 --> 00:22:07,241 WHY ARE YOU SITTING IN THE DARK? ♪ ♪ 610 00:22:10,846 --> 00:22:10,845 [ Male Announcer ] IN HERE, YOU'RE NEVER AWAY FROM HOME. ♪ ♪ 611 00:22:11,613 --> 00:22:11,612 [ Male Announcer ] IN HERE, YOU'RE NEVER AWAY FROM HOME. IT'S THE AT&T NETWORK. 612 00:22:27,646 --> 00:22:27,645 AND WHAT'S POSSIBLE IN HERE IS ALMOST IMPOSSIBLE TO SAY. IT'S THE AT&T NETWORK. 613 00:23:54,416 --> 00:23:54,415 AND WHAT'S POSSIBLE IN HERE IS ALMOST IMPOSSIBLE TO SAY. YOU GIRLS DECENT? 614 00:23:55,784 --> 00:23:55,783 (Abby) YEAH, I JUST UPDATED CHARLIE. YOU GIRLS DECENT? 615 00:23:59,655 --> 00:23:59,654 (Abby) YEAH, I JUST UPDATED CHARLIE. I'VE GOT GLORIA'S PHONE RECORDS. SHE TEXTED EVE AT 12:35 A.M. 616 00:24:02,424 --> 00:24:02,423 WOW. SHE WASN'T LYING ABOUT YOUR MAD HACKING SKILLS. I'VE GOT GLORIA'S PHONE RECORDS. SHE TEXTED EVE AT 12:35 A.M. 617 00:24:04,993 --> 00:24:04,992 WOW. SHE WASN'T LYING ABOUT YOUR MAD HACKING SKILLS. OKAY, UH, I'M NOT A BIG FAN OF THE "H" WORD. 618 00:24:05,994 --> 00:24:05,993 IT'S LIKE TELLING PICASSO OKAY, UH, I'M NOT A BIG FAN OF THE "H" WORD. 619 00:24:07,763 --> 00:24:07,762 IT'S LIKE TELLING PICASSO HE'S GOOD AT THROWING PAINT ONTO A CANVAS. 620 00:24:10,032 --> 00:24:10,031 WAIT. GLORIA TALKED TO YOU ABOUT US? HE'S GOOD AT THROWING PAINT ONTO A CANVAS. 621 00:24:12,734 --> 00:24:12,733 WAIT. GLORIA TALKED TO YOU ABOUT US? SAID YOU WERE THE BEST CREW SHE EVER HAD. 622 00:24:14,603 --> 00:24:14,602 SHE NEVER MENTIONED YOU ONCE. SAID YOU WERE THE BEST CREW SHE EVER HAD. 623 00:24:16,905 --> 00:24:16,904 SHE NEVER MENTIONED YOU ONCE. THAT DOESN'T MEAN WE WEREN'T CLOSE. 624 00:24:18,373 --> 00:24:18,372 I MET GLORIA WHEN I WAS 5. THAT DOESN'T MEAN WE WEREN'T CLOSE. 625 00:24:20,842 --> 00:24:20,841 I MET GLORIA WHEN I WAS 5. ST. THERESA'S ORPHANAGE IN EL SALVADOR. 626 00:24:23,111 --> 00:24:23,110 HOW DID YOU END UP IN CENTRAL AMERICA? ST. THERESA'S ORPHANAGE IN EL SALVADOR. 627 00:24:24,746 --> 00:24:24,745 HOW DID YOU END UP IN CENTRAL AMERICA? MY PARENTS WERE AID WORKERS. 628 00:24:27,516 --> 00:24:27,515 THEY WERE KILLED IN THE CIVIL WAR DOWN THERE. MY PARENTS WERE AID WORKERS. 629 00:24:28,350 --> 00:24:28,349 THEY WERE KILLED IN THE CIVIL WAR DOWN THERE. WHEN I GOT TO ST. T.'s, 630 00:24:30,652 --> 00:24:30,651 GLORIA TOOK ME UNDER HER WING AND PROTECTED ME. WHEN I GOT TO ST. T.'s, 631 00:24:34,089 --> 00:24:34,088 GLORIA TOOK ME UNDER HER WING AND PROTECTED ME. WOW. FROM ORPHAN TO CAR THIEF TO JAILBIRD. 632 00:24:36,758 --> 00:24:36,757 YOU SHOULD HAVE YOUR OWN REALITY SHOW. WOW. FROM ORPHAN TO CAR THIEF TO JAILBIRD. 633 00:24:38,744 --> 00:24:38,743 YOU SHOULD HAVE YOUR OWN REALITY SHOW. I'M NOT BITTER ABOUT THE CARDS I'VE BEEN DEALT. 634 00:24:43,732 --> 00:24:43,731 IF YOU WANNA SURVIVE, YOU HAVE TO ADAPT. I'M NOT BITTER ABOUT THE CARDS I'VE BEEN DEALT. 635 00:24:47,135 --> 00:24:47,134 IF YOU WANNA SURVIVE, YOU HAVE TO ADAPT. IS THAT WHAT YOU'RE DOING RIGHT NOW? 636 00:24:48,003 --> 00:24:48,002 I KNOW YOU'RE UPSET IS THAT WHAT YOU'RE DOING RIGHT NOW? 637 00:24:49,638 --> 00:24:49,637 I KNOW YOU'RE UPSET BECAUSE GLORIA CAME TO ME INSTEAD OF YOU. 638 00:24:53,508 --> 00:24:53,507 BUT THE FACT THAT YOUR FEELINGS ARE HURT ISN'T MY PROBLEM. BECAUSE GLORIA CAME TO ME INSTEAD OF YOU. 639 00:24:55,043 --> 00:24:55,042 BUT THE FACT THAT YOUR FEELINGS ARE HURT ISN'T MY PROBLEM. DING DING! 640 00:24:56,211 --> 00:24:56,210 LOVE A CATFIGHT, BUT, LADIES, DING DING! 641 00:24:58,914 --> 00:24:58,913 LOVE A CATFIGHT, BUT, LADIES, PLEASE, BACK TO YOUR CORNERS. MM. 642 00:25:02,050 --> 00:25:02,049 EVE, ACCORDING TO HER PHONE RECORDS, PLEASE, BACK TO YOUR CORNERS. MM. 643 00:25:04,052 --> 00:25:04,051 EVE, ACCORDING TO HER PHONE RECORDS, YOU TWO HAVE BEEN TALKING A LOT RECENTLY. 644 00:25:05,554 --> 00:25:05,553 YEAH. WHEN I GOT PAROLED, YOU TWO HAVE BEEN TALKING A LOT RECENTLY. 645 00:25:08,523 --> 00:25:08,522 YEAH. WHEN I GOT PAROLED, GLORIA WAS HELPING ME GET BACK ON MY FEET. 646 00:25:09,324 --> 00:25:09,323 I SWEPT HER HARD DRIVE, GLORIA WAS HELPING ME GET BACK ON MY FEET. 647 00:25:10,676 --> 00:25:10,675 I SWEPT HER HARD DRIVE, IF SHE WAS WORKING A CASE ON HER DOWNTIME, SHE LEFT NO TRACE. 648 00:25:12,694 --> 00:25:12,693 (sighs) IF SHE WAS WORKING A CASE ON HER DOWNTIME, SHE LEFT NO TRACE. 649 00:25:14,896 --> 00:25:14,895 (sighs) DO YOU HAVE ANY IDEA WHAT SHE WANTED TO SHOW YOU? 650 00:25:19,434 --> 00:25:19,433 NO, BUT I THINK WE SHOULD GO CHECK OUT HER APARTMENT. DO YOU HAVE ANY IDEA WHAT SHE WANTED TO SHOW YOU? 651 00:25:22,604 --> 00:25:22,603 NO, BUT I THINK WE SHOULD GO CHECK OUT HER APARTMENT. LET'S DO IT. 652 00:25:29,111 --> 00:25:29,110 (gears shift) LET'S DO IT. 653 00:25:30,912 --> 00:25:30,911 (gears shift) SINCE WHEN CAN THE COPS SPARE EXTRA UNIFORMS 654 00:25:33,081 --> 00:25:33,080 TO BABYSIT A VICTIM'S APARTMENT? SINCE WHEN CAN THE COPS SPARE EXTRA UNIFORMS 655 00:25:36,051 --> 00:25:36,050 TO BABYSIT A VICTIM'S APARTMENT? LET'S FIND A WAY IN. YEAH. 656 00:25:42,691 --> 00:25:42,690 (Abby) THAT'S GLORIA'S BALCONY, THIRD FLOOR. LET'S FIND A WAY IN. YEAH. 657 00:25:43,842 --> 00:25:43,841 (Abby) THAT'S GLORIA'S BALCONY, THIRD FLOOR. LADIES, I GOT THIS. 658 00:25:47,162 --> 00:25:47,161 HAND ME THE PRADA. LADIES, I GOT THIS. 659 00:25:57,038 --> 00:25:57,037 HAND ME THE PRADA. ABBY PUT THE "CAT" IN "CAT BURGLAR." 660 00:26:20,762 --> 00:26:20,761 (Abby scoffs) ABBY PUT THE "CAT" IN "CAT BURGLAR." 661 00:26:23,565 --> 00:26:23,564 (Abby scoffs) NOW THE DOUGHNUT PATROL MAKES SENSE. 662 00:26:26,401 --> 00:26:26,400 SOMEBODY MADE IT A CRIME SCENE. NOW THE DOUGHNUT PATROL MAKES SENSE. 663 00:26:29,404 --> 00:26:29,403 SOMEBODY MADE IT A CRIME SCENE. BUT WHY TRASH HER PLACE? 664 00:26:44,619 --> 00:26:44,618 THEY EVEN GUTTED HER GATOR. BUT WHY TRASH HER PLACE? 665 00:26:47,489 --> 00:26:47,488 THEY EVEN GUTTED HER GATOR. I GAVE THIS TO HER LAST CHRISTMAS. 666 00:26:51,026 --> 00:26:51,025 THIS IS POINTLESS. I GAVE THIS TO HER LAST CHRISTMAS. 667 00:26:53,462 --> 00:26:53,461 THIS IS POINTLESS. I WOULDN'T SAY THAT. YOU GROW UP IN AN ORPHANAGE, 668 00:26:56,431 --> 00:26:56,430 YOU LEARN HOW TO HIDE THINGS THAT ARE VALUABLE. I WOULDN'T SAY THAT. YOU GROW UP IN AN ORPHANAGE, 669 00:27:03,605 --> 00:27:03,604 YOU LEARN HOW TO HIDE THINGS THAT ARE VALUABLE. HEY, GUYS. 670 00:27:06,641 --> 00:27:06,640 SINCE WHEN DID GLORIA HAVE A CAT? HEY, GUYS. 671 00:27:07,609 --> 00:27:07,608 SINCE WHEN DID GLORIA HAVE A CAT? SHE DIDN'T. 672 00:27:08,910 --> 00:27:08,909 YEAH, SHE'S ALLERGIC. SHE DIDN'T. 673 00:27:11,880 --> 00:27:11,879 YEAH, SHE'S ALLERGIC. THEN WHAT'S SHE DOING WITH A KITTY LITTER BOX? 674 00:27:18,553 --> 00:27:18,552 (grunts) THEN WHAT'S SHE DOING WITH A KITTY LITTER BOX? 675 00:27:25,727 --> 00:27:25,726 (grunts) THAT'S MY GIRL. 676 00:27:29,364 --> 00:27:29,363 NUNS FORCE YOU TO BE CRAFTY. THAT'S MY GIRL. 677 00:27:32,767 --> 00:27:32,766 NUNS FORCE YOU TO BE CRAFTY. IT'S A CLASS "A" FLOOR SAFE. 678 00:27:35,070 --> 00:27:35,069 BLAST-RESISTANT, BIOMETRIC LOCK. IT'S A CLASS "A" FLOOR SAFE. 679 00:27:36,371 --> 00:27:36,370 BLAST-RESISTANT, BIOMETRIC LOCK. LAST TIME I CRACKED ONE OF THESE, 680 00:27:37,205 --> 00:27:37,204 IT WAS UNDER TWO MINUTES-- LAST TIME I CRACKED ONE OF THESE, 681 00:27:41,843 --> 00:27:41,842 IT WAS UNDER TWO MINUTES-- BUT THAT WAS AFTER TWO COSMOS, AND I WAS HANGING UPSIDE-DOWN. 682 00:27:43,211 --> 00:27:43,210 (laughs) BUT THAT WAS AFTER TWO COSMOS, AND I WAS HANGING UPSIDE-DOWN. 683 00:27:47,249 --> 00:27:47,248 (laughs) (beeps) 684 00:27:52,771 --> 00:27:52,770 (beeping) (beeps) 685 00:27:57,592 --> 00:27:57,591 (beeping) (lock chirps) 686 00:28:00,195 --> 00:28:00,194 (beeps) (lock chirps) 687 00:28:02,130 --> 00:28:02,129 (beeps) (whoosh) 688 00:28:08,770 --> 00:28:08,769 (metal clinks) (whoosh) 689 00:28:12,507 --> 00:28:12,506 (metal clinks) I KNOW THIS BOX. THIS WAS HER MOM'S. 690 00:28:15,744 --> 00:28:15,743 AT ST. T.'s ORPHANAGE, SHE NEVER LET IT GO. I KNOW THIS BOX. THIS WAS HER MOM'S. 691 00:28:18,480 --> 00:28:18,479 AT ST. T.'s ORPHANAGE, SHE NEVER LET IT GO. IT'S A D.N.A. ANALYSIS REPORT. 692 00:28:21,583 --> 00:28:21,582 CAME BACK YESTERDAY. GLORIA HAD TWO SAMPLES TESTED. IT'S A D.N.A. ANALYSIS REPORT. 693 00:28:23,885 --> 00:28:23,884 CAME BACK YESTERDAY. GLORIA HAD TWO SAMPLES TESTED. A FLAKE OF BLOOD FROM THE BOX AND... 694 00:28:25,203 --> 00:28:25,202 (plastic bag crinkles) A FLAKE OF BLOOD FROM THE BOX AND... 695 00:28:27,389 --> 00:28:27,388 (plastic bag crinkles) SALIVA FROM THIS SHOT GLASS. 696 00:28:29,991 --> 00:28:29,990 LET'S SEE. SALIVA FROM THIS SHOT GLASS. 697 00:28:32,494 --> 00:28:32,493 LET'S SEE. CLUB CYPHER. 698 00:28:34,896 --> 00:28:34,895 THAT'S ON 10th AND COLLINS. CLUB CYPHER. 699 00:28:38,934 --> 00:28:38,933 THAT'S ON 10th AND COLLINS. THE TWO SAMPLES MATCH. I WONDER WHO THE BIG WINNER IS. 700 00:28:52,180 --> 00:28:52,179 THIS IS NESTOR RODRIGO. THE TWO SAMPLES MATCH. I WONDER WHO THE BIG WINNER IS. 701 00:28:55,483 --> 00:28:55,482 THIS IS NESTOR RODRIGO. WHY WOULD GLORIA BE TRACKING HIM? 702 00:28:58,103 --> 00:28:58,102 OH, MY GOD. SHE FOUND HIM. WHY WOULD GLORIA BE TRACKING HIM? 703 00:29:00,622 --> 00:29:00,621 OH, MY GOD. SHE FOUND HIM. FOUND WHO? 704 00:29:03,124 --> 00:29:03,123 PAJARO. FOUND WHO? 705 00:29:06,428 --> 00:29:06,427 PAJARO. HOW DO YOU KNOW ABOUT HIM? 706 00:29:10,532 --> 00:29:10,531 IT'S A LONG STORY. BUT I HAD NO IDEA SHE TRACKED HIM DOWN. HOW DO YOU KNOW ABOUT HIM? 707 00:29:14,302 --> 00:29:14,301 IT'S A LONG STORY. BUT I HAD NO IDEA SHE TRACKED HIM DOWN. TIME-OUT. RODRIGO'S A MULTIMILLIONAIRE. 708 00:29:17,472 --> 00:29:17,471 HE THROWS MORE WHITE PARTIES THAN DIDDY. TIME-OUT. RODRIGO'S A MULTIMILLIONAIRE. 709 00:29:19,574 --> 00:29:19,573 HE THROWS MORE WHITE PARTIES THAN DIDDY. YOU SURE HE'S PAJARO? 710 00:29:22,344 --> 00:29:22,343 I SWEAR ON MY LIFE. YOU SURE HE'S PAJARO? 711 00:29:25,113 --> 00:29:25,112 I SWEAR ON MY LIFE. WE NEED TO CALL BOS. 712 00:29:28,416 --> 00:29:28,415 YEAH, WE NEED TO LOOP IN CHARLIE. WE NEED TO CALL BOS. 713 00:29:30,235 --> 00:29:30,234 YEAH, WE NEED TO LOOP IN CHARLIE. HEY! COME ON! DROP THE GUN! 714 00:29:32,587 --> 00:29:32,586 GIVE ME YOUR KEYS. EVE. HEY! COME ON! DROP THE GUN! 715 00:29:35,423 --> 00:29:35,422 GIVE ME YOUR KEYS. EVE. EVE, WHAT ARE YOU DOING? 716 00:29:37,926 --> 00:29:37,925 KEEPING A PROMISE I MADE TO GLORIA A LONG TIME AGO. EVE, WHAT ARE YOU DOING? 717 00:29:39,894 --> 00:29:39,893 KEEPING A PROMISE I MADE TO GLORIA A LONG TIME AGO. I'M SERIOUS. 718 00:29:42,631 --> 00:29:42,630 WHAT PROMISE DID YOU MAKE? I'M SERIOUS. 719 00:29:44,866 --> 00:29:44,865 WHAT PROMISE DID YOU MAKE? TO KILL PAJARO. 720 00:29:50,372 --> 00:29:50,371 EVE, PUT THE GUN DOWN. LET'S JUST TALK THIS THROUGH. TO KILL PAJARO. 721 00:29:52,007 --> 00:29:52,006 EVE, PUT THE GUN DOWN. LET'S JUST TALK THIS THROUGH. THERE'S NOTHING TO TALK ABOUT. 722 00:29:54,509 --> 00:29:54,508 THAT'S WHY GLORIA CALLED ME THE OTHER NIGHT. THERE'S NOTHING TO TALK ABOUT. 723 00:29:55,276 --> 00:29:55,275 THAT'S WHY GLORIA CALLED ME THE OTHER NIGHT. SO WHAT'S YOUR BIG PLAN? 724 00:29:58,213 --> 00:29:58,212 ROLL UP TO CLUB CYPHER AND BLOW RODRIGO AWAY? SO WHAT'S YOUR BIG PLAN? 725 00:29:59,481 --> 00:29:59,480 ROLL UP TO CLUB CYPHER AND BLOW RODRIGO AWAY? HE HAS TO PAY. 726 00:30:00,248 --> 00:30:00,247 WE LOVED GLORIA, TOO. HE HAS TO PAY. 727 00:30:02,784 --> 00:30:02,783 WE LOVED GLORIA, TOO. WE WANNA GET JUSTICE, BUT THIS ISN'T THE WAY TO DO IT. 728 00:30:03,668 --> 00:30:03,667 YOU HAVE NO IDEA WHAT HE'S DONE. WE WANNA GET JUSTICE, BUT THIS ISN'T THE WAY TO DO IT. 729 00:30:08,757 --> 00:30:08,756 YOU HAVE NO IDEA WHAT HE'S DONE. HOW ABOUT TRAFFICKING UNDERAGE GIRLS? 730 00:30:11,760 --> 00:30:11,759 HE WAS BEHIND A CASE WE JUST BROKE. HOW ABOUT TRAFFICKING UNDERAGE GIRLS? 731 00:30:13,295 --> 00:30:13,294 HE WAS BEHIND A CASE WE JUST BROKE. 16-YEAR-OLD RUNAWAY. 732 00:30:14,929 --> 00:30:14,928 WE MANAGED TO HELP HER, 16-YEAR-OLD RUNAWAY. 733 00:30:18,733 --> 00:30:18,732 WE MANAGED TO HELP HER, BUT THERE WERE OTHERS WE COULDN'T SAVE. 734 00:30:21,803 --> 00:30:21,802 WE CAN RESCUE THEM, BUT THERE WERE OTHERS WE COULDN'T SAVE. 735 00:30:24,806 --> 00:30:24,805 WE CAN RESCUE THEM, THEN TAKE DOWN PAJARO'S ENTIRE OPERATION, 736 00:30:27,275 --> 00:30:27,274 BUT NOT IF YOU KILL HIM. THEN TAKE DOWN PAJARO'S ENTIRE OPERATION, 737 00:30:30,078 --> 00:30:30,077 BUT NOT IF YOU KILL HIM. HE CAN'T HURT ANOTHER GIRL. 738 00:30:34,382 --> 00:30:34,381 HE WON'T. YOU HAVE OUR WORD. HE CAN'T HURT ANOTHER GIRL. 739 00:30:47,762 --> 00:30:47,761 HE WON'T. YOU HAVE OUR WORD. [ 740 00:30:47,796 --> 00:30:47,795 HE WON'T. YOU HAVE OUR WORD. [ M 741 00:30:47,829 --> 00:30:47,828 HE WON'T. YOU HAVE OUR WORD. [ Mal 742 00:30:47,862 --> 00:30:47,861 HE WON'T. YOU HAVE OUR WORD. [ Male 743 00:30:47,896 --> 00:30:47,895 HE WON'T. YOU HAVE OUR WORD. [ Male An 744 00:30:47,929 --> 00:30:47,928 HE WON'T. YOU HAVE OUR WORD. [ Male Anno 745 00:30:47,962 --> 00:30:47,961 HE WON'T. YOU HAVE OUR WORD. [ Male Announ 746 00:30:47,996 --> 00:30:47,995 HE WON'T. YOU HAVE OUR WORD. [ Male Announce 747 00:30:48,029 --> 00:30:48,028 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer 748 00:30:48,096 --> 00:30:48,095 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] 749 00:30:48,163 --> 00:30:48,162 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] 750 00:30:48,263 --> 00:30:48,262 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] 751 00:30:48,296 --> 00:30:48,295 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] S 752 00:30:48,330 --> 00:30:48,329 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] SPR 753 00:30:48,363 --> 00:30:48,362 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] SPRIN 754 00:30:48,396 --> 00:30:48,395 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] SPRINT 755 00:30:48,430 --> 00:30:48,429 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] SPRINT IN 756 00:30:48,463 --> 00:30:48,462 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] SPRINT INTR 757 00:30:48,496 --> 00:30:48,495 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] SPRINT INTROD 758 00:30:48,530 --> 00:30:48,529 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] SPRINT INTRODUC 759 00:30:48,596 --> 00:30:48,595 HE WON'T. YOU HAVE OUR WORD. [ Male Announcer ] SPRINT INTRODUCES 760 00:30:49,698 --> 00:30:49,697 AMERICA'S FIRST 3D PHONE. [ Male Announcer ] SPRINT INTRODUCES 761 00:30:52,867 --> 00:30:52,866 AMERICA'S FIRST 3D PHONE. NOW ANYONE CAN WATCH AND SHOOT VIDEO IN 3D. 762 00:30:55,937 --> 00:30:55,936 CUT, GUYS. UH, WE'RE NOT MAKING EFFECTIVE USE NOW ANYONE CAN WATCH AND SHOOT VIDEO IN 3D. 763 00:30:57,505 --> 00:30:57,504 CUT, GUYS. UH, WE'RE NOT MAKING EFFECTIVE USE OF THE 3D TECHNOLOGY. 764 00:30:58,606 --> 00:30:58,605 I THINK I CAN HELP. OF THE 3D TECHNOLOGY. 765 00:31:00,542 --> 00:31:00,541 I THINK I CAN HELP. YOU STAND OVER THERE AND FILM DADDY. 766 00:31:02,077 --> 00:31:02,076 VOLLEY FOR SERVE. YOU STAND OVER THERE AND FILM DADDY. 767 00:31:03,912 --> 00:31:03,911 VOLLEY FOR SERVE. WHAT WAS THAT?! 768 00:31:07,649 --> 00:31:07,648 THAT WAS 3D GOLD. THAT'S WHAT THAT WAS. WHAT WAS THAT?! 769 00:31:08,149 --> 00:31:08,148 THAT WAS 3D GOLD. THAT'S WHAT THAT WAS. ♪ ♪ 770 00:31:10,719 --> 00:31:10,718 [ Male Announcer ] LET'S MAKE HOMEMADE 3D THE NEXT BIG THING. ♪ ♪ 771 00:31:13,488 --> 00:31:13,487 [ Male Announcer ] LET'S MAKE HOMEMADE 3D THE NEXT BIG THING. ♪ ALL TOGETHER NOW ♪ 772 00:31:16,825 --> 00:31:16,824 TROUBLE HEARING ON THE PHONE? VISIT SPRINTRELAY.COM ♪ ALL TOGETHER NOW ♪ 773 00:31:18,026 --> 00:31:18,025 [ ♪ ALL TOGETHER NOW ♪ 774 00:31:18,059 --> 00:31:18,058 [ Dr ♪ ALL TOGETHER NOW ♪ 775 00:31:18,093 --> 00:31:18,092 [ Drew ♪ ALL TOGETHER NOW ♪ 776 00:31:18,126 --> 00:31:18,125 [ Drew ] ♪ ALL TOGETHER NOW ♪ 777 00:31:18,159 --> 00:31:18,158 [ Drew ] ♪ ALL TOGETHER NOW ♪ 778 00:31:18,226 --> 00:31:18,225 [ Drew ] GI ♪ ALL TOGETHER NOW ♪ 779 00:31:18,259 --> 00:31:18,258 [ Drew ] GIVE ♪ ALL TOGETHER NOW ♪ 780 00:31:18,293 --> 00:31:18,292 [ Drew ] GIVE M ♪ ALL TOGETHER NOW ♪ 781 00:31:18,326 --> 00:31:18,325 [ Drew ] GIVE ME ♪ ALL TOGETHER NOW ♪ 782 00:31:18,360 --> 00:31:18,359 [ Drew ] GIVE ME VO ♪ ALL TOGETHER NOW ♪ 783 00:31:18,393 --> 00:31:18,392 [ Drew ] GIVE ME VOLU ♪ ALL TOGETHER NOW ♪ 784 00:31:18,426 --> 00:31:18,425 [ Drew ] GIVE ME VOLUME ♪ ALL TOGETHER NOW ♪ 785 00:31:18,860 --> 00:31:18,859 [ Drew ] GIVE ME VOLUME. ♪ ALL TOGETHER NOW ♪ 786 00:31:21,029 --> 00:31:21,028 [ Drew ] GIVE ME VOLUME. NOT CLUMPS OR GAPS. 787 00:31:22,497 --> 00:31:22,496 THE ANSWER... NOT CLUMPS OR GAPS. 788 00:31:23,431 --> 00:31:23,430 THE ANSWER... IT'S ALL IN THE WRAP. 789 00:31:28,470 --> 00:31:28,469 COVERGIRL INTRODUCES NEW LASHPERFECTION MASCARA. IT'S ALL IN THE WRAP. 790 00:31:29,304 --> 00:31:29,303 COVERGIRL INTRODUCES NEW LASHPERFECTION MASCARA. "THE SECRET" -- 791 00:31:32,974 --> 00:31:32,973 THE LASHWRAP BRUSH PERFECTLY WRAPS EACH LASH "THE SECRET" -- 792 00:31:34,609 --> 00:31:34,608 THE LASHWRAP BRUSH PERFECTLY WRAPS EACH LASH FOR UP TO 3X MORE VOLUME. 793 00:31:38,446 --> 00:31:38,445 INDIVIDUAL VOLUME FOR "EVERY LITTLE LASH." FOR UP TO 3X MORE VOLUME. 794 00:31:39,581 --> 00:31:39,580 INDIVIDUAL VOLUME FOR "EVERY LITTLE LASH." WRAP IT UP. 795 00:31:40,532 --> 00:31:40,531 I'LL TAKE IT. WRAP IT UP. 796 00:31:42,984 --> 00:31:42,983 I'LL TAKE IT. NEW LASHPERFECTION 797 00:31:45,453 --> 00:31:45,452 FROM EASY, BREEZY, BEAUTIFUL NEW LASHPERFECTION 798 00:31:47,689 --> 00:31:47,688 FROM EASY, BREEZY, BEAUTIFUL COVERGIRL. 799 00:31:49,624 --> 00:31:49,623 FROM EASY, BREEZY, BEAUTIFUL GET YOUR CASH BACK! 800 00:31:49,958 --> 00:31:49,957 OH, HI. GET YOUR CASH BACK! 801 00:31:51,292 --> 00:31:51,291 OH, HI. WHICH CASH BACK BOOTH LOOKS BETTER TO YOU, 802 00:31:53,828 --> 00:31:53,827 CHASE FREEDOM OR THE LARGEST CASHBACK CARD? WHICH CASH BACK BOOTH LOOKS BETTER TO YOU, 803 00:31:55,530 --> 00:31:55,529 CHASE FREEDOM OR THE LARGEST CASHBACK CARD? OH, I'LL TRY THE LARGEST. 804 00:31:56,431 --> 00:31:56,430 OH, THAT IS TOO BAD. OH, I'LL TRY THE LARGEST. 805 00:31:57,365 --> 00:31:57,364 OH, THAT IS TOO BAD. APPARENTLY YOU DON'T KNOW 806 00:32:00,001 --> 00:32:00,000 CHASE FREEDOM GUARANTEES YOU 1% CASH BACK. APPARENTLY YOU DON'T KNOW 807 00:32:02,670 --> 00:32:02,669 CHASE FREEDOM GUARANTEES YOU 1% CASH BACK. 4 TIMES MORE THAN THE LARGEST CASH BACK CARD, 808 00:32:04,139 --> 00:32:04,138 WHICH ONLY GIVES YOU A QUARTER PERCENT 4 TIMES MORE THAN THE LARGEST CASH BACK CARD, 809 00:32:07,375 --> 00:32:07,374 WHICH ONLY GIVES YOU A QUARTER PERCENT UNTIL YOU SPEND $3,000 EVERY YEAR. 810 00:32:09,611 --> 00:32:09,610 BUT HAVE FUN. UNTIL YOU SPEND $3,000 EVERY YEAR. 811 00:32:12,180 --> 00:32:12,179 BUT HAVE FUN. BOB AND WEAVE ONCE YOU'RE IN THERE. 812 00:32:15,116 --> 00:32:15,115 DON'T GET SHORT CHANGED. GET YOUR CASH BACK. BOB AND WEAVE ONCE YOU'RE IN THERE. 813 00:32:17,018 --> 00:32:17,017 DON'T GET SHORT CHANGED. GET YOUR CASH BACK. CHASE FREEDOM. 814 00:34:54,642 --> 00:34:54,641 (indistinct conversations) CHASE FREEDOM. 815 00:34:55,059 --> 00:34:55,058 (indistinct conversations) AHEM. 816 00:34:58,046 --> 00:34:58,045 ALL RIGHT. I GOT CONFIRMATION. AHEM. 817 00:35:02,850 --> 00:35:02,849 ALL RIGHT. I GOT CONFIRMATION. THE PRINTS ON THAT SHOT GLASS ARE NESTOR RODRIGO'S. 818 00:35:05,486 --> 00:35:05,485 JUST SO WE'RE CLEAR, EVE, YOU'RE ACCUSING THE PRINTS ON THAT SHOT GLASS ARE NESTOR RODRIGO'S. 819 00:35:08,323 --> 00:35:08,322 JUST SO WE'RE CLEAR, EVE, YOU'RE ACCUSING ONE OF THE BIGGEST DEVELOPERS IN SOUTH FLORIDA 820 00:35:09,590 --> 00:35:09,589 OF TRAFFICKING KIDS. ONE OF THE BIGGEST DEVELOPERS IN SOUTH FLORIDA 821 00:35:13,027 --> 00:35:13,026 OF TRAFFICKING KIDS. YOU'RE SURE THIS IS THE SAME GUY? 822 00:35:16,230 --> 00:35:16,229 BEFORE RODRIGO WAS ON MAGAZINE COVERS, YOU'RE SURE THIS IS THE SAME GUY? 823 00:35:19,133 --> 00:35:19,132 BEFORE RODRIGO WAS ON MAGAZINE COVERS, HE LED A DEATH SQUAD IN EL SALVADOR. 824 00:35:21,636 --> 00:35:21,635 I KNOW BECAUSE I SAW HIM WITH MY OWN EYES. HE LED A DEATH SQUAD IN EL SALVADOR. 825 00:35:25,707 --> 00:35:25,706 I KNOW BECAUSE I SAW HIM WITH MY OWN EYES. GLORIA DARED ME TO SNEAK INTO THE CHAPEL AT THE ORPHANAGE. 826 00:35:27,609 --> 00:35:27,608 THERE WAS A WOODEN ANGEL ON THE ALTAR, GLORIA DARED ME TO SNEAK INTO THE CHAPEL AT THE ORPHANAGE. 827 00:35:31,779 --> 00:35:31,778 THERE WAS A WOODEN ANGEL ON THE ALTAR, AND WE WERE GONNA CARVE OUR INITIALS IN THE BACK OF IT. 828 00:35:34,983 --> 00:35:34,982 THAT'S WHEN THE TRUCKS CAME. AND WE WERE GONNA CARVE OUR INITIALS IN THE BACK OF IT. 829 00:35:37,885 --> 00:35:37,884 THAT'S WHEN THE TRUCKS CAME. PAJARO WAS THERE TO STEAL THE GIRLS... (men shouting in Spanish) 830 00:35:40,388 --> 00:35:40,387 AND HE MURDERED THE NUNS AND THE BOYS. PAJARO WAS THERE TO STEAL THE GIRLS... (men shouting in Spanish) 831 00:35:41,623 --> 00:35:41,622 AND HE MURDERED THE NUNS AND THE BOYS. (woman screams) 832 00:35:42,490 --> 00:35:42,489 THEY WORE MASKS (woman screams) 833 00:35:45,059 --> 00:35:45,058 THEY WORE MASKS AND ATTACKED WITHOUT WARNING. 834 00:35:45,927 --> 00:35:45,926 WAIT. AND ATTACKED WITHOUT WARNING. 835 00:35:49,931 --> 00:35:49,930 WAIT. IF RODRIGO WORE A MASK, HOW CAN YOU BE SURE IT'S HIM? 836 00:35:54,402 --> 00:35:54,401 I HAVE AN ANGEL TO THANK FOR THAT. IF RODRIGO WORE A MASK, HOW CAN YOU BE SURE IT'S HIM? 837 00:35:55,670 --> 00:35:55,669 I HAVE AN ANGEL TO THANK FOR THAT. WE HID UNDER THE ALTAR. 838 00:35:58,773 --> 00:35:58,772 GLORIA WAS CLUTCHING HER BUTTERFLY BOX SO TIGHT, WE HID UNDER THE ALTAR. 839 00:35:59,791 --> 00:35:59,790 GLORIA WAS CLUTCHING HER BUTTERFLY BOX SO TIGHT, I THOUGHT SHE'D BREAK IT. 840 00:36:04,212 --> 00:36:04,211 PAJARO CAME IN TO SEARCH THE CHAPEL, I THOUGHT SHE'D BREAK IT. 841 00:36:09,050 --> 00:36:09,049 PAJARO CAME IN TO SEARCH THE CHAPEL, AND THAT'S WHEN I SAW HIS FACE, AND SO DID GLORIA. 842 00:36:13,021 --> 00:36:13,020 (men shouting in Spanish, girls screaming) AND THAT'S WHEN I SAW HIS FACE, AND SO DID GLORIA. 843 00:36:17,492 --> 00:36:17,491 (men shouting in Spanish, girls screaming) I KNEW WHAT HE WAS GONNA DO WITH US, 844 00:36:19,394 --> 00:36:19,393 SO I HIT HIM WITH THE ANGEL. I KNEW WHAT HE WAS GONNA DO WITH US, 845 00:36:20,461 --> 00:36:20,460 SO I HIT HIM WITH THE ANGEL. UHH! 846 00:36:22,363 --> 00:36:22,362 AND THEN WE RAN FOR OUR LIVES. UHH! 847 00:36:24,699 --> 00:36:24,698 AND THEN WE RAN FOR OUR LIVES. (girls screaming, gunshots) 848 00:36:29,804 --> 00:36:29,803 THE FACES OF THE GIRLS WE LEFT BEHIND STILL HAUNT ME. (girls screaming, gunshots) 849 00:36:42,016 --> 00:36:42,015 THE FACES OF THE GIRLS WE LEFT BEHIND STILL HAUNT ME. IS THAT WHY YOU AND GLORIA MADE YOUR PACT TO KILL PAJARO? 850 00:36:46,087 --> 00:36:46,086 I GET IT. YOU WANTED HIM TO PAY. IS THAT WHY YOU AND GLORIA MADE YOUR PACT TO KILL PAJARO? 851 00:36:50,691 --> 00:36:50,690 I GET IT. YOU WANTED HIM TO PAY. HOW ARE WE GONNA NAIL THIS GUY? 852 00:36:52,660 --> 00:36:52,659 WE AREN'T. HOW ARE WE GONNA NAIL THIS GUY? 853 00:36:55,763 --> 00:36:55,762 WE AREN'T. ABBY, BOS, AND I WILL TAKE IT FROM HERE. 854 00:36:57,632 --> 00:36:57,631 WHAT? ABBY, BOS, AND I WILL TAKE IT FROM HERE. 855 00:36:59,300 --> 00:36:59,299 WHAT? THIS ISN'T ABOUT REVENGE, EVE. 856 00:37:01,235 --> 00:37:01,234 IF WE'RE GONNA SHUT DOWN RODRIGO'S OPERATION, THIS ISN'T ABOUT REVENGE, EVE. 857 00:37:02,670 --> 00:37:02,669 IF WE'RE GONNA SHUT DOWN RODRIGO'S OPERATION, WE NEED HIM ALIVE. 858 00:37:04,856 --> 00:37:04,855 ABOUT TONIGHT, I'M SORRY. WE NEED HIM ALIVE. 859 00:37:06,541 --> 00:37:06,540 ABOUT TONIGHT, I'M SORRY. TOO LATE. YOU'RE BENCHED. 860 00:37:10,178 --> 00:37:10,177 RODRIGO'S BEEN GIVING THE COPS THE MIDDLE FINGER FOR YEARS. TOO LATE. YOU'RE BENCHED. 861 00:37:12,680 --> 00:37:12,679 RODRIGO'S BEEN GIVING THE COPS THE MIDDLE FINGER FOR YEARS. WE DON'T EXACTLY PLAY BY THE RULES EITHER. 862 00:37:16,684 --> 00:37:16,683 YEAH, WE'RE ANGELS, NOT SAINTS. WE DON'T EXACTLY PLAY BY THE RULES EITHER. 863 00:37:25,359 --> 00:37:25,358 YEAH, WE'RE ANGELS, NOT SAINTS. (Charlie) I ran Nestor Rodrigo past my intelligence sources. 864 00:37:28,096 --> 00:37:28,095 LET ME GUESS. HE'S SQUEAKY-CLEAN. (Charlie) I ran Nestor Rodrigo past my intelligence sources. 865 00:37:28,730 --> 00:37:28,729 LET ME GUESS. HE'S SQUEAKY-CLEAN. Spotless. 866 00:37:31,432 --> 00:37:31,431 Sarah Daniels is the only one of Pajaro's victims Spotless. 867 00:37:32,967 --> 00:37:32,966 Sarah Daniels is the only one of Pajaro's victims that has ever been saved. 868 00:37:35,603 --> 00:37:35,602 Abby, was she able to give you any insight? that has ever been saved. 869 00:37:37,388 --> 00:37:37,387 Abby, was she able to give you any insight? SHE SAID SHE WAS CHAINED TO SOME OTHER GIRLS. 870 00:37:41,109 --> 00:37:41,108 MOST OF THEM WERE SPEAKING SPANISH. SHE SAID SHE WAS CHAINED TO SOME OTHER GIRLS. 871 00:37:42,243 --> 00:37:42,242 MOST OF THEM WERE SPEAKING SPANISH. HERE'S AN INTERESTING FACT. 872 00:37:45,947 --> 00:37:45,946 HIS FOUNDATION BUILDS ORPHANAGES IN CENTRAL AMERICA. HERE'S AN INTERESTING FACT. 873 00:37:46,681 --> 00:37:46,680 HIS FOUNDATION BUILDS ORPHANAGES IN CENTRAL AMERICA. RODRIGO MUST BE USING IT 874 00:37:49,283 --> 00:37:49,282 TO FUNNEL GIRLS INTO THE COUNTRY FOR TRAFFICKING. RODRIGO MUST BE USING IT 875 00:37:50,218 --> 00:37:50,217 TO FUNNEL GIRLS INTO THE COUNTRY FOR TRAFFICKING. I SQUEEGEED HIS DATABASE. 876 00:37:52,854 --> 00:37:52,853 SOMEHOW HE'S KEEPING ALL OF HIS ILLEGAL ACTIVITY OFF THE GRID. I SQUEEGEED HIS DATABASE. 877 00:37:56,524 --> 00:37:56,523 SOMEHOW HE'S KEEPING ALL OF HIS ILLEGAL ACTIVITY OFF THE GRID. THE MAN RUNS A CRIMINAL ENTERPRISE IN THE 21st CENTURY. 878 00:37:58,826 --> 00:37:58,825 THE INFORMATION HAS TO BE THERE SOMEWHERE. THE MAN RUNS A CRIMINAL ENTERPRISE IN THE 21st CENTURY. 879 00:38:00,294 --> 00:38:00,293 THE INFORMATION HAS TO BE THERE SOMEWHERE. Actually, it's in someone. 880 00:38:05,566 --> 00:38:05,565 Her name is Nadia Kozlova. She has a photographic memory. Actually, it's in someone. 881 00:38:07,602 --> 00:38:07,601 Her name is Nadia Kozlova. She has a photographic memory. ONE OF MY BUDDIES AT M.I.T. TOLD ME ABOUT HER. 882 00:38:08,770 --> 00:38:08,769 THOUGHT SHE WAS AN URBAN LEGEND. ONE OF MY BUDDIES AT M.I.T. TOLD ME ABOUT HER. 883 00:38:10,121 --> 00:38:10,120 THOUGHT SHE WAS AN URBAN LEGEND. She absconded with $14 million from the Russian mob. 884 00:38:15,676 --> 00:38:15,675 Rodrigo's bodyguards aren't only for his protection. She absconded with $14 million from the Russian mob. 885 00:38:16,377 --> 00:38:16,376 Rodrigo's bodyguards aren't only for his protection. They're for hers. 886 00:38:18,279 --> 00:38:18,278 (elevator bell dings) They go with her everywhere, They're for hers. 887 00:38:21,549 --> 00:38:21,548 (elevator bell dings) They go with her everywhere, except inside his Star Island compound. 888 00:38:28,356 --> 00:38:28,355 DID WE SAY THAT YOU WERE BENCHED OR NO? except inside his Star Island compound. 889 00:38:30,424 --> 00:38:30,423 DID WE SAY THAT YOU WERE BENCHED OR NO? Actually, I thought Miss French could assist you. 890 00:38:33,728 --> 00:38:33,727 GLORIA WAS THE ONLY FAMILY I HAD. I WANNA HELP. Actually, I thought Miss French could assist you. 891 00:38:38,666 --> 00:38:38,665 GLORIA WAS THE ONLY FAMILY I HAD. I WANNA HELP. It's fortunate for you that I believe in second chances. 892 00:38:40,668 --> 00:38:40,667 Don't let me down. I WON'T. It's fortunate for you that I believe in second chances. 893 00:38:42,653 --> 00:38:42,652 Don't let me down. I WON'T. IS THIS OKAY WITH YOU GUYS? 894 00:38:48,442 --> 00:38:48,441 IT'S CHARLIE'S CALL. IS THIS OKAY WITH YOU GUYS? 895 00:38:51,879 --> 00:38:51,878 IT'S CHARLIE'S CALL. ACCORDING TO HIS TWITTER FEED, 896 00:38:54,482 --> 00:38:54,481 RODRIGO IS HOSTING A CHARITY FUND-RAISER ACCORDING TO HIS TWITTER FEED, 897 00:38:57,084 --> 00:38:57,083 RODRIGO IS HOSTING A CHARITY FUND-RAISER AT HIS MANSION TOMORROW NIGHT. 898 00:38:59,053 --> 00:38:59,052 THEME IS HEAVEN AND HELL. AT HIS MANSION TOMORROW NIGHT. 899 00:39:01,656 --> 00:39:01,655 THEME IS HEAVEN AND HELL. SOUNDS LIKE WE'LL BLEND RIGHT IN. 900 00:39:04,692 --> 00:39:04,691 BIG PARTY, LOTS OF SECURITY DISTRACTIONS. SOUNDS LIKE WE'LL BLEND RIGHT IN. 901 00:39:08,396 --> 00:39:08,395 BIG PARTY, LOTS OF SECURITY DISTRACTIONS. WE GO UNDERCOVER AND GRAB NADIA. 902 00:39:09,297 --> 00:39:09,296 HATE TO BUZZKILL THE PLAN, WE GO UNDERCOVER AND GRAB NADIA. 903 00:39:12,333 --> 00:39:12,332 HATE TO BUZZKILL THE PLAN, BUT DON'T YOU THINK POLICE MIGHT CONSIDER THAT KIDNAPPING? 904 00:39:14,202 --> 00:39:14,201 The police need evidence. BUT DON'T YOU THINK POLICE MIGHT CONSIDER THAT KIDNAPPING? 905 00:39:15,119 --> 00:39:15,118 The police need evidence. I only need certainty. 906 00:39:16,704 --> 00:39:16,703 Nadia is the best way I only need certainty. 907 00:39:19,574 --> 00:39:19,573 Nadia is the best way to link Rodrigo to his crimes and take him down. 908 00:39:20,908 --> 00:39:20,907 Watch your backs, Angels. to link Rodrigo to his crimes and take him down. 909 00:39:23,945 --> 00:39:23,944 Watch your backs, Angels. (singsongy) GOOD-BYE, CHARLIE. THANKS, CHARLIE. 910 00:39:25,079 --> 00:39:25,078 GOOD-BYE, CHARLIE. (singsongy) GOOD-BYE, CHARLIE. THANKS, CHARLIE. 911 00:39:27,348 --> 00:39:27,347 GOOD-BYE, CHARLIE. BYE. (chuckles) 912 00:39:29,450 --> 00:39:29,449 ♪ LET ME INTRODUCE YOU ♪ BYE. (chuckles) 913 00:39:31,686 --> 00:39:31,685 ♪ LET ME INTRODUCE YOU ♪ ♪ TO MY PARTY PEOPLE ♪ 914 00:39:33,988 --> 00:39:33,987 ♪ IN THE CLUB ♪ ♪ TO MY PARTY PEOPLE ♪ 915 00:39:35,289 --> 00:39:35,288 ♪ IN THE CLUB ♪ ♪ LA-LA-LA LA LA LA ♪ 916 00:39:37,758 --> 00:39:37,757 ♪ LA LA LA LA LA LA LA LA LA ♪ ♪ LA-LA-LA LA LA LA ♪ 917 00:39:40,962 --> 00:39:40,961 ♪ LA LA LA LA LA LA LA LA LA ♪ ♪ TONIGHT WE GON' BE IT ON THE FLOOR ♪ 918 00:39:42,630 --> 00:39:42,629 ♪ LA-LA-LA LA LA LA ♪ ♪ TONIGHT WE GON' BE IT ON THE FLOOR ♪ 919 00:39:44,498 --> 00:39:44,497 ♪ LA-LA-LA LA LA LA ♪ ♪ LA LA LA LA LA LA LA LA LA ♪ 920 00:39:47,401 --> 00:39:47,400 ♪ TONIGHT WE GON' BE IT ON THE FLOOR ♪ ♪ LA LA LA LA LA LA LA LA LA ♪ 921 00:39:49,237 --> 00:39:49,236 ♪ TONIGHT WE GON' BE IT ON THE FLOOR ♪ (indistinct conversations) 922 00:39:52,106 --> 00:39:52,105 (Eve) THERE'S RODRIGO. (indistinct conversations) 923 00:39:53,741 --> 00:39:53,740 (Eve) THERE'S RODRIGO. ♪ 924 00:39:54,675 --> 00:39:54,674 BOS, ARE YOU SET? ♪ 925 00:39:57,578 --> 00:39:57,577 BOS, ARE YOU SET? TRUCK'S IN POSITION IN THE BACK BY THE BATHROOMS. 926 00:39:58,980 --> 00:39:58,979 ONCE THE SPRAY HITS NADIA'S STOMACH, TRUCK'S IN POSITION IN THE BACK BY THE BATHROOMS. 927 00:40:01,015 --> 00:40:01,014 ONCE THE SPRAY HITS NADIA'S STOMACH, SHE'LL START CRAMPING WITHIN 30 SECONDS. 928 00:40:02,783 --> 00:40:02,782 (filtered voice) When she heads to the bathroom, SHE'LL START CRAMPING WITHIN 30 SECONDS. 929 00:40:03,918 --> 00:40:03,917 (filtered voice) When she heads to the bathroom, that's when we'll grab her 930 00:40:05,052 --> 00:40:05,051 and get her to the catering truck. that's when we'll grab her 931 00:40:08,256 --> 00:40:08,255 and get her to the catering truck. EVE, STAY ON RODRIGO. LET US KNOW IF HE MOVES. 932 00:40:09,323 --> 00:40:09,322 GOT IT. EVE, STAY ON RODRIGO. LET US KNOW IF HE MOVES. 933 00:40:10,391 --> 00:40:10,390 GOT IT. ♪ GET ON THE FLOOR ♪ 934 00:40:11,993 --> 00:40:11,992 ♪ STRAIGHT TO L.A., NEW YORK ♪ ♪ GET ON THE FLOOR ♪ 935 00:40:14,595 --> 00:40:14,594 ♪ STRAIGHT TO L.A., NEW YORK ♪ ♪ VEGAS TO AFRICA ♪ 936 00:40:15,229 --> 00:40:15,228 ABBS? HMM? ♪ VEGAS TO AFRICA ♪ 937 00:40:17,732 --> 00:40:17,731 ABBS? HMM? YOU WANNA TAKE THE FIRST SHOT AT NADIA? 938 00:40:20,101 --> 00:40:20,100 SHE'S RIGHT BY THE ICE SCULPTURE. YOU WANNA TAKE THE FIRST SHOT AT NADIA? 939 00:40:21,218 --> 00:40:21,217 SHE'S RIGHT BY THE ICE SCULPTURE. HMM. 940 00:40:23,337 --> 00:40:23,336 CAN HARDLY TELL THE TWO APART. HMM. 941 00:40:25,273 --> 00:40:25,272 CAN HARDLY TELL THE TWO APART. (spritzes) 942 00:40:31,045 --> 00:40:31,044 LOOKS JUST LIKE HER. (spritzes) 943 00:40:32,613 --> 00:40:32,612 LOOKS JUST LIKE HER. ABBY SAMPSON? 944 00:40:35,583 --> 00:40:35,582 BRIDGET AND PRISCELLA. UH, DALTON PREP? ABBY SAMPSON? 945 00:40:38,219 --> 00:40:38,218 BRIDGET AND PRISCELLA. UH, DALTON PREP? UH, YEAH. THE WENTWORTH SISTERS. 946 00:40:39,787 --> 00:40:39,786 SURE. HI. UH, YEAH. THE WENTWORTH SISTERS. 947 00:40:41,088 --> 00:40:41,087 SURE. HI. IT'S BEEN, UH, IT'S BEEN FOREVER. 948 00:40:42,423 --> 00:40:42,422 (Priscella) YEAH, CUTE OUTFIT. IT'S BEEN, UH, IT'S BEEN FOREVER. 949 00:40:44,659 --> 00:40:44,658 (Priscella) YEAH, CUTE OUTFIT. UH... ARE YOU ONE OF THE SERVERS? 950 00:40:45,593 --> 00:40:45,592 (laughs) YEAH. UH... ARE YOU ONE OF THE SERVERS? 951 00:40:46,961 --> 00:40:46,960 (laughs) YEAH. YEAH. RECESSION'S A BITCH, YOU KNOW. 952 00:40:50,431 --> 00:40:50,430 OH. CONSIDERING WHAT YOUR FATHER DID, I'D CALL IT PAYBACK. YEAH. RECESSION'S A BITCH, YOU KNOW. 953 00:40:52,984 --> 00:40:52,983 OH. CONSIDERING WHAT YOUR FATHER DID, I'D CALL IT PAYBACK. DO YOU KNOW HOW MUCH MONEY HE SCREWED OUR UNCLE OUT OF? 954 00:40:54,969 --> 00:40:54,968 UH, NO IDEA. DO YOU KNOW HOW MUCH MONEY HE SCREWED OUR UNCLE OUT OF? 955 00:40:57,872 --> 00:40:57,871 UH, NO IDEA. I, UH, I HAVEN'T SPOKEN TO MY DAD IN... (camera shutter clicks) 956 00:40:59,907 --> 00:40:59,906 OH. THAT'S FOR MY FACEBOOK PAGE. I, UH, I HAVEN'T SPOKEN TO MY DAD IN... (camera shutter clicks) 957 00:41:01,642 --> 00:41:01,641 OH. THAT'S FOR MY FACEBOOK PAGE. I'M SURE ALL YOUR OLD DALTON FRIENDS 958 00:41:04,512 --> 00:41:04,511 WOULD LOVE TO SEE WHAT YOU'VE BEEN UP TO. I'M SURE ALL YOUR OLD DALTON FRIENDS 959 00:41:06,714 --> 00:41:06,713 WOULD LOVE TO SEE WHAT YOU'VE BEEN UP TO. YEAH. 960 00:41:07,381 --> 00:41:07,380 BLINI? YEAH. 961 00:41:10,518 --> 00:41:10,517 BLINI? OOH! YEAH. OH, SURE. 962 00:41:11,752 --> 00:41:11,751 THANKS. OOH! YEAH. OH, SURE. 963 00:41:12,586 --> 00:41:12,585 THANKS. BYE. 964 00:41:14,322 --> 00:41:14,321 YOU ARE SO WELCOME. BYE. 965 00:41:19,226 --> 00:41:19,225 YOU ARE SO WELCOME. NICE FRIENDS. YEAH. 966 00:41:19,894 --> 00:41:19,893 YOU ALL RIGHT? NICE FRIENDS. YEAH. 967 00:41:22,964 --> 00:41:22,963 YOU ALL RIGHT? I WILL BE IN ABOUT 30 SECONDS. 968 00:41:24,398 --> 00:41:24,397 OH, MY GOD. I WILL BE IN ABOUT 30 SECONDS. 969 00:41:25,516 --> 00:41:25,515 OH, MY GOD. (Abby) INSTANT EX-LAX. 970 00:41:28,703 --> 00:41:28,702 WELL, AT LEAST WE KNOW THE GUT JUICE WORKS. (Abby) INSTANT EX-LAX. 971 00:41:32,707 --> 00:41:32,706 WELL, AT LEAST WE KNOW THE GUT JUICE WORKS. NO WONDER GLORIA LIKED YOU. 972 00:41:36,444 --> 00:41:36,443 (Abby) You're up next, Kate. NO WONDER GLORIA LIKED YOU. 973 00:41:38,346 --> 00:41:38,345 (Abby) You're up next, Kate. (spritzing) 974 00:41:42,216 --> 00:41:42,215 HORS D'OEUVRE? (spritzing) 975 00:41:44,685 --> 00:41:44,684 HORS D'OEUVRE? NO, THANK YOU. 976 00:41:46,887 --> 00:41:46,886 WE MISSED OUR WINDOW. NO, THANK YOU. 977 00:41:48,055 --> 00:41:48,054 WE MISSED OUR WINDOW. TIME FOR PLAN "B." 978 00:41:50,358 --> 00:41:50,357 AS IN, UH, PLAN BOSLEY? TIME FOR PLAN "B." 979 00:41:51,025 --> 00:41:51,024 AS IN, UH, PLAN BOSLEY? (clears throat) 980 00:41:53,260 --> 00:41:53,259 WHOA. WHOA, WHOA, WHOA. WE NEVER FULLY DISCUSSED PLAN BOSLEY. (clears throat) 981 00:41:56,597 --> 00:41:56,596 WHOA. WHOA, WHOA, WHOA. WE NEVER FULLY DISCUSSED PLAN BOSLEY. WELL, WE KNOW HER DEAL WITH RODRIGO IS STRICTLY BUSINESS. 982 00:41:58,049 --> 00:41:58,048 BUT CHARLIE'S INTEL SUGGESTS SHE HAS WELL, WE KNOW HER DEAL WITH RODRIGO IS STRICTLY BUSINESS. 983 00:42:01,268 --> 00:42:01,267 BUT CHARLIE'S INTEL SUGGESTS SHE HAS a healthy appetite for the opposite sex. 984 00:42:04,405 --> 00:42:04,404 I'D SAY BOSLEY TRUMPS BELUGA ANY DAY OF THE WEEK. a healthy appetite for the opposite sex. 985 00:42:07,675 --> 00:42:07,674 I'D SAY BOSLEY TRUMPS BELUGA ANY DAY OF THE WEEK. I'll meet you at the catering truck. 986 00:42:09,076 --> 00:42:09,075 ALL RIGHT. I'll meet you at the catering truck. 987 00:42:12,613 --> 00:42:12,612 ALL RIGHT. ♪ 988 00:42:19,553 --> 00:42:19,552 287. ♪ 989 00:42:21,455 --> 00:42:21,454 287. THAT'S THE TOTAL NUMBER OF GUESTS. 990 00:42:27,561 --> 00:42:27,560 58 SERVERS, 29 BUSBOYS, 16 VALETS, 2 ICE SCULPTURES, THAT'S THE TOTAL NUMBER OF GUESTS. 991 00:42:29,797 --> 00:42:29,796 58 SERVERS, 29 BUSBOYS, 16 VALETS, 2 ICE SCULPTURES, AND ONE VERY BEAUTIFUL WOMAN. 992 00:42:30,614 --> 00:42:30,613 (Russian accent) WHAT ARE YOU? AND ONE VERY BEAUTIFUL WOMAN. 993 00:42:35,803 --> 00:42:35,802 (Russian accent) WHAT ARE YOU? DOCTOR, LAWYER, INTERNET BILLIONAIRE? 994 00:42:37,538 --> 00:42:37,537 STARVING GRAD STUDENT. DOCTOR, LAWYER, INTERNET BILLIONAIRE? 995 00:42:38,739 --> 00:42:38,738 STARVING GRAD STUDENT. MY BUDDY'S ONE OF THE CATERERS, 996 00:42:40,574 --> 00:42:40,573 SO I TAGGED ALONG FOR THE FREE FOOD MY BUDDY'S ONE OF THE CATERERS, 997 00:42:44,145 --> 00:42:44,144 SO I TAGGED ALONG FOR THE FREE FOOD AND TO WATCH THE RICH AND FAMOUS IN THEIR NATURAL HABITAT. 998 00:42:49,150 --> 00:42:49,149 AND WHAT DO YOU THINK OF THE WILDLIFE SO FAR? AND TO WATCH THE RICH AND FAMOUS IN THEIR NATURAL HABITAT. 999 00:42:53,020 --> 00:42:53,019 AND WHAT DO YOU THINK OF THE WILDLIFE SO FAR? JUST GOT MORE EXOTIC. 1000 00:42:56,924 --> 00:42:56,923 ♪ JUST GOT MORE EXOTIC. 1001 00:42:59,794 --> 00:42:59,793 ♪ GUYS, RODRIGO'S ON THE MOVE. 1002 00:43:01,896 --> 00:43:01,895 HE COULD BE LOOKING FOR NADIA. GUYS, RODRIGO'S ON THE MOVE. 1003 00:43:03,714 --> 00:43:03,713 HE COULD BE LOOKING FOR NADIA. BOS, TIME TO PUT THE PARTY ON WHEELS. 1004 00:43:07,001 --> 00:43:07,000 Get Nadia to the catering truck. BOS, TIME TO PUT THE PARTY ON WHEELS. 1005 00:43:08,869 --> 00:43:08,868 Get Nadia to the catering truck. WHY DON'T WE FIND A PLACE WITH A LITTLE MORE PRIVACY? 1006 00:43:13,641 --> 00:43:13,640 YEAH. THE GUEST HOUSE IS ON THE OTHER END OF THE COMPOUND. WHY DON'T WE FIND A PLACE WITH A LITTLE MORE PRIVACY? 1007 00:43:16,243 --> 00:43:16,242 YEAH. THE GUEST HOUSE IS ON THE OTHER END OF THE COMPOUND. MY BUDDY'S CATERING TRUCK'S RIGHT THERE. 1008 00:43:18,579 --> 00:43:18,578 (panting) MY BUDDY'S CATERING TRUCK'S RIGHT THERE. 1009 00:43:21,115 --> 00:43:21,114 (panting) DOWN AND DIRTY'S NOT MY STYLE. 1010 00:43:21,615 --> 00:43:21,614 (click) DOWN AND DIRTY'S NOT MY STYLE. 1011 00:43:23,717 --> 00:43:23,716 (click) OKAY. OKAY. NOT DOWN AND DIRTY. WE'LL KEEP IT NICE AND CLEAN. 1012 00:43:27,188 --> 00:43:27,187 YOU HAVE FIVE SECONDS TO TELL ME WHO YOU REALLY ARE. OKAY. OKAY. NOT DOWN AND DIRTY. WE'LL KEEP IT NICE AND CLEAN. 1013 00:43:29,657 --> 00:43:29,656 YOU HAVE FIVE SECONDS TO TELL ME WHO YOU REALLY ARE. FINE. 1014 00:43:30,991 --> 00:43:30,990 I'M A HEARTBREAKER. FINE. 1015 00:43:32,560 --> 00:43:32,559 I'M A HEARTBREAKER. UHH! AHH. 1016 00:43:34,128 --> 00:43:34,127 (panting) (groans) UHH! AHH. 1017 00:43:35,463 --> 00:43:35,462 (panting) (groans) NICE JOB, CASANOVA. 1018 00:43:36,764 --> 00:43:36,763 TOOK YOU LONG ENOUGH. NICE JOB, CASANOVA. 1019 00:43:39,033 --> 00:43:39,032 TOOK YOU LONG ENOUGH. GUYS, I LOST RODRIGO. 1020 00:43:40,534 --> 00:43:40,533 (Abby) Never mind. We got Nadia. GUYS, I LOST RODRIGO. 1021 00:43:43,571 --> 00:43:43,570 (Abby) Never mind. We got Nadia. JUST GET CHANGED AND GET THE HELL OUT OF THERE. 1022 00:43:45,739 --> 00:43:45,738 OH! (chuckles) SEE? JUST GET CHANGED AND GET THE HELL OUT OF THERE. 1023 00:43:50,010 --> 00:43:50,009 OH! (chuckles) SEE? I KNEW THE DEVIL WOULD GET ME EVENTUALLY. 1024 00:43:56,717 --> 00:43:56,716 EVE, WHERE ARE YOU? I KNEW THE DEVIL WOULD GET ME EVENTUALLY. 1025 00:43:58,486 --> 00:43:58,485 EVE, WHERE ARE YOU? COMING. 1026 00:44:05,025 --> 00:44:05,024 Eve, we have to move now. COMING. 1027 00:44:07,528 --> 00:44:07,527 Eve, we have to move now. I'M DELAYED. DON'T WAIT. 1028 00:44:08,145 --> 00:44:08,144 (sighs) LET'S GO. I'M DELAYED. DON'T WAIT. 1029 00:44:22,276 --> 00:44:22,275 (sighs) LET'S GO. I KEPT THAT AS A REMINDER 1030 00:44:25,946 --> 00:44:25,945 OF WHEN I LET TWO LITTLE GIRLS GET AWAY. I KEPT THAT AS A REMINDER 1031 00:44:30,918 --> 00:44:30,917 OF WHEN I LET TWO LITTLE GIRLS GET AWAY. YOU KILLED MY BEST FRIEND. 1032 00:44:33,521 --> 00:44:33,520 IT WAS HER OWN FAULT. YOU KILLED MY BEST FRIEND. 1033 00:44:38,225 --> 00:44:38,224 IT WAS HER OWN FAULT. SHE SHOULD'VE LEFT THE PAST ALONE. 1034 00:44:40,611 --> 00:44:40,610 (radio chatter) NADIA'S MISSING. SHE SHOULD'VE LEFT THE PAST ALONE. 1035 00:44:47,234 --> 00:44:47,233 (radio chatter) NADIA'S MISSING. YOUR PAST IS ABOUT TO CATCH UP WITH YOU... 1036 00:44:49,103 --> 00:44:49,102 PAJARO. YOUR PAST IS ABOUT TO CATCH UP WITH YOU... 1037 00:44:50,304 --> 00:44:50,303 PAJARO. HMM. 1038 00:44:54,542 --> 00:44:54,541 OHH! HMM. 1039 00:44:56,377 --> 00:44:56,376 OHH! (Kate) Eve, can you hear me? 1040 00:44:58,546 --> 00:44:58,545 WHAT HAVE WE HERE? (Kate) Eve, can you hear me? 1041 00:45:00,848 --> 00:45:00,847 WHAT HAVE WE HERE? YOU'RE FULL OF SURPRISES. 1042 00:45:02,283 --> 00:45:02,282 Eve, are you there? YOU'RE FULL OF SURPRISES. 1043 00:45:02,950 --> 00:45:02,949 Eve, are you there? (snaps) 1044 00:45:06,554 --> 00:45:06,553 (feedback whining) AH! (snaps) 1045 00:45:18,799 --> 00:45:18,798 (feedback whining) AH! SO THE SHOW WENT LATE IN TULSA 1046 00:45:20,367 --> 00:45:20,366 AND I WOKE UP IN THE VAN IN OMAHA. SO THE SHOW WENT LATE IN TULSA 1047 00:45:21,802 --> 00:45:21,801 AND I WOKE UP IN THE VAN IN OMAHA. THAT'S LIFE IN A BAND. 1048 00:45:22,803 --> 00:45:22,802 GOT ONLINE AND GOT US THAT'S LIFE IN A BAND. 1049 00:45:23,571 --> 00:45:23,570 GOT ONLINE AND GOT US TO THE NEXT GIG. 1050 00:45:24,171 --> 00:45:24,170 SOUND CHECK, TO THE NEXT GIG. 1051 00:45:24,805 --> 00:45:24,804 SOUND CHECK, EQUIPMENT CHECK, 1052 00:45:26,207 --> 00:45:26,206 TWEAKED THE T-SHIRT DESIGNS. NICE. EQUIPMENT CHECK, 1053 00:45:28,809 --> 00:45:28,808 TWEAKED THE T-SHIRT DESIGNS. NICE. SHOWTIME. SMALL PLACE, MASSIVE CROWD. 1054 00:45:31,812 --> 00:45:31,811 THEY SEEMED INTO IT EXCEPT FOR THE GUY THROWING STUFF. SHOWTIME. SMALL PLACE, MASSIVE CROWD. 1055 00:45:32,346 --> 00:45:32,345 THEY SEEMED INTO IT EXCEPT FOR THE GUY THROWING STUFF. MORON. 1056 00:45:34,815 --> 00:45:34,814 LAPTOP FELL BUT DIDN'T CRASH. GOOD THING. MORON. 1057 00:45:35,516 --> 00:45:35,515 LAPTOP FELL BUT DIDN'T CRASH. GOOD THING. WE KILLED IT. 1058 00:45:36,650 --> 00:45:36,649 PICKED UP A FEW NEW FANS. WE KILLED IT. 1059 00:45:37,818 --> 00:45:37,817 PICKED UP A FEW NEW FANS. SHOW ENDED BUT THE NIGHT DIDN'T. 1060 00:45:39,553 --> 00:45:39,552 WE DROVE A FEW HOURS BEFORE CAMPING OUT SHOW ENDED BUT THE NIGHT DIDN'T. 1061 00:45:42,089 --> 00:45:42,088 WE DROVE A FEW HOURS BEFORE CAMPING OUT THEN WATCHED THE FIRST CUT OF OUR FIRST VIDEO. 1062 00:45:42,673 --> 00:45:42,672 NOT A BAD DAY. THEN WATCHED THE FIRST CUT OF OUR FIRST VIDEO. 1063 00:45:45,826 --> 00:45:45,825 NOT A BAD DAY. LENOVO. FOR THOSE WHO DO. 1064 00:45:45,993 --> 00:45:45,992 NOT A BAD DAY. VO 1065 00:45:46,026 --> 00:45:46,025 NOT A BAD DAY. VO: 1066 00:45:46,060 --> 00:45:46,059 NOT A BAD DAY. VO: It 1067 00:45:46,093 --> 00:45:46,092 NOT A BAD DAY. VO: It's 1068 00:45:46,126 --> 00:45:46,125 NOT A BAD DAY. VO: It's O 1069 00:45:46,160 --> 00:45:46,159 NOT A BAD DAY. VO: It's Old 1070 00:45:46,193 --> 00:45:46,192 NOT A BAD DAY. VO: It's Old N 1071 00:45:46,227 --> 00:45:46,226 NOT A BAD DAY. VO: It's Old Nav 1072 00:45:46,260 --> 00:45:46,259 NOT A BAD DAY. VO: It's Old Navy' 1073 00:45:46,293 --> 00:45:46,292 NOT A BAD DAY. VO: It's Old Navy's 1074 00:45:46,327 --> 00:45:46,326 NOT A BAD DAY. VO: It's Old Navy's St 1075 00:45:46,360 --> 00:45:46,359 NOT A BAD DAY. VO: It's Old Navy's Stor 1076 00:45:46,393 --> 00:45:46,392 NOT A BAD DAY. VO: It's Old Navy's Storew 1077 00:45:46,427 --> 00:45:46,426 NOT A BAD DAY. VO: It's Old Navy's Storewid 1078 00:45:46,460 --> 00:45:46,459 NOT A BAD DAY. VO: It's Old Navy's Storewide 1079 00:45:46,493 --> 00:45:46,492 NOT A BAD DAY. VO: It's Old Navy's Storewide 1080 00:45:46,527 --> 00:45:46,526 NOT A BAD DAY. VO: It's Old Navy's Storewide Bu 1081 00:45:46,560 --> 00:45:46,559 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy 1082 00:45:46,594 --> 00:45:46,593 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy On 1083 00:45:46,627 --> 00:45:46,626 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy One 1084 00:45:46,660 --> 00:45:46,659 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy One Ge 1085 00:45:46,694 --> 00:45:46,693 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy One Get 1086 00:45:46,727 --> 00:45:46,726 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy One Get On 1087 00:45:46,760 --> 00:45:46,759 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy One Get One 1088 00:45:46,794 --> 00:45:46,793 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy One Get One 75 1089 00:45:46,827 --> 00:45:46,826 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy One Get One 75% 1090 00:45:46,860 --> 00:45:46,859 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy One Get One 75% Of 1091 00:45:48,529 --> 00:45:48,528 NOT A BAD DAY. VO: It's Old Navy's Storewide Buy One Get One 75% Off! 1092 00:45:49,129 --> 00:45:49,128 Buy something! VO: It's Old Navy's Storewide Buy One Get One 75% Off! 1093 00:45:51,298 --> 00:45:51,297 Buy something! And get another something 75% Off! 1094 00:45:54,935 --> 00:45:54,934 Sale ends Sunday. So BO GO before this deal is BO GONE! And get another something 75% Off! 1095 00:45:57,638 --> 00:45:57,637 Sale ends Sunday. So BO GO before this deal is BO GONE! It's Buy One Get One 75% Off! 1096 00:46:46,053 --> 00:46:46,052 Sale ends Sunday. So BO GO before this deal is BO GONE! Ca 1097 00:46:46,086 --> 00:46:46,085 Sale ends Sunday. So BO GO before this deal is BO GONE! Cap 1098 00:46:46,120 --> 00:46:46,119 Sale ends Sunday. So BO GO before this deal is BO GONE! Capit 1099 00:46:46,153 --> 00:46:46,152 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital 1100 00:46:46,186 --> 00:46:46,185 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital O 1101 00:46:46,220 --> 00:46:46,219 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One 1102 00:46:46,253 --> 00:46:46,252 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's 1103 00:46:46,287 --> 00:46:46,286 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's N 1104 00:46:46,353 --> 00:46:46,352 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW 1105 00:46:46,387 --> 00:46:46,386 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW 1106 00:46:46,420 --> 00:46:46,419 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW Ca 1107 00:46:46,453 --> 00:46:46,452 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW Cash 1108 00:46:46,487 --> 00:46:46,486 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW Cash R 1109 00:46:46,520 --> 00:46:46,519 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW Cash Rew 1110 00:46:46,553 --> 00:46:46,552 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW Cash Rewar 1111 00:46:46,587 --> 00:46:46,586 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW Cash Rewards 1112 00:46:46,620 --> 00:46:46,619 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW Cash Rewards C 1113 00:46:46,654 --> 00:46:46,653 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW Cash Rewards Car 1114 00:46:46,720 --> 00:46:46,719 Sale ends Sunday. So BO GO before this deal is BO GONE! Capital One's NEW Cash Rewards Card 1115 00:46:48,555 --> 00:46:48,554 GIVES YOU A 50 PERCENT ANNUAL BONUS. Capital One's NEW Cash Rewards Card 1116 00:46:50,724 --> 00:46:50,723 GIVES YOU A 50 PERCENT ANNUAL BONUS. SO YOU EARN 50 PERCENT MORE CASH. 1117 00:46:54,061 --> 00:46:54,060 IF YOU'RE NOT SATISFIED WITH 50% MORE CASH, SEND IT BACK! SO YOU EARN 50 PERCENT MORE CASH. 1118 00:46:56,497 --> 00:46:56,496 IF YOU'RE NOT SATISFIED WITH 50% MORE CASH, SEND IT BACK! I'LL BE RIGHT HERE, WAITING FOR IT. 1119 00:46:59,133 --> 00:46:59,132 WHO WOULDN'T WANT MORE CASH? I'LL BE RIGHT HERE, WAITING FOR IT. 1120 00:47:00,234 --> 00:47:00,233 WHO WOULDN'T WANT MORE CASH? [ insects chirping ] 1121 00:47:01,201 --> 00:47:01,200 I'LL TAKE IT. [ insects chirping ] 1122 00:47:02,803 --> 00:47:02,802 I'LL TAKE IT. I'LL MAKE IT RAIN UP IN HERE. 1123 00:47:05,306 --> 00:47:05,305 [ Male Announcer ] THE NEW Capital One Cash Rewards Card. I'LL MAKE IT RAIN UP IN HERE. 1124 00:47:09,376 --> 00:47:09,375 [ Male Announcer ] THE NEW Capital One Cash Rewards Card. THE CARD FOR PEOPLE WHO WANT 50% MORE CASH. 1125 00:47:11,145 --> 00:47:11,144 WHAT'S IN YOUR WALLET? THE CARD FOR PEOPLE WHO WANT 50% MORE CASH. 1126 00:47:13,113 --> 00:47:13,112 WHAT'S IN YOUR WALLET? SORRY I'LL CLEAN THIS UP. 1127 00:47:15,582 --> 00:47:15,581 SHOULDN'T HAVE MADE IT RAIN. SORRY I'LL CLEAN THIS UP. 1128 00:47:16,116 --> 00:47:16,115 ♪ SORRY I'LL CLEAN THIS UP. 1129 00:47:16,183 --> 00:47:16,182 ♪ SORRY I'LL CLEAN THIS UP. 1130 00:47:17,818 --> 00:47:17,817 ♪ ♪ SORRY I'LL CLEAN THIS UP. 1131 00:47:20,437 --> 00:47:20,436 ♪ ♪ ♪ HANDS, SHOULDERS, KNEES AND TOES ♪ 1132 00:47:26,160 --> 00:47:26,159 ♪ THIGHS AND HEELS, HIPS, ANKLES AND ELBOWS ♪ ♪ HANDS, SHOULDERS, KNEES AND TOES ♪ 1133 00:47:28,195 --> 00:47:28,194 ♪ THIGHS AND HEELS, HIPS, ANKLES AND ELBOWS ♪ ♪ HANDS, SHOULDERS, KNEES AND TOES ♪ 1134 00:47:29,129 --> 00:47:29,128 [ Female Announcer ] YOUR SKIN ♪ HANDS, SHOULDERS, KNEES AND TOES ♪ 1135 00:47:31,165 --> 00:47:31,164 [ Female Announcer ] YOUR SKIN WILL LOVE THE FRESH FEEL OF THE 100% NATURAL, 1136 00:47:33,967 --> 00:47:33,966 NON-GREASY MOISTURIZERS WILL LOVE THE FRESH FEEL OF THE 100% NATURAL, 1137 00:47:35,302 --> 00:47:35,301 NON-GREASY MOISTURIZERS IN ST. IVES LOTIONS. 1138 00:47:36,470 --> 00:47:36,469 THEY INSTANTLY HELP HEAL, IN ST. IVES LOTIONS. 1139 00:47:37,571 --> 00:47:37,570 THEY INSTANTLY HELP HEAL, SEAL AND SOOTHE 1140 00:47:39,540 --> 00:47:39,539 EVEN THE DRIEST SKIN, SEAL AND SOOTHE 1141 00:47:40,741 --> 00:47:40,740 EVEN THE DRIEST SKIN, FROM HEAD TO TOE. 1142 00:47:42,176 --> 00:47:42,175 ST. IVES. FRESH. FROM HEAD TO TOE. 1143 00:47:43,110 --> 00:47:43,109 ST. IVES. FRESH. BETTER. 1144 00:47:45,179 --> 00:47:45,178 NATURALLY. BETTER. 1145 00:47:46,380 --> 00:47:46,379 NATURALLY. BR 1146 00:47:46,413 --> 00:47:46,412 NATURALLY. BRAD 1147 00:47:46,447 --> 00:47:46,446 NATURALLY. BRAD, 1148 00:47:46,480 --> 00:47:46,479 NATURALLY. BRAD, WH 1149 00:47:46,513 --> 00:47:46,512 NATURALLY. BRAD, WHER 1150 00:47:46,547 --> 00:47:46,546 NATURALLY. BRAD, WHERE 1151 00:47:46,580 --> 00:47:46,579 NATURALLY. BRAD, WHERE WE 1152 00:47:46,613 --> 00:47:46,612 NATURALLY. BRAD, WHERE WE G 1153 00:47:46,647 --> 00:47:46,646 NATURALLY. BRAD, WHERE WE GOI 1154 00:47:46,680 --> 00:47:46,679 NATURALLY. BRAD, WHERE WE GOING 1155 00:47:47,047 --> 00:47:47,046 NATURALLY. BRAD, WHERE WE GOING? 1156 00:47:49,983 --> 00:47:49,982 JUST A SECOND. JUST, JUST ONE SECOND. BRAD, WHERE WE GOING? 1157 00:47:50,818 --> 00:47:50,817 JUST A SECOND. JUST, JUST ONE SECOND. ♪ ♪ 1158 00:47:52,436 --> 00:47:52,435 WHAT ARE YOU LOOKING AT? DON'T LOOK UP THERE. ♪ ♪ 1159 00:47:54,388 --> 00:47:54,387 WHAT ARE YOU LOOKING AT? DON'T LOOK UP THERE. WHY ARE YOU LOOKING UP? 1160 00:47:56,557 --> 00:47:56,556 ♪ ♪ WHY ARE YOU LOOKING UP? 1161 00:47:58,992 --> 00:47:58,991 ♪ ♪ GET OUTTA THE CAR. 1162 00:48:00,594 --> 00:48:00,593 GET OUTTA THE CAR. GET OUTTA THE CAR. 1163 00:48:05,065 --> 00:48:05,064 GET OUTTA THE CAR. ♪ ♪ 1164 00:48:06,433 --> 00:48:06,432 ARE YOU OK? ♪ ♪ 1165 00:48:07,601 --> 00:48:07,600 ARE YOU OK? THE... 1166 00:48:09,436 --> 00:48:09,435 GET IN THE CAR. GET IN THE CAR! THE... 1167 00:48:12,439 --> 00:48:12,438 GET IN THE CAR. GET IN THE CAR! [ Male Announcer ] THE EPA ESTIMATED 42 MPG HIGHWAY 1168 00:48:13,841 --> 00:48:13,840 CHEVY CRUZE ECO. [ Male Announcer ] THE EPA ESTIMATED 42 MPG HIGHWAY 1169 00:48:15,743 --> 00:48:15,742 CHEVY CRUZE ECO. FOR WHEREVER LIFE TAKES YOU. 1170 00:49:39,460 --> 00:49:39,459 ONCE I BRING THE ICE PRINCESS OUT OF SLEEP MODE, FOR WHEREVER LIFE TAKES YOU. 1171 00:49:41,295 --> 00:49:41,294 ONCE I BRING THE ICE PRINCESS OUT OF SLEEP MODE, SHE'S ALL YOURS, DETECTIVE. 1172 00:49:42,596 --> 00:49:42,595 (inhales deeply) SHE'S ALL YOURS, DETECTIVE. 1173 00:49:43,730 --> 00:49:43,729 (inhales deeply) (gasps) 1174 00:49:44,731 --> 00:49:44,730 HI. (gasps) 1175 00:49:45,666 --> 00:49:45,665 HI. EASY. 1176 00:49:46,266 --> 00:49:46,265 (panting) EASY. 1177 00:49:49,002 --> 00:49:49,001 (panting) THE CAPTAIN HASN'T TURNED OFF THE "FASTEN SEAT BELT" SIGN. 1178 00:49:50,571 --> 00:49:50,570 WHERE ARE YOU TAKING ME? THE CAPTAIN HASN'T TURNED OFF THE "FASTEN SEAT BELT" SIGN. 1179 00:49:53,307 --> 00:49:53,306 WHERE ARE YOU TAKING ME? YOU'RE 25,000 FEET ABOVE THE ATLANTIC 1180 00:49:55,676 --> 00:49:55,675 EN ROUTE TO ST. PETERSBURG. YOU'RE 25,000 FEET ABOVE THE ATLANTIC 1181 00:49:57,244 --> 00:49:57,243 EN ROUTE TO ST. PETERSBURG. RIPPING OFF A RUSSIAN CRIME BOSS 1182 00:49:59,913 --> 00:49:59,912 WASN'T EXACTLY THE SMARTEST IDEA. RIPPING OFF A RUSSIAN CRIME BOSS 1183 00:50:02,416 --> 00:50:02,415 WASN'T EXACTLY THE SMARTEST IDEA. PETROVSKI SENT YOU? 1184 00:50:11,191 --> 00:50:11,190 THESE DAYS, HE HIRES PRETTY GIRLS TO DO A MAN'S JOB. PETROVSKI SENT YOU? 1185 00:50:13,794 --> 00:50:13,793 THESE DAYS, HE HIRES PRETTY GIRLS TO DO A MAN'S JOB. YOU HEAR THAT, ABBS? 1186 00:50:15,796 --> 00:50:15,795 SHE CALLED US PRETTY. YOU HEAR THAT, ABBS? 1187 00:50:17,564 --> 00:50:17,563 SHE CALLED US PRETTY. SUCH A SWEETHEART. 1188 00:50:20,400 --> 00:50:20,399 WHATEVER HE'S PAYING YOU, SUCH A SWEETHEART. 1189 00:50:22,502 --> 00:50:22,501 WHATEVER HE'S PAYING YOU, I'LL DOUBLE IT. 1190 00:50:25,839 --> 00:50:25,838 SO TURN THE PLANE AROUND. I'LL DOUBLE IT. 1191 00:50:32,479 --> 00:50:32,478 SO TURN THE PLANE AROUND. RODRIGO GRABBED ONE OF OUR TEAM. WHERE WOULD HE TAKE HER? 1192 00:50:34,631 --> 00:50:34,630 AS SOON AS WE LAND IN MIAMI, RODRIGO GRABBED ONE OF OUR TEAM. WHERE WOULD HE TAKE HER? 1193 00:50:38,619 --> 00:50:38,618 AS SOON AS WE LAND IN MIAMI, I'LL TELL YOU. 1194 00:50:40,621 --> 00:50:40,620 YOU'RE LYING. I'LL TELL YOU. 1195 00:50:42,422 --> 00:50:42,421 YOU'RE LYING. SHE'LL BE DEAD BY THEN. 1196 00:50:46,093 --> 00:50:46,092 IT'S MY BEST OFFER. SHE'LL BE DEAD BY THEN. 1197 00:50:51,098 --> 00:50:51,097 IT'S MY BEST OFFER. HERE'S SOME IN-FLIGHT ENTERTAINMENT. 1198 00:50:54,768 --> 00:50:54,767 IT'S A HOME MOVIE OF THE LAST GUY WHO CROSSED PETROVSKI. HERE'S SOME IN-FLIGHT ENTERTAINMENT. 1199 00:50:56,103 --> 00:50:56,102 IT'S A HOME MOVIE OF THE LAST GUY WHO CROSSED PETROVSKI. HOPE YOU'RE NOT SQUEAMISH. 1200 00:50:58,071 --> 00:50:58,070 (man screaming, gunshots) HOPE YOU'RE NOT SQUEAMISH. 1201 00:50:59,840 --> 00:50:59,839 (man screaming, gunshots) (scoffs) NOW THAT GUY IS AN ARTIST 1202 00:51:01,041 --> 00:51:01,040 WITH A NAIL GUN. (scoffs) NOW THAT GUY IS AN ARTIST 1203 00:51:03,544 --> 00:51:03,543 WITH A NAIL GUN. (screaming continues) 1204 00:51:06,380 --> 00:51:06,379 YOU THINK THAT SCARES ME? HMM? (screaming continues) 1205 00:51:10,550 --> 00:51:10,549 YOU THINK THAT SCARES ME? HMM? WELL, YOU SHOULD HEAR WHAT HE HAS IN STORE FOR YOU. 1206 00:51:12,653 --> 00:51:12,652 (sighs) IF IT MAKES YOU FEEL ANY BETTER, WELL, YOU SHOULD HEAR WHAT HE HAS IN STORE FOR YOU. 1207 00:51:16,657 --> 00:51:16,656 (sighs) IF IT MAKES YOU FEEL ANY BETTER, HE'S ALL BENT UP ABOUT HAVING TO KILL HIS LITTLE BABUSHKA. 1208 00:51:18,592 --> 00:51:18,591 ISN'T THAT WHAT HE USED TO CALL YOU? HE'S ALL BENT UP ABOUT HAVING TO KILL HIS LITTLE BABUSHKA. 1209 00:51:21,094 --> 00:51:21,093 ISN'T THAT WHAT HE USED TO CALL YOU? HOW DID YOU KNOW THAT? 1210 00:51:27,401 --> 00:51:27,400 (speaks Russian) HOW DID YOU KNOW THAT? 1211 00:51:32,940 --> 00:51:32,939 (speaks Russian) ENJOY YOUR FLIGHT. 1212 00:51:35,842 --> 00:51:35,841 OH, WAIT. ENJOY YOUR FLIGHT. 1213 00:51:39,563 --> 00:51:39,562 OH, WAIT. FLAMINGO BOAT YARD. 1214 00:51:42,983 --> 00:51:42,982 HE WOULD HAVE TAKEN YOUR FRIENDS THERE. FLAMINGO BOAT YARD. 1215 00:51:46,186 --> 00:51:46,185 HE WOULD HAVE TAKEN YOUR FRIENDS THERE. OKAY, BOS, IT'S TIME TO BAIL. 1216 00:51:51,925 --> 00:51:51,924 DON'T OPEN THAT DOOR! ARE YOU INSANE? OKAY, BOS, IT'S TIME TO BAIL. 1217 00:51:59,499 --> 00:51:59,498 DON'T OPEN THAT DOOR! ARE YOU INSANE? (gasps) 1218 00:52:01,735 --> 00:52:01,734 HEY, RELAX. (gasps) 1219 00:52:04,037 --> 00:52:04,036 HEY, RELAX. AT LEAST YOU'RE NOT IN COACH. 1220 00:52:11,278 --> 00:52:11,277 (mouths words) AT LEAST YOU'RE NOT IN COACH. 1221 00:52:22,689 --> 00:52:22,688 (mouths words) WHO TOOK NADIA? 1222 00:52:24,491 --> 00:52:24,490 TELL ME WHERE THEY TOOK NADIA. WHO TOOK NADIA? 1223 00:52:28,061 --> 00:52:28,060 TELL ME WHERE THEY TOOK NADIA. WHO TOOK NADIA?! (electricity crackles) 1224 00:52:30,130 --> 00:52:30,129 (screaming) WHO TOOK NADIA?! (electricity crackles) 1225 00:52:32,432 --> 00:52:32,431 (screaming) YOU HAD ENOUGH? HMM? 1226 00:52:33,734 --> 00:52:33,733 (panting) YOU HAD ENOUGH? HMM? 1227 00:52:37,938 --> 00:52:37,937 (panting) JUST... GETTING... WARMED... UP. 1228 00:52:42,376 --> 00:52:42,375 (laughs) JUST GETTING WARMED UP. JUST... GETTING... WARMED... UP. 1229 00:52:53,220 --> 00:52:53,219 (laughs) JUST GETTING WARMED UP. OH, MY GOD. LOOK. 1230 00:52:56,223 --> 00:52:56,222 THIS IS WHERE RODRIGO MUST BE STORING THE GIRLS HE TRAFFICS. OH, MY GOD. LOOK. 1231 00:52:58,158 --> 00:52:58,157 THIS IS WHERE RODRIGO MUST BE STORING THE GIRLS HE TRAFFICS. (Eve screaming, Rodrigo shouting indistinctly) 1232 00:53:01,161 --> 00:53:01,160 EVE'S RUNNING OUT OF TIME. WE GOTTA MOVE NOW. (Eve screaming, Rodrigo shouting indistinctly) 1233 00:53:05,132 --> 00:53:05,131 EVE'S RUNNING OUT OF TIME. WE GOTTA MOVE NOW. NEW PLAN. YOU GET THE GIRLS. I'LL GET EVE. GO. 1234 00:53:07,601 --> 00:53:07,600 UHH! AAH! NEW PLAN. YOU GET THE GIRLS. I'LL GET EVE. GO. 1235 00:53:09,836 --> 00:53:09,835 UHH! AAH! WHO TOOK NADIA?! 1236 00:53:20,514 --> 00:53:20,513 TELL ME WHO TOOK NADIA! WHO TOOK NADIA?! 1237 00:53:23,016 --> 00:53:23,015 TELL ME WHO TOOK NADIA! (grunting and gasping) 1238 00:53:25,585 --> 00:53:25,584 WHO TOOK NADIA? (grunting and gasping) 1239 00:53:28,088 --> 00:53:28,087 WHO TOOK NADIA? (grunts) 1240 00:53:31,958 --> 00:53:31,957 NADIA'S NOT AS TOUGH AS THIS ONE. (grunts) 1241 00:53:32,993 --> 00:53:32,992 NADIA'S NOT AS TOUGH AS THIS ONE. SHE'LL BREAK. 1242 00:53:34,461 --> 00:53:34,460 TIME TO SLASH AND BURN. SHE'LL BREAK. 1243 00:53:36,830 --> 00:53:36,829 TIME TO SLASH AND BURN. AND KILL HER. 1244 00:53:46,506 --> 00:53:46,505 UHH! (grunts) AND KILL HER. 1245 00:53:49,326 --> 00:53:49,325 UHH! (grunts) (grunting) 1246 00:53:54,781 --> 00:53:54,780 (bones crack) (grunting) 1247 00:53:57,784 --> 00:53:57,783 (bones crack) (grunting continues) 1248 00:54:07,994 --> 00:54:07,993 (gun cocks) BOS! (grunting continues) 1249 00:54:08,895 --> 00:54:08,894 (gun cocks) BOS! UHH! 1250 00:54:12,732 --> 00:54:12,731 (all grunting) UHH! 1251 00:54:18,305 --> 00:54:18,304 (all grunting) (bones crack) 1252 00:54:20,941 --> 00:54:20,940 (screams) (bones crack) 1253 00:54:21,658 --> 00:54:21,657 (screams) (grunting continues) 1254 00:54:29,850 --> 00:54:29,849 (metal clanks) (grunting continues) 1255 00:54:47,701 --> 00:54:47,700 (metal clanks) (women scream) 1256 00:54:51,438 --> 00:54:51,437 (women gasping) (women scream) 1257 00:54:53,957 --> 00:54:53,956 (women gasping) (whimpering) 1258 00:54:58,879 --> 00:54:58,878 (speaks Spanish) (whimpering) 1259 00:55:06,553 --> 00:55:06,552 (speaks Spanish) COME ON! 1260 00:55:10,423 --> 00:55:10,422 (crackles) COME ON! 1261 00:55:11,625 --> 00:55:11,624 (crackles) (engine starts) 1262 00:55:14,961 --> 00:55:14,960 (screeching) (engine starts) 1263 00:55:20,400 --> 00:55:20,399 (screeching) (gunshots) 1264 00:55:31,044 --> 00:55:31,043 (grunting) (gunshots) 1265 00:55:40,320 --> 00:55:40,319 (grunting) (moaning) 1266 00:55:43,456 --> 00:55:43,455 YOU'LL SPEND THE REST OF YOUR LIFE IN A CAGE. (moaning) 1267 00:55:46,593 --> 00:55:46,592 YOU'LL SPEND THE REST OF YOUR LIFE IN A CAGE. THAT'S WHAT YOU DESERVE, PAJARO. 1268 00:56:08,348 --> 00:56:08,347 AHA. THAT'S WHAT YOU DESERVE, PAJARO. 1269 00:56:09,516 --> 00:56:09,515 AHA. THOUGHT I MIGHT FIND YOU HERE. 1270 00:56:12,552 --> 00:56:12,551 GLORIA'S UNCLE USED TO OWN THIS GARAGE, RIGHT? THOUGHT I MIGHT FIND YOU HERE. 1271 00:56:16,656 --> 00:56:16,655 GLORIA'S UNCLE USED TO OWN THIS GARAGE, RIGHT? YEAH. I REBUILT MY FIRST ENGINE HERE WHEN I WAS 13. 1272 00:56:20,927 --> 00:56:20,926 BUT YOU'RE NOT HERE TO TALK ABOUT CARS. YEAH. I REBUILT MY FIRST ENGINE HERE WHEN I WAS 13. 1273 00:56:23,430 --> 00:56:23,429 BUT YOU'RE NOT HERE TO TALK ABOUT CARS. CHARLIE TOLD ME HE CALLED YOU. 1274 00:56:26,299 --> 00:56:26,298 CAME BY TO SEE IF YOU'VE CONSIDERED HIS OFFER. CHARLIE TOLD ME HE CALLED YOU. 1275 00:56:27,868 --> 00:56:27,867 CAME BY TO SEE IF YOU'VE CONSIDERED HIS OFFER. YEAH. UM... 1276 00:56:29,336 --> 00:56:29,335 I'M JUST NOT SURE WHY HE'D WANT ME. YEAH. UM... 1277 00:56:31,254 --> 00:56:31,253 I'M JUST NOT SURE WHY HE'D WANT ME. WELL, HE KEEPS HIS CRITERIA CLOSE TO THE VEST. 1278 00:56:35,575 --> 00:56:35,574 MY BET--HE'S IMPRESSED WITH YOUR ABILITIES WELL, HE KEEPS HIS CRITERIA CLOSE TO THE VEST. 1279 00:56:36,610 --> 00:56:36,609 MY BET--HE'S IMPRESSED WITH YOUR ABILITIES TO ADAPT TO SITUATIONS, 1280 00:56:39,012 --> 00:56:39,011 YOUR ABOVE AVERAGE DRIVING SKILLS, TO ADAPT TO SITUATIONS, 1281 00:56:41,414 --> 00:56:41,413 YOUR ABOVE AVERAGE DRIVING SKILLS, AND THE FACT THAT YOUR EMPLOYMENT OPTIONS 1282 00:56:42,649 --> 00:56:42,648 ARE EXTREMELY LIMITED. AND THE FACT THAT YOUR EMPLOYMENT OPTIONS 1283 00:56:46,286 --> 00:56:46,285 ARE EXTREMELY LIMITED. MM, YES, IS THAT HOW HE GOT YOU? 1284 00:56:47,687 --> 00:56:47,686 ♪ MM, YES, IS THAT HOW HE GOT YOU? 1285 00:56:49,956 --> 00:56:49,955 ♪ I WAS STARING AT A 20-YEAR SENTENCE 1286 00:56:51,491 --> 00:56:51,490 FOR TAX FRAUD. I WAS STARING AT A 20-YEAR SENTENCE 1287 00:56:53,393 --> 00:56:53,392 FOR TAX FRAUD. PLANTED A VIRUS IN THE I.R.S. MAINFRAME, 1288 00:56:56,730 --> 00:56:56,729 SKIMMED A PENNY OFF EVERYBODY'S TAX RETURN. PLANTED A VIRUS IN THE I.R.S. MAINFRAME, 1289 00:56:58,698 --> 00:56:58,697 SKIMMED A PENNY OFF EVERYBODY'S TAX RETURN. MY OWN PERSONAL STIMULUS PACKAGE. 1290 00:57:01,101 --> 00:57:01,100 I'VE ALREADY DONE MY TIME, MY OWN PERSONAL STIMULUS PACKAGE. 1291 00:57:03,003 --> 00:57:03,002 I'VE ALREADY DONE MY TIME, AND WORKING FOR A VOICE IN A BOX 1292 00:57:03,853 --> 00:57:03,852 ISN'T REALLY MY STYLE. AND WORKING FOR A VOICE IN A BOX 1293 00:57:07,073 --> 00:57:07,072 ISN'T REALLY MY STYLE. FIRST RULE OF THE TOWNSEND AGENCY-- 1294 00:57:09,376 --> 00:57:09,375 ZERO FACE TIME WITH THE BOSS. FIRST RULE OF THE TOWNSEND AGENCY-- 1295 00:57:12,312 --> 00:57:12,311 ZERO FACE TIME WITH THE BOSS. TELL HIM I APPRECIATE THE OFFER, 1296 00:57:14,514 --> 00:57:14,513 BUT IT'S NOT FOR ME. TELL HIM I APPRECIATE THE OFFER, 1297 00:57:16,016 --> 00:57:16,015 BUT IT'S NOT FOR ME. YOU KNOW WHY CHARLIE CALLS THE WOMEN 1298 00:57:18,919 --> 00:57:18,918 WHO WORK FOR HIM "ANGELS"? YOU KNOW WHY CHARLIE CALLS THE WOMEN 1299 00:57:19,619 --> 00:57:19,618 WHO WORK FOR HIM "ANGELS"? WHY? 1300 00:57:21,655 --> 00:57:21,654 BECAUSE THEY SHOW UP WHEN YOU LEAST EXPECT IT WHY? 1301 00:57:23,957 --> 00:57:23,956 BECAUSE THEY SHOW UP WHEN YOU LEAST EXPECT IT WHEN YOU NEED THEM THE MOST. 1302 00:57:25,759 --> 00:57:25,758 TRUST ME. WHEN YOU NEED THEM THE MOST. 1303 00:57:28,028 --> 00:57:28,027 TRUST ME. I'M NO ANGEL. 1304 00:57:29,596 --> 00:57:29,595 WHY? I'M NO ANGEL. 1305 00:57:30,163 --> 00:57:30,162 WHY? (sighs) 1306 00:57:33,166 --> 00:57:33,165 BECAUSE YOU HAVE A PAST YOU'RE NOT PROUD OF? (sighs) 1307 00:57:35,902 --> 00:57:35,901 BECAUSE YOU HAVE A PAST YOU'RE NOT PROUD OF? LOOK AT THIS AS YOUR SECOND CHANCE, 1308 00:57:37,187 --> 00:57:37,186 LIKE THE ONE YOU GAVE GLORIA. LOOK AT THIS AS YOUR SECOND CHANCE, 1309 00:57:41,374 --> 00:57:41,373 LIKE THE ONE YOU GAVE GLORIA. ♪ 1310 00:57:43,043 --> 00:57:43,042 SHE WAS WITH YOU THE NIGHT YOU WERE ARRESTED, ♪ 1311 00:57:45,945 --> 00:57:45,944 SHE WAS WITH YOU THE NIGHT YOU WERE ARRESTED, BUT YOU LET HER WALK AWAY FROM THE ACCIDENT 1312 00:57:48,214 --> 00:57:48,213 BEFORE THE COPS SHOWED UP. BUT YOU LET HER WALK AWAY FROM THE ACCIDENT 1313 00:57:50,950 --> 00:57:50,949 BEFORE THE COPS SHOWED UP. ♪ 1314 00:57:55,188 --> 00:57:55,187 SHE HAD ALWAYS PROTECTED ME. I WANTED TO PROTECT HER. ♪ 1315 00:57:57,457 --> 00:57:57,456 SHE HAD ALWAYS PROTECTED ME. I WANTED TO PROTECT HER. BESIDES, SHE'S THE ONLY FAMILY I HAD. 1316 00:58:00,260 --> 00:58:00,259 WE'RE A FAMILY, TOO. BESIDES, SHE'S THE ONLY FAMILY I HAD. 1317 00:58:02,495 --> 00:58:02,494 WE'RE A FAMILY, TOO. I THINK YOU COULD USE ONE OF THOSE RIGHT NOW. 1318 00:58:05,231 --> 00:58:05,230 (cell phone rings) I THINK YOU COULD USE ONE OF THOSE RIGHT NOW. 1319 00:58:06,433 --> 00:58:06,432 (cell phone rings) IT'S CHARLIE. 1320 00:58:08,234 --> 00:58:08,233 (ring) IT'S CHARLIE. 1321 00:58:09,019 --> 00:58:09,018 (ring) TAKE MY ADVICE. 1322 00:58:10,570 --> 00:58:10,569 (ring) TAKE MY ADVICE. 1323 00:58:12,539 --> 00:58:12,538 (ring) ANSWER THE CALL. 1324 00:58:15,141 --> 00:58:15,140 (ring) ANSWER THE CALL. 1325 00:58:19,045 --> 00:58:19,044 (ring) (Anjulie) ♪ DON'T NEED YOUR SAD FACE, SORRY, BABY ♪ 1326 00:58:20,447 --> 00:58:20,446 ♪ BUT I MADE UP MY MIND ♪ (Anjulie) ♪ DON'T NEED YOUR SAD FACE, SORRY, BABY ♪ 1327 00:58:22,115 --> 00:58:22,114 ♪ BUT I MADE UP MY MIND ♪ THE HOURS CAN BE LONG. 1328 00:58:24,150 --> 00:58:24,149 AND KATE CAN BE REALLY BOSSY. THE HOURS CAN BE LONG. 1329 00:58:25,885 --> 00:58:25,884 AND KATE CAN BE REALLY BOSSY. OH! AND ABBY WILL OVERSHARE 1330 00:58:26,953 --> 00:58:26,952 AND WANT TO BORROW ALL YOUR CLOTHES. OH! AND ABBY WILL OVERSHARE 1331 00:58:29,222 --> 00:58:29,221 AND WANT TO BORROW ALL YOUR CLOTHES. SHE'S RIGHT, AND I TOTALLY HAVE DIBS ON THOSE SHOES. 1332 00:58:32,592 --> 00:58:32,591 JUST REMEMBER. WE EARN OUR WINGS TOGETHER. SHE'S RIGHT, AND I TOTALLY HAVE DIBS ON THOSE SHOES. 1333 00:58:35,362 --> 00:58:35,361 JUST REMEMBER. WE EARN OUR WINGS TOGETHER. ♪ TURNIN' UP THE, TURNIN' UP THE BEAT ♪ 1334 00:58:37,130 --> 00:58:37,129 I'M READY. ♪ TURNIN' UP THE, TURNIN' UP THE BEAT ♪ 1335 00:58:38,298 --> 00:58:38,297 I'M READY. WELCOME TO THE ANGELS. 1336 00:58:40,166 --> 00:58:40,165 ♪ I'M LIKE A BRAND NEW CHICK ♪ WELCOME TO THE ANGELS. 1337 00:58:41,584 --> 00:58:41,583 ♪ I'M LIKE A BRAND NEW CHICK ♪ SOMEBODY WOULD LIKE TO SAY HELLO. 1338 00:58:43,837 --> 00:58:43,836 (beep) ♪ YOU WOULDN'T RECOGNIZE ME ♪ SOMEBODY WOULD LIKE TO SAY HELLO. 1339 00:58:46,940 --> 00:58:46,939 (beep) ♪ YOU WOULDN'T RECOGNIZE ME ♪ (Charlie) I trust you're all enjoying my yacht. 1340 00:58:47,941 --> 00:58:47,940 IT'S AMAZING. (Charlie) I trust you're all enjoying my yacht. 1341 00:58:49,976 --> 00:58:49,975 IT'S AMAZING. THE ONLY THING WE'RE MISSING IS THE OWNER. 1342 00:58:53,913 --> 00:58:53,912 WE WERE HOPING YOU WOULD DROP IN ON THE CELEBRATION, CHARLIE. THE ONLY THING WE'RE MISSING IS THE OWNER. 1343 00:58:58,585 --> 00:58:58,584 WE WERE HOPING YOU WOULD DROP IN ON THE CELEBRATION, CHARLIE. Not today, Angels, but know I'm always a phone call away. 1344 00:59:00,286 --> 00:59:00,285 CHEERS. (clink) Not today, Angels, but know I'm always a phone call away. 1345 00:59:04,457 --> 00:59:04,456 CHEERS. (clink) ♪ MY FACE TO THE SKY, SUNGLASSES ON ♪ 1346 00:59:06,026 --> 00:59:06,025 ♪ TURNIN' UP THE BEAT ♪ ♪ MY FACE TO THE SKY, SUNGLASSES ON ♪ 1347 00:59:07,594 --> 00:59:07,593 ♪ TURNIN' UP THE BEAT ♪ ♪ SO SICK ♪ 1348 00:59:08,428 --> 00:59:08,427 ♪ YEAH, YEAH ♪ ♪ SO SICK ♪ 1349 00:59:10,030 --> 00:59:10,029 ♪ YEAH, YEAH ♪ ♪ I'M LIKE A BRAND NEW ♪ 1350 00:59:11,898 --> 00:59:11,897 ♪ TURNIN' UP THE, TURNIN' UP THE ♪ ♪ I'M LIKE A BRAND NEW ♪ 1351 00:59:14,284 --> 00:59:14,283 ♪ TURNIN' UP THE, TURNIN' UP THE ♪ ♪ TURNIN' UP THE BEAT SO SICK ♪ 1352 00:59:18,938 --> 00:59:18,937 ♪ I'M LIKE A BRAND NEW CHICK ♪ ♪ TURNIN' UP THE BEAT SO SICK ♪ 1353 00:59:21,741 --> 00:59:21,740 ♪ I'M LIKE A BRAND NEW CHICK ♪ VO 1354 00:59:21,775 --> 00:59:21,774 ♪ I'M LIKE A BRAND NEW CHICK ♪ VO: 1355 00:59:21,808 --> 00:59:21,807 ♪ I'M LIKE A BRAND NEW CHICK ♪ VO: TH 1356 00:59:21,841 --> 00:59:21,840 ♪ I'M LIKE A BRAND NEW CHICK ♪ VO: THIS 1357 00:59:21,875 --> 00:59:21,874 ♪ I'M LIKE A BRAND NEW CHICK ♪ VO: THIS I 1358 00:59:21,908 --> 00:59:21,907 ♪ I'M LIKE A BRAND NEW CHICK ♪ VO: THIS IS 1359 00:59:21,941 --> 00:59:21,940 ♪ I'M LIKE A BRAND NEW CHICK ♪ VO: THIS IS CH 1360 00:59:21,975 --> 00:59:21,974 ♪ I'M LIKE A BRAND NEW CHICK ♪ VO: THIS IS CHER 1361 00:59:22,008 --> 00:59:22,007 ♪ I'M LIKE A BRAND NEW CHICK ♪ VO: THIS IS CHERYL 1362 00:59:22,075 --> 00:59:22,074 ♪ I'M LIKE A BRAND NEW CHICK ♪ VO: THIS IS CHERYL. 1363 00:59:25,278 --> 00:59:25,277 THIS IS HER FOUR-YEAR-OLD COMPUTER SHE DOESN'T THINK SHE NEEDS TO UPDATE. VO: THIS IS CHERYL. 1364 00:59:26,780 --> 00:59:26,779 THIS IS HER FOUR-YEAR-OLD COMPUTER SHE DOESN'T THINK SHE NEEDS TO UPDATE. SO TO SHOW HER WHAT SHE'S MISSING, 1365 00:59:29,916 --> 00:59:29,915 WE BUILT A PC STORE IN HER HOUSE. SO TO SHOW HER WHAT SHE'S MISSING, 1366 00:59:30,850 --> 00:59:30,849 WE BUILT A PC STORE IN HER HOUSE. CHERYL: OH MY GOSH! 1367 00:59:32,085 --> 00:59:32,084 EMPLOYEE: WHAT DO YOU SAY WE GO SHOPPING? CHERYL: OH MY GOSH! 1368 00:59:33,253 --> 00:59:33,252 EMPLOYEE: WHAT DO YOU SAY WE GO SHOPPING? CHERYL: THIS ONE'S VERY COOL. 1369 00:59:34,788 --> 00:59:34,787 CHERYL: WHERE'S THE TOWER FOR THIS? CHERYL: THIS ONE'S VERY COOL. 1370 00:59:36,222 --> 00:59:36,221 CHERYL: WHERE'S THE TOWER FOR THIS? EMPLOYEE: EVERYTHING IS RIGHT HERE. 1371 00:59:36,723 --> 00:59:36,722 CHERYL: OH STOP! EMPLOYEE: EVERYTHING IS RIGHT HERE. 1372 00:59:38,792 --> 00:59:38,791 CHERYL: OH STOP! CHERYL: OKAY... ALRIGHT... 1373 00:59:39,459 --> 00:59:39,458 VERY LIGHT-WEIGHT! CHERYL: OKAY... ALRIGHT... 1374 00:59:40,794 --> 00:59:40,793 VERY LIGHT-WEIGHT! EMPLOYEE: 500GB HARD DRIVE. 1375 00:59:43,229 --> 00:59:43,228 CHERYL: I LIKE THE DVR THING... EMPLOYEE: 500GB HARD DRIVE. 1376 00:59:45,565 --> 00:59:45,564 CHERYL: I LIKE THE DVR THING... I LIKE THIS ONE. 1377 00:59:46,916 --> 00:59:46,915 VO: NEW PC IN THE HOUSE. I LIKE THIS ONE. 1378 00:59:51,304 --> 00:59:51,303 VO: NEW PC IN THE HOUSE. CHERYL: I'M A PC, AND I'M FINALLY UP TO DATE. 1379 00:59:51,938 --> 00:59:51,937 GGGG CHERYL: I'M A PC, AND I'M FINALLY UP TO DATE. 1380 00:59:53,473 --> 00:59:53,472 GGGG PASTA BOWL IS ALMOST OVER. 1381 00:59:54,741 --> 00:59:54,740 FOR JUST $8.95 TRY NEW SAUCES PASTA BOWL IS ALMOST OVER. 1382 00:59:56,609 --> 00:59:56,608 FOR JUST $8.95 TRY NEW SAUCES LIKE ROASTED MUSHROOM PARMESAN 1383 00:59:58,545 --> 00:59:58,544 AND HEARTY PIZZAIOLA MEAT. LIKE ROASTED MUSHROOM PARMESAN 1384 00:59:59,979 --> 00:59:59,978 AND HEARTY PIZZAIOLA MEAT. CHOOSE ALL THE SAUCE AND PASTA COMBINATIONS YOU WANT 1385 01:00:01,848 --> 01:00:01,847 JUST $8.95, CHOOSE ALL THE SAUCE AND PASTA COMBINATIONS YOU WANT 1386 01:00:03,483 --> 01:00:03,482 JUST $8.95, WITH UNLIMITED SALAD AND BREADSTICKS. 1387 01:00:19,449 --> 01:00:19,448 SO HURRY IN TO OLIVE GARDEN. WITH UNLIMITED SALAD AND BREADSTICKS. 1388 01:01:06,012 --> 01:01:06,011 SO HURRY IN TO OLIVE GARDEN. ♪ 1389 01:01:13,186 --> 01:01:13,185 (man) ♪ I LOVE YOU ♪ ♪ 1390 01:01:15,355 --> 01:01:15,354 (man) ♪ I LOVE YOU ♪ ♪ FROM THE BOTTOM OF MY HEART ♪ 1391 01:01:17,090 --> 01:01:17,089 THERE'S NO MILK. ♪ FROM THE BOTTOM OF MY HEART ♪ 1392 01:01:18,358 --> 01:01:18,357 THERE'S NO MILK. OH. 1393 01:01:19,359 --> 01:01:19,358 DAMN, I FORGOT. OH. 1394 01:01:21,628 --> 01:01:21,627 DAMN, I FORGOT. ALL I ASK IS FOR YOU TO GET THE GROCERIES. 1395 01:01:23,463 --> 01:01:23,462 AND I FORGOT. I'M SORRY. ALL I ASK IS FOR YOU TO GET THE GROCERIES. 1396 01:01:26,332 --> 01:01:26,331 AND I FORGOT. I'M SORRY. YOU KNOW, I-I-IT'S NOT LIKE I'M SITTING AROUND. 1397 01:01:27,567 --> 01:01:27,566 I'M--I'M LOOKING FOR A JOB. YOU KNOW, I-I-IT'S NOT LIKE I'M SITTING AROUND. 1398 01:01:29,335 --> 01:01:29,334 I'M--I'M LOOKING FOR A JOB. WELL, NOW WE'RE GONNA HAVE TO STOP FOR COFFEE 1399 01:01:31,037 --> 01:01:31,036 BEFORE YOU DROP ME OFF AT WORK. WELL, NOW WE'RE GONNA HAVE TO STOP FOR COFFEE 1400 01:01:33,072 --> 01:01:33,071 BEFORE YOU DROP ME OFF AT WORK. (Meredith) EVEN GOOD MARRIAGES FAIL. 1401 01:01:35,575 --> 01:01:35,574 ONE MINUTE YOU'RE STANDING ON SOLID GROUND. (Meredith) EVEN GOOD MARRIAGES FAIL. 1402 01:01:39,279 --> 01:01:39,278 ONE MINUTE YOU'RE STANDING ON SOLID GROUND. THE NEXT MINUTE... YOU'RE NOT. 1403 01:01:42,749 --> 01:01:42,748 (crying) THE NEXT MINUTE... YOU'RE NOT. 1404 01:01:43,516 --> 01:01:43,515 (crying) BABY'S UP. 1405 01:01:46,052 --> 01:01:46,051 YOU CHANGE THE DIAPER. I'LL GET THE BOTTLE. BABY'S UP. 1406 01:01:46,786 --> 01:01:46,785 YOU CHANGE THE DIAPER. I'LL GET THE BOTTLE. (crying continues) 1407 01:01:49,322 --> 01:01:49,321 AND THERE'S ALWAYS TWO VERSIONS... (crying continues) 1408 01:01:50,190 --> 01:01:50,189 AND THERE'S ALWAYS TWO VERSIONS... (moans) 1409 01:01:50,740 --> 01:01:50,739 (Zola babbling) (moans) 1410 01:01:52,592 --> 01:01:52,591 (Zola babbling) YOURS... 1411 01:01:55,094 --> 01:01:55,093 ♪ CRASH AND BURN ♪ YOURS... 1412 01:01:56,596 --> 01:01:56,595 ♪ CRASH AND BURN ♪ ♪ YOU NEVER GIVE... ♪